Chinese ventriloquist Gordon Cobb is murdered by a gang of jewel thieves. Baffled by the contradictory clues, Inspector Queen asks his son Ellery to help out.
03-24-1941
1h 9m
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Ralph Rexford Bellamy (June 17, 1904 – November 29, 1991) was an American actor whose career spanned 62 years on stage, screen and television. During his career, he played leading roles as well as supporting roles, garnering acclaim and awards, including an Academy Award nomination for Best Supporting Actor for The Awful Truth (1937).
His film career began with The Secret Six (1931) starring Wallace Beery and featuring Jean Harlow and Clark Gable. By the end of 1933, he had already appeared in 22 movies, most notably Rebecca of Sunnybrook Farm (1932) and the second lead in the action film Picture Snatcher with James Cagney (1933). He played in seven more films in 1934 alone, including Woman in the Dark, based on a Dashiell Hammett story, in which Bellamy played the lead, second-billed under Fay Wray. Bellamy kept up the pace through the decade, receiving a nomination for the Academy Award for Best Supporting Actor for his role in The Awful Truth (1937) with Irene Dunne and Cary Grant, and played a similar part, that of a naive boyfriend competing with the sophisticated Grant character, in His Girl Friday (1940). He portrayed detective Ellery Queen in a few films during the 1940s, but as his film career did not progress, he returned to the stage, where he continued to perform throughout the 1950s. Bellamy appeared in other movies during this time, including Dance, Girl, Dance (1940) with Maureen O'Hara and Lucille Ball, and the horror classic The Wolf Man (1941) with Lon Chaney, Jr. and Evelyn Ankers. He also appeared in The Ghost of Frankenstein in 1942 with Chaney and Bela Lugosi.
Bellamy appeared in numerous television series. In 1949, Bellamy starred in the television noir private eye series Man Against Crime (also known as Follow That Man) on the DuMont Television Network; initially telecast live in its earliest seasons, the program lasted until 1956 and was simulcast for a season on Dumont and NBC, and ran on CBS during a different year. The lead role was taken by Frank Lovejoy in 1956, who subsequently starred in NBC's Meet McGraw detective series.
An Emmy Award nomination for the mini-series The Winds of War (1983) – in which Bellamy reprised his Sunrise at Campobello role of Franklin D. Roosevelt – brought him back into the spotlight.
Highly regarded within the industry, Bellamy served as a four-term President of Actors' Equity from 1952–1964. Description above from the Wikipedia article Ralph Bellamy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Margaret Lindsay (born Margaret Kies; September 19, 1910 – May 9, 1981) was an American film actress. Her time as a Warner Bros. contract player during the 1930s was particularly productive. She was noted for her supporting work in successful films of the 1930s and 1940s such as Jezebel (1938) and Scarlet Street (1945) and her leading roles in lower-budgeted B movie films such as the Ellery Queen series at Columbia in the early 1940s. Critics regard her portrayal of Nathaniel Hawthorne's Hepzibah Pyncheon in the 1940 film adaptation of The House of the Seven Gables as Lindsay's standout career role.
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Charles Ellsworth Grapewin (December 20, 1869 – February 2, 1956) was an American vaudeville performer, writer and a stage and silent and sound actor, and comedian who was best known for portraying Aunt Em's husband, Uncle Henry in Metro-Goldwyn-Mayer's The Wizard of Oz (1939) as well as Grandpa Joad in The Grapes of Wrath (1940) and Jeeter Lester in Tobacco Road (1941). He usually portrayed elderly folksy-type characters in a rustic setting, in all appearing in over 100 films. He was the oldest cast member of The Wizard of Oz.
Born in Xenia, Ohio, Charles Ellsworth Grapewin ran away from home to be a circus acrobat which led him to work as an aerialist and trapeze artist in a traveling circus before turning to acting. He traveled all over the world with the famous P. T. Barnum circus. Grapewin also appeared in the original 1903 Broadway production of The Wizard of Oz, 36 years before he would appear in the famous Metro-Goldwyn-Mayer film version.
After this he continued in theatre, on and offstage, for the next thirty years, starting with various stock companies, and wrote stage plays as a vehicle for himself. His sole Broadway theatre credit was the short-lived play It's Up to You John Henry in 1905.
Grapewin married actress Anna Chance (1875–1943) in 1896, and they remained a devoted couple until her death some 47 years later. Two years after his first wife's death, Grapewin married Loretta McGowan Becker on Jan 10, 1945.
Grapewin began in silent films at the turn of the twentieth century. His very first films were two "moving image shorts" made by Frederick S. Armitage and released in November 1900; Chimmie Hicks at the Races (also known as Above the Limit) and Chimmie Hicks and the Rum Omelet, both shot in September and October 1900 and released in November of that year. During his long career, Grapewin appeared in more than one hundred films, including The Good Earth, The Grapes of Wrath, Tobacco Road, and in what is probably his best-remembered role: Uncle Henry in The Wizard of Oz. He also had a recurring role as Inspector Queen in the Ellery Queen film series of the early 1940s.
