In this comedy, actor Hugh Herbert plays six different roles. Only one of the roles is a man. The story centers around a dizzy music lover, who has grown rich through real estate deals. Also figuring in the story are a cab driver/performer, and a down-on-her-luck, aspiring singer. They meet when she hails his cab as she skips out on her former boarding house because she cannot pay rent.
05-31-1940
1h 10m
THIS
HELLA
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Dennis O'Keefe (March 29, 1908 – August 31, 1968) was an American actor. He was the son of Irish vaudevillians working in the United States. As a small child he joined his parents' act and later wrote skits for the stage.
O'Keefe started in films as an extra in the early 1930s. After a small but impressive role in Saratoga, Clark Gable recommended O'Keefe to Metro-Goldwyn-Mayer, which signed him to a contract in 1937. His film roles were bigger after that, starting with The Bad Man of Brimstone and Burn 'Em Up O'Connor.
O'Keefe left MGM around 1940 but continued to work in mostly lower budget productions. In the 1950s he did some directing, wrote mystery stories and by the mid-1950s found work on television shows such as Justice, The Martha Raye Show, The Ford Show as well as his own series The Dennis O'Keefe Show.
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Edward "Eddie" Quillan (March 31, 1907 – July 19, 1990) was an American film actor whose career began as a child on the vaudeville stages and silent film and continued through the age of television in the 1980s.
Quillan's very first film appearance was in the 1922 comedy short Up and at 'Em. His next performance was in the 1926 comedy short The Love Sundae opposite actress Alice Day.
Quillan would remain a popular leading and secondary actor throughout the sound film era and would appear in such notable films as 1935's Mutiny on the Bounty with Clark Gable, Charles Laughton, and Franchot Tone, 1939's Young Mr. Lincoln opposite Henry Fonda and Alice Brady, as 'Connie Rivers' in John Ford's 1940 film adaptation of the John Steinbeck novel The Grapes of Wrath opposite Henry Fonda, in 1943's Alaska Highway and It Ain't Hay opposite the comedic duo Abbott and Costello.
Quillan's breezy screen personality was seen in "B" musicals, comedies, and even serials during the 1940s. In 1948 Columbia Pictures producer Jules White teamed Quillan with veteran movie comic Wally Vernon for a series of comedy short subjects. White emphasized extreme physical comedy in these films, and Vernon and Quillan made a good team, enthusiastically engaging in pratfalling, kick-in-the-pants slapstick. The series ran through 1956.
Beginning in the late 1950s, Quillan began to make the transition to the medium of television and by the 1960s could be seen frequently appearing as a guest actor in such series as The Andy Griffith Show, Petticoat Junction, Perry Mason, and approximately five appearances on the camp-horror comedy series The Addams Family. He was a regular on the Anthony Franciosa sitcom Valentine's Day from 1964 to 1965, and from 1968 through 1971 he appeared as "Eddie Edson" on the television drama Julia opposite actress Diahann Carroll.
Through the 1950s and 1960s, Quillan continued to appear in motion pictures, but in increasingly smaller roles and often in bit parts. One notable appearance of the era was his role of 'Sandy' in the 1954 Vincente Minnelli directed musical Brigadoon. Quillan also appeared in the uncredited role of 'Mr.Cassidy' in the 1969 Gene Kelly film adaptation of Hello, Dolly!. Quillan appeared in My Three Sons as Mr Hewlett (1961) and also appeared on the western television adventure series The Rifleman as Angus Evans.
In the 1970s, Quillan made guest appearances on such varied television series as Mannix, Here's Lucy, Chico and the Man and Baretta. After meeting and befriending actor and director Michael Landon, he played numerous bit roles in the popular television series Little House on the Prairie. Quillan also performed in the Landon-directed series Highway to Heaven and Father Murphy during the 1980s. Quillan made his last television appearance in a 1987 episode of the television crime-mystery series Matlock.
Frank Orth was an American actor born in Philadelphia. He is probably best remembered for his portrayal of Inspector Faraday in the 1951-1953 television series “Boston Blackie”. By 1897, Orth was performing in vaudeville with his wife, Ann Codee, in an act called “Codee and Orth.” In 1909, he expanded into song writing, with songs such as “The Phone Bell Rang” and “Meet Me on the Boardwalk, Dearie.” His first contact with motion pictures was in 1928, when he was part of the first foreign-language shorts in sound produced by Warner Bros. He and his wife also appeared together in a series of two-reel comedies in the early 1930s. Orth's first major screen credit was in “Prairie Thunder,” a Dick Foran western, in 1937. From then on, he was often cast as bartenders, pharmacists, and grocery clerks, and always distinctly Irish. He had a recurring role in the Dr. Kildare series of films and also in the Nancy Drew series as the befuddled Officer Tweedy. Among his better roles were the newspaper man Cary Grant telephones early in “His Girl Friday,” one of the quartet singing “Gary Owen” in “They Died with Their Boots On” (thereby giving Errol Flynn as Gen. Custer the idea of associating the tune with the 7th Cavalry), and as the little man carrying the sign reading “The End Is Near” throughout Colonel Effingham's Raid. However, Orth is probably best remembered for his portrayal of Inspector Faraday in the 1951-1953 television series “Boston Blackie.” A short, plump, round-faced man, often smoking a cigar, Orth as Faraday wore his own dark-rimmed spectacles, though rarely in feature films. In 1959, Orth retired from show business after throat surgery. His wife died in 1961 after around fifty years of marriage. Orth died on March 17, 1962. He is buried in Forest Lawn Cemetery in the Hollywood Hills next to his wife.
