Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.
04-25-1941
2h 12m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Directors:
Busby Berkeley, Robert Z. Leonard
Production:
Metro-Goldwyn-Mayer
Key Crew
Screenplay:
Sonya Levien
Screenplay:
Marguerite Roberts
Story:
William Anthony McGuire
Producer:
Pandro S. Berman
Songs:
Al Shean
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
James Stewart
James Maitland "Jimmy" Stewart was an American film and stage actor, known for his distinctive voice and his everyman persona. Over the course of his career, he starred in many films widely considered classics and was nominated for five Academy Awards, winning one in competition and receiving one Lifetime Achievement award. He was a major MGM contract star. He also had a noted military career and was a World War II and Vietnam War veteran, who rose to the rank of Brigadier General in the United States Air Force Reserve.
Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image in such classics as Mr. Smith Goes to Washington, The Philadelphia Story, Harvey, It's a Wonderful Life, Shenandoah, Rear Window, Rope, The Man Who Knew Too Much, and Vertigo. He is the most represented leading actor on the AFI's 100 Years…100 Movies (10th Anniversary Edition) and AFI's 10 Top 10 lists. He is also the most represented leading actor on the 100 Greatest Movies of All Time list presented by Entertainment Weekly. As of 2007, ten of his films have been inducted into the United States National Film Registry.
Stewart left his mark on a wide range of film genres, including westerns, suspense thrillers, family films, biographies and screwball comedies. He worked for a number of renowned directors later in his career, most notably Alfred Hitchcock, John Ford, Billy Wilder, Frank Capra, George Cukor, and Anthony Mann. He won many of the industry's highest honors and earned Lifetime Achievement awards from every major film organization. He died at age 89, leaving behind a legacy of classic performances, and is considered one of the finest actors of the "Golden Age of Hollywood". He was named the third Greatest Male Star of All Time by the American Film Institute.
Judy Garland (June 10, 1922 – June 22, 1969) was an American actress and singer. After appearing in vaudeville with her sisters, Garland was signed to Metro-Goldwyn-Mayer. There she made more than two dozen films, including nine with Mickey Rooney and "The Wizard of Oz". After fifteen years, Garland was released from the studio but gained renewed success through concert appearances and later a return to acting.
Through a career, Garland attained international stardom as an actress in musical and dramatic roles, as a recording artist, and on the concert stage. She received a juvenile Academy Award, a Golden Globe Award as well as a Grammy Award, and a Special Tony Award. She was nominated for the Academy Award for Best Actress for "A Star is Born" (1954) and Best Supporting Actress for "Judgement at Nuremberg" (1961). At forty, she was the youngest recipient of the Cecil B. DeMille Award for lifetime achievement in the motion picture industry.
In 1997, Garland was posthumously awarded a Grammy Lifetime Achievement Award. Several of her recordings have been inducted into the Grammy Hall of Fame. In 1999, the American Film Institute placed her among the ten greatest female stars in the history of American cinema.
Hedy Lamarr (born Hedwig Eva Maria Kiesler; November 9, 1914 – January 19, 2000) was an Austrian-born actress and technology inventor. She was a film star during Hollywood's Golden Age.
After a brief early film career in Czechoslovakia, including the controversial Ecstasy (1933), she fled from her first husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938). Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942). Her greatest success was as Delilah in Cecil B. DeMille's Bible-inspired Samson and Delilah (1949). She also acted on television before the release of her final film, The Female Animal (1958). She was honored with a star on the Hollywood Walk of Fame in 1960.
At the beginning of World War II, she and avant-garde composer George Antheil developed a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. This system later became the basis for what is now known as Bluetooth.
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Lana Turner (February 8, 1921 – June 29, 1995) was an American actress. Discovered and signed to a film contract by MGM at the age of sixteen, Turner first attracted attention in They Won't Forget (1937). She played featured roles, often as the ingenue, in such films as Love Finds Andy Hardy (1938). During the early 1940s she established herself as a leading actress in such films as Johnny Eager (1941), Ziegfeld Girl (1941) and Somewhere I'll Find You (1942). She is known as one of the first Hollywood scream queens thanks to her role in the 1941 horror film Dr. Jekyll and Mr. Hyde, and her reputation as a glamorous femme fatale was enhanced by her performance in the film noir The Postman Always Rings Twice (1946). Her popularity continued through the 1950s, in such films as The Bad and the Beautiful (1952) and Peyton Place (1957), for which she was nominated for an Academy Award for Best Actress.
