Conceited World Champion boxer Tommy Lundy decides to test his popularity in a Broadway show. Tommy always has an eye for the ladies and he starts paying attention to beautiful chorus girl Pat Lambert. Pat's boyfriend Bill Smith isn't impressed with Tommy even though Tommy gets him a boxing part in the show. When Tommy finds out that Pat and Bill were secretly together the night before the show opens, he angrily plans to turn the boxing scene with Bill into a real bout.
08-01-1942
1h 20m
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Main Cast
Movie Details
Production Info
Director:
Gregory Ratoff
Writers:
Robert Ellis, Lynn Starling, Helen Logan
Production:
20th Century Fox
Key Crew
Producer:
William LeBaron
Director of Photography:
Lee Garmes
Choreographer:
Hermes Pan
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
John Payne
John Payne was an American stage, screen, and television actor. He is best remembered as a singer in 20th Century Fox musical films and for his roles in Miracle on 34th Street (1947) and the television series The Restless Gun (1957-1959).
Betty Grable (December 18, 1916 – July 2, 1973) was an American actress, pin-up girl, dancer, model, and singer. Grable was enrolled in Clark's Dancing School at the age of three. At age 13, Grable and her mother set out for Hollywood with the hopes of stardom. There she landed several minor parts in films such as Whoopee!, New Movietone Follies of 1930, Happy Days and Let's Go Places.
In 1932, she signed with RKO Radio Pictures. The bit parts continued for the next three years until Grable was cast in By Your Leave. One of her big roles was in College Swing.. When she landed the role of Glenda Crawford in Down Argentine Way, the public finally took notice of her. Stardom came through comedies such as Coney Island and Sweet Rosie O'Grady. Her famous pin-up pose during World War II adorned barracks all around the world. With that pin-up and as the star of lavish musicals, Betty became the highest-paid star in Hollywood in 1947. Later her studio 20th Century-Fox insured her legs for a million dollars.
Betty continued to be popular until the mid-1950s, when musicals went into a decline. Her last film was How to Be Very, Very Popular. She then concentrated on Broadway and nightclubs.
She was married to actor Jackie Coogan (1937–1939) and musician Harry James (1943–1965).
Betty Grable died at age 56 of lung cancer on July 2, 1973.
Victor John Mature was an American stage, film and television actor.
In July 1942 Mature attempted to enlist in the U.S. Navy but was rejected for color blindness. He enlisted in the U.S. Coast Guard after taking a different eye test the same day. He was assigned to the USCGC Storis (WMEC-38), which was doing Greenland patrol work. After 14 months aboard the Storis, Mature was promoted to the rate of Chief Boatswain's Mate. In 1944 he did a series of War Bond tours and acted in morale shows. He assisted Coast Guard recruiting efforts by being a featured player in the musical revue "Tars and Spars" which opened in Miami, Florida in April of 1944 and toured the United States for the next year. In May 1945 Mature was reassigned to the Coast Guard manned troop transport USS Admiral H. T. Mayo (AP-125) which was involved in transferring troops to the Pacific Theater. Mature was honorably discharged from the Coast Guard in November 1945 and he resumed his acting career.
Film career
After the war, Mature was cast by John Ford in My Darling Clementine, playing Doc Holliday opposite Henry Fonda's Wyatt Earp. For the next decade, Mature settled into playing hard-boiled characters in a range of genres such as Westerns and Biblical films, such as The Robe (with Richard Burton and Jean Simmons) and its popular sequel, Demetrius and the Gladiators (with Susan Hayward). Mature also starred with Hedy Lamarr in Cecil B. DeMille's Bible epic, Samson and Delilah (1949) and as Horemheb in The Egyptian (1954) with Jean Simmons and Gene Tierney. He reportedly stated he was successful in Biblical epics because he could "make with the holy look".
He also starred with Esther Williams in Million Dollar Mermaid (1952) and, according to her autobiography, had a romantic relationship with her.
After five years of retirement, he was lured back into acting by the opportunity to parody himself in After the Fox (1966), co-written by Neil Simon. In a similar vein in 1968 he played a giant, The Big Victor, in Head, a potpourri movie starring The Monkees. The character poked fun at both his screen image and, reportedly, RCA Victor who distributed Colgems Records, the Monkees's label. Mature enjoyed the script while admitting it made no sense to him, stating "All I know is it makes me laugh."
Mature was famously self-deprecatory about his acting skills. Once, after being rejected for membership in a country club because he was an actor, he cracked, "I'm not an actor — and I've got sixty-four films to prove it!" He was quoted in 1968 on his acting career: "Actually, I am a golfer. That is my real occupation. I never was an actor. Ask anybody, particularly the critics."
