This John Nesbitt's Passing Parade short tells the story of John Peter Zenger, who in Colonial New York was tried for sedition based on what he printed in his newspaper.
07-22-1939
10 min
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HELLA
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Main Cast
Movie Details
Production Info
Director:
Joseph M. Newman
Production:
Metro-Goldwyn-Mayer
Key Crew
Producer:
John Nesbitt
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
John Nesbitt
John Nesbitt was an actor, announcer, narrator, producer, and screenwriter. He is best remembered as having been the producer/narrator of MGM's "John Nesbitt's Passing Parade" short films series.
From Wikipedia
Naomi Childers (November 15, 1892 – May 9, 1964) was an American silent film actress whose career lasted until the mid-20th century.
She was born of English parentage in Pottstown, Pennsylvania. Later in life she took pride in being descended from a long line of British ancestors. Her childhood was spent in St. Louis, Missouri where she was educated in the Maryville convent. Childers began acting at the age of three, reciting at a notable function. She played a Chopin number at an adult recital at the age of eight. When she was ten Childers performed the title roles, in both Red Riding Hood and Alice in Wonderland, at the Odeon Theater in St. Louis. In 1912 she played in The Great Name and Madame X. The theatrical presentations featured Henry Kolker and Dorothy Donnelly. On Broadway Childers appeared in Ready Money.
Childers was in movies beginning in 1913. She appeared in The Turn of the Road (1915) and The Writing on the Wall (1916). She was associated with the Vitagraph company for four years. Her most popular role was in Womanhood, the Glory of the Nation. In this film she performed a most modern characterization of Joan of Arc. In 1917 she began working with the Commonwealth Company. Childers possessed a preference for comedy, yet she was in constant demand to play more serious roles. Her character work in motion pictures was a strong asset. In the 1919 Sam Goldwyn film Lord and Lady Algy, Childers was cast in the leading feminine role. She depicted the wife of the young Lord Algy, played by Tom Moore. As a titled Englishwoman she revealed a cold exterior, but retained a warm nature.
When Louis B. Mayer discovered Childers had come into hard times in later years, he granted her a lifetime contract from MGM. She continued to play numerous, often uncredited, roles into the early 1950s. Childers died in Hollywood, California in 1964, age 71. She is buried at Valhalla Memorial Park Cemetery.
From Wikipedia, the free encyclopedia
Mary Gordon (born Mary Gilmour, 16 May 1882 – 23 August 1963) was a Scottish actress, long in the United States, who mainly played housekeepers and mothers, most notably the landlady Mrs. Hudson in the Sherlock Holmes series of movies of the 1940s starring Basil Rathbone and Nigel Bruce. Her body of work included nearly 300 films between 1925 and 1950. With her mother and daughter (both also named Mary), she arrived in Los Angeles in the mid-1920s and began playing variations on the roles she would spend her career on. She became friends with John Ford while making Hangman's House in 1928 and made seven more films with him. In 1939, she took on her best-remembered role as Sherlock Holmes' landlady and played the role in ten films and numerous radio plays. She was a charter member of the Hollywood Canteen, entertaining servicemen throughout the Second World War. On the radio show Those We Love, she played the regular role of Mrs. Emmett.
She entered retirement just as television reshaped the entertainment industry, making only a single appearance in that medium.
She was active in the Daughters of Scotia auxiliary of the Order of Scottish Clans.
She lived out her final years in Pasadena, California with her daughter and grandson. She died at age 81 on 23 August 1963 in Pasadena, California after a long illness.
From Wikipedia, the free encyclopedia
Guy Edward Hearn (September 6, 1888 – April 15, 1963) was an American actor who, in a forty-year film career, starting in 1915, played hundreds of roles, starting with juvenile leads, then, briefly, as leading man, all during the silent era.
With the arrival of sound, he became a character actor, appearing in scores of productions for virtually every studio, in which he was mostly unbilled, while those credits in which he was listed reflected at least nine stage names, most frequently Edward Hearn, but also Guy E. Hearn, Ed Hearn, Eddie Hearn, Eddie Hearne, and Edward Hearne.