From Wikipedia, the free encyclopedia
Edgar Livingston Kennedy (April 26, 1890 – November 9, 1948) was an American comedic film character actor, known as "Slow Burn". A slow burn is an exasperated facial expression, performed very deliberately; Kennedy embellished this by rubbing his hand over his bald head and across his face, in an attempt to hold his temper. Kennedy is best known for a small role as a lemonade vendor in the Marx Brothers film Duck Soup, as well as the many Hal Roach films he appeared in.
Kennedy became so identified with frustration that practically every studio hired him to play hotheads. He often played dumb cops, detectives, and even a prison warden; sometimes he was a grouchy moving man, truck driver, or blue-collar workman. His character usually lost his temper at least once. In Diplomaniacs, Kennedy presides over an international tribunal, where Wheeler & Woolsey want to do something about world peace. "Well, ya can't do anything about it here", yells Kennedy, "this is a peace conference!" Kennedy, established as the poster boy for frustration, even starred in an instructional film titled The Other Fellow, in which loudmouthed roadhog Edgar always vents his anger on other drivers (each one played by Kennedy as well), little realizing that, to them, he is "the other fellow."
Perhaps his most unusual roles were as a puppeteer in the detective mystery The Falcon Strikes Back and as a philosophical bartender inspired to create exotic cocktails in Harold Lloyd's last film, The Sin of Harold Diddlebock (1947). He also played comical detectives opposite two titans of acting: John Barrymore in Twentieth Century (1934) and Rex Harrison in Unfaithfully Yours (1948); in the latter, he tells conductor Harrison that "Nobody handles Handel like you handle Handel."
Kennedy died of throat cancer at the Motion Picture Hospital, San Fernando Valley on 9 November 1948. His body was interred at the Holy Cross Cemetery, Culver City, Los Angeles County, California.
Sarah Padden was a character actress in theater and vaudeville from Chicago, Illinois. She performed on stage in the early 20th century. She is noted for her expressive voice and for her psychological studies of the characters she portrayed. Her finest single-act performance was in The Clod, a stage production in which she played an uneducated woman who lived on a farm during the American Civil War. Padden was a featured player on the Orpheum Circuit, Inc.. She had a role in His Grace de Grammont, a romantic comedy by Clyde Fitch which came to the Park Theatre in Boston, Massachusetts in September 1905. The production starred Skinner and was based on the life of a chevalier in the court of Charles II. Padden appeared again with Skinner in a four-act play produced by Charles Frohman, The Honor of the Family, by Emile Fabre, which was presented in New Rochelle, New York in September 1907. Another of her theatrical parts was in Hell-Bent Fer Heaven, a Pulitzer Prize-winning play by Hatcher Hughes. It was performed at the Wilkes Orange Grove Theater (Majestic Theater), 845 South Broadway (Los Angeles), in November 1925. She was also an active screen actress from 1926 to 1958, appearing in 178 films and TV shows. In 1938, she played Ma Thayer in MGM's Rich Man Poor Girl, directed by Reinhold Schunzel and starring Robert Young, Ruth Hussey, and Lana Turner. Bill Harrison (Robert Young) a wealthy young businessman moves in with secretary girlfriend Joan Thayer's (Ruth Hussey) eccentric family to convince her they can make their marriage work. In 1941, she played wealthy spinster Aunt Cassandra ("Cassie") Hildegarde Denham in Murder by Invitation, directed by Phil Rosen and starring Wallace Ford and Marian Marsh. In this "closed room" murder comedy, after they unsuccessfully attempt to have her declared legally insane to gain control of her fortune, her nephews and nieces are invited to a week's visit at her mansion where they are murdered one by one.
From Wikipedia, the free encyclopedia
John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Patrick McVey was born on March 17, 1910 in Fort Wayne, Indiana, as Patrick McVeigh. He was an actor, known for Big Town (1950), Manhunt (1959) and North by Northwest (1959). He was married to Courteen Landis. He died on July 6, 1973 in New York City, New York.