Victor Mature died of leukemia in 1999, at his Rancho Santa Fe, California home, at the age of 86. He was buried in the family plot at St. Michael's Cemetery in his hometown of Louisville.
For his contribution to the motion picture industry, Victor Mature has a star on the Hollywood Walk of Fame located at 6780 Hollywood Blvd.
Jane Wyman (born Sarah Jane Mayfield; January 5, 1917 – September 10, 2007) was an American singer, dancer, and character actress of film and television. She began her film career in the 1930s, and was a prolific performer for two decades. She received an Academy Award for Best Actress for her performance in Johnny Belinda (1948), and later achieved success during the 1980s for her leading role in the television series Falcon Crest.
Wyman was the first wife of Ronald Reagan. They married in 1940 and divorced in 1948, before Reagan ran for public office. She is the only person to have won an Oscar and married a future President of the United States.
Description above from the Wikipedia article Jane Wyman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).
From Wikipedia, the free encyclopedia
June Lang (born Winifred June Vlasek, May 5, 1917 – May 16, 2005) was an American film actress. Born in Minneapolis, Minnesota, the daughter of Edith and Clarence Vlasek, Lang originally trained as a dancer in "kiddie revues" and went to Hollywood at the urging of her mother. She made her film debut in 1931 and caught the eye of Darryl F. Zanuck at 20th Century Fox, gradually securing second lead roles in mostly B movies. Noted for her fragile and demure appearance, she was usually cast as the little sister or the heroine's best friend in light comedies and adventure films. She soon graduated to leading roles, most notably in Bonnie Scotland (with Laurel and Hardy, 1935), in The Road to Glory (with Fredric March, Warner Baxter and Lionel Barrymore—written in part by William Faulkner—1936), and in Wee Willie Winkie (directed by John Ford, with Shirley Temple, Cesar Romero, and Victor McLaglen, 1937).
Frank Orth was an American actor born in Philadelphia. He is probably best remembered for his portrayal of Inspector Faraday in the 1951-1953 television series “Boston Blackie”. By 1897, Orth was performing in vaudeville with his wife, Ann Codee, in an act called “Codee and Orth.” In 1909, he expanded into song writing, with songs such as “The Phone Bell Rang” and “Meet Me on the Boardwalk, Dearie.” His first contact with motion pictures was in 1928, when he was part of the first foreign-language shorts in sound produced by Warner Bros. He and his wife also appeared together in a series of two-reel comedies in the early 1930s. Orth's first major screen credit was in “Prairie Thunder,” a Dick Foran western, in 1937. From then on, he was often cast as bartenders, pharmacists, and grocery clerks, and always distinctly Irish. He had a recurring role in the Dr. Kildare series of films and also in the Nancy Drew series as the befuddled Officer Tweedy. Among his better roles were the newspaper man Cary Grant telephones early in “His Girl Friday,” one of the quartet singing “Gary Owen” in “They Died with Their Boots On” (thereby giving Errol Flynn as Gen. Custer the idea of associating the tune with the 7th Cavalry), and as the little man carrying the sign reading “The End Is Near” throughout Colonel Effingham's Raid. However, Orth is probably best remembered for his portrayal of Inspector Faraday in the 1951-1953 television series “Boston Blackie.” A short, plump, round-faced man, often smoking a cigar, Orth as Faraday wore his own dark-rimmed spectacles, though rarely in feature films. In 1959, Orth retired from show business after throat surgery. His wife died in 1961 after around fifty years of marriage. Orth died on March 17, 1962. He is buried in Forest Lawn Cemetery in the Hollywood Hills next to his wife.
Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
From Wikipedia, the free encyclopedia
Irving Bacon (September 6, 1893 – February 5, 1965) was an American character actor who appeared in almost 500 films.
Bacon played on the stage for a number of years before getting into films in 1920. He was sometimes cast in films directed by Lloyd Bacon (incorrectly named as his brother in some sources) such as The Amazing Dr. Clitterhouse (1938). He often played comical "average guys".
In the late 1930s and early 1940s, he played the weary postman Mr. Crumb in Columbia Pictures' Blondie film series. One of his bigger roles was as a similarly flustered postman in the thriller Cause for Alarm! in 1952.
During the 1950s, Bacon worked steadily in a number of television sitcoms, most notably I Love Lucy, where he appeared in two episodes, one which cast him as Ethel Mertz's father.
