In this domestic comedy, a social climbing wife inadvertently creates trouble when she insists that her husband invite a renowned financier, who is new in town, to their house for dinner. Her husband doesn't know the man, and is too intimidated to ask him; instead, he hires an actor to play him.
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From Wikipedia, the free encyclopedia. Evelyn Venable (October 18, 1913 – November 15, 1993) was an American actress. In addition to starring in several films in the 1930s and 1940s, she is notable as the voice and model for the Blue Fairy in the Walt Disney's Pinocchio. For her work in motion pictures, Venable has a star on the Hollywood Walk of Fame at 1500 Vine Street. Description above from the Wikipedia article Evelyn Venable, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Grant Mitchell (born John Grant Mitchell Jr.) was an American stage and screen actor. He is best remembered for his portrayals of fathers, husbands, bank clerks, businessmen, school principals and similar type characters, usually supporting, in films of the 1930s and 1940s. Mitchell, a Yale post graduate at Harvard Law, gave up his law practice to become an actor, making his stage debut at age 27. He appeared in lead roles on Broadway in such plays as "It Pays to Advertise", "The Champion", "The Whole Town's Talking", and "The Baby Cyclone", the last which was specially written for him by George M. Cohan. His screen career took off with the advent of sound (years earlier he had appeared in at least two silent films). He appeared primarily in B films, though from time to time enjoyed being a part of A-quality productions such as Dinner at Eight (1933), A Midsummer Night's Dream (1935), Mr. Smith Goes to Washington (1939), The Man Who Came to Dinner (1942), and Arsenic and Old Lace (1944). Grant Mitchell retired from show business in 1948. He died, age 82, in Los Angeles in 1957.
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1950
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1942
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1943
From Wikipedia, the free encyclopedia Vince Barnett (July 4, 1902 – August 10, 1977) was an American film and television actor. He appeared on stage originally. Barnett's initial involvement with Hollywood was as a screenwriter, writing screenplays for the two-reeler movies of the late 1920s. He began appearing in films in 1930, playing hundreds of comedy bits and supporting parts. One of his more sizable screen roles was the moronic, illiterate gangster "secretary" in Scarface (1932). Among his best-regarded early roles, apart from Scarface, were The Big Cage (1933), Thirty Day Princess (1934) and Princess O'Hara (1935). In later years, Barnett played straight character parts, often as careworn little men, undertakers, janitors, bartenders and drunks in pictures ranging from films noir (The Killers, 1946) to westerns (Springfield Rifle, 1952). He was a welcome presence in "B" comedies and mysteries: as Runyonesque gangsters in Petticoat Larceny (1943), Little Miss Broadway (1947), and Gas House Kids Go West (1947), and notably as Tom Conway's enthusiastic sidekick in The Falcon's Alibi (1946). After World War II, with the Hollywood studios making fewer films, Barnett became a familiar face on television.
From Wikipedia, the free encyclopedia Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
Kenneth Harlan was an American screen and stage actor, his film career spanning the years 1917 to 1943. During the Silent era he was a romantic leading man.
From Wikipedia, the free encyclopedia Edward Earle (16 July 1882 – 15 December 1972) was a Canadian-American stage, film and television actor. In a career which lasted from the early 1900s to 1966, he appeared in almost 400 films between 1914 and 1956. He was born in Toronto and died in Los Angeles, aged 90.