In 1958, her daughter, Cheryl Crane, stabbed Turner's lover Johnny Stompanato to death. A coroner's inquest brought considerable media attention to Turner and concluded that Crane had acted in self defense. Turner's next film, Imitation of Life (1959), proved to be one of the greatest successes of her career, but from the early 1960s her roles were fewer. She gained recognition near the end of her career with a recurring guest role in the television series Falcon Crest during 1982 and 1983. Turner made her final television appearance in 1991, and died from throat cancer in 1995.
Singer of 'I Hear a Rhapsody' (voice) (uncredited)
Jackie Cooper
Served with the Navy in the South Pacific toward the end of World War II. Then, quietly and without publicity or fanfare, compiled one of the most distinguished peacetime military careers of anyone in his profession. In 1961, as his weekly TV series Hennesey (1959) was enhancing naval recruiting efforts, accepted a commission as a line officer in the Naval Reserve with duties in recruitment, training films, and public relations. Holder of a multi-engine pilot license, he later co-piloted jet planes for the Navy, which made him an Honorary Aviator authorized to wear wings of gold-at the time only the third so honored in naval aviation history. By 1976 he had attained the rank of captain, and was in uniform aboard the carrier USS Constellation for the Bicentennial celebration on July 4. In 1980, the Navy proposed a period of active duty at the Pentagon that would have resulted in a promotion to rear admiral, bringing him even with Air Force Reserve Brigadier General James Stewart. Fresh on the heels of a second directing Emmy, he felt his absence would impact achieving a long-held goal of directing motion pictures, and reluctantly declined. (The opportunity in films never materialized.) Holds Letters of Commendation from six secretaries of the Navy. Was honorary chairman of the U.S. Navy Memorial Foundation and a charter member of VIVA, the effort to return POW-MIAs from Vietnam. Upon retirement in 1982, he was decorated with the Legion of Merit by Navy Secretary John F. Lehman Jr.. Other than Stewart, no performer in his industry has achieved a higher uniformed rank in the U.S. military. (Glenn Ford was also a Naval Reserve captain, and director and Captain John Ford was awarded honorary flag rank upon his 1951 retirement from the Naval Reserve).
Ian Hunter (13 June 1900 – 22 September 1975) was a British character actor.
Among dozens of film roles, his best-remembered appearances include That Certain Woman (1937) with Bette Davis, The Adventures of Robin Hood (1938, as King Richard the Lionheart), The Little Princess (1939, as Captain Reginald Crewe) and Dr. Jekyll and Mr. Hyde (1941, as Dr. Lanyon). Hunter returned to the Robin Hood legend in the 1955 TV series The Adventures of Robin Hood in the recurring role of Sir Richard of the Lea.
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Charles Winninger (May 26, 1884 – January 27, 1969) was an American stage and film actor, most often cast in comedies or musicals, but equally at home in dramas.
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Edward Everett Horton Jr. (March 18, 1886 – September 29, 1970) was an American character actor. He had a long career in film, theater, radio, television, and voice work for animated cartoons. Horton began his stage career in 1906, singing and dancing and playing small parts in vaudeville and in Broadway productions. In 1919, he moved to Los Angeles, California, where he began acting in Hollywood films. His first starring role was in the comedy Too Much Business (1922), but he portrayed the lead role of an idealistic young classical composer in the drama Beggar on Horseback (1925). In the late 1920s, he starred in two-reel silent comedies for Educational Pictures, and made the transition to talking pictures with Educational in 1929. As a stage-trained performer, he found more film work easily, and appeared in some of Warner Bros.' early talkies, including The Terror (1928) and Sonny Boy (1929).
Horton initially used his given name, Edward Horton, professionally. His father persuaded him to adopt his full name professionally, reasoning that other actors might be named Edward Horton, but only one named Edward Everett Horton. Horton soon cultivated his own special variation of the time-honored double take (an actor's reaction to something, followed by a delayed, more extreme reaction). In Horton's version, he would smile ingratiatingly and nod in agreement with what just happened; then, when realization set in, his facial features collapsed entirely into a sober, troubled mask.
Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point, and then finally asserted himself for a happy ending. He is best known, however, for his work as a character actor in supporting roles. These include The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934, the first of several Astaire/Rogers films in which Horton appeared), Top Hat (1935), Danger - Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961), It's a Mad, Mad, Mad, Mad World (1963), and Sex and the Single Girl (1964). His last role was in the comedy film Cold Turkey (1971), in which his character communicated only through facial expressions.
Frits van Dongen (1901–1975), born Hein van der Niet and sometimes billed as Philip Dorn, was a Dutch actor who had a career in Hollywood. As a teenager he moved out of his parental home to perform in an amateur theatre group; his stage name Frits van Dongen already dates from that period. In the early 1920s, Van Dongen ended up in the professional stage, but it was not until 1934 that he starred in his first film: 'Op Hoop van Zegen'. This film marked his breakthrough as a film star in the Netherlands: in 1935 he played in 'De Big van het Regiment', 'De Kribbebijter' and 'Op Stap' and in 1936 in 'Rubber'. Van Dongen then left for Berlin to work with the likes of Veit Harlan and star in a number of successful German films.
In 1939 Van Dongen and his second wife, Jewish actress Marianne van Dam, left for the United States at the invitation of director Henry Koster, who had directed Van Dongen in 'De Kribbebijter'. When he was given a seven-year contract at MGM, Van Dongen changed his name to Philip Dorn. After making his American debut in 1940 with 'Enemy Agent', he would frequently be cast as continental lover, anti-Nazi German or refugee. In 1952 he returned to Europe for several German films and a Dutch theatre tour with Lily Bouwmeester. In 1953 he quit acting in films, partly due to speech problems due to a concussion. He retired for the rest of his life in California, where he died.
Eve Arden (born Eunice Mary Quedens; April 30, 1908 – November 12, 1990) was an American film, radio, stage and television actress. Born just north of San Francisco in Mill Valley and was interested in show business from an early age. At 16, she made her stage debut after quitting school to joined a stock company. After appearing in minor roles in two films under her real name, Eunice Quedens, she found that the stage offered her the same minor roles. By the mid 30s, one of these minor roles would attract notice as a comedy sketch in the stage play "Ziegfeld Folies". By that time, she had changed her name to Eve Arden. In 1937, she attracted some attention with a small role in Oh, Doctor (1937) which led to her being cast in a minor role in the film Stage Door (1937). By the time the film was finished, her part had expanded into the wise-cracking, fast-talking friend to the lead. She would play virtually the character for most of her career. While her sophisticated wise-cracking would never make her the lead, she would be a busy actress in dozens of movies over the next dozen years. In At the Circus (1939), she was the acrobatic Peerless Pauline opposite Groucho Marx and the Russian sharp shooter in the comedy The Doughgirls (1944). For her role as Ida in Mildred Pierce (1945), she received an Academy Award nomination. Famous for her quick ripostes, this led to work in Radio during the 40s. In 1948, CBS Radio premiered "Our Miss Brooks", which would be the perfect show for her character. As her film career began to slow, CBS would take the popular radio show to television in 1952. The television series Our Miss Brooks (1952) would run through 1956 and led to he movie Our Miss Brooks (1956). When the show ended, she tried another television series, The Eve Arden Show (1957), but it was soon canceled. In the 60s, Eve raised a family and did a few guest roles, until her come-back television series The Mothers-In-Law (1967). This show, co-starring Kaye Ballard ran for two seasons. After that, she would make more unsold pilots, a couple of television movies and a few guest shots. She returned in occasional cameo appearances including the Principal McGee in Grease (1978), and Warden June in Pandemonium (1982), showing that she still had the wise-cracks and screen presence to bring back the fond memories of Miss Connie Brooks.
From Wikipedia, the free encyclopedia. Felix Bressart (March 2, 1892 – March 17, 1949) was a German-American actor of stage and screen.
