Karanina "Nina" Novak, is befriended by Nifty, the leader of a four-piece orchestra, and in return, secures an engagement for them at the Little Aregal Cafe, with herself as the vocalist, by pretending she once knew the King or Aregal back in the old country. Steve shows up pretending to be the King of Aregal, and complicates the growing romance between Nina and Nifty. When Steve runs off with Opa, the real King of Aregal (also Steve) appears and complicates things again.
01-23-1942
1h 8m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Jack Hively
Production:
RKO Radio Pictures
Key Crew
Story:
Monte Brice
Screenplay:
John Twist
Editor:
George Hively
Producer:
John Twist
Director of Photography:
Russell Metty
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Ray Bolger
Ray Bolger began his career in vaudeville. He was half of a team called "Sanford and Bolger" and also did numerous Broadway shows on his own. He, like Gene Kelly, was a song-and-dance man as well as an actor. He was signed to a contract with MGM in 1936 and his first role was as himself in The Great Ziegfeld (1936). This was soon followed by a role opposite Eleanor Powell in Rosalie (1937). His first dancing and singing role was in Sweethearts (1938), where he did the "wooden shoes" number with red-headed soprano/actress Jeanette MacDonald. This got him noticed by MGM producers and resulted in his being cast in his most famous role, that of the Scarecrow in The Wizard of Oz (1939). Surprisingly, even though the film was a success, Bolger's contract with MGM ended. He went to RKO to make Four Jacks and a Jill (1942). After this, Bolger went to Broadway, where he received his greatest satisfaction. In 1953 he turned to television and got his own sitcom, Where's Raymond? (1953), later changed to "The Ray Bolger Show". After his series ended, Bolger made frequent guest appearances on TV and had some small roles in movies. In 1985 he co-hosted That's Dancing! (1985) with Liza Minnelli. Bolger died in 1987 at the age of 83. Interred at Holy Cross Cemetery, Culver City, California, USA, in the Mausoleum, Crypt F2, Block 35.
June Havoc (born Ellen June Evangeline Hovick), was a Canadian American actress, dancer, writer, and stage director.
Havoc was a child vaudeville performer under the tutelage of her mother Rose Thompson Hovick. She later acted on Broadway and in Hollywood, and stage-directed, both on and off-Broadway. She last appeared on television in 1990 in a story arc on the soap opera General Hospital. Her elder sister Louise gravitated to burlesque and became the well-known striptease performer Gypsy Rose Lee.
Following their parents' divorce, the two sisters earned the family's income by appearing in vaudeville, where June's talent often overshadowed Louise's. Baby June got an audition with Alexander Pantages, who had come to Seattle, Washington in 1902 to build theaters up and down the west coast of the United States. Soon, she was launched in vaudeville and also appeared in Hollywood movies. She could not speak until the age of three, but the films were all silent. She would cry for the cameras when her mother told her that the family's dog had died.
In December 1928, Havoc, in an effort to escape her overbearing mother, eloped with Bobby Reed, a boy in the vaudeville act. Weeks later after performing at the Jayhawk Theatre in Topeka, Kansas, Rose reported Reed to the Topeka Police, and he was arrested. Rose had a concealed gun on her when she met Bobby at the police station. She pulled the trigger, but the safety was on. She then physically attacked her soon-to-be new son-in-law, and the police had to pry her off the hapless Reed. June soon married him, leaving both her family and the act. The marriage did not last, but the two remained on friendly terms. June's only child was a daughter, born April Rose Hyde. A marriage license, dated November 30, 1928 for Ellen Hovick and Weldon Hyde, would seem to indicate that Bobby Reed's real name was Weldon Hyde. April became an actress in the 1950s known as April Kent. She predeceased her mother, dying in Paris in 1998.
Desi Arnaz (1917 – 1986) was a Cuban-born American musician, actor and television producer.
While he gained international renown for leading a Latin music band, the Desi Arnaz Orchestra, he is best known for his role as Ricky Ricardo on I Love Lucy, starring with then-wife Lucille Ball.
From Wikipedia, the free encyclopedia.
Eddie Foy Jr. (February 4, 1905 - July 15, 1983) was an American character actor.
Description above from the Wikipedia article Eddie Foy Jr., licensed under CC-BY-SA, full list of contributors on Wikipedia
Fritz Feld was born on October 15, 1900 in Berlin, Germany as Fritz Feilchenfeld. He is known for his work on Bringing Up Baby (1938), Barefoot in the Park (1967) and Hello, Dolly! (1969). He was married to Virginia Christine. He died on November 18, 1993 in Los Angeles, California, USA.
Born in Berlin, Germany, Feld began his acting career in Germany in 1917, making his screen debut in Der Golem und die Tänzerin (The Golem and the Dancing Girl). Feld filmed the sound sequences of the Cecil B. DeMille film The Godless Girl, released by Pathé, without DeMille's supervision since DeMille had already broken his contract with Pathé, and signed with Metro-Goldwyn-Mayer.
He developed a characterization that came to define him. His trademark was to slap his mouth with the palm of his hand to create a "pop!" sound that indicated both his superiority and his annoyance. The first use of the "pop" sound was in If You Knew Susie.
