A group of children put on a show in order to prove that a down and out musician was the real composer of a Broadway show's songs.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
Leo Gorcey's parents were actor Bernard Gorcey (born 1888) who stood 4' 10", and Josephine Condon (born 1901), who stood 4' 11" and weighed 95 pounds; they worked in vaudeville in New York. In 1915, 14-year-old Josephine gave birth to Fred. In 1917, Leo was born, a large baby at 12 lb. 3 oz.; as an adult he would be 5' 6". In 1921 his brother David Gorcey was born. In 1935, Leo and David appeared in the stage play "Dead End." In 1937, this was made into a movie, and Leo became one of the busiest actors for the next 20 years -- from 1937-1939 he starred in seven Dead End Kids movies, from 1940-1945 in 21 East Side Kids films, from 1946-1956 in 41 Bowery Boys movies. In 1939, Leo married 17-year-old dancer Kay Marvis, who appeared in four of his movies. They divorced in 1944 after five years of marriage; she went on to marry Groucho Marx. In 1945, Leo married Evalene Bankston; they divorced in 1948. Leo was to have paid her $50,000 in a divorce settlement; however, when two detectives she hired broke into his home, he retaliated by firing his gun at them. They sued, and Leo countersued for illegal entry and won $35,000 back. In 1949, Leo married Amelita Ward, whom he met while filming Smugglers' Cove (1948). Their marriage produced Leo Gorcey Jr. in 1949, and a baby girl they named Jan (after Leo's producer and manager, Jan Grippo) in 1951. They divorced in 1956. That year Leo married his young nanny, Brandy, who was taking care of his two kids. They had a baby girl, Brandy Jo, in 1958. The couple divorced in 1962. Leo went to the altar one last time in February, 1968, marrying Mary Gannon. He stayed married to her until his death from liver failure on June 2, 1969, in Oakland, California.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1940
Rags Ragland was a boxer, then a burlesque comedian and then a Broadway performer before ending up in Hollywood to repeat his stage role as the boisterous sailor in Panama Hattie (1942), in which Ann Sothern played on film the part that had been played on Broadway by Ethel Merman. Ragland, typecast as a good-natured oaf with a knack for fracturing the English language, had as his sole movie employer Metro-Goldwyn-Mayer, in some two dozen of whose lighter vehicles he appeared, in the company of such MGM luminaries as Red Skelton, Lucille Ball, Judy Garland and Gene Kelly. Date of Birth 23 August 1905, Louisville, Kentucky Date of Death 20 August 1946, Los Angeles, California (uremic poisoning)
From Wikipedia, the free encyclopedia Sheldon Leonard Bershad (February 22, 1907 – January 11, 1997) was an American film and television actor, producer, director, and writer. Sheldon Leonard Bershad was born in Manhattan, New York City, the son of middle class Jewish parents Anna Levit and Frank Bershad. He graduated from Syracuse University in 1929. As an actor, Leonard specialized in playing supporting characters, especially gangsters or "heavies", in films such as It's a Wonderful Life (1946; as bartender Nick), To Have and Have Not (1944), Guys and Dolls (1955), and Open Secret (1948). His trademark was his especially thick New York accent, usually delivered from the side of his mouth. In Decoy (1946), Leonard uses his "heavy" persona to create the hard-boiled police detective Joe Portugal. On radio from 1945 to 1955, Leonard played an eccentric racetrack tout on The Jack Benny Program and later in the TV series of the same name. His role was to salute Benny out of the blue in railroad stations, on street corners, or in department stores ("Hey Bud. C'mere a minute."), ask Benny what he was about to do, and then proceed to try to argue him out of his course of action by resorting to inane and irrelevant racing logic. As "The Tout," he never gave out information on horse racing, unless Jack demanded it. One excuse the tout gave was, "Who knows about horses?" Leonard was part of the cast of voice actors on the Damon Runyon Theatre radio show (1948-1949). He was part of the ensemble cast of the Martin and Lewis radio show. He also appeared frequently on The Adventures of the Saint, often playing gangsters and heavies, but also sometimes in more positive roles. Leonard was also a regular on the radio comedy series The Adventures of Maisie in the 1940s. During the 1950s, Leonard provided the voice of lazy fat cat Dodsworth in two Warner Bros. Merrie Melodies cartoons directed by Robert McKimson. In the adventure movie The Iroquois Trail (1950), Leonard played against type in the significant role of Chief Ogane, a Native American warrior, who pursues and fights the frontiersman Nat "Hawkeye" Cutler (George Montgomery) in a climactic duel to the death with knives. Later in the 1950s and 1960s, he established a reputation as a producer of successful television series, including The Danny Thomas Show (aka Make Room For Daddy) (1953–64), The Andy Griffith Show (1960–68), Gomer Pyle U.S.M.C. (1964–69), The Dick Van Dyke Show (1961–66), and I Spy (1965–68). He also directed several TV series episodes, including four of the first eight episodes of the TV series Lassie (Season 1, 1954). Leonard also provided the voice of Linus the Lionhearted in a series of Post Crispy Critters cereal TV commercials in 1963-64, which led to a Linus cartoon series that aired on Saturday (and later, Sunday) mornings on CBS (1964–66) and ABC (1967–69). He also was briefly the star of his own television show Big Eddie (1975), where he played the owner of a large sports arena. The show lasted for only ten episodes.
Henry O'Neill (1891–1961) was an American film actor known for playing gray-haired fathers, lawyers, and similarly roles during the 1930s and 1940s. O'Neill began his acting career on the stage, after dropping out of college to join a traveling theatre company. He served in the military in World War I, then returned to the stage. In the early 1930s he began appearing in films, including The Big Shakedown, Santa Fe Trail, Anchors Aweigh, The Green Years, and The Reckless Moment. His last film was The Wings of Eagles. Henry O'Neill died in 1961 at the age of 69.