Within the British colony of expatriate actors in Hollywood during the 1930's, Barnett Parker, born 11 September 1886, in Batley, Yorkshire, England, was among the most stereotypical. Harrowgate College-educated, straight-backed, balding and well-intoned, Parker caricatured a multitude of unctuous, stiff-upper-lip butlers, man-servants or waiters, though his performances could, at times, verge on the brink of being camp. When driven to frustration his characters commonly resorted to incoherent twitter or wild gesticulation.
Parker was trained under Marie Tempest and George Alexander in England. He first acted on Broadway at the Lyceum Theatre as Wilfred Tavish in Arthur Wing Pinero's "The "Mind the Paint" Girl" in 1912. He was well served with further roles in hit plays like "Hobson's Choice" (1915), "Artists and Models" (1924) and "The Red Robe" (1928). He was at first prone to reject film offers, professing to favor acting on stage. Nonetheless, the celluloid medium eventually beckoned, enticing him to sign with the East Coast-based studio Thanhouser in 1915. He worked in films during the daytime (while treading the boards at night) and quickly landed a plum role as a weak socialite, rescuing Gladys Hulette in Prudence, the Pirate (1916). He was seldom thereafter afforded the opportunity for heroic acts. During the 1930's, he was primarily in demand for small roles as dandified or 'silly ass' Britishers, giving value for money in films like Mr. Deeds Goes to Town (1936), Personal Property (1937), Live, Love and Learn (1937) and Broadway Melody of 1938 (1937). Looking rather older than his years, Barnett Parker died at the Cedars of Lebanon Hospital in Los Angeles after multiple heart attacks on August 5, 1941.
Frank Faylen (born Francis Charles Ruf) was an American stage, screen, and television actor. He is best remembered for his movie performances as the cynical male nurse in The Lost Weekend (1945) and Ernie the taxi driver in It's a Wonderful Life (1946), as well as for his portrayal of long-suffering grocer Herbert T. Gillis on the 1950s television sitcom The Many Loves of Dobie Gillis.
American character actor whose career lasted nearly half a century. James Wilson Flavin Jr. was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Irish immigrant. (Thus Flavin, well-known in Hollywood as an "Irish" type, was only one-quarter Irish.) Flavin was born and raised in Portland, Maine (a fact that may have enrichened his later working relationship with director John Ford, also a Portland native). He attended the United States Military Academy at West Point, but (contrary to some sources) did not graduate. Instead he dropped out and returned to Portland where he drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 he was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to go with the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time (his Broadway debut would not occur for another thirty-nine years, in the 1971 revival of "The Front Page," in which Flavin played Murphy and briefly took over the lead role of Walter Burns from star Robert Ryan). He worked his way across the country in stock productions and tours, arriving in Los Angeles around 1932. He quickly made the transition to movies, landing the lead in his very first film, a Universal serial, The Airmail Mystery (1932). He also landed his leading lady, marrying the serial's female star Lucile Browne that same year. However, the serial marked virtually the last time that Flavin would play the lead in a film. Thereafter, he was restricted almost exclusively to supporting characters, many of them without so much as a name. He specialized in uniformed cops and hard-bitten detectives, but played chauffeurs, cabbies, and even a 16th-century palace guard with aplomb. Flavin appeared in nearly four hundred films between 1932 and 1971, and in almost a hundred television episodes before his final appearance, as President Dwight D. Eisenhower in Francis Gary Powers: The True Story of the U-2 Spy Incident (1976). Flavin died of a heart ailment at Cedars-Sinai Medical Center in Los Angeles on April 23, 1976. His widow Lucile died seventeen days later. They were survived by their son, William James Flavin, subsequently a professor at the United States Army War College. James and Lucile Brown Flavin were buried at Holy Cross Cemetery in Culver City, California.
Thomas E. Jackson (July 4, 1886 – September 7, 1967) was an American stage and screen actor. His 67-year career spanned eight decades and two centuries, during which time he appeared in over a dozen Broadway plays, produced two others, acted in over a 130 films, as well as numerous television shows. He was most frequently credited as Thomas Jackson and occasionally as Tom Jackson or Tommy Jackson.
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Richard Keene was born on September 16, 1899 in Philadelphia, Pennsylvania, USA. He was an actor, known for Happy Days (1929), Yours Sincerely (1933) and Her Golden Calf (1930). He died on March 11, 1971 in Los Angeles County, California, USA.
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Matthew O. McHugh (January 22, 1894 – February 22, 1971) was an American film actor who appeared in more than 200 films between 1931 and 1955, primarily in small cameo parts.
McHugh came from a theatrical family. His parents ran a stock theatre company and, as a young child, he performed on stage. His brother, Frank, who went on to become part of the Warner Bros. stock company in the 1930s and 1940s, and sister Kitty performed an act with him by the time he was fourteen years old, but the family quit the stage around 1930. His brother Ed became an agent in New York.
Matt made his Broadway debut in Elmer Rice's Street Scene in 1929, along with his brother Ed, and also appeared in Swing Your Lady in 1936.
Despite his actual origins, McHugh usually performed his roles with a Brooklyn accent, and was often cast as characters explicitly from Brooklyn. In Star Spangled Rhythm (1941), his one scene is a protracted monologue during the climactic "Old Glory" sequence, in which McHugh plays a character who literally embodies the spirit of Brooklyn.
