From Wikipedia, the free encyclopedia
Lupe Vélez (July 18, 1908 – December 13, 1944), was a Mexican and American stage and film actress, comedian, dancer and vedette.
Vélez began her career as a performer in Mexican vaudeville in the early 1920s. After moving to the United States, she made her first film appearance in a short film in 1927. By the end of the decade, in the last years of American silent films, she had progressed to leading roles in numerous movies like El Gaucho (1927), Lady of the Pavements (1928) and Wolf Song (1929), among others. She was one of the first successful Latin American actresses in the United States. During the 1930s, her well-known explosive screen persona was exploited in a series of successful films like Hot Pepper (1933), Strictly Dynamite (1934) and Hollywood Party (1934). In the 1940s, Vélez's popularity peaked after appearing in the Mexican Spitfire films, a series created to capitalize on Vélez's well-documented fiery personality.
Nicknamed The Mexican Spitfire by the media, Vélez's personal life was as colorful as her screen persona. She had several highly publicized romances and a stormy marriage. In December 1944, Vélez died of an intentional overdose of Seconal. Her death, and the circumstances surrounding it, have been the subject of speculation and controversy.
Description
above from the Wikipedia article Lupe Vélez licensed
under CC-BY-SA, full list of contributors on Wikipedia.
Zasu Pitts was an American actress who starred in many silent dramas and comedies, transitioning successfully to mostly comedy films with the advent of sound films. She may be best known for her performance in Erich von Stroheim's epic silent film Greed.
Based on her performance, von Stroheim labeled Pitts "the greatest dramatic actress". He also featured her in his films The Honeymoon (1928), The Wedding March (1928), War Nurse (1930) and Walking Down Broadway, released as Hello, Sister! (1933). However, for the most part, with the advent of sound Pitts was mostly relegated to comedy parts. A bitter disappointment was when she was replaced in the classic war drama All Quiet on the Western Front (1930) by Beryl Mercer after her initial appearance in previews drew unintentional laughs, despite her intense performance. She had viewers rolling in the aisles in Finn and Hattie (1931), The Guardsman (1931), Blondie of the Follies (1932), Sing and Like It (1934) and Ruggles of Red Gap (1935). In 1936 and 1937 she portrayed Hildegarde Withers in two movies, succeeding Edna May Oliver as the spinster sleuth, but they were not well received.
In the 1950s she started focusing on television. This culminated in her best known series role, playing second banana to Gale Storm on CBS's The Gale Storm Show (1956) (also known as Oh, Susannah) in the role of Elvira Nugent ("Nugie"), the shipboard beautician. In 1961, Pitts was cast opposite Earle Hodgins in the episode "Lonesome's Gal" on the ABC sitcom, Guestward, Ho!, set on a dude ranch in New Mexico. In 1962, Pitts appeared in an episode of CBS's Perry Mason, "The Case of the Absent Artist". Her final role was as Gertie, the switchboard operator in the Stanley Kramer comedy epic It's a Mad, Mad, Mad, Mad World (1963).
From Wikipedia, the free encyclopedia
Elisabeth Risdon (born Daisy Cartwright Risdon; 26 April 1887 – 20 December 1958) was an English film actress. She appeared in over 140 films between 1913 and 1952. A beauty in her youth, she usually played in society parts. In later years in films she switched to playing character parts.
Born in London, England, Risdon graduated from the Royal Academy of Arts in 1918 with high honours. She attracted the attention of George Bernard Shaw and was cast as the lead in his biggest plays. Besides her performances for Shaw, she was leading lady for actors including George Arliss, Otis Skinner, and William Faversham. She was also under contract to the Theatre Guild for many years.
In later years, she taught drama to patients at a veterans administration hospital near her Brentwood home. She was married to the prolific silent film director George Loane Tucker who left her a widow in 1921. She later married actor Brandon Evans, who died in April 1958. She was the great-aunt of actress Wendy Barrie-Wilson.
Risdon died in December 1958 in St Johns Hospital in Santa Monica, California from a cerebral haemorrhage. Her body was donated to medical science.
Fritz Feld was born on October 15, 1900 in Berlin, Germany as Fritz Feilchenfeld. He is known for his work on Bringing Up Baby (1938), Barefoot in the Park (1967) and Hello, Dolly! (1969). He was married to Virginia Christine. He died on November 18, 1993 in Los Angeles, California, USA.
