Newlyweds Dennis and Carmelita have several obstacles to deal with in their new marriage: Carmelita's fiery Latin temper, a meddling aunt and a conniving ex-fiancee who's determined to break up their marriage.
01-12-1940
1h 7m
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HELLA
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From Wikipedia, the free encyclopedia
Lupe Vélez (July 18, 1908 – December 13, 1944), was a Mexican and American stage and film actress, comedian, dancer and vedette.
Vélez began her career as a performer in Mexican vaudeville in the early 1920s. After moving to the United States, she made her first film appearance in a short film in 1927. By the end of the decade, in the last years of American silent films, she had progressed to leading roles in numerous movies like El Gaucho (1927), Lady of the Pavements (1928) and Wolf Song (1929), among others. She was one of the first successful Latin American actresses in the United States. During the 1930s, her well-known explosive screen persona was exploited in a series of successful films like Hot Pepper (1933), Strictly Dynamite (1934) and Hollywood Party (1934). In the 1940s, Vélez's popularity peaked after appearing in the Mexican Spitfire films, a series created to capitalize on Vélez's well-documented fiery personality.
Nicknamed The Mexican Spitfire by the media, Vélez's personal life was as colorful as her screen persona. She had several highly publicized romances and a stormy marriage. In December 1944, Vélez died of an intentional overdose of Seconal. Her death, and the circumstances surrounding it, have been the subject of speculation and controversy.
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Donald Woods (born Ralph Lewis Zink, December 2, 1906 – March 5, 1998) was a Canadian-American film and television actor whose career in Hollywood spanned six decades.
Born in Brandon, Manitoba, Woods moved with his family to California and was raised in Burbank. A son of William and Margaret Zink, Presbyterians of German descent. His younger brother, Clarence Russell Zink, also became an actor (Russ Conway).
Woods graduated from the University of California, Berkeley, and made his film debut in 1928. His screen career was spent mostly in B movies, for example as lawyer Perry Mason in the 1937 film The Case of the Stuttering Bishop. He also occasionally played major roles in bigger feature films like A Tale of Two Cities (1935), Anthony Adverse (1936), Watch on the Rhine (1943), The Bridge of San Luis Rey (1944), and Roughly Speaking (1945).
Of considerable importance to his acting career were several seasons as leading man with the Elitch Gardens Theatre Company in Denver, Colorado, where he performed in 1932, 1933, 1939, 1941, 1947, and 1948.
In the early days of television, Woods starred as the title character in the 1951 syndicated TV series Craig Kennedy, Criminologist, and he was the host of Damon Runyon Theater on CBS-TV. He played himself on the dramatic series Hotel Cosmopolitan, also on CBS, and he was one of three hosts of The Orchid Award on ABC-TV. He portrayed Walter Manning on Portia Faces Life on CBS.
He also appeared in such anthology series as The Philco Television Playhouse, Armstrong Circle Theatre, Robert Montgomery Presents, The United States Steel Hour, Crossroads, and General Electric Theater. On April 11, 1961, Woods appeared as "Profesor Landfield" in the episode "Two for the Gallows" on NBC's Laramie western series. Series character Slim Sherman (John Smith) is hired under false pretenses to take Landfield into the Badlands to seek gold. Landfield, however, is really Morgan Bennett, a member of the former Henry Plummer gang who has escaped from prison. Slim has no idea that Lanfield is seeking the loot that his gang had hidden away. Series character Jess Harper (Robert Fuller), Pete Dixon, played by Warren Oates, and Pete's younger brother soon come to Slim's aid. The title stems from the talk that the undisciplined Dixon brothers might eventually wind up on a hangman's noose.
Woods later was a regular in the role of John Brent on the short-lived series Tammy and made guest appearances on Bat Masterson, Wagon Train, Ben Casey, 77 Sunset Strip, Hawaiian Eye, Stoney Burke, Bourbon Street Beat, Bonanza, Coronet Blue, Ironside, Alias Smith and Jones, The Wild Wild West and Owen Marshall: Counselor at Law, among many others before retiring from acting in 1976.
Besides his film career, he also worked as a successful real estate broker in Palm Springs where he lived with his wife, childhood sweetheart Josephine Van der Horck. They were married from 1933 until his death and had two children, Linda and Conrad. He was interred at the Forest Lawn Cemetery in Cathedral City, California.
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Elisabeth Risdon (born Daisy Cartwright Risdon; 26 April 1887 – 20 December 1958) was an English film actress. She appeared in over 140 films between 1913 and 1952. A beauty in her youth, she usually played in society parts. In later years in films she switched to playing character parts.
