New Yorkers Bill and Connie Fuller have to move from their apartment. Without Bill's knowledge, Connie purchases a delapidated old farmhouse in Pennsylvania, where George Washington was supposed to have actually slept during the American Revolution.
10-30-1942
1h 33m
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Main Cast
Movie Details
Production Info
Director:
William Keighley
Production:
Warner Bros. Pictures
Key Crew
Theatre Play:
George S. Kaufman
Screenplay:
Everett Freeman
Theatre Play:
Moss Hart
Set Decoration:
Casey Roberts
Costume Design:
Orry-Kelly
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jack Benny
Jack Benny (February 14, 1894 – December 26, 1974) was an American comedian, vaudevillian, and actor for radio, television, and film. Widely recognized as one of the leading American entertainers of the 20th century, Benny played the role of the comic penny-pinching miser, insisting on remaining 39 years old on stage despite his actual age, and often playing the violin badly.
Benny was known for his comic timing and his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "Well!" His radio and television programs, tremendously popular from the 1930s to the 1960s, were a foundational influence on the situation comedy genre. Dean Martin, on the celebrity roast for Johnny Carson in November 1973, introduced Benny as "the Satchel Paige of the world of comedy."
Description above from the Wikipedia article Jack Benny, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Ann Sheridan, or Clara Lou Sheridan, (February 21, 1915 - January 21, 1967) was an American actress.
She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
Charles Douville Coburn (June 19, 1877 – August 30, 1961) was an American film and theatre actor. Best known for his work in comedies, Coburn received the Academy Award for Best Supporting Actor for 1943's The More the Merrier.
Coburn was born in Macon, Georgia, the son of Scotch-Irish Americans Emma Louise Sprigman (May 11, 1838 Springfield, Ohio – November 12, 1896 Savannah, Georgia) and Moses Douville Coburn (April 27, 1834 Savannah, Georgia – December 27, 1902 Savannah, Georgia). Growing up in Savannah, he started out at age 14 doing odd jobs at the local Savannah Theater, handing out programs, ushering, or being the doorman. By age 17 or 18, he was the theater manager. He later became an actor, making his debut on Broadway in 1901. Coburn formed an acting company with actress Ivah Wills in 1905. They married in 1906. In addition to managing the company, the couple performed frequently on Broadway.
After his wife's death in 1937, Coburn relocated to Los Angeles, California and began film work. He won an Academy Award for Best Supporting Actor for his role as a retired millionaire playing Cupid in The More the Merrier in 1943. He was also nominated for The Devil and Miss Jones in 1941 and The Green Years in 1946. Other notable film credits include Of Human Hearts (1938), The Lady Eve (1941), Kings Row (1942), The Constant Nymph (1943), Heaven Can Wait (1943), Wilson (1944), Impact (1949), The Paradine Case (1947), Everybody Does It (1950), Has Anybody Seen My Gal? (1952), Monkey Business (1952), Gentlemen Prefer Blondes (1953), and John Paul Jones (1959). He usually played comedic parts, but Kings Row and Wilson were dramatic parts, showing his versatility.
For his contributions to motion pictures, in 1960, Coburn was honored with a star on the Hollywood Walk of Fame at 6268 Hollywood Boulevard.
Description above from the Wikipedia article Charles Coburn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Hattie McDaniel (June 10, 1893 - October 26, 1952) was an American actress whose portrayal of Mammy in Gone with the Wind (1939) won her the Oscar for Best Supporting Actress, making her the first black person to win an Academy Award.
After working as early as the 1910s as a band vocalist, Hattie McDaniel debuted as a maid in The Golden West (1932). Her maid-mammy characters became steadily more assertive, showing up first in Judge Priest (1934) and becoming pronounced in Alice Adams (1935). In this one, directed by George Stevens and aided and abetted by star Katharine Hepburn, she makes it clear she has little use for her employers' pretentious status seeking. By The Mad Miss Manton (1938) the character she portrays actually tells off her socialite employer Barbara Stanwyck and her snooty friends. This path extends into the greatest role of McDaniel's career, Mammy in Gone with the Wind (1939). Mammy is, in a number of ways, superior to most of the white folk surrounding her.
From that point, McDaniel's roles unfortunately descended, with the characters becoming more and more menial. McDaniel played on the "Amos and Andy" and Eddie Cantor radio shows in the 1930s and 1940s, the title character in her own radio show "Beulah" (1947-51), and the same part on TV (Beulah, 1950).
From Wikipedia, the free encyclopedia.
Lee Patrick (November 22, 1901 – November 21, 1982) was an American actress whose career began in 1922 on the New York stage with her role in The Bunch and Judy which headlined Adele Astaire and featured Adele's brother Fred Astaire. Patrick continued to perform in dozens of roles on the stage for the next decade, frequently in musicals and comedies, but also in dramatic parts like her 1931 performance as Meg in Little Women. She began to branch out into films in 1929.
