A modest country doctor in the antebellum South has to contend with his daughter's upcoming marriage and an affectionate medicine show elephant.
04-21-1939
1h 13m
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Main Cast
Movie Details
Production Info
Director:
Gordon Douglas
Production:
Hal Roach Studios
Key Crew
Original Story:
Arnold Belgard
Original Story:
Walter DeLeon
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Oliver Hardy
From Wikipedia, the free encyclopedia
Oliver Norvell Hardy (born Norvell Hardy, January 18, 1892 – August 7, 1957) was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1927 to 1951. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In some of his early works, he was billed as "Babe Hardy".
Oliver Hardy died from cerebral thrombosis on August 7, 1957, at age 65. His star on the Hollywood Walk of Fame is located at 1500 Vine Street, Hollywood, California.
Henry "Harry" Philmore Langdon (June 15, 1884 – December 22, 1944) was an American comedian who appeared in vaudeville, silent films (where he had his greatest fame), and talkies.
Mary William Ethelbert Appleton "Billie" Burke (August 7, 1884 – May 14, 1970) was an American actress. She is primarily known to modern audiences as Glinda the Good Witch of the North in the musical film The Wizard of Oz. She was nominated for an Academy Award for her performance as Emily Kilbourne in Merrily We Live.
Description above from the Wikipedia article Billie Burke, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Jean Parker (born Lois Mae Green; August 11, 1915 – November 30, 2005) was an American film and stage actress. She landed her first screen test while still in high school. She acted opposite such well-known actors as Katharine Hepburn, Robert Donat, Edward G. Robinson, Randolph Scott, and Laurel and Hardy. She was married four times and had one son, Robert Lowery Hanks.
Parker appeared in 70 movies from 1932 through 1966. In 1932, she posed as a flower girl and living poster in a float in the Tournament of Roses Parade, where she was seen by Ida Koverman, secretary to MGM mogul Louis B. Mayer. The following day the studio called her on the phone and invited her for a screen test.
Parker's film debut came in Divorce in the Family (1932). She had a successful career at MGM, RKO and Columbia including roles in such films as Little Women, Lady for a Day, Gabriel Over the White House, Limehouse Blues, The Ghost Goes West, and Rasputin and the Empress. In 1939, she starred opposite Stan Laurel and Oliver Hardy in RKO's The Flying Deuces.
Parker remained active in film throughout the 1940s, playing opposite Lon Chaney in Dead Man's Eyes, and a variety of other films. During World War II, she toured many of the veteran hospitals throughout the U.S. and performed on radio. In the 1950s, Parker co-starred opposite Edward G. Robinson in Black Tuesday; had a small but effective role in The Gunfighter, and appeared in A Lawless Street (1955). Her last film appearance was Apache Uprising (1966).
Parker also appeared on Broadway. In 1949, she replaced Judy Holliday in Born Yesterday on Broadway and enjoyed a successful run in this classic. She appeared on Broadway opposite Bert Lahr in the play Burlesque. She did summer stock in Bucks County, Pennsylvania, toured in the play Candlelight and Loco, and performed on stage in other professional productions. In 1954, Parker played the role of "Cattle Kate Watson of Wyoming" in an episode of the syndicated television series Stories of the Century, the first western program to win an Emmy Award. The series starred and was narrated by Jim Davis. Later in her career and life, Parker continued a successful stint on the West Coast theatre circuit and worked as an acting coach.
At age 83, Parker moved into the Motion Picture and Television Country House and Hospital in Woodland Hills, California, where she died of a stroke on November 30, 2005, at the age of 90. She was survived by her son, Robert, and granddaughters Katie and Nora Hanks. She was buried at the Forest Lawn Memorial Park in Hollywood Hills.