Feld often played the part of a maître d', but also a variety of aristocrats and eccentrics; his characters were indeterminately European, sometimes French and sometimes Belgian but always with his particular mannerisms. In the 1938 screwball comedy Bringing Up Baby he played the role of Dr. Lehman. In 1939 he appeared with the Marx Brothers in At The Circus in the small but memorable role of French orchestra conductor Jardinet. In one 1967 episode of The Man from U.N.C.L.E., "The Napoleon's Tomb Affair", Feld played a banker, a beatnik, a diplomat and a waiter. The episode also featured Ted Cassidy from The Addams Family. In his later years, Feld appeared in several Walt Disney films and also played an uncharacteristically dramatic role in Barfly. In addition to films, he acted in numerous television series in guest roles, including the recurring role of "Zumdish", the manager of the intergalactic Celestial Department Store on Lost In Space, in two Season 2 episodes, The Android Machine and The Toymaker. Zumdish returned in the Season 3 episode Two Weeks In Space, where he has been brainwashed by bank robbers into believing he is a tour director taking the robbers on holiday. He also portrayed one of the Harmonia Gardens waiters in the movie Hello Dolly!
Feld made his final film appearance in 1989.
From Wikipedia, the free encyclopedia
Charles Henry Daniell (5 March 1894 – 31 October 1963) was an English actor who had a long and prestigious career on stage as well as in films. He is perhaps best known for his villainous roles in films like The Great Dictator, The Philadelphia Story and The Sea Hawk. Daniell was given few opportunities to play a 'good guy', including a supporting part as Franz Liszt in the biographical film Song of Love (1947). His last name is sometimes spelled "Daniel".
Daniell's film debut came in 1929 in Jealousy. He appeared as Professor Moriarty in the Basil Rathbone-Nigel Bruce Sherlock Holmes film The Woman in Green (1945). He appeared in other films such as Charlie Chaplin's The Great Dictator (1940) (playing Garbitsch, to sound like "garbage", a parody of Joseph Goebbels), and The Body Snatcher (1945, with Boris Karloff and Bela Lugosi) – as well as two other films in the Sherlock Holmes/Basil Rathbone series: The Voice of Terror (1942) and Sherlock Holmes in Washington (1943) with fellow Moriarty George Zucco.
Daniell played the sleazy Baron de Varville opposite Greta Garbo in Camille (1936). Another early triumph was his portrayal of Cecil in The Private Lives of Elizabeth and Essex (1939). He also played the treacherous Lord Wolfingham (no relation to Francis Walsingham) in The Sea Hawk (1940), fighting Errol Flynn in what is often considered one of the most spectacular sword fighting duels ever filmed. When Michael Curtiz cast him in this film, Henry Daniell initially refused because he couldn't fence. Curtiz accomplished the climactic duel through the use of shadows and over-shoulder shots, with a double fencing Flynn with ingenious inter-cutting of their faces.
Towards the end of the Second World War, he appeared in one of his most memorable film roles, as the cruel Mr. Brocklehurst in Jane Eyre (1944), opposite Joan Fontaine who played Eyre. That same year he appeared in The Suspect as Charles Laughton's blackmailing next-door neighbour. In the 1950s and 1960s, he did much television, and also appeared as the malevolent Dr. Emil Zurich in Edward L. Cahn's The Four Skulls of Jonathan Drake (1959), and in an episode of Maverick, "Pappy" opposite James Garner the same year. An absolute professional, he was always on the set when needed, and impatient when delays in filming took place. Much in demand for his dry, sardonic delivery, Daniell moved easily from big-budget films, such as (uncredited) Mutiny on the Bounty (1962), to television without difficulty. In 1957, Daniell appeared as King Charles II of England in the NBC anthology series The Joseph Cotten Show in the episode "The Trial of Colonel Blood", with Michael Wilding in the title role. In the same year he played the instructing solicitor to Charles Laughton's leading counsel barrister in Witness for the Prosecution (1957).
The actor claimed one of his favourite roles was as Tony Curtis' supervisor in the acclaimed Blake Edwards film Mister Cory (1957) at a time when the actor's career was clearly slowing down, but Daniell retained some of the best and most memorable lines in the movie, "A gentleman never grabs. Manners, Mister Cory. I find them a prerequisite in any circumstance."
Jack Carr (born Frank Carr) was an American actor and animator. While working at Leon Schlesinger's animation studio (that provided cartoons to Warner Bros.), he provided the voice of Buddy from 1933 to 1934.
From Wikipedia
Florence Lake (born Florence Silverlake, November 27, 1904 – April 11, 1980) was an American actress best known as the leading lady in most of the Edgar Kennedy comedy shorts.
Florence was petite, with a high-pitched speaking voice. She perfected a comical singsong delivery that established her in "dumb" roles. She personified flightiness in the Kennedy shorts, as the scatterbrained Mrs. Kennedy. After the series ended upon Kennedy's death in 1948, she continued to play character roles in films and television. Her best-known TV role was Jenny, the Claverton telephone operator in Lassie. Lake played the role for the entire ten year "farm seasons" of the show (1954–1964), thus becoming the Lassie player with the longest tour of duty on the series.
She played the role of Mama Angel in a 1957 episode of the The Lone Ranger TV series entitled "The Angel and the Outlaw". She also appeared in the first color episode of the TV series Superman in 1957 as a cave woman.
In her later years, Lake appeared as Elvira Norton on an episode of Dragnet entitled "Frauds". She also played a blind date for the character Lou Grant on The Mary Tyler Moore Show episode, "Lou's First Date". Her last roles were in the TV series Emergency! and Baretta in 1976.
Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
German born Constantine Romanoff (born Friedrich William Heinrich August Meyer) was, in America, initially a professional wrestler, then became also a screen actor, appearing usually in uncredited roles.
