Rawley University is about to receive a star athlete who could give it the first championship rowing team it's ever had. Unfortunately, he gets drafted into the army before he's able to join the team. Two of the team's members get the bright idea of passing off a burly truck driver as the "athlete". Complications ensue.
09-12-1941
1h 2m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Jean Yarbrough
Production:
Monogram Pictures
Key Crew
Story:
Edmond Kelso
Screenplay:
Edmond Kelso
Producer:
Lindsley Parsons
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Frankie Darro
Born into a show-business family - his parents were circus aerialists - Frankie Darro appeared in his first film at age six. Due to his small size and youthful appearance, he played teenagers well into his 20s. Always a physical performer, Darro often did his own stunts, many times out of necessity - his small stature made it difficult to find stunt doubles his size. He was an accomplished horseman and, in addition to westerns, made several films where he played jockeys. In 1933 he played the lead as a troubled teen in a major film for Warner Brothers, "Wild Boys Of The Road." It is a pre-code film with a realistic look at "The Great Depression," from the point of view of the youth of the time. This film seems to have been rediscovered only recently and has received critical acclaim.That same year, he played a troubled youth in the James Cagney classic, "The Mayor Of Hell". Later in 1935, he had a key role in the cult serial classic "The Phantom Empire"(1935). As Darro got older, however, he found it increasingly difficult to secure employment, and by the late 1940s was doing uncredited stunt work and bit parts. He had a recurring role on The Red Skelton Hour (1951), unrecognized by his fans, he played "Robby The Robot" in the groundbreaking sci-fi film "The Forbidden Planet" (1956), though Marvin Miller, best remembered as Michael Anthony of TVs "Millionaire"(1955-60), was the robot's voice. After that Frankie appeared sporadically in films and on TV .
Marcia Mae Jones was born on August 1, 1924, to an acting family. Her mother, Freda Jones, was an actress, and all three of her siblings - Margaret Jones, Macon Jones, and Marvin Jones - were child actors. But Marcia Mae had the most successful career, and she was the only one of her siblings to become a child star.
She made her acting debut when just six months old, when director James Cruze saw her in her baby carriage and immediately cast her as the baby in his film Mannequin (1926). Her first major role was in Night Nurse (1931), in which she played a sick child that a sinister hospital staff was trying to murder. By age 10, Marcia Mae had appeared in several dramatic films.
In 1936, she played a terrified victim of school bullying in These Three (1936), a role that brought her much attention. In 1937, she played the crippled Klara in Heidi (1937). The film starred two other child actors, Delmar Watson and Shirley Temple. Despite a four-year age difference, Marcia Mae and Shirley acted well with each other, and they appeared together again in The Little Princess (1939).
Besides Shirley Temple and Delmar Watson, Marcia Mae worked with several other child stars of the 1930s, including Jane Withers, Bonita Granville, Jackie Moran, Sybil Jason, and her favorite, Jackie Cooper.
Marcia Mae's film career began to slow down in the early 1950s, after which she largely appeared in television roles. Her adult life was marred by the suicide of her second husband, Bill Davenport, and problems with alcohol. She eventually conquered her alcohol dependency and became a member of the Academy of Motion Picture Arts and Sciences.
Marcia Mae Jones died on 2 September 2007 in Woodland Hills, Los Angeles, California.
From Wikipedia, the free encyclopedia
Jackie Moran (January 26, 1923—September 20, 1990) was an American movie actor who, between 1936 and 1946, appeared in over thirty films, primarily in teenage roles.
Description above from the Wikipedia article Jackie Moran, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Keye Luke (Chinese: 陸錫麒, Cantonese: Luk Shek Kee; June 18, 1904 – January 12, 1991) was a Chinese-American actor. He was known for playing Lee Chan, the "Number One Son" in the Charlie Chan films, the original Kato in the 1939–1941 Green Hornet film serials, Brak in the 1960s Space Ghost cartoons, Master Po in the television series Kung Fu, and Mr. Wing in the Gremlins films. He was the first Chinese-American contract player signed by RKO, Universal Pictures and Metro-Goldwyn-Mayer and was one of the most prominent Asian actors of American cinema in the mid-twentieth century.
Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
Francis Thomas Sullivan, aka Frank Sully, was an American character actor. Beefy and square-jawed, he was usually cast as rustic types or dumb heavies. He was a regular feature in Three Stooges shorts. Sully started his career as a comedian in vaudeville and appeared on Broadway from the late 1920s. He is known for the films The Grapes of Wrath (1940), The More the Merrier (1943) and Bye Bye Birdie (1963).
Josephine Owaissa Cottle, known professionally as Gale Storm, was an American actress and singer who starred in two popular television programs of the 1950s, My Little Margie and The Gale Storm Show. Six of her songs were top ten hits. Storm's greatest success was a cover version of "I Hear You Knockin'," which hit #2 on the Billboard Hot 100 chart in 1955.
When Storm was 17, two of her teachers urged her to enter a contest on Gateway to Hollywood, broadcast from the CBS Radio studios in Hollywood. First prize was a one-year contract with a movie studio. She won and was immediately given the stage name Gale Storm. Her performing partner (and future husband), Lee Bonnell from South Bend, Indiana, became known as Terry Belmont. Storm had a role in the radio version of Big Town. After winning the contest in 1940, Storm made several films for the RKO Radio Pictures studio. Her first was Tom Brown's School Days, playing opposite Jimmy Lydon and Freddie Bartholomew. She worked steadily in low-budget films released during this period. In 1941, she sang in several soundies, three-minute musicals produced for "movie jukeboxes".
She acted and sang in Monogram Pictures' Frankie Darro series, and played ingénue roles in other Monogram features with the East Side Kids, Edgar Kennedy, and the Three Stooges, most notably in the film Swing Parade of 1946. Monogram had always relied on established actors with reputations, but in Gale Storm, the studio finally had a star of its own. She played the lead in the studio's most elaborate productions, both musical and dramatic. She shared top billing in Monogram's Cosmo Jones, Crime Smasher, opposite Edgar Kennedy, Richard Cromwell, and Frank Graham in the role of Jones, a character derived from network radio.
Storm starred in a number of films, including the romantic comedies G.I. Honeymoon and It Happened on Fifth Avenue, the Western Stampede, and the 1950 film-noir dramas The Underworld Story and Between Midnight and Dawn. U.S. audiences warmed to Storm and her fan mail increased. She performed in more than three dozen motion pictures for Monogram, experience which made possible her success in other media.
In the 1950s, she made singing appearances on such television variety programs as The Pat Boone Chevy Showroom.
In 1950, Storm made her television debut in Hollywood Premiere Theatre on ABC. From 1952 to 1955, she starred in My Little Margie, with former silent film actor Charles Farrell as her father. The series began as a summer replacement for I Love Lucy on CBS, but ran for 126 episodes on NBC and then CBS. The series was broadcast on CBS Radio from December 1952 to August 1955 with the same actors. Her popularity was capitalized on when she served as hostess of the NBC Comedy Hour in the winter of 1956. That year, she starred in another situation comedy, The Gale Storm Show (Oh! Susanna), featuring another silent movie star, ZaSu Pitts. The show ran for 143 episodes on CBS and ABC between 1956 and 1960. Storm appeared regularly on other television programs in the 1950s and 1960s. She was both a panelist and a "mystery guest" on CBS's What's My Line?
Frank Faylen (born Francis Charles Ruf) was an American stage, screen, and television actor. He is best remembered for his movie performances as the cynical male nurse in The Lost Weekend (1945) and Ernie the taxi driver in It's a Wonderful Life (1946), as well as for his portrayal of long-suffering grocer Herbert T. Gillis on the 1950s television sitcom The Many Loves of Dobie Gillis.
