Marianne Jannetier, a well-to-do Parisian, engaged to Andre Benoit, a high-ranking government official, flees the city when the goose-stepping Nazi storm-troopers arrive. When her mother dies on the road to Bordeaux as a result of Nazi bombing, she returns to Paris and joins the underground movement. Nicholas Jordan, an American member of the RAF, stranded in Paris after the evacuation is also working with the Paris underground. Marianne kills her former fiancée, a pro-Nazi informant, for the traitorous state papers he is carrying, and she and Jordan try to flee over a French seaport...
12-04-1941
1h 35m
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HELLA
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From Wikipedia, the free encyclopedia
Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962.
As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and even a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances more than 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it."
Scott's more than thirty years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King, Rouben Mamoulian, Michael Curtiz, John Cromwell, King Vidor, Alan Dwan, Fritz Lang, and Sam Peckinpah. He also worked on multiple occasions with some noted directors: Henry Hathaway (8 times), Ray Enright (7), Edwin R. Marin (7), Andre DeToth (6), and most notably, his seven film collaborations with Budd Boetticher.
Scott also worked with a diverse array of cinematic leading ladies, from Shirley Temple and Irene Dunne to Mae West and Marlene Dietrich. He also appeared with Gene Tierney, Ann Sheridan, Maureen O'Hara, Nancy Carroll, Donna Reed, Gail Russell, Margaret Sullavan, Virginia Mayo, Bebe Daniels, Carole Lombard, and Joan Bennett.
Tall (6 ft. 2 in.; 188 cm), lanky, and handsome, Scott displayed an easygoing charm and courtly Southern drawl in his early films that helped offset his limitations as an actor, where he was frequently found to be stiff or "lumbering". As he matured, however, Scott's acting improved while his features became burnished and leathery, turning him into the ideal "strong, silent" type of stoic hero. The BFI Companion to the Western noted: "In his earlier Westerns...the Scott persona is debonair, easy-going, graceful, though with the necessary hint of steel. As he matures into his fifties his roles change. Increasingly Scott becomes the man who has seen it all, who has suffered pain, loss, and hardship, and who has now achieved (but at what cost?) a stoic calm proof against vicissitude."
During the early 1950s, Scott was a consistent box-office draw. In the annual Motion Picture Herald Top Ten Polls, he ranked tenth in 1950, eighth in 1951, and again tenth in 1952. Scott also appeared in the Quigley’s Top Ten Money Makers Poll from 1950 to 1953.
Sir Basil Rathbone, KBE, MC, Kt (13 June 1892, Johannesburg – 21 July 1967, New York City) was an English actor. He rose to prominence in England as a Shakespearean stage actor and went on to appear in over 70 films, primarily costume dramas, swashbucklers, and, occasionally, horror films. He frequently portrayed suave villains or morally ambiguous characters, such as Murdstone in David Copperfield (1935) and Sir Guy of Gisbourne in The Adventures of Robin Hood (1938). His most famous role, however, was heroic—that of Sherlock Holmes in fourteen Hollywood films made between 1939 and 1946 and in a radio series. His later career included Broadway and television work; he received a Tony Award in 1948 as Best Actor in a Play.
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Gale Sondergaard (February 15, 1899 – August 14, 1985) was an American actress.
Sondergaard began her acting career in theatre, and progressed to films in 1936. She was the first recipient of the Academy Award for Best Supporting Actress for her film debut in Anthony Adverse (1936). She played supporting roles in various films during the late 1930s and early 1940s, including The Cat and the Canary (1939), The Mark of Zorro (1940) and The Letter (1940). She was nominated for a second Best Supporting Actress Academy Award for Anna and the King of Siam (1946) but by the end of the decade her film appearances were fewer.
Married to the director Herbert Biberman, Sondergaard supported him when he was accused of communism and named as one of the Hollywood Ten in the early 1950s, and her film career was destroyed as a result. She moved with Biberman to New York City and worked in theatre, and acted in film and television occasionally from late 1960s. She moved back to Los Angeles where she died from cerebrovascular thrombosis.
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Lee J. Cobb (December 8, 1911 - February 11, 1976) ) was an American actor best known for his performance in 12 Angry Men (1957), his Academy Award-nominated performance in On the Waterfront, and one of his last films, The Exorcist (1973). He also played the role of Willy Loman in the original Broadway production of Arthur Miller's 1949 play Death of a Salesman under the direction of Elia Kazan. On television, Cobb costarred in the first four seasons of the popular, long-running western series The Virginian. He typically played arrogant, intimidating, and abrasive characters, but often had roles as respectable figures such as judges. Born Leo Jacob in New York City, he grew up in The Bronx, before studying at New York University and making his film debut in The Vanishing Shadow (1934). Cobb performed in numerous theater productions and companies, including Group Theatre (New York) before serving in the First Motion Picture Unit of the Army Air Force during World War II.
