Steady, dependable Coast Guard Lieutenant Raymond "Ray" Dower and reckless aviator Thomas "Speed" Bradshaw are the closest of friends. Ray saves the life of Captain Tobias Bliss, tramp steamer skipper, in a daring rescue at sea. Speed flies the injured man back to the base hospital, where the two officers later visit him. There Ray meets Nancy Bliss, Bliss' grand-daughter, and falls in love with her. Speed meets her at a dance and urges Ray to propose before some other guy does. Ray is assigned to flood rescue duty, and Speed and Nancy start going out together and discover they are in love.
08-04-1939
1h 12m
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Main Cast
Movie Details
Production Info
Director:
Edward Ludwig
Production:
Columbia Pictures
Key Crew
Screenplay:
Richard Maibaum
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Randolph Scott
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Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962.
As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and even a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances more than 60 were in Westerns; thus, "of all the major stars whose name was associated with the Western, Scott most closely identified with it."
Scott's more than thirty years as a motion picture actor resulted in his working with many acclaimed screen directors, including Henry King, Rouben Mamoulian, Michael Curtiz, John Cromwell, King Vidor, Alan Dwan, Fritz Lang, and Sam Peckinpah. He also worked on multiple occasions with some noted directors: Henry Hathaway (8 times), Ray Enright (7), Edwin R. Marin (7), Andre DeToth (6), and most notably, his seven film collaborations with Budd Boetticher.
Scott also worked with a diverse array of cinematic leading ladies, from Shirley Temple and Irene Dunne to Mae West and Marlene Dietrich. He also appeared with Gene Tierney, Ann Sheridan, Maureen O'Hara, Nancy Carroll, Donna Reed, Gail Russell, Margaret Sullavan, Virginia Mayo, Bebe Daniels, Carole Lombard, and Joan Bennett.
Tall (6 ft. 2 in.; 188 cm), lanky, and handsome, Scott displayed an easygoing charm and courtly Southern drawl in his early films that helped offset his limitations as an actor, where he was frequently found to be stiff or "lumbering". As he matured, however, Scott's acting improved while his features became burnished and leathery, turning him into the ideal "strong, silent" type of stoic hero. The BFI Companion to the Western noted: "In his earlier Westerns...the Scott persona is debonair, easy-going, graceful, though with the necessary hint of steel. As he matures into his fifties his roles change. Increasingly Scott becomes the man who has seen it all, who has suffered pain, loss, and hardship, and who has now achieved (but at what cost?) a stoic calm proof against vicissitude."
During the early 1950s, Scott was a consistent box-office draw. In the annual Motion Picture Herald Top Ten Polls, he ranked tenth in 1950, eighth in 1951, and again tenth in 1952. Scott also appeared in the Quigley’s Top Ten Money Makers Poll from 1950 to 1953.
Frances Marion Dee (November 26, 1909 – March 6, 2004) was an American screen and television actress. She starred opposite Maurice Chevalier in the early talkie musical Playboy of Paris (1930). She starred in the film An American Tragedy (1931) in a role later recreated by Elizabeth Taylor in the 1951 re-titled remake A Place in the Sun. She also had a prominent role in the classic 1943 Val Lewton psychological horror film I Walked With a Zombie. Dee was the wife of Hollywood star Joel McCrea.
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Ralph Rexford Bellamy (June 17, 1904 – November 29, 1991) was an American actor whose career spanned 62 years on stage, screen and television. During his career, he played leading roles as well as supporting roles, garnering acclaim and awards, including an Academy Award nomination for Best Supporting Actor for The Awful Truth (1937).
His film career began with The Secret Six (1931) starring Wallace Beery and featuring Jean Harlow and Clark Gable. By the end of 1933, he had already appeared in 22 movies, most notably Rebecca of Sunnybrook Farm (1932) and the second lead in the action film Picture Snatcher with James Cagney (1933). He played in seven more films in 1934 alone, including Woman in the Dark, based on a Dashiell Hammett story, in which Bellamy played the lead, second-billed under Fay Wray. Bellamy kept up the pace through the decade, receiving a nomination for the Academy Award for Best Supporting Actor for his role in The Awful Truth (1937) with Irene Dunne and Cary Grant, and played a similar part, that of a naive boyfriend competing with the sophisticated Grant character, in His Girl Friday (1940). He portrayed detective Ellery Queen in a few films during the 1940s, but as his film career did not progress, he returned to the stage, where he continued to perform throughout the 1950s. Bellamy appeared in other movies during this time, including Dance, Girl, Dance (1940) with Maureen O'Hara and Lucille Ball, and the horror classic The Wolf Man (1941) with Lon Chaney, Jr. and Evelyn Ankers. He also appeared in The Ghost of Frankenstein in 1942 with Chaney and Bela Lugosi.
Bellamy appeared in numerous television series. In 1949, Bellamy starred in the television noir private eye series Man Against Crime (also known as Follow That Man) on the DuMont Television Network; initially telecast live in its earliest seasons, the program lasted until 1956 and was simulcast for a season on Dumont and NBC, and ran on CBS during a different year. The lead role was taken by Frank Lovejoy in 1956, who subsequently starred in NBC's Meet McGraw detective series.