Felix Bressart (pronounced "BRESS-ert") was born in East Prussia, Germany (now part of Russia) and was already a very experienced stage actor when he had his film debut in 1928. He started off as a supporting actor, e.g. as the Bailiff in the box-office hit Die Drei von der Tankstelle (1930), but had soon established himself in leading roles of minor movies. After the Nazis seized power in 1933, Jewish-born Bressart had to leave Germany and continued his career in German-speaking movies in Austria, where Jewish artists were still relatively safe. After no fewer than 30 films in eight years, he emigrated to the United States.
One of Bressart's former European colleagues was Joe Pasternak, now a successful Hollywood producer. Bressart's first American film was Three Smart Girls Grow Up (1939), a vehicle for Universal Pictures' top attraction, Deanna Durbin. Pasternak also selected the reliable Bressart to perform in a screen test opposite Pasternak's newest discovery, Gloria Jean. The influential German community in Hollywood helped to establish Bressart in America, as his earliest American movies were directed by Ernst Lubitsch, Henry Koster, and Wilhelm Thiele (director of Die Drei von der Tankstelle).
Bressart scored a great success in Lubitsch's Ninotchka, produced at Metro-Goldwyn-Mayer. MGM signed Bressart to a studio contract in 1939. Most of his MGM work consisted of featured roles in major films like Edison, the Man.
He combined his mildly inflected East European accent with a soft-spoken delivery to create kindly, friendly characters, as in Lubitsch's To Be or Not to Be, in which he sensitively recites Shylock's famous "Hath not a Jew eyes?" speech from The Merchant of Venice. Lubitsch also directed Bressart to similar effect in The Shop Around the Corner.
Bressart soon became a popular character actor in films like Blossoms in the Dust (1941), The Seventh Cross (1944), and Without Love (1945). Perhaps his largest role was in RKO Radio Pictures' "B" musical comedy Ding Dong Williams, filmed in 1945. Bressart, billed third, played the bemused supervisor of a movie studio's music department, and appeared in formal wear to conduct Chopin's "Fantasie Impromptu."
After almost 40 Hollywood pictures, Felix Bressart suddenly died of leukemia at the age of 57. His last film was My Friend Irma (1949), the movie version of a popular radio show. Bressart died during production, forcing the producers to finish the film with Hans Conried. In the final film, Conried speaks throughout, but Bressart is still seen in the long shots.
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Ed McNamara was mainly known for his work as a stage actor, but he also had a remarkable career in radio drama. In 1986, he received a nomination for the prestigious Genie Award for his outstanding performance as Philip Longlan in Bayo. Although he didn't win the award, the Academy of Canadian Cinema and Television recognized his contributions by presenting him with the inaugural Earle Grey Award for Lifetime Achievement.
Mae Busch, born Annie May Busch, was an Australian stage and screen actress. Her first film appearances were in The Agitator and The Water Nymph, both released in 1912. At the pinnacle of her film career, Busch was known as the versatile vamp.
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Renie Riano (August 7, 1899 – July 3, 1971) was an English-born American actress who, with the exception of the Jiggs and Maggie comedies, had minor roles in 1940s-1950s films.
She was the daughter of Irene Riano (1871–1940), the daughter of Joseph Rice, a Philadelphia theatre owner, who, in the early 1890s, married vaudeville acrobat Robert Riano (b. 1867, Yonkers, New York – 1909, New York City). Irene Riano was a stage actress, the sole female member of vaudeville's popular Four Rianos acrobatic act, eccentric acrobat act which toured the world in vaudeville, variety and music halls, and the mother of actress Renie Riano. Irene was the daughter of Joseph Rice, a Philadelphia theatre owner. In the early 1890s, she married vaudeville acrobat Robert Riano (b. 1867, Yonkers, New York – 1909, New York City) who organised the famous "Four Rianos" eccentric acrobat act which toured the world in vaudeville, variety and music halls.
John Alban was born on January 2, 1903 in Pennsylvania, USA. He was an actor known for The Postman Always Rings Twice (1946), Till the Clouds Roll By (1946) and Gunga Din (1939). He was married to Renee Evans and Pauline Garon. He died on August 9, 1978 in Los Angeles, California, USA
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Roscoe Ates (January 20, 1895 – March 1, 1962) was an American vaudeville performer, actor of stage and screen, comedian and musician who primarily was featured in western films and television. He was best known as western character Soapy Jones.
