Carmelita and Uncle Matt find themselves in a haunted house, but the "ghosts" are actually enemy agents who are trying to frighten away visitors in order to develop a nitroglycerin bomb.
06-26-1942
1h 15m
THIS
HELLA
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From Wikipedia, the free encyclopedia
Lupe Vélez (July 18, 1908 – December 13, 1944), was a Mexican and American stage and film actress, comedian, dancer and vedette.
Vélez began her career as a performer in Mexican vaudeville in the early 1920s. After moving to the United States, she made her first film appearance in a short film in 1927. By the end of the decade, in the last years of American silent films, she had progressed to leading roles in numerous movies like El Gaucho (1927), Lady of the Pavements (1928) and Wolf Song (1929), among others. She was one of the first successful Latin American actresses in the United States. During the 1930s, her well-known explosive screen persona was exploited in a series of successful films like Hot Pepper (1933), Strictly Dynamite (1934) and Hollywood Party (1934). In the 1940s, Vélez's popularity peaked after appearing in the Mexican Spitfire films, a series created to capitalize on Vélez's well-documented fiery personality.
Nicknamed The Mexican Spitfire by the media, Vélez's personal life was as colorful as her screen persona. She had several highly publicized romances and a stormy marriage. In December 1944, Vélez died of an intentional overdose of Seconal. Her death, and the circumstances surrounding it, have been the subject of speculation and controversy.
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From Wikipedia, the free encyclopedia
Elisabeth Risdon (born Daisy Cartwright Risdon; 26 April 1887 – 20 December 1958) was an English film actress. She appeared in over 140 films between 1913 and 1952. A beauty in her youth, she usually played in society parts. In later years in films she switched to playing character parts.
Born in London, England, Risdon graduated from the Royal Academy of Arts in 1918 with high honours. She attracted the attention of George Bernard Shaw and was cast as the lead in his biggest plays. Besides her performances for Shaw, she was leading lady for actors including George Arliss, Otis Skinner, and William Faversham. She was also under contract to the Theatre Guild for many years.
In later years, she taught drama to patients at a veterans administration hospital near her Brentwood home. She was married to the prolific silent film director George Loane Tucker who left her a widow in 1921. She later married actor Brandon Evans, who died in April 1958. She was the great-aunt of actress Wendy Barrie-Wilson.
Risdon died in December 1958 in St Johns Hospital in Santa Monica, California from a cerebral haemorrhage. Her body was donated to medical science.
From Wikipedia, the free encyclopedia
Donald Hugh MacBride (June 23, 1893 – June 21, 1957) was an American character actor on stage, in films, and on television who launched his career as a teenage singer (making several recordings in 1907) in vaudeville and went on to be an actor on Broadway, where he appeared in Room Service.
He appeared in nearly 140 films between 1914 and 1955. His year of birth is given variously as 1889 or 1893 in the standard reference books, but the latter seems to be the correct one as his New York Times obituary records his age as 63.
MacBride was best known for his portrayal of detectives in crime films. One such role was as Sgt. Roberts in the 1941 comedy Topper Returns, starring Roland Young. He also did several slapstick roles in films with comedians such as the Marx Brothers.
He had the role of Milton J. Clyde on the television version of My Friend Irma.
He was born in Brooklyn, New York, and died in Los Angeles, California. Survivors included his wife and a stepson.
From Wikipedia, the free encyclopedia. Minna Gombell (May 28, 1892 – April 14, 1973) was an American film actress of the 1930s and 1940s.
She appeared in 50 Hollywood films including; Laurel and Hardy's Block-Heads, The Merry Widow, The First Year, Boom Town, High Sierra, Hoop-La, The Thin Man, and The Best Years of Our Lives.
Her third husband was the film writer, producer and director Myron Coureval Fagan.
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Don Barclay (born Donn Van Tassel Barclay, December 26, 1892 – October 16, 1975) was an American actor, artist and caricaturist whose many roles stretched the period from the Keystone Cops in 1915 to Mary Poppins in 1964 and whose many paintings and caricatures of celebrities filled establishments worldwide and are archived in the Library of Congress.
Lillian Randolph (December 14, 1898 – September 12, 1980) was an American actress and singer, a veteran of radio, film, and television. She worked in entertainment from the 1930s until shortly before her death. She appeared in hundreds of radio shows, motion pictures, short subjects, and television shows.
Randolph is most recognized for appearing in It's a Wonderful Life (1946), Magic (1978), and her final onscreen project, The Onion Field (1979). She prominently contributed her voice to the character Mammy Two Shoes in nineteen Tom and Jerry cartoons released between 1940 and 1952.
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Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
