“Professional jealousy over the discovery of a formula for an anaesthetic leads to murder in a hospital.” - BFI.
01-01-1938
1h 13m
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Main Cast
Movie Details
Production Info
Director:
Arthur B. Woods
Production:
Warner Brothers-First National Productions
Key Crew
Screenplay:
Brock Williams
Screenplay:
Basil Woon
Producer:
Irving Asher
Locations and Languages
Country:
GB
Filming:
GB
Languages:
en
Main Cast
Hugh Williams
From Wikipedia, the free encyclopedia.
Hugh Williams (6 March 1904 – 7 December 1969) was an English actor and dramatist of Welsh descent.
Description above from the Wikipedia Hugh Williams licensed under CC-BY-SA, full list of contributors on Wikipedia.
Dorothy "Chili" Irene Bouchier was an English film actress who achieved success during the silent film era, and went on to many screen appearances with the advent of sound films, before progressing to theatre later in her career.
From Wikipedia, the free encyclopedia
Reginald Purdell (4 November 1895 – 22 April 1953) was an English actor and screenwriter who appeared in over 40 films between 1930 and 1951. During the same period he also contributed to the screenplays of 15 feature films, and had a brief foray into directing with two films in 1937.
Purdell was born in Clapham, London. As a young man he served in the British Army with the South Wales Borderers regiment for the duration of the First World War. On returning to civilian life after the war, he decided to try his luck as an actor and gained experience on the stage through the 1920s. His move into films in 1930 coincided with the advent of the talkie era in British cinema.
Purdell's first screen appearance was in the 1930 comedy The Middle Watch, in a role he would later reprise in a 1940 remake. He next travelled to Germany to feature in historical drama Congress Dances, an ambitious and lavishly budgeted project by the UFA film company, involving the simultaneous filming of three versions of the same story in German, English and French in an attempt to prove that a European company could challenge the dominance of American studios in the new era of sound by delivering a continent-wide hit.
Purdell soon began to accumulate screen credits in a wide variety of films ranging from cheaply made quota quickies to more sophisticated productions. He showed a knack for playing comedy, and his 1930s films fell mainly into this genre, with occasional ventures into straight drama and thrillers. Purdell's screenwriting career began in 1932 and he was most productive in this field during the late 1930s, with only occasional ventures later in his career. He tried his hand at film directing in 1937 with two comedies Don't Get Me Wrong, a Max Miller vehicle co-directed with Arthur B. Woods, and Patricia Gets Her Man. Both films were reasonably well-received, but Purdell appears to have decided that directing was not for him, as there would be no more ventures in this area.
In the 1940s Purdell's acting career diversified, with fewer throwaway comedies and more appearances in high-quality dramatic vehicles. His credits included war dramas We Dive at Dawn and Two Thousand Women, Gainsborough melodrama Love Story, notorious box-office flop musical London Town and the classic Brighton Rock. Purdell's last screen appearance was in 1951 and he died on 22 April 1953, aged 57.
British stage actor James Stephenson made his film debut quite late in life, at the age of 49, in 1937, making four pictures that year. Warner Bros. got a glimpse of this distinguished gent and signed him to a contract where he indulged himself in urbane villainy. Proving a reliable support in such films as Boy Meets Girl (1938), You Can't Get Away with Murder (1939), The Private Lives of Elizabeth and Essex (1939), and the classic adventure The Sea Hawk (1940), he was entrusted by director William Wyler and mega-star Bette Davis to play the sympathetic role of the family attorney Howard Joyce in The Letter (1940). It was the role of a lifetime and he didn't let them down for he earned an Oscar nomination in the process. Stephenson was soon on a roll, playing the titular sleuth in Calling Philo Vance (1940) and was first-billed in the above-average "B" movie Shining Victory (1941) when he died suddenly in 1941 of a heart attack at the rather young age of 53.
Date of Death: 29 July 1941, Pacific Palisades, California (heart attack)
Katie Johnson (18 November 1878 in Clayton, Sussex, England - 4 May 1957, Elham, Kent), born Bessie Kate Johnson, was an English actress who appeared on stage from the 1890s and on screen from the 1930s to the 1950s. In 1908 she was married to the actor Frank Goodenough Bayley who predeceased her. She first appeared in a film at age 55, in 1932, but never received critical acclaim for her performances until 1955, when she starred, aged 77, in the Ealing Studios comedy The Ladykillers as Mrs. Louisa Wilberforce. The role earned her a British Film Academy award for best British actress. She died less than two years afterwards having only appeared in a single further film. She also appeared in the BBC science fiction serial The Quatermass Experiment (1953) and played a spy in I See a Dark Stranger (1946).
Description above from the Wikipedia article Katie Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.