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William King Baggot (November 7, 1879 – July 11, 1948) was an American actor, film director and screenwriter. He was an internationally famous movie star of the silent film era. The first individually publicized leading man in America, Baggot was referred to as "King of the Movies", "The Most Photographed Man in the World", and "The Man Whose Face Is As Familiar As The Man In The Moon".
Baggot appeared in over 300 motion pictures from 1909 to 1947, wrote 18 screenplays, and directed 45 movies from 1912 to 1928, including The Lie (1912), Raffles: The Amateur Cracksman (1925), and The House of Scandal (1928). He also directed William S. Hart in his most famous western, Tumbleweeds (1925).
Among his film appearances, Baggot was best known for The Scarlet Letter (1911), Dr. Jekyll and Mr. Hyde (1913), and Ivanhoe (1913).
Baggot began his career on the stage, in a Shakespearean stock company, and toured throughout the U.S.
While acting in stock in St. Louis in 1909, he was cast as supporting player in the Schubert touring production of The Wishing Ring. When The Wishing Ring closed in Chicago, Baggot returned to New York to join another company. Upon a chance meeting with Harry Solter, who was directing movies for Carl Laemmle at Independent Moving Pictures Company (IMP), he was persuaded to go with Solter to the studio. Baggot became interested in the fledgling industry and decided to turn picture player.
His first film was the romance short The Awakening of Bess (1909) opposite Florence Lawrence. It was directed by Harry Solter, her husband, at IMP in Fort Lee, New Jersey. At a time when screen actors worked anonymously, Baggot and Lawrence became the first "movie stars" to be given billing, a marquee, and promotion in advertising.
Baggot starred in at least 42 movies opposite Lawrence from 1909 to 1911. In the latter year, he starred in at least 16 movies with Mary Pickford.
He also began writing screenplays and directing, all the while becoming a major star internationally. When he appeared "in person" at theatres he was mobbed at stage doors.
By 1912, he was so famous that when he took the leading part in forming the prestigious Screen Club in New York, the first organization of its kind strictly for movie people, he was the natural choice for its first president.
King Baggot died in Los Angeles, California in 1948, age 68.
For his contributions to the film industry, Baggot received a motion pictures star on the Hollywood Walk of Fame in 1960. His star is located at 6312 Hollywood Boulevard.
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Olivia Joyce Compton (January 27, 1907 – October 13, 1997) was an American actress. Compton was born in Lexington, Kentucky. (Despite frequent reports to the contrary, her name was not originally "Eleanor Hunt"; she had appeared in the film Good Sport (1931) with Hunt and this confusion in an early press article followed Compton throughout her career.) After graduating high school she spent two years studying at the University of Tulsa, studying dramatics, art, music and dancing. She won a personality and beauty contest and spent two months in a film studio as an extra.
Compton first made a name for herself when she was named one of the WAMPAS Baby Stars in 1926, alongside Mary Brian, Dolores Costello, Joan Crawford, Dolores del Río, Janet Gaynor and Fay Wray. Compton appeared in a long string of mostly B-movies from the 1920s through the 1950s. She was a comedy actress and protested at being stereotyped as a "dumb blonde".
Among her over two hundred films were Imitation of Life, Magnificent Obsession, The Awful Truth, Mildred Pierce, and The Best Years of Our Lives.
A devout Christian, on her gravestone, just beneath her dates of birth and death, is written "Christian Actress". She died from natural causes, aged 90, and was buried in Forest Lawn Memorial Park in the Hollywood Hills.