Grapewin died of natural causes in Corona, California at age 86, and his ashes are interred with his wife's in Forest Lawn Memorial Park Cemetery in Glendale, California, at the Great Mausoleum's Columbarium of Inspiration.
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress whose long career spanned both silent and sound films, television, stage, and radio. Apart from being recognized as the the first Chinese-American movie star, as well as the first Asian-American to become an international star, she was also seen as an acclaimed fashion icon due to her being the one of the early stars to embrace the flapper look.
Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies at an early age and quit education to focus on beginning an acting career. After landing parts as uncredited extras in silent films, she had her first leading role in The Toll of the Sea (1922), one of the first movies made in color. Her role in Douglas Fairbanks' The Thief of Bagdad (1924) helped her achieve international stardom. Tired of being offered stereotypical supporting roles, she left Hollywood for Europe in the late 1920s, where she starred in several plays alongside notable names like Laurence Olivier. She made her final silent film in Britain titled Piccadilly (1929), which earned her wide praise. Her first talkie, The Flame of Love (1930), was recorded in three languages: English, French and German. She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). These films brought her more and more fame, which she used to express her staunch political views. Although she advocated for Chinese-American causes and criticized the stereotypical roles she played, Chinese press and critics continued to view her as a disgrace to the country. After experiencing the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading Chinese role in the film The Good Earth (1937), and instead chose a white German actress in yellowface, Wong spent the a year touring China, visiting her family's ancestral village, and studying Chinese culture. Returning to Hollywood, she starred in several B movies that portrayed Chinese-Americans in a positive light in the late-1930s.
As World War II rolled around, she focused less on her film career and decided to devote her time and money in helping the Chinese against Japanese invasions. Returning to the public eye in the 1950s with several television appearances, she started her own detective mystery television show titled The Gallery of Madame Liu-Tsong (1951), the first U.S. television show starring an Asian-American. She was scheduled to return to film in Flower Drum Song (1961) but she died of a heart attack.
For decades after her death, Wong was remembered mostly for the stereotypical roles she was given although critics have begun to reevaluate her life and career. In 2022, Wong became the first Asian-American to be depicted on American coinage when the quarters with her image on them went into circulation. In 2023, Mattel released a Barbie doll modeled on Wong in honor of Asian American and Pacific Islander Heritage Month.
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James Burke (September 24, 1886 – May 23, 1968) was an American film and television actor born in New York City. He made his stage debut in New York around 1912 and went to Hollywood in 1933. He made over 200 film appearances during his career, which ranged from 1932 to 1964; he was more often than not cast as a cop, usually a none-too-bright one, most notably as Sgt. Velie in Columbia's Ellery Queen mysteries in the early 1940s. He appeared in The Maltese Falcon, At the Circus, Lone Star, and many others. One of his best roles was as Charles Ruggles' rowdy rancher pal in Ruggles of Red Gap.
In the early 1950s, Burke appeared with Tom Conway in the ABC detective drama series then called Inspector Mark Saber -- Homicide Detective, later renamed, reformatted, and switched to NBC under the title Saber of London. From 1960-1961, Burke appeared in the role of Zeke Bonner in seven episodes of the ABC western television series Stagecoach West, starring Wayne Rogers, Robert Bray, and Richard Eyer.
Burke suffered from a heart condition, which took his life at the age of eighty-one.
Eduardo Ciannelli, sometimes credited as Edward Ciannelli, (30 August 1889 - 8 October 1969), was an Italian baritone and character actor with a long career in American films, mostly playing gangsters and criminals.
Description above from the Wikipedia article Eduardo Ciannelli, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Francis Healey Albertson (February 2, 1909 – February 29, 1964) was an American character actor who made his debut in a minor part in Hollywood at age thirteen. He had supporting roles in films such as It's a Wonderful Life (1946) and Psycho (1960). Albertson made well over 100 appearances (1923–1964) in movies and television. In his early career he often sang and danced in such films as Just Imagine (1930) and A Connecticut Yankee (1931). He was featured in Alice Adams (1935) as the title character's brother, and in Room Service (1938) he played opposite the Marx Brothers. He served in the U.S. Army Air Forces' First Motion Picture Unit making training films during World War II. As he aged he moved from featured roles to supporting and character parts—in his later career he can be seen as Sam Wainwright, the businessman fond of saying "Hee-Haw" in the movie It's a Wonderful Life (1946).
Albertson portrayed future U.S. President Theodore Roosevelt in the 1956 episode "Rough Rider" of the CBS western television series My Friend Flicka. He guest starred in the early NBC western series The Californians and twice in the David Janssen crime drama Richard Diamond, Private Detective.
He was cast in 1959 and 1962 in different roles on Walter Brennan's sitcom The Real McCoys. In 1960, he appeared as General Devery in the episode "Strange Encounter" of the ABC/Warner Brothers western series Colt .45.