Born in Berlin, Germany, Feld began his acting career in Germany in 1917, making his screen debut in Der Golem und die Tänzerin (The Golem and the Dancing Girl). Feld filmed the sound sequences of the Cecil B. DeMille film The Godless Girl, released by Pathé, without DeMille's supervision since DeMille had already broken his contract with Pathé, and signed with Metro-Goldwyn-Mayer.
He developed a characterization that came to define him. His trademark was to slap his mouth with the palm of his hand to create a "pop!" sound that indicated both his superiority and his annoyance. The first use of the "pop" sound was in If You Knew Susie.
Feld often played the part of a maître d', but also a variety of aristocrats and eccentrics; his characters were indeterminately European, sometimes French and sometimes Belgian but always with his particular mannerisms. In the 1938 screwball comedy Bringing Up Baby he played the role of Dr. Lehman. In 1939 he appeared with the Marx Brothers in At The Circus in the small but memorable role of French orchestra conductor Jardinet. In one 1967 episode of The Man from U.N.C.L.E., "The Napoleon's Tomb Affair", Feld played a banker, a beatnik, a diplomat and a waiter. The episode also featured Ted Cassidy from The Addams Family. In his later years, Feld appeared in several Walt Disney films and also played an uncharacteristically dramatic role in Barfly. In addition to films, he acted in numerous television series in guest roles, including the recurring role of "Zumdish", the manager of the intergalactic Celestial Department Store on Lost In Space, in two Season 2 episodes, The Android Machine and The Toymaker. Zumdish returned in the Season 3 episode Two Weeks In Space, where he has been brainwashed by bank robbers into believing he is a tour director taking the robbers on holiday. He also portrayed one of the Harmonia Gardens waiters in the movie Hello Dolly!
Feld made his final film appearance in 1989.
From Wikipedia, the free encyclopedia
Marion Martin (born Marion Suplee, June 7, 1909 – August 13, 1985) was an American movie and stage actress.
Martin was born in Philadelphia, Pennsylvania, the daughter of a Bethlehem Steel executive. She became an actress after her family fortune was lost in the Wall Street Crash of 1929, and appeared in the Broadway productions Lombardi Ltd. and Sweet Adeline.
She made her film debut in She's My Lillie, I'm Her Willie and subsequently played minor roles, often as showgirls. Several of her early roles were in musicals and she achieved some success as a singer. By the end of the decade she had played leading female roles in several "B" pictures, playing one of her most notable roles in James Whale's Sinners in Paradise (1938). Despite her success she was often cast in minor roles in more widely seen films such as His Girl Friday (1940). The majority of her roles were in comedies but she also appeared in dramas such as Boom Town (1940) in which she played a dance hall singer who is briefly romanced by Clark Gable. She played secondary roles in three Lupe Vélez "Mexican Spitfire" films in the early 1940s, and was a comic foil for the Marx Brothers in The Big Store, where the back of her skirt is cut away by Harpo.
She played a ghost in Gildersleeve's Ghost, and was the subject of a legendary fistfight between Gildersleeve star Harold Peary and Warner Bros studio mogul Bud Stevens at the Mocambo nightclub in 1943. Her more substantial roles included Alice Angel, a dizzy showgirl, in the murder mystery Lady of Burlesque with Barbara Stanwyck and Angel on My Shoulder. She also appeared in The Big Street with Lucille Ball, in the western The Woman of the Town with Claire Trevor and in The Great Mike at PRC in 1944.
By the late 1940s, her roles were often minor. Three Stooges fans will remember her as western cowgirl Gladys in Merry Mavericks. She played "Belle Farnol" in a 1950 episode of The Lone Ranger entitled "Pardon for Curley". Shortly afterward, she made her final film appearance in 1952. Married to a physicist, Martin retired, and although she expressed the desire to return to show business, suitable roles were not offered to her.
She was awarded a star on the Hollywood Walk of Fame for her contributions to motion pictures, at 6925 Hollywood Boulevard. She died in 1985 in Santa Monica, California, and was buried in Holy Cross Cemetery in Culver City, California.
