An advertising executive and his temperamental wife sail to Hawaii in search of business. The fifth entry (of eight) in the "Mexican Spitfire" comedy series.
03-13-1942
1h 12m
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Lupe Vélez (July 18, 1908 – December 13, 1944), was a Mexican and American stage and film actress, comedian, dancer and vedette.
Vélez began her career as a performer in Mexican vaudeville in the early 1920s. After moving to the United States, she made her first film appearance in a short film in 1927. By the end of the decade, in the last years of American silent films, she had progressed to leading roles in numerous movies like El Gaucho (1927), Lady of the Pavements (1928) and Wolf Song (1929), among others. She was one of the first successful Latin American actresses in the United States. During the 1930s, her well-known explosive screen persona was exploited in a series of successful films like Hot Pepper (1933), Strictly Dynamite (1934) and Hollywood Party (1934). In the 1940s, Vélez's popularity peaked after appearing in the Mexican Spitfire films, a series created to capitalize on Vélez's well-documented fiery personality.
Nicknamed The Mexican Spitfire by the media, Vélez's personal life was as colorful as her screen persona. She had several highly publicized romances and a stormy marriage. In December 1944, Vélez died of an intentional overdose of Seconal. Her death, and the circumstances surrounding it, have been the subject of speculation and controversy.
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Zasu Pitts was an American actress who starred in many silent dramas and comedies, transitioning successfully to mostly comedy films with the advent of sound films. She may be best known for her performance in Erich von Stroheim's epic silent film Greed.
Based on her performance, von Stroheim labeled Pitts "the greatest dramatic actress". He also featured her in his films The Honeymoon (1928), The Wedding March (1928), War Nurse (1930) and Walking Down Broadway, released as Hello, Sister! (1933). However, for the most part, with the advent of sound Pitts was mostly relegated to comedy parts. A bitter disappointment was when she was replaced in the classic war drama All Quiet on the Western Front (1930) by Beryl Mercer after her initial appearance in previews drew unintentional laughs, despite her intense performance. She had viewers rolling in the aisles in Finn and Hattie (1931), The Guardsman (1931), Blondie of the Follies (1932), Sing and Like It (1934) and Ruggles of Red Gap (1935). In 1936 and 1937 she portrayed Hildegarde Withers in two movies, succeeding Edna May Oliver as the spinster sleuth, but they were not well received.
In the 1950s she started focusing on television. This culminated in her best known series role, playing second banana to Gale Storm on CBS's The Gale Storm Show (1956) (also known as Oh, Susannah) in the role of Elvira Nugent ("Nugie"), the shipboard beautician. In 1961, Pitts was cast opposite Earle Hodgins in the episode "Lonesome's Gal" on the ABC sitcom, Guestward, Ho!, set on a dude ranch in New Mexico. In 1962, Pitts appeared in an episode of CBS's Perry Mason, "The Case of the Absent Artist". Her final role was as Gertie, the switchboard operator in the Stanley Kramer comedy epic It's a Mad, Mad, Mad, Mad World (1963).
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Elisabeth Risdon (born Daisy Cartwright Risdon; 26 April 1887 – 20 December 1958) was an English film actress. She appeared in over 140 films between 1913 and 1952. A beauty in her youth, she usually played in society parts. In later years in films she switched to playing character parts.
Born in London, England, Risdon graduated from the Royal Academy of Arts in 1918 with high honours. She attracted the attention of George Bernard Shaw and was cast as the lead in his biggest plays. Besides her performances for Shaw, she was leading lady for actors including George Arliss, Otis Skinner, and William Faversham. She was also under contract to the Theatre Guild for many years.
In later years, she taught drama to patients at a veterans administration hospital near her Brentwood home. She was married to the prolific silent film director George Loane Tucker who left her a widow in 1921. She later married actor Brandon Evans, who died in April 1958. She was the great-aunt of actress Wendy Barrie-Wilson.
Risdon died in December 1958 in St Johns Hospital in Santa Monica, California from a cerebral haemorrhage. Her body was donated to medical science.
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Florence Bates (born Florence Rabe, April 15, 1888 – January 31, 1954) was an American film and stage character actress who often played grande dame characters in supporting roles.
Her path to becoming an actress had many turns. She had a degree in Mathematics, taught school until married, then became the first Texas female lawyer. Then she became a bilingual radio commentator. After her husband lost her fortune, she and her husband opened a bakery in Los Angeles.
In the mid-1930s, Bates auditioned for and won the role of Miss Bates in a Pasadena Playhouse adaptation of Jane Austen's Emma. When she decided to continue working with the theatre group, she changed her professional name to that of the first character she played on stage. In 1939, she was introduced to Alfred Hitchcock, who cast her in her first major screen role, the vain dowager Mrs. Van Hopper, in Rebecca (1940).