Born in London, England, Risdon graduated from the Royal Academy of Arts in 1918 with high honours. She attracted the attention of George Bernard Shaw and was cast as the lead in his biggest plays. Besides her performances for Shaw, she was leading lady for actors including George Arliss, Otis Skinner, and William Faversham. She was also under contract to the Theatre Guild for many years.
In later years, she taught drama to patients at a veterans administration hospital near her Brentwood home. She was married to the prolific silent film director George Loane Tucker who left her a widow in 1921. She later married actor Brandon Evans, who died in April 1958. She was the great-aunt of actress Wendy Barrie-Wilson.
Risdon died in December 1958 in St Johns Hospital in Santa Monica, California from a cerebral haemorrhage. Her body was donated to medical science.
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Cecil Lauriston Kellaway (22 August 1890 – 28 February 1973) was a South African-born character actor.
Cecil Kellaway spent many years as an actor, author, and director in the Australian film industry until he tried his luck in Hollywood in the 1930s. Finding he could get only gangster bit parts, he got discouraged and returned to Australia. Then William Wyler called and offered him a part in Wuthering Heights (1939).
Kellaway died 28 February 1973 in Hollywood, California, and his ashes were entombed in the Sanctuary of Remembrance, at Westwood Village Memorial Park Cemetery. He received two Best Supporting Actor nominations, for The Luck of the Irish and Guess Who's Coming to Dinner.
Academy Award winning actor Edmund Gwenn, whose real surname was Kellaway also, was his cousin.
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Brooks Benedict (born Harold J. Mann, February 6, 1896 – January 1, 1968) was an American actor of the silent and sound film era, where he played supporting and utility roles in over 300 films, mostly uncredited.
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Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
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Charlie Hall (19 August 1899 – 7 December 1959) was an English film actor. He is best known as the "Little Nemesis" of Laurel and Hardy and appeared in nearly 50 films with them, so that Hall was the most frequent supporting actor of their films.
Hall was born in Ward End, Birmingham, Warwickshire, and learned carpentry as a trade, but as a teenager, he became a member of the Fred Karno troupe of stage comedians. In his late teens, he visited his sister in New York and stayed there, finding employment as a stagehand. While working behind the scenes, he met the comic actor Bobby Dunn and they became friends; Dunn convinced Hall to take a stab again at acting, which he did. By the mid-1920s, Hall was working for Hal Roach. Stan Laurel, one of Roach's comedy stars, was also a graduate of the Karno troupe.
As an actor, Hall worked with such comedians as Buster Keaton and Charley Chase, but is best remembered as a comic foil for Laurel and Hardy. He appeared in nearly 50 of their films, sometimes in bit parts, but often as a mean landlord or opponent in many of their memorable tit-for-tat sequences. Unlike the usual villains in Laurel and Hardy films, who were big and burly, Charlie Hall (billed as "Charley" Hall in the Roach comedies) was of short stature, standing 5 ft 5 in tall. His height and slight English accent allowed him to be convincingly cast as a college student, despite being 40 years old, in Laurel and Hardy's A Chump at Oxford.
Hall almost never played starring roles; the exception was in 1941, when he was teamed with character comedian Frank Faylen by Monogram Pictures. Hall continued to play bits and supporting roles in short subjects and features through the 1940s and 1950s, occasionally on TV, appearing very briefly in Charlie Chaplin's final American film, Limelight (1952).
In 1956 he played a small but important part in the TV show Cheyenne, season 1, episode 11, "Quicksand", starring Clint Walker, with Dennis Hopper, John Alderson, Wright King and Peggy Webber. His last role was in a Joe McDoakes short film starring George O'Hanlon, So You Want to Play the Piano, in 1956.
Hall died in North Hollywood, California, on 7 December 1959. A J D Wetherspoon's public house in Erdington, is named The Charlie Hall as a tribute to him.
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Earle Hodgins (October 6, 1893 – April 14, 1964) was an American actor.
Early in his career, Hodgins was active in stock theater, including working in the Ralph Cloninger troupe of Salt Lake City, Utah, and the Siegel Stock company of Seattle, Washington.