American character actor whose career lasted nearly half a century. James Wilson Flavin Jr. was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Irish immigrant. (Thus Flavin, well-known in Hollywood as an "Irish" type, was only one-quarter Irish.) Flavin was born and raised in Portland, Maine (a fact that may have enrichened his later working relationship with director John Ford, also a Portland native). He attended the United States Military Academy at West Point, but (contrary to some sources) did not graduate. Instead he dropped out and returned to Portland where he drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 he was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to go with the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time (his Broadway debut would not occur for another thirty-nine years, in the 1971 revival of "The Front Page," in which Flavin played Murphy and briefly took over the lead role of Walter Burns from star Robert Ryan). He worked his way across the country in stock productions and tours, arriving in Los Angeles around 1932. He quickly made the transition to movies, landing the lead in his very first film, a Universal serial, The Airmail Mystery (1932). He also landed his leading lady, marrying the serial's female star Lucile Browne that same year. However, the serial marked virtually the last time that Flavin would play the lead in a film. Thereafter, he was restricted almost exclusively to supporting characters, many of them without so much as a name. He specialized in uniformed cops and hard-bitten detectives, but played chauffeurs, cabbies, and even a 16th-century palace guard with aplomb. Flavin appeared in nearly four hundred films between 1932 and 1971, and in almost a hundred television episodes before his final appearance, as President Dwight D. Eisenhower in Francis Gary Powers: The True Story of the U-2 Spy Incident (1976). Flavin died of a heart ailment at Cedars-Sinai Medical Center in Los Angeles on April 23, 1976. His widow Lucile died seventeen days later. They were survived by their son, William James Flavin, subsequently a professor at the United States Army War College. James and Lucile Brown Flavin were buried at Holy Cross Cemetery in Culver City, California.
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Bess Flowers (November 23, 1898 – July 28, 1984) was an American actress. By some counts considered the most prolific actress in the history of Hollywood, she was known as "The Queen of the Hollywood Extras," appearing in over 700 movies in her 41 year career.
Born in Sherman, Texas, Flowers's film debut came in 1923, when she appeared in Hollywood. She made three films that year, and then began working extensively. Many of her appearances are uncredited, as she generally played non-speaking roles.
By the 1930s, Flowers was in constant demand. Her appearances ranged from Alfred Hitchcock and John Ford thrillers to comedic roles alongside of Charley Chase, the Three Stooges, Leon Errol, Edgar Kennedy, and Laurel and Hardy.
She appeared in the following five films which won the Academy Award for Best Picture: It Happened One Night, You Can't Take it with You, All About Eve, The Greatest Show on Earth, and Around the World in Eighty Days. In each of these movies, Flowers was uncredited. Including these five movies, she had appeared in twenty-three Best Picture nominees in total, making her the record holder for most appearances in films nominated for the award. Her last movie was Good Neighbor Sam in 1964.
Flowers's acting career was not confined to feature films. She was also seen in many episodic American TV series, such as I Love Lucy, notably in episodes, "Lucy Is Enceinte" (1952), "Ethel's Birthday" (1955), and "Lucy's Night in Town" (1957), where she is usually seen as a theatre patron.
Outside her acting career, in 1945, Bess Flowers helped to found the Screen Extras Guild (active: 1946-1992, then merged with SAG), where she served as one of its first vice-presidents and recording secretaries.
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Reed Hadley (June 25, 1911 – December 11, 1974) was an American movie, television and radio actor.
Reed Hadley was born Reed Herring in Petrolia in Clay County near Wichita Falls, Texas, to Bert Herring, an oil well driller, and his wife Minnie. Hadley had one sister, Bess Brenner. He was reared in Buffalo, New York. He graduated from Bennett High School in Buffalo and was involved in local theater with the Studio Arena Theater. Hadley and his wife, Helen, had one son, Dale. Before moving to Hollywood, he acted in Hamlet on stage in New York City.
Throughout his thirty-five-year career in film, Hadley was cast as both a villain and a hero of the law, in such movies as The Baron of Arizona (1950), The Half-Breed (1952), Highway Dragnet (1954) and Big House, USA (1955). With his bass voice, he narrated a number of documentaries. He starred in two television series, Racket Squad (1950–1953) as Captain Braddock, and The Public Defender (1954–1955) as Bart Matthews, a fictional attorney for the indigent. Hadley also worked on the Red Ryder radio show during the 1940s, being the first actor to portray the title character. In films, among other things, he starred as Zorro in the 1939 serial Zorro's Fighting Legion. He is immortalized on the Hollywood Walk of Fame for his television work.
He was the voice of cowboy hero Red Ryder on radio and the narrator of several Department of Defense films: "Operation Ivy", about the first hydrogen bomb test, Ivy Mike, "Military Participation on Tumbler/Snapper"; "Military Participation on Buster Jangle"; and "Operation Upshot-Knothole" all of which were produced by Lookout Mountain studios. The films were originally intended for internal military use, but have been "sanitized", edited, and de-classified, and are now available to the public. During the period he narrated these films, Hadley held a Top Secret security clearance.