Lloyd Corrigan (October 16, 1900 – November 5, 1969) was an American film and television actor, producer, screenwriter, and director who began working in films in the 1920s. The son of actress Lillian Elliott, Corrigan directed films, usually mysteries such as Daughter of the Dragon starring Anna May Wong (one of a trilogy of Fu Manchu movies for which he has writing credits), before dedicating himself more to acting in 1938. His short La Cucaracha won an Academy Award in 1935.
From Wikipedia, the free encyclopedia.
Vinton Hayworth (June 4, 1906 – May 21, 1970) was an Americanactor who began in weaselly and milquetoast roles and aged into dignified character parts.
Career
Born in Washington, D.C., he began acting in his late teens. He was a pioneering radio announcer in the early 1920s, first in Washington, later in New York City, and then in Chicago.
Subsequently, he appeared on numerous radio programs in various roles. He entered movies in 1933, under the stage name Jack Arnold and made appearances in small roles, usually played comically good-natured, sneaky characters. His appearances as Jack Arnold ended in the early 1940s and he did a two year stint on Broadway from 1942-44 before returning to California. He made appearances in film from the late 1950s onward.
Hayworth was also one of the founders of AFRA (later AFTRA), the union representing radio and television artists, of which he was also the president from 1951-54.
Hayworth began appearing on television in the 1950s. He appeared in Alfred Hitchcock Presents, Gunsmoke, Perry Mason, Dennis the Menace, Petticoat Junction, Hazel, The Munsters, Green Acres (1965) and Dick Tracy (1967). He played Carlos Galindo on Disney's Zorro (1957-1959). His final role was as General Winfield Schaeffer on I Dream of Jeannie between 1969 and 1970. Hayworth replaced Barton MacLane, who had played General Peterson until his death in 1969. Both Hayworth and MacLane died before the final episodes that they appeared in were aired.
Death
Shortly after completing his recurring role of General Schaeffer in I Dream of Jeannie, Hayworth died of a heart attack on May 21, 1970. He died five days before I Dream of Jeannie aired its last first-run episode (May 26, 1970). His remains were cremated.
Personal
Hayworth was married to actress Jean Owens. Hayworth's elder sister was Volga Hayworth, mother of screen star Rita Hayworth.
From Wikipedia, the free encyclopedia
Charlie Hall (19 August 1899 – 7 December 1959) was an English film actor. He is best known as the "Little Nemesis" of Laurel and Hardy and appeared in nearly 50 films with them, so that Hall was the most frequent supporting actor of their films.
Hall was born in Ward End, Birmingham, Warwickshire, and learned carpentry as a trade, but as a teenager, he became a member of the Fred Karno troupe of stage comedians. In his late teens, he visited his sister in New York and stayed there, finding employment as a stagehand. While working behind the scenes, he met the comic actor Bobby Dunn and they became friends; Dunn convinced Hall to take a stab again at acting, which he did. By the mid-1920s, Hall was working for Hal Roach. Stan Laurel, one of Roach's comedy stars, was also a graduate of the Karno troupe.
As an actor, Hall worked with such comedians as Buster Keaton and Charley Chase, but is best remembered as a comic foil for Laurel and Hardy. He appeared in nearly 50 of their films, sometimes in bit parts, but often as a mean landlord or opponent in many of their memorable tit-for-tat sequences. Unlike the usual villains in Laurel and Hardy films, who were big and burly, Charlie Hall (billed as "Charley" Hall in the Roach comedies) was of short stature, standing 5 ft 5 in tall. His height and slight English accent allowed him to be convincingly cast as a college student, despite being 40 years old, in Laurel and Hardy's A Chump at Oxford.
Hall almost never played starring roles; the exception was in 1941, when he was teamed with character comedian Frank Faylen by Monogram Pictures. Hall continued to play bits and supporting roles in short subjects and features through the 1940s and 1950s, occasionally on TV, appearing very briefly in Charlie Chaplin's final American film, Limelight (1952).
In 1956 he played a small but important part in the TV show Cheyenne, season 1, episode 11, "Quicksand", starring Clint Walker, with Dennis Hopper, John Alderson, Wright King and Peggy Webber. His last role was in a Joe McDoakes short film starring George O'Hanlon, So You Want to Play the Piano, in 1956.