From Wikipedia, the free encyclopedia
June Lang (born Winifred June Vlasek, May 5, 1917 – May 16, 2005) was an American film actress. Born in Minneapolis, Minnesota, the daughter of Edith and Clarence Vlasek, Lang originally trained as a dancer in "kiddie revues" and went to Hollywood at the urging of her mother. She made her film debut in 1931 and caught the eye of Darryl F. Zanuck at 20th Century Fox, gradually securing second lead roles in mostly B movies. Noted for her fragile and demure appearance, she was usually cast as the little sister or the heroine's best friend in light comedies and adventure films. She soon graduated to leading roles, most notably in Bonnie Scotland (with Laurel and Hardy, 1935), in The Road to Glory (with Fredric March, Warner Baxter and Lionel Barrymore—written in part by William Faulkner—1936), and in Wee Willie Winkie (directed by John Ford, with Shirley Temple, Cesar Romero, and Victor McLaglen, 1937).
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Olin Ross Howland (February 10, 1886 – September 20, 1959) was an American film and theatre actor.
Howland was born in Denver, Colorado, to Joby A. Howland, one of the youngest enlisted participants in the Civil War, and Mary C. Bunting. His older sister was the famous stage actress Jobyna Howland.
From 1909 to 1927, Howland appeared on Broadway in musicals, occasionally performing in silent films. The musicals include Leave It to Jane (1917), Two Little Girls in Blue (1921) and Wildflower (1923). He was in the film Janice Meredith (1924) with Marion Davies. With the advent of sound films, his theatre background proved an asset, and he concentrated mostly on films thereafter, appearing in nearly two hundred movies between 1918 and 1958.
Howland often played eccentric and rural roles in Hollywood. His parts were often small and uncredited, and he never got a leading role. He was a personal favorite of David O. Selznick, who cast him in his movies Nothing Sacred (1937) as a strange luggage man, The Adventures of Tom Sawyer (1938, as the teacher Mr. Dobbins) and Gone with the Wind (1939) as a carpetbagger businessman. He also played in numerous westerns from Republic Pictures, including the John Wayne films In Old California (1942) and Angel and the Badman (1947). As a young man, Howland learned to fly at the Wright Flying School and soloed on a Wright Model B. This lent special sentiment in his scenes with James Stewart in the film The Spirit of St. Louis (1957), as Stewart was also a pilot in real life. The Spirit of St. Louis and Them (1954),where he played a drunken old man, and The Blob (1958) were his last films.
He also played in telelevision shows during the 1950s. In 1958 and 1959, he was cast as Charley Perkins in five episodes of ABC's sitcom The Real McCoys, starring Walter Brennan.
Howland never married and had no children. He worked until his death in Hollywood, California, at the age of 73.
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John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
Hattie McDaniel (June 10, 1893 - October 26, 1952) was an American actress whose portrayal of Mammy in Gone with the Wind (1939) won her the Oscar for Best Supporting Actress, making her the first black person to win an Academy Award.
After working as early as the 1910s as a band vocalist, Hattie McDaniel debuted as a maid in The Golden West (1932). Her maid-mammy characters became steadily more assertive, showing up first in Judge Priest (1934) and becoming pronounced in Alice Adams (1935). In this one, directed by George Stevens and aided and abetted by star Katharine Hepburn, she makes it clear she has little use for her employers' pretentious status seeking. By The Mad Miss Manton (1938) the character she portrays actually tells off her socialite employer Barbara Stanwyck and her snooty friends. This path extends into the greatest role of McDaniel's career, Mammy in Gone with the Wind (1939). Mammy is, in a number of ways, superior to most of the white folk surrounding her.
From that point, McDaniel's roles unfortunately descended, with the characters becoming more and more menial. McDaniel played on the "Amos and Andy" and Eddie Cantor radio shows in the 1930s and 1940s, the title character in her own radio show "Beulah" (1947-51), and the same part on TV (Beulah, 1950).
From Wikipedia, the free encyclopedia
Bess Flowers (November 23, 1898 – July 28, 1984) was an American actress. By some counts considered the most prolific actress in the history of Hollywood, she was known as "The Queen of the Hollywood Extras," appearing in over 700 movies in her 41 year career.
Born in Sherman, Texas, Flowers's film debut came in 1923, when she appeared in Hollywood. She made three films that year, and then began working extensively. Many of her appearances are uncredited, as she generally played non-speaking roles.
By the 1930s, Flowers was in constant demand. Her appearances ranged from Alfred Hitchcock and John Ford thrillers to comedic roles alongside of Charley Chase, the Three Stooges, Leon Errol, Edgar Kennedy, and Laurel and Hardy.