Hadley also served as the narrator on various Hollywood films, including House on 92nd Street (1945), Call Northside 777 (1947) and Boomerang (1947).
He died at age 63 on December 11, 1974, in Los Angeles, California, of a heart attack. He is buried at Forest Lawn Memorial Park in the Hollywood Hills.
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Al Hill (July 14, 1892 – July 14, 1954) was an American film character actor who appeared in over 320 films between 1927 and 1954, including the 1951 film The Girl on the Bridge. Hill died in 1954 on his 62nd birthday.
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Armand Kali(s)z (October 23, 1882 or 1883 - February 1, 1941) was a French born American film actor of the silent film and early sound period of the 1930s. Born in Paris, or in Warsaw, Poland Kaliz was a headliner in vaudeville.
He arrived in the USA in 1907. His Broadway debut came in The Hoyden (1907). His other plays on Broadway included The Kiss Burglar (1918) and Spice of 1922 (1922).
He appeared in films such as The Temptress (1926) with actresses such as Greta Garbo, making some 82 film appearances between 1917 and 1941. After 1933, the majority of his small roles in films went uncredited.
Bert Moorhouse was born on November 20, 1894 in Chicago, Illinois, USA as Herbert Green Moorhouse. He was an actor, known for Rough Ridin' Red (1928), Hey Rube! (1928) and The Woman I Love (1929). He was married to Mary. He died on January 26, 1954 in Hollywood, California, USA.
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Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'."
In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula.
In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.
Lawrence Wells Steers (February 14, 1888 – February 15, 1951) was an American film actor. He appeared in more than 550 films between 1917 and 1951. He was born in Indiana, and died in Woodland Hills, Los Angeles.
Description above from the Wikipedia article Larry Steers, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Betty Van Allen (March 17, 1927 – June 22, 2009) was an American operatic mezzo-soprano who had an active international singing career during the 1950s through the 1970s. In the latter part of her career her voice acquired a contralto-like darkening, which can be heard on her recording of Sergei Prokofiev’s Alexander Nevsky with conductor Eugene Ormandy and the Philadelphia Orchestra. She was known for her collaborations with American composers, such as Leonard Bernstein, Aaron Copland, David Diamond, Ned Rorem, and Virgil Thomson among others.
Allen was part of the first generation of black opera singers to achieve wide success and is viewed as part of an instrumental group of performers who helped break down the barriers of racial prejudice in the opera world. She was greatly admired by Bernstein and the conductor notably chose her to be the featured soloist for his final performances as music director of the New York Philharmonic in 1973. After her singing career ended, she became a lauded voice teacher and arts administrator.
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Born Jean Walasek in Chicago to John T. Walasek and Mary A. Walasek (née Sharkey), Wallace began her career as a model then got her first small movie role at the age of seventeen. She was married two times; once to her Jigsaw co-star Franchot Tone from 1941 to 1948 and once to actor Cornel Wilde (her co-star in The Big Combo and Lancelot and Guinevere) from 1951 to 1981. She had two sons with Tone and one with Wilde. She attempted suicide in 1946 with sleeping pills, and in 1949 with a self inflicted knife wound.
Wallace died of a gastrointestinal hemorrhage on February 14, 1990. She is buried in Hollywood Forever Cemetery.
Description above from the Wikipedia article Jean Wallace, licensed under CC-BY-SA, full list of contributors on Wikipedia
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Gayne Whitman (born Alfred D. Vosburgh; March 19, 1890 – August 31, 1958) was an American radio and film actor. He appeared in 213 films between 1904 and 1957. In some early films he was credited under his birth name. He was born in Chicago, Illinois.
As Alfred Vosburgh, he was the leading man in the film Princess of the Dark (1917). Soon after that, he changed his screen name to Alfred Whitman because "1917 was not a good time to have a German sounding name."
Beginning in 1921, Whitman acted at the Morosco Theater in Los Angeles. He returned to films in 1925 when he received a contract with Warner Bros.
On radio, Whitman played the title role in Chandu the Magician, was the narrator on Lassie and Strange as It Seems, and was an announcer on Paducah Plantation and other programs.
