This short shows how Hollywood gets ready for the world premiere of an "important" movie. The film celebrated here is Marie Antoinette (1938), which had its premiere at the Carthay Circle Theatre. We see the street leading to the theatre transformed to suggest a garden that might be seen in a French palace. This includes the placement of trees and other foliage, as well as large statues along the route. Grandstands are set up so fans can see their favorite stars as they arrive for the premiere. Finally, the proverbial "galaxy of stars" arrives in their limousines. Fanny Brice and Pete Smith make remarks at the microphone set up on the carpet outside the theatre.
07-07-1938
9 min
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Main Cast
Movie Details
Production Info
Director:
Herman Hoffman
Key Crew
Sound Director:
David Snell
Locations and Languages
Country:
US
Languages:
en
Main Cast
Judy Garland
Judy Garland (June 10, 1922 – June 22, 1969) was an American actress and singer. After appearing in vaudeville with her sisters, Garland was signed to Metro-Goldwyn-Mayer. There she made more than two dozen films, including nine with Mickey Rooney and "The Wizard of Oz". After fifteen years, Garland was released from the studio but gained renewed success through concert appearances and later a return to acting.
Through a career, Garland attained international stardom as an actress in musical and dramatic roles, as a recording artist, and on the concert stage. She received a juvenile Academy Award, a Golden Globe Award as well as a Grammy Award, and a Special Tony Award. She was nominated for the Academy Award for Best Actress for "A Star is Born" (1954) and Best Supporting Actress for "Judgement at Nuremberg" (1961). At forty, she was the youngest recipient of the Cecil B. DeMille Award for lifetime achievement in the motion picture industry.
In 1997, Garland was posthumously awarded a Grammy Lifetime Achievement Award. Several of her recordings have been inducted into the Grammy Hall of Fame. In 1999, the American Film Institute placed her among the ten greatest female stars in the history of American cinema.
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Spencer Bonaventure Tracy (April 5, 1900 – June 10, 1967) was an American actor, noted for his natural style and versatility. One of the major stars of Hollywood's Golden Age, Tracy won two Academy Awards for Best Actor from nine nominations, sharing the record for nominations in that category with Laurence Olivier.
Tracy first discovered his talent for acting while attending Ripon College, and he later received a scholarship for the American Academy of Dramatic Arts. He spent seven years in the theatre, working in a succession of stock companies and intermittently on Broadway. Tracy's breakthrough came in 1930, when his lead performance in The Last Mile caught the attention of Hollywood. After a successful film debut in John Ford's Up the River starring Tracy and Humphrey Bogart, he was signed to a contract with Fox Film Corporation. His five years with Fox featured one acting tour de force after another that were usually ignored at the box office, and he remained largely unknown to audiences after 25 films, almost all of them starring Tracy as the leading man. None of them were hits although The Power and the Glory (1933) features arguably his most acclaimed performance in retrospect.
In 1935, Tracy joined Metro-Goldwyn-Mayer, at the time Hollywood's most prestigious studio. His career flourished with a series of hit films, and in 1937 and 1938 he won consecutive Oscars for Captains Courageous and Boys Town. He made three smash hit films supporting Clark Gable, the studio's principal leading man, firmly fixing the notion of Gable and Tracy as a team in the public imagination. By the 1940s, Tracy was one of the studio's top stars. In 1942, he appeared with Katharine Hepburn in Woman of the Year, beginning another popular partnership that produced nine movies over 25 years. Tracy left MGM in 1955, and continued to work regularly as a freelance star, despite an increasing weariness as he aged. His personal life was troubled, with a lifelong struggle against severe alcoholism and guilt over his son's deafness. Tracy became estranged from his wife in the 1930s, but never divorced, conducting a long-term relationship with Katharine Hepburn in private. Towards the end of his life, Tracy worked