She appeared in the following five films which won the Academy Award for Best Picture: It Happened One Night, You Can't Take it with You, All About Eve, The Greatest Show on Earth, and Around the World in Eighty Days. In each of these movies, Flowers was uncredited. Including these five movies, she had appeared in twenty-three Best Picture nominees in total, making her the record holder for most appearances in films nominated for the award. Her last movie was Good Neighbor Sam in 1964.
Flowers's acting career was not confined to feature films. She was also seen in many episodic American TV series, such as I Love Lucy, notably in episodes, "Lucy Is Enceinte" (1952), "Ethel's Birthday" (1955), and "Lucy's Night in Town" (1957), where she is usually seen as a theatre patron.
Outside her acting career, in 1945, Bess Flowers helped to found the Screen Extras Guild (active: 1946-1992, then merged with SAG), where she served as one of its first vice-presidents and recording secretaries.
Stepin Fetchit (1902–1985) was an American comedian and actor.
His Fetchit persona parlayed into a successful film career, eventually becoming the first black actor to become a millionaire. He was also the first black actor to receive screen credit.
Stepin Fetchit typical film persona and stage name have long been controversial, and seen as illustrative of negative stereotypes of Negroes. However, a newer interpretation of his film persona contends he was ultimately subversive of the status quo.
From Wikipedia, the free encyclopedia
Clem Bevans (October 16, 1879 – August 11, 1963) was an American character actor best remembered for playing eccentric, grumpy old men.
Bevans had a very long career, starting in vaudeville in 1900 in an act with Grace Emmett. He progressed to burlesque, Broadway, and even light opera, before making his film debut at the age of 55 in Way Down East (1935). His portrayal was so good, he became stereotyped and played mostly likable old codgers for the rest of his life. Bevans played the neighbour of Gregory Peck in The Yearling and the gatekeeper in Harvey (1950). However, he did occasionally play against type, for example as a Nazi spy in Alfred Hitchcock's Saboteur (1942). He also made some television appearances, including the role of murderer Captain Hugo in the 1958 Perry Mason episode "The Case of the Demure Defendant" and as Pete in The Twilight Zone episode "Hocus-Pocus and Frisby" (1962). He played Captain Cobb in Disney's TV miniseries Davy Crockett.
His first cousin was actress Merie Earle, best known as Maude Gormley on The Waltons.
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Robert Dudley (September 13, 1869 – September 15*, 1955) was a dentist turned film character actor who, in his 35-year career, appeared in more than 115 films.
Dudley was born in Cincinnati, Ohio and was educated at Lake Forest College in Evanston, Illinois and Chicago, where he majored in oral surgery. In 1917 he appeared in his first film, Seven Keys to Baldpate, and then made three other silent films through 1921. After 1922 he worked consistently, appearing in three or four films a year, and making the transition to sound films in 1929 with The Bellamy Trial. Dudley often played characters with a quick temper, including jurors, shopkeepers, ticket agents, court clerks and justices of the peace, as well as an occasional farmer, hobo, or laborer. His performances in these small parts were frequently uncredited.
In the 1940s, Dudley was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges. His most distinctive and memorable role for Sturges was the "Wienie King" in 1942's The Palm Beach Story, the funny little self-made rich man with a big hat who spontaneously bankrolls Claudette Colbert and Joel McCrea on their escapade.
The 5' 9" Dudley, who was the founder of the "Troupers Club of Hollywood", was married to Elaine Anderson, and they had two girls, Jewell and Patricia Lee.
He made his final film, As Young as You Feel, in 1951, and died in 1955 in San Clemente, California.
*[TMDb note: The California Death Index indicates that Mr. Dudley died on 12 November 1955. That date should therefore be considered accurate and official.]
William Bakewell (May 2, 1908 – April 15, 1993), also known as Billy Bakewell, was an American actor, who achieved his greatest fame as one of the premiere juvenile performers of the late 1920s and early 1930s.