In 1960, he played the wealthy rancher Tom Cassidy at the beginning of Psycho (1960) who provides the $40,000 in cash that Janet Leigh's character later steals. In the 1960-61 television season, he played the character Mr. Cooper in five episodes of the CBS sitcom Bringing Up Buddy, starring Frank Aletter. In 1964, Albertson was cast as Jim O'Neal in the episode "The Death of a Teacher" of the NBC education drama Mr. Novak. One of his final screen appearances was as "Sam," the bewildered mayor of Sweet Apple, Ohio, in the 1963 film musical Bye Bye Birdie.
His last appearance was on The Andy Griffith Show, in which he played a Marine commander completing an inspection. The episode aired on May 19, 1964, three months after Albertson died.
Ann Lee Doran (July 28, 1911 – September 19, 2000) was an American character actress, possibly best known as the mother of Jim Stark (James Dean) in Rebel Without a Cause (1955). She was an early member of the Screen Actors Guild and served on the board of the Motion Picture & Television Fund for 30 years.
Charles Lane (born Charles Gerstle Levison; January 26, 1905 – July 9, 2007) was an American character actor and centenarian whose career spanned 77 years. Lane gave his last performance at the age of 101 as a narrator in 2006. Lane appeared in many Frank Capra films, including You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Arsenic and Old Lace (1944), It's a Wonderful Life (1946) and Riding High (1950). He was a favored supporting actor of Lucille Ball, who often used him as a no-nonsense authority figure and comedic foe of her scatterbrained TV character on her TV series I Love Lucy, The Lucy–Desi Comedy Hour and The Lucy Show. His first film of more than 250 was as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney.
From Wikipedia, the free encyclopedia.
From Wikipedia, the free encyclopedia
Edward Russell Hicks (June 4, 1895 – June 1, 1957) was an American film actor.
Born in 1895 in Baltimore, Maryland, Hicks appeared in nearly 300 films between 1915 and 1956. His first appearance was an uncredited role in The Birth of a Nation (1915). He often appeared as a smooth-talking confidence man, as in the W.C. Fields film The Bank Dick (1940). Distinguished, suave and a consummate actor, Hicks played a variety of judges, corrupt officials, businessmen and attorneys, working in a variety of mediums almost until his death. Hicks appeared once in the syndicated western television series The Cisco Kid as an uncle of the Gail Davis character, whom he threatens to disinherit if she marries a known gangster.
He died in Los Angeles, California, from a heart attack.
Although his brand of humor has been reviled for decades, Negro character actor Mantan Moreland parlayed his cocky but jittery character into a recognizable presence in the late 1930s and early 1940s, appearing in a long string of comedy thrillers . . . and was considered quite funny at the time!
Born just after the turn of the century in Louisiana, Mantan began running away from home at age 12 to join circuses and medicine shows, only to be brought back time and again. During these times he sharpened his comic skills and developed routines and acts that eventually became popular on the vaudeville stage, or what was then called the "chitlin' circuit." A solo performer by nature, he often teamed up with other famous comics (such as Ben Carter) to keep working, and became a deft performer of "indefinite talk" routines, where two quicksilver comics continually topped each other in mid-sentence, as if reading each other's mind (i.e., "Say, did you see...?" "Saw him just yesterday...didn't look so good"). Mantan's focus gradually shifted his trade toward film, where he initially appeared in servile bits (shoeshine men, porters, waiters). However, his talent for making people laugh couldn't be overlooked and he soon earned featured status in Harlem-styled western parodies and grade "A" comedy films playing the superstitious, ever-terrified manservant running from any kind of impending doom.
Moreland's peak in movies came with his recurring role as Birmingham, the skittish chauffeur, in the "Charlie Chan" series, where he was forever forewarning his boss to stay away from an obviously dangerous case or situation. Though haunted mansions were an ideal place for setting off his stereotyped character, Mantan would be haunted in a different way by this Hollywood success in years to follow. By the 1950s, racial attitudes began to change and, with the rise of the civil rights movement, what was once considered hilarious was now interpreted as demeaning and offensive to both blacks and whites. Mantan and others, such as Stepin Fetchit, were ostracized and ridiculed by Hollywood for their past negative portrayals. It took decades for audiences to forgive and newer generations to forget the Depression-era comedy of Mantan Moreland in order for the actor to come back.
In the late 1960s he managed a modest resurgence on TV and in commercials and occasional films, allowing him to work again with such comic heavyweights as Bill Cosby, Godfrey Cambridge and director Carl Reiner. It was all too brief, however, for Mantan, long suffering from ill health, died of a cerebral hemorrhage in 1973, just as he was settling in to his renewed popularity. Today, audiences tend to be kinder and more understanding of Moreland, remembering him as a highly talented comic who, in the only way he knew, broke major barriers and opened the doors for others black actors to follow.