For half a century she created a credible body of cinematic work, her most memorable being in 1941 as Sam Spade's assistant Effie in The Maltese Falcon, and her reprise of the role in the George Segal 1975 comedy sequel The Black Bird. Her talents were showcased in comedies such as the 1942 Jack Benny film George Washington Slept Here and in 1958 as one of the foils of Rosalind Russell in Auntie Mame. Dramatic parts such as an asylum inmate in the 1948 The Snake Pit and as Pamela Tiffin's mother in the 1961 Summer and Smoke were another facet of her repertoire.
She made numerous guest roles in American television, but became a staple for that medium during the two-year run of Topper. As Henrietta Topper, her comedic timing played well against Leo G. Carroll as her husband, and against that of the two ghosts played by Robert Sterling and Anne Jeffreys. Patrick lent her voice to various animated characters of The Alvin Show in the early 1960s.
Description above from the Wikipedia article Lee Patrick (actress), licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Charles Dingle (December 28, 1887, Wabash, Indiana – January 19, 1956, Worcester, Massachusetts) was an American stage and film actor.
Dingle made his Broadway debut in the short-lived drama Killers in 1928. Better roles followed including Duke Theseus in the 1932 revival of A Midsummer Night's Dream and Sheriff Cole in Let Freedom Ring in 1935. He made his musical debut in Irving Berlin's Miss Liberty in 1950.
A veteran of over 50 feature films, he was best noted for portraying hard edged businessmen and villains. He was best known for his role as Ben Hubbard, the crafty eldest member of the Hubbard family in The Little Foxes on both stage and screen, and for his role as Senator Brockway in the film version of Call Me Madam. Critic Bosley Crowther wrote of his performance in The Little Foxes in New York Times of August 22, 1941, "Charles Dingle as brother Ben Hubbard, the oldest and sharpest of the rattlesnake clan, is the perfect villain in respectable garb".[citation needed]
His last stage appearance was in 1954's The Immoralist co-starring with Louis Jourdan, Geraldine Page, and James Dean; it was also Dean's last Broadway appearance.
He was married to actress Dorothy White (1911-2008). Charles Dingle died of a sudden heart attack at age 68. He was cremated and his ashes scattered in Germany. His widow survived him by 52 years.
Harvey Stephens (August 21, 1901 – December 22, 1986) was an American actor, known initially for his performances in Broadway productions, and thereafter for his work in film and on television. He was most active in film beginning in the 1930s and through the mid-1940s. Beginning in the mid-1950s, he transitioned to television and enjoyed success there through the 1960s.
From Wikipedia, the free encyclopedia
Franklin Pangborn (January 23, 1889 – July 20, 1958) was an American comedic character actor famous for playing small but memorable roles with comic flair. He appeared in scores of feature films playing essentially the same character: prissy, polite, elegant, highly energetic, often officious, fastidious, somewhat nervous, prone to becoming flustered but essentially upbeat, and with immediately recognizable high-speed, patter-type speech. He typically played an officious desk clerk in a hotel, a self-important musician, a fastidious headwaiter, an enthusiastic birdwatcher, and the like, and was usually put in a situation of frustration or flustered by the antics of others. Pangborn was an effective foil for many major comedians.
From Wikipedia, the free encyclopedia.
Leon Ames (January 20, 1902 – October 12, 1993) was an American film and television actor. He is best remembered for playing fatherly figures in such films as Meet Me in St. Louis (1944), as Judy Garland's father, and in Little Women (1949).
Description above from the Wikipedia article Leon Ames licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Glen Cavender (September 19, 1883 – February 9, 1962) was an American film actor. He appeared in 259 films between 1914 and 1949.
The Spanish–American War soldier was born in Tucson, Arizona, and died in Hollywood, California. He started his acting career in vaudeville shows. Cavender belonged to the original Keystone Cops and was a regular in numerous Mack Sennett comedies. He also worked as a director for three Mack Sennett films between 1914 and 1916. During the 1920s, Cavender worked for the film studios Educational and Christie and appeared in Buster Keaton's film classic The General (1926) as the antagonistic Union Captain Anderson. The advance of sound film in the late 1920s damaged his career and, formerly a well-known actor, Cavender only played minor roles until his retirement in 1949.
From Wikipedia, the free encyclopedia
Chester Clute (February 18, 1891 – April 2, 1956) was an American actor familiar in scores of Hollywood films from his debut in 1930. Diminutive, bald-pated with a bristling moustache, he appeared in mostly unbilled roles, consisting usually of one or two lines, in nearly 250 films.
He died of a heart attack aged 65. Born Chester Lamont Clute in Orange, New Jersey. He died in Woodland Hills, California and is buried at Valhalla Memorial Park Cemetery.