Hall died in North Hollywood, California, on 7 December 1959. A J D Wetherspoon's public house in Erdington, is named The Charlie Hall as a tribute to him.
From Wikipedia, the free encyclopedia
Tom Kennedy (July 15, 1885 – October 6, 1965) was an American actor known for his roles in Hollywood comedies from the silent days, with such producers as Mack Sennett and Hal Roach, mainly supporting lead comedians such as the Marx Brothers, W. C. Fields, Mabel Normand, Shemp Howard, Laurel and Hardy, and the Three Stooges. Kennedy also played dramatic roles as a supporting actor. For over 50 years, from 1915 to 1965, he appeared in over 320 films and television series, often uncredited.
His first film was a short black and white comedy, His Luckless Love. Kennedy was in all nine Torchy Blane films as Gahagan, the poetry-spouting cop whose running line was, "What a day! What a day!"
He is often erroneously listed in film sources as the brother of slow-burning comedian Edgar Kennedy. Though the two men were not related, they were apparently good friends, with Tom appearing in many of Edgar's domestic two-reel comedy shorts.
Tom Kennedy was also paired with Stooge Shemp Howard for several shorts for Columbia Pictures such as Society Mugs, as well as appearing with the Three Stooges in the films Loose Loot and Spooks!. He was also paired with El Brendel for four shorts, such as Phoney Cronies in 1942.
His television appearances included episodes of Perry Mason, Maverick, My Favorite Martian, and Gunsmoke.
Tom Kennedy continued making films right up until his death, his last film being the western The Bounty Killer.
From Wikipedia, the free encyclopedia
Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'."
In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula.
In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.
From Wikipedia, the free encyclopedia
Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 films in his career, most without receiving screen credit. Newspaper gossip columnists noted his rise from playing "Gangster #4", with no lines, and not carrying a gun, to "Gangster #2", with both lines and a gun.
Wagner was one of five children, all boys, of William Wallace Wagner, a railroad conductor, and Edith Wagner, a writer who provided dispatches for the Christian Science Monitor during the Mexican Revolution. When he was 10 years old, his father was killed by rebels and the family moved to Salinas, California, where he met John Steinbeck, who became a lifelong friend. Steinback based the character of the boy in his novel The Red Pony on Wagner.
Under the name "Max Baron", Wagner acted in many Spanish-language versions of English-language films, which studios made as a matter of course in the early days of sound films, He also served as a Spanish language coach for other actors, and appeared in many of the "Mexican Spitfire" films starring Lupe Vélez, where he also served to monitor Velez's Spanish ad-libs for profanity.
Other series that Wagner appeared in include the Charlie Chan films, and Tom Mix serials, as well as others made by Mascot Pictures Corporation. In the 1940s, Wagner was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges, beginning with The Palm Beach Story
In 1940 during the filming of "The Mad Doctor", Wagner was credited for driving 50,000 miles as an on-screen taxi driver on the studio back lots of Hollywood. Since his appearance as a cab driver in Charlie Chan in Shanghai (1935), producers often cast him as a wise-cracking or henchman taxi driver. "I was cast as a taxi driver about five years ago", Wagner told a reporter. "And I was typed."
In 1952, Wagner began to appear on television, in episodes of such shows as The Cisco Kid, Zane Grey Theater and Perry Mason, playing much the same kind of parts he played in the movies.
He was a regular cast member on the western television series Gunsmoke, making nearly 80 appearances between 1959 and 1973. He also appeared in many episodes of The Rifleman, Bonanza, Cimarron Strip, The Wild Wild West and Maverick, including a guest-starring role in the 1959 Rifleman episode "Blood Brother." He also had roles in the original Star Trek and The Twilight Zone series. He appeared in more than 200 television episodes between 1952 and 1974.
Notable film roles for Wagner include a supporting role in the cult science fiction classic Invaders from Mars (1953), an actor playing a gangster in the film-within-a-film segment of Bullets or Ballots (1936), and the bull farm attendant in the Laurel and Hardy comedy The Bullfighters (1945).
Late in his career, he appeared in To Kill a Mockingbird (1962) and The Man Who Shot Liberty Valance (1962). He also occasionally composed music, such as the Mexican folk ballad "Pedro, Rudarte y Simon" in the Western film The Last Trail (1933).
Wagner died of a heart attack in Hollywood in 1975.