An Emmy Award nomination for the mini-series The Winds of War (1983) – in which Bellamy reprised his Sunrise at Campobello role of Franklin D. Roosevelt – brought him back into the spotlight.
Highly regarded within the industry, Bellamy served as a four-term President of Actors' Equity from 1952–1964. Description above from the Wikipedia article Ralph Bellamy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Robert Middlemass (3 September 1883, New Britain, Connecticut – 10 September 1949, Los Angeles, California) was an American playwright and stage actor, and later character actor with over 100 film appearances. usually playing detectives or policemen.
Middlemass graduated from Harvard University in 1909 and initially went into the insurance business, but soon went on the stage, joining the Castle Square Theatre stock company in Boston. He debuted on Broadway in September 1914 in The Bludgeon at the Maxine Elliott Theatre.
His best known play was a one-act melodrama written with Holworthy Hall (real name H. E. Porter, a college roommate) titled The Valiant, which was also made into a film of the same name in 1929, and as The Man Who Wouldn't Talk in 1940. The play became a favorite for amateur and local theater groups, and is still performed today.
Middlemass moved to Los Angeles around 1935, and began appearing in films. He died there in 1949.
Stanley Andrews was an American actor perhaps best known as the voice of Daddy Warbucks on the radio program Little Orphan Annie and later as "The Old Ranger", the first host of the syndicated western anthology television series, Death Valley Days.
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Raymond Thomas Bailey (May 6, 1904 – April 15, 1980) was an American actor on the Broadway stage, films, and television. He is best known for his role as wealthy banker, Milburn Drysdale, in the television series The Beverly Hillbillies.
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Donald T. Beddoe (July 1, 1903 – January 19, 1991) was an American character actor. Born in Pittsburgh, Pennsylvania, Beddoe was the son of Dan Beddoe, a Welsh classical singer, and his wife Mary. He graduated from the University of Cincinnati with bachelor's and master's degrees and taught English for three years.
After a decade of stage work and bit parts in films, Beddoe began more prominent film roles in the late 1930s. He was usually cast as fast-talking reporters and the like. His commercial acting career was put on hold when he served in World War II in the United States Army Air Corps, in which he performed in the Air Force play, Winged Victory.
Beddoe subsequently returned to films playing small character roles. He occasionally appeared in comedy shorts playing comic foils, such as in the Three Stooges shorts Three Sappy People and You Nazty Spy!
Beddoe appeared in more than 250 films.
Beddoe portrayed Mr. Tolliver in the ABC comedy The Second Hundred Years, and he was in the cast of Life with Father on CBS. He also was seen in dozens of television programs. In the 1950s and 1960s, he made four appearances on Have Gun – Will Travel, three times on Lawman, three on Maverick, three on Laramie, three on Lassie, and three on Perry Mason including in the 1958 episode 'The Case of the Buried Clock'. He was also cast on the western aviation series, Sky King, with Kirby Grant, on the ABC/Warner Brothers series, The Alaskans, with Roger Moore, on the ABC adventure series, Straightaway, with Brian Kelly and John Ashley, and on the NBC western series, The Tall Man, with Barry Sullivan and Clu Gulager. He appeared too on the CBS sitcom, Pete and Gladys, with Harry Morgan and Cara Williams, and on the ABC drama series, Going My Way, with Gene Kelly. He guest starred as well on David Janssen's first series, the crime drama, Richard Diamond, Private Detective. He also made appearances on episodes of The Lone Ranger in the '50s.
Beddoe played the outlaw Black Bart in the 1954 episode "Black Bart The PO8" of the western anthology series Death Valley Days, hosted by Stanley Andrews. In the story line, Black Bart is cast as a debonair poetry-writing former school teacher who turns to stagecoach robbery after his first holdup, a prank, pays handsomely. Wells Fargo detectives track him down through a laundry mark. He was also pursued with a romantic interest by his landlady, Winona Webb (Helen Brown). Black Bart spent six years in the penitentiary, never to be heard from again.
During the 1970–1971 season of ABC's Nanny and the Professor, Beddoe made four appearances, three as Mr. Thatcher. In 1984, he made his final television appearance as Kris in NBC's Highway to Heaven starring Michael Landon and Victor French.
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Lynton Brent (2 August 1897 – 2 July 1981) was an American film actor. He appeared in over 240 films between 1930 and 1950.
Brent is best known for his prolific work with Columbia Pictures in the Three Stooges short subjects such as A Ducking They Did Go and From Nurse to Worse.
In addition to his film career, Brent also wrote a number of literary works, notably Lesbian Gang. Though little recognized when first published in 1964, it has achieved notoriety among a niche queer audience in Peckham, England.