Margaret Dumont would probably consider it a tragedy that she is best-known for her performances as the ultimate straight woman in seven of the Marx Brothers' films (including most of their best). By all accounts she never understood their jokes (offscreen and on), which is of course a major reason why she's so funny. Apart from a small role in a 1917 Dickens adaptation, she spent her early career on the stage, ending up with the Marxes in the late 1920s in the stage versions of The Cocoanuts (1929) and Animal Crackers (1930), and was given a Paramount contract at the same time they were. She played similar roles alongside other great comedians, including W.C. Fields, Laurel & Hardy and Jack Benny and also played straight dramatic parts (her chief love), but few of them made much impact - it is as Groucho Marx's foil that she ranks among the immortals, and she died shortly after being reunited with him on "The Hollywood Palace" (1964).
Charles Lane (born Charles Gerstle Levison; January 26, 1905 – July 9, 2007) was an American character actor and centenarian whose career spanned 77 years. Lane gave his last performance at the age of 101 as a narrator in 2006. Lane appeared in many Frank Capra films, including You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Arsenic and Old Lace (1944), It's a Wonderful Life (1946) and Riding High (1950). He was a favored supporting actor of Lucille Ball, who often used him as a no-nonsense authority figure and comedic foe of her scatterbrained TV character on her TV series I Love Lucy, The Lucy–Desi Comedy Hour and The Lucy Show. His first film of more than 250 was as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney. From Wikipedia, the free encyclopedia.
From Wikipedia, the free encyclopedia Ian Wolfe (November 4, 1896 – January 23, 1992) was an American actor whose films date from 1934 to 1990. Until 1934, he worked as a theatre actor. Wolfe mostly found work as a character actor, appearing in over 270 films. He and his wife, Elizabeth, had two daughters. Wolfe was also a veteran of World War I where he served as a medical sergeant in the National Army of the United States. His service number was 2371377. Although American by birth and upbringing, Wolfe was often cast as an Englishman: his stage experience endowed him with precise diction resembling an upper-class British accent. A receding hairline and etched features at a relatively early age allowed him to play older men before he actually grew old. Wolfe found a niche as a soft-spoken learned man, and his over 250 roles included many attorneys, judges, butlers, ministers, professors, and doctors. Wolfe's best-known role may have been in the 1946 movie Bedlam, in which he played a scientist confined to an asylum. Wolfe wrote and self-published two books of poetry Forty-Four Scribbles and a Prayer: Lyrics and Ballads and Sixty Ballads and Lyrics In Search of Music. Of note to science fiction fans, Ian Wolfe appeared in two episodes of the original Star Trek television series: "Bread and Circuses" (1968) as Septimus, and "All Our Yesterdays" (1969) as Mr. Atoz, and portrayed the wizard Traquil in the cult series Wizards and Warriors. In 1982, Wolfe had a small recurring role on the TV series WKRP in Cincinnati as Hirsch, the sarcastic, irreverent butler to WKRP owner Lillian Carlson. Wolfe, who worked until the last couple of years of his life, died January 23, 1992, at age 95, of natural causes. He was cremated. Description above from the Wikipedia article Ian Wolfe, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Barbara Bedford (born Violet May Rose; July 19, 1903 – October 25, 1981) was an American actress who appeared in dozens of silent movies. Her career declined after the introduction of sound, but she continued to appear in small roles until 1945. After high school she set out for Hollywood. She had written many fan letters to actor William S. Hart, and he helped her get a small role in his 1920 movie The Cradle of Courage. While working as an extra that same year on The White Circle, she was noticed by fellow cast member John Gilbert, who recommended her to director Maurice Tourneur. Tourneur cast her alongside Gilbert in Deep Waters. Tourneur also cast her in The Last of the Mohicans, where she was the love interest for Alan Roscoe, whom she later married in real life. In 1925 she appeared opposite Hart in his final film, Tumbleweeds, a key western of the silent period. She starred in the 1926 silent film Old Loves and New and in Mockery with Lon Chaney the following year. When her career declined after the switch to sound, she signed with MGM in 1936 to play bit and extra parts. Her last known film appearance was in 1945.
Symona Ferner Boniface (March 5, 1894 – September 2, 1950) was an American film actress, most frequently seen in bit parts in comedy shorts, mostly at Columbia Pictures, particularly those of The Three Stooges. She appeared in 120 films between 1925 and 1950.
From Wikipedia, the free encyclopedia May McAvoy (September 8, 1899 – April 26, 1984) was an American actress who worked mainly during the silent film era. Some of her major roles are Laura Pennington in The Enchanted Cottage, Esther in Ben-Hur: A Tale of the Christ, and Mary Dale in The Jazz Singer. McAvoy appeared in her first film, entitled Hate, in 1917. After appearing in more than three dozen films, she co-starred with Ramón Novarro and Francis X. Bushman in director Fred Niblo's 1925 production of Ben-Hur, released by MGM. The feature-length film was one of the most lavish and spectacular productions of the silent movie era. Although her voice was not heard in The Jazz Singer, McAvoy did speak in several other films, including the second "all-talkie" released by Warner Brothers, The Terror, which was directed by Roy Del Ruth and co-starred Conrad Nagel. For years a rumor circulated that McAvoy retired from the screen at the transition to sound films because of a lisp or speech impediment. In truth, she married the treasurer of United Artists, who asked her not to work. Later, she returned to films and played small roles during the 1940s and 1950s, making her final film appearance in a small part in the 1959 version of Ben-Hur.