Bates appeared in more than sixty films over the course of the next thirteen years. Among her cinema credits are Kitty Foyle, Love Crazy, The Moon and Sixpence, Mr. Lucky, Heaven Can Wait, Lullaby of Broadway, Mister Big, Since You Went Away, Kismet, Saratoga Trunk, The Secret Life of Walter Mitty, Winter Meeting, I Remember Mama, Portrait of Jennie, A Letter to Three Wives, On the Town, and Les Misérables. In television, Bates had a regular role on The Hank McCune Show and made guest appearances on I Love Lucy, My Little Margie, I Married Joan and Our Miss Brooks.
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Marion Martin (born Marion Suplee, June 7, 1909 – August 13, 1985) was an American movie and stage actress.
Martin was born in Philadelphia, Pennsylvania, the daughter of a Bethlehem Steel executive. She became an actress after her family fortune was lost in the Wall Street Crash of 1929, and appeared in the Broadway productions Lombardi Ltd. and Sweet Adeline.
She made her film debut in She's My Lillie, I'm Her Willie and subsequently played minor roles, often as showgirls. Several of her early roles were in musicals and she achieved some success as a singer. By the end of the decade she had played leading female roles in several "B" pictures, playing one of her most notable roles in James Whale's Sinners in Paradise (1938). Despite her success she was often cast in minor roles in more widely seen films such as His Girl Friday (1940). The majority of her roles were in comedies but she also appeared in dramas such as Boom Town (1940) in which she played a dance hall singer who is briefly romanced by Clark Gable. She played secondary roles in three Lupe Vélez "Mexican Spitfire" films in the early 1940s, and was a comic foil for the Marx Brothers in The Big Store, where the back of her skirt is cut away by Harpo.
She played a ghost in Gildersleeve's Ghost, and was the subject of a legendary fistfight between Gildersleeve star Harold Peary and Warner Bros studio mogul Bud Stevens at the Mocambo nightclub in 1943. Her more substantial roles included Alice Angel, a dizzy showgirl, in the murder mystery Lady of Burlesque with Barbara Stanwyck and Angel on My Shoulder. She also appeared in The Big Street with Lucille Ball, in the western The Woman of the Town with Claire Trevor and in The Great Mike at PRC in 1944.
By the late 1940s, her roles were often minor. Three Stooges fans will remember her as western cowgirl Gladys in Merry Mavericks. She played "Belle Farnol" in a 1950 episode of The Lone Ranger entitled "Pardon for Curley". Shortly afterward, she made her final film appearance in 1952. Married to a physicist, Martin retired, and although she expressed the desire to return to show business, suitable roles were not offered to her.
She was awarded a star on the Hollywood Walk of Fame for her contributions to motion pictures, at 6925 Hollywood Boulevard. She died in 1985 in Santa Monica, California, and was buried in Holy Cross Cemetery in Culver City, California.
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Edward Frank Dunn (March 31, 1896 – May 5, 1951) was an American actor best known for his roles in comedy films, supporting many comedians such as Charley Chase (with whom he co-directed several short films), Charlie Chaplin, W.C. Fields, and Laurel and Hardy. Dunn also appeared as Detective Grimes in several of The Falcon series of films in the 1940s which starred George Sanders and later on Sanders' brother Tom Conway, and in many small and uncredited parts in many feature films until his death in 1951 aged 55.
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Mary Field (June 10, 1909 – June 12, 1996) was an American film actress who primarily appeared in supporting roles. She was born in New York City. As a child she never knew her biological parents. During her infancy she was left outside the doors of a church with a note pinned to her saying that her name was "Olivia Rockefeller". She would later be adopted.
In 1937, she was signed under contract to Warner Bros. Studios and made her film debut in The Prince and the Pauper (1937). Her other screen credits include parts in such films as Jezebel (1938), Cowboy from Brooklyn (1938), The Amazing Dr. Clitterhouse (1938), Eternally Yours (1939), When Tomorrow Comes (1939), Broadway Melody of 1940, Ball of Fire (1941), How Green Was My Valley (1941), Mrs. Miniver (1942), Ministry of Fear (1944), Dark Angel (1946), Out of the Past(1947), Miracle on 34th Street (1947), and Life With Father (1947). During her time in Hollywood she appeared in approximately 103 films.
Her TV credits include parts in Gunsmoke, Wagon Train, and The Loretta Young Show. In 1963, her last acting role was as a Roman Catholic nun in the television series, Going My Way, starring Gene Kelly and modeled after the 1944 Bing Crosby film of the same name. She appeared in several episodes of the television comedy, Topper, as Henrietta Topper's friend Thelma Gibney.