He appeared in over 330 films and television shows between 1932 and 1963. He specialized in playing fast-talking con men—often in westerns, such as The Lone Ranger, Judge Roy Bean, The Cisco Kid, The Adventures of Wild Bill Hickok, Rawhide, Maverick, Lawman, The Rifleman, Cheyenne, Have Gun – Will Travel, Gunsmoke and Hopalong Cassidy. In the 1960-1961 season, he appeared in three episodes of Joanne Dru's ABC sitcom, Guestward, Ho! as the aging ranch wrangler known as "Lonesome." In one of those episodes, "Lonesome's Gal", he was cast opposite ZaSu Pitts. Thereafter, the two died within a year of each other.
Hodgins' other television roles were as carnival barkers, medicine-show salesmen, and the like. He was known for shooing away obstreporous children from his stage, snapping at them, "Get away, son, ya bother me".
Hodgins married Sue Hanley, who was described in a newspaper item as "a Seattle society girl."
Harold Miller (born Harold Edwin Kammermeyer) was an American actor, his screen, then eventually also television, career spanning the years 1919-1964. After the 1920s, Miller appeared only in uncredited bit and background parts.
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Cyril Ring (December 5, 1892 – July 17, 1967) was an American film actor. He began his career in silent films in 1921. By the time of his final performance in 1951, he had appeared in over 350 films, almost all in small and/or uncredited parts.
He is probably best remembered today for his role as Harvey Yates, a con artist captured and hand-cuffed to fellow con artist Penelope, played by Kay Francis at the very end of the Marx Brothers first film The Cocoanuts (1929).
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Julian Rivero (July 25, 1890 – February 24, 1976) was an American actor whose career spanned seven decades. He appeared in well over 200 films and television shows.
Rivero made his film debut in 1923, but made only a handful of appearances in silent films. With the advent of sound films he would appear in both English language films and the Spanish language versions of English films.
Lawrence Wells Steers (February 14, 1888 – February 15, 1951) was an American film actor. He appeared in more than 550 films between 1917 and 1951. He was born in Indiana, and died in Woodland Hills, Los Angeles.
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Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 films in his career, most without receiving screen credit. Newspaper gossip columnists noted his rise from playing "Gangster #4", with no lines, and not carrying a gun, to "Gangster #2", with both lines and a gun.
Wagner was one of five children, all boys, of William Wallace Wagner, a railroad conductor, and Edith Wagner, a writer who provided dispatches for the Christian Science Monitor during the Mexican Revolution. When he was 10 years old, his father was killed by rebels and the family moved to Salinas, California, where he met John Steinbeck, who became a lifelong friend. Steinback based the character of the boy in his novel The Red Pony on Wagner.
Under the name "Max Baron", Wagner acted in many Spanish-language versions of English-language films, which studios made as a matter of course in the early days of sound films, He also served as a Spanish language coach for other actors, and appeared in many of the "Mexican Spitfire" films starring Lupe Vélez, where he also served to monitor Velez's Spanish ad-libs for profanity.
Other series that Wagner appeared in include the Charlie Chan films, and Tom Mix serials, as well as others made by Mascot Pictures Corporation. In the 1940s, Wagner was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges, beginning with The Palm Beach Story
In 1940 during the filming of "The Mad Doctor", Wagner was credited for driving 50,000 miles as an on-screen taxi driver on the studio back lots of Hollywood. Since his appearance as a cab driver in Charlie Chan in Shanghai (1935), producers often cast him as a wise-cracking or henchman taxi driver. "I was cast as a taxi driver about five years ago", Wagner told a reporter. "And I was typed."
In 1952, Wagner began to appear on television, in episodes of such shows as The Cisco Kid, Zane Grey Theater and Perry Mason, playing much the same kind of parts he played in the movies.
He was a regular cast member on the western television series Gunsmoke, making nearly 80 appearances between 1959 and 1973. He also appeared in many episodes of The Rifleman, Bonanza, Cimarron Strip, The Wild Wild West and Maverick, including a guest-starring role in the 1959 Rifleman episode "Blood Brother." He also had roles in the original Star Trek and The Twilight Zone series. He appeared in more than 200 television episodes between 1952 and 1974.
Notable film roles for Wagner include a supporting role in the cult science fiction classic Invaders from Mars (1953), an actor playing a gangster in the film-within-a-film segment of Bullets or Ballots (1936), and the bull farm attendant in the Laurel and Hardy comedy The Bullfighters (1945).
Late in his career, he appeared in To Kill a Mockingbird (1962) and The Man Who Shot Liberty Valance (1962). He also occasionally composed music, such as the Mexican folk ballad "Pedro, Rudarte y Simon" in the Western film The Last Trail (1933).
Wagner died of a heart attack in Hollywood in 1975.