Bakewell, educated at Los Angeles Harvard Military School, began his film career as an extra in the silent movie Fighting Blood (1924), and went on to appear in some 170 films and television shows. He had supporting roles at the end of the silent era and reached the peak of his career around 1930. He is perhaps best remembered for playing German soldier Albert Kropp in the film classic All Quiet on the Western Front (1930), and Rodney Jordan, Joan Crawford's brother, in Dance, Fools, Dance (1931). He also co-starred in Gold Diggers of Broadway (1929) with Winnie Lightner and Lilyan Tashman. In 1933, he contributed to the founding of the Screen Actors Guild, and was member 44 of the original 50. He never achieved stardom after the Depression years, although he became familiar in dozens of films, including his short appearance as a mounted soldier in Gone with the Wind (1939) whom Scarlett O'Hara asks when the Yankee soldiers are coming to Atlanta.
During World War II, he served in the U.S. Army with the rank of second lieutenant. He was stationed at the 73rd Evacuation Hospital and at the Radio Section of the Special Service Division as the Post Intelligence Officer. He also worked under the department that handled distribution of recorded programs to overseas station circuits.
He starred in the Columbia Pictures serial Hop Harrigan (1946), where he played a top Air Corps pilot. He also portrayed Major Tobias Norton and a Keelboat Race Master of Ceremonies in the phenomenally popular Disney series Davy Crockett (1954-1955).
In the 1960s, he guest starred in numerous situation comedy television series, including Guestward, Ho!, Pete and Gladys, Bringing Up Buddy, The Tab Hunter Show, Mister Ed, Leave It to Beaver, The Jack Benny Program, Petticoat Junction , and Hazel. He also was cast in episodes of Peter Gunn, Sea Hunt, Wagon Train, The Roaring 20s, The Virginian, Arrest and Trial, and 87th Precinct He played the Virginia statesman George Wythe in the episode "George Mason" in the 1965 NBC documentary series, Profiles in Courage. He made his last film in 1975.
For four decades, Bakewell served on the board of Motion Picture and Television Fund. He died on April 15, 1993 of leukemia at the age of 84.
Jack Baxley was born on 4 July 1884 in Dallas, Texas, USA. He was an actor, known for The Kid from Gower Gulch (1950), Song of the Sierras (1946) and Gallant Lady (1942). He was previously married to Kay Deslys. He died on 10 December 1950 in Los Angeles, California, USA.
Chester Cooper Conklin (January 11, 1886 – October 11, 1971) was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
Wade Crosby (August 22, 1905 – October 2, 1975) was an actor in American films. He was also part of radio programs. He was in several Republic Pictures films.
Winifred Vera Emily Harris (17 March 1880 – 18 April 1972) was a British actress with a substantial career in America. She appeared in New York plays beginning in 1914 and acted in numerous plays up to 1934. She left Broadway plays for films though she had begun her film career during the silent era.
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Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Edward McWade was an American writer and stage and screen actor. He appeared in more than 132 films from 1919 to 1944, mostly in secondary roles. He also wrote 15 stage plays and silent film scenarios.
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Peggy Moran (October 23, 1918 – October 24, 2002) was an American film actress who appeared in films between 1938 and 1943.
Description above from the Wikipedia article Peggy Moran , licensed under CC-BY-SA,full list of contributors on Wikipedia.
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Edmund Mortimer (21 August 1874 – 21 May 1944) was an American actor and film director. He appeared in 251 films between 1913 and 1945. He also directed 23 films between 1918 and 1928. He was born in New York, New York and died in Los Angeles, California.
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Harry C. Myers (5 September 1882 – 25 December 1938), sometimes credited as Henry Myers, was an American film actor and director. He was born in New Haven, Connecticut, and died in Hollywood, California from pneumonia. He was married to the actress Rosemary Theby.
Description above from the Wikipedia article Harry C. Myers licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Cyril Ring (December 5, 1892 – July 17, 1967) was an American film actor. He began his career in silent films in 1921. By the time of his final performance in 1951, he had appeared in over 350 films, almost all in small and/or uncredited parts.
He is probably best remembered today for his role as Harvey Yates, a con artist captured and hand-cuffed to fellow con artist Penelope, played by Kay Francis at the very end of the Marx Brothers first film The Cocoanuts (1929).