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Mary Louise Comingore, best known professionally as Dorothy Comingore (August 24, 1913 – December 30, 1971), was an American film actress. She is best known for starring as Susan Alexander Kane in Citizen Kane (1941), the critically acclaimed debut film of Orson Welles. In earlier films she was credited as Linda Winters, and she had appeared on the stage as Kay Winters. Her career ended when she was caught up in the Hollywood blacklist. She declined to answer questions when she was called before the House Un-American Activities Committee in 1952.
Ann Lee Doran (July 28, 1911 – September 19, 2000) was an American character actress, possibly best known as the mother of Jim Stark (James Dean) in Rebel Without a Cause (1955). She was an early member of the Screen Actors Guild and served on the board of the Motion Picture & Television Fund for 30 years.
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Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
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Claire Du Brey (born Clara Violet Dubrey, August 31, 1892 – August 1, 1993) was an American actress. She appeared in more than 200 films between 1916 and 1959. Her name is sometimes rendered as Claire Du Bray or as Claire Dubrey.
Du Brey's screen career began with Universal Studios and she played at one time or another with almost all the larger companies. More notable films in which she appeared were Anything Once (1917), Social Briars (1918), The Devil's Trail (1919), What Every Woman Wants (1919) and Dangerous Hours (1919). Other films include The Wishing Ring Man, The Spite Bride, The World Aflame, and The Walk Offs. Her career declined with the sound era and she later played mostly small roles.
Du Brey was proficient in athletics, excelling in swimming, riding, golfing, tennis and motoring. She was five feet seven inches high, weighed 130 pounds and had auburn hair and brown eyes, and took a lively interest in horticulture.
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Sarah Edwards (October 11, 1881 – January 7, 1965) was a Welsh-born American film and stage actress. She often played dowagers or spinsters in numerous Hollywood movies of the 1930s and 1940s, mostly in minor roles. Edwards started her acting career as a stage actress, she was described in 1916 by a newspaper article as a leading actress "very popular with West End theatre-goers".[1] She eventually settled in the United States and appeared in six Broadway plays between 1919 and 1931, primarily in comedies like The Merry Malones by George M. Cohan. Among her first movies was the New York-filmed 1929 musical Glorifying the American Girl (1929), where she portrayed the mercenary mother of leading actress Mary Eaton. She came to Hollywood in the mid-1930s where she appeared in about 190 films until her retirement 1951, mostly in uncredited, small character roles. Sarah Edwards died in Hollywood in 1965, aged 83.
Edwards seemed older than she was and often portrayed a "kindly grandmother, imperious dowager, hardy pioneer wife, ill-tempered teacher and strict governess". She remains perhaps best-known to modern audiences as the imperious mother of Mary Hatch (Donna Reed) in Frank Capra's film classic It's a Wonderful Life (1946) who tries to keep her daughter away from George Bailey. Edwards also played a customer in Ernst Lubitsch's The Shop Around the Corner (1940) with James Stewart. She also appeared in another Christmas classic, The Bishop's Wife (1947) with Cary Grant, and as the wife of a doctor on the train in Hitchcock's thriller Shadow of a Doubt (1943). Edwards sometimes also portrayed more substantial roles, for instance in the Charlie Chan movie Charlie Chan in the Secret Service (1944).
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Ned Glass (April 1, 1906 – June 15, 1984) was a Polish-born American character actor who appeared in more than eighty films and on television more than one hundred times, frequently playing nervous, cowardly, or deceitful characters. Short and bald, with a slight hunch to his shoulders, he was immediately recognizable by his distinct appearance, his nasal voice, and his pronounced New York City accent.
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John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
From Wikipedia, the free encyclopedia
James Millican (1911–1955) was an American actor with over 200 film appearances mostly in western movies.
Description above from the Wikipedia article James Millican, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adrian Michael Morris (January 12, 1907 – November 30, 1941) was an American actor of stage and film, and a younger brother of Chester Morris.
As a child, Morris performed with his family in a vaudeville act. In his short 10-year career as a Hollywood character actor, he appeared in over 70 films, including Dirigible (1931), Me and My Gal (1932), Bureau of Missing Persons (1933), The Big Shakedown (1934), The Fighting Marines (1935), The Petrified Forest (1936), There Goes the Groom (1937), Angels with Dirty Faces (1938), Gone With the Wind (1939), The Grapes of Wrath (1940), and Blood and Sand (1941).
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Lee Phelps (May 15, 1893 – March 19, 1953) was an American film actor. He appeared in over 600 films between 1917 and 1953, mainly in uncredited roles. He also appeared in three films - Grand Hotel, You Can't Take It with You, and Gone with the Wind - that won the Academy Award for Best Picture.
Phelps appeared in the 1952 episode "Outlaw's Paradise" as a judge in the syndicated western television series The Adventures of Kit Carson, starring Bill Williams in the title role. He also appeared in a 1952 TV episode (#90) of The Lone Ranger.
Bobby Watson (born Robert Watson Knucher; November 28, 1888 – May 22, 1965) was an American theater and film actor, playing a variety of character roles, including, after 1942, Adolf Hitler.