Following the war, Cobb returned to film, television and theater before being accused of being a Communist in 1951 testimony before the House Un-American Activities Committee by Larry Parks, himself a former Communist Party member. Cobb was called to testify before HUAC but refused to do so for two years until, with his career threatened by the blacklist, he relented in 1953 and gave testimony in which he named 20 people as former members of the Communist Party USA. Following the hearing he resumed his career and worked with Elia Kazan and Budd Schulberg, two other HUAC "friendly witnesses", on the 1954 film On the Waterfront, which is widely seen as an allegory and apologia for testifying. His 1968 performance as King Lear achieved the longest run (72 performances) for the play in Broadway history. One of his final film roles was that of police detective Lt. Kinderman in the 1973 horror film The Exorcist.
Cobb died of a heart attack in February 1976 in Woodland Hills, California, and was buried in Mount Sinai Memorial Park Cemetery in Los Angeles. He was survived by his second wife, Mary Hirsch, and daughter, also an accomplished actress, Julie Cobb.
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Charles Arnt (August 20, 1906 – August 6, 1990) was an American film actor from 1933 to 1962.
Arnt was born in Michigan City, Indiana, the son of a banker. He graduated from Phillips Academy and Princeton University. While at Princeton, he helped to found the University Playes and was president of the Princeton Triangle Club theatrical troupe. He became a banker after he graduated from college.
In the early 1930s, Arnt acted with the University Repertory Theater in Maryland. On Broadway, he appeared in Carry Nation (1932), Three Waltzes (1937), and Knickerbocker Holiday (1938).
Arnt appeared as a character actor in more than 200 films.
In 1962, Arnt retired from acting and began to import and breed Charolais cattle on a ranch in Washington state.
Arnt died in Orcas Island, Washington from pancreatic and liver cancer. He was survived by his wife, two sons, a daughter, and four grandchildren.
Eduardo Ciannelli, sometimes credited as Edward Ciannelli, (30 August 1889 - 8 October 1969), was an Italian baritone and character actor with a long career in American films, mostly playing gangsters and criminals.
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James Rudolph O'Malley (15 March 1904 – 27 February 1985) was an English singer and character actor who appeared in many American films and television programmes from the 1940s to 1982, using the stage name J. Pat O'Malley. He also appeared on the Broadway stage in Ten Little Indians (1944) and Dial M for Murder (1954).
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Elisabeth Risdon (born Daisy Cartwright Risdon; 26 April 1887 – 20 December 1958) was an English film actress. She appeared in over 140 films between 1913 and 1952. A beauty in her youth, she usually played in society parts. In later years in films she switched to playing character parts.
Born in London, England, Risdon graduated from the Royal Academy of Arts in 1918 with high honours. She attracted the attention of George Bernard Shaw and was cast as the lead in his biggest plays. Besides her performances for Shaw, she was leading lady for actors including George Arliss, Otis Skinner, and William Faversham. She was also under contract to the Theatre Guild for many years.
In later years, she taught drama to patients at a veterans administration hospital near her Brentwood home. She was married to the prolific silent film director George Loane Tucker who left her a widow in 1921. She later married actor Brandon Evans, who died in April 1958. She was the great-aunt of actress Wendy Barrie-Wilson.
Risdon died in December 1958 in St Johns Hospital in Santa Monica, California from a cerebral haemorrhage. Her body was donated to medical science.
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Georges Renavent (April 23, 1894 – January 2, 1969) was an American actor in film, Broadway plays and operator of American Grand Guignol. He was born in Paris, France.
His first American film appearance was in The Seven Sisters (1915). Fourteen years later he played an impressive starring role as the Kinkajou in the musical spectacular Rio Rita (1929). Renavent also starred in East of Borneo (1931), a film that went on to achieve latter-day fame when avant-garde filmmaker Joseph Cornell spliced together all of the leading lady's close-ups and came up with a surrealistic exercise titled Rose Hobart (1936). Renavent's final film, Mara Maru, was made in 1952.
Italian born William Edmunds (born Michele F. Pellegrino) was a stage, screen, and television actor, in films from 1934 to 1953, his television career continuing to 1959. Edmunds is best remembered for his portrayal of bar owner Giuseppe Martini in the 1946 holiday classic It's a Wonderful Life.
Jeff Corey (August 10, 1914 – August 16, 2002) was an American stage and screen actor and director who became a well-respected acting teacher after being blacklisted in the 1950s.
Gino Corrado (born Gino Corrado Liserani; 9 February 1893 - 23 December 1982) was an Italian-born American screen actor, his career spanning the years 1916 to 1954. During the early years of his career he was extensively credited as Eugene Corey.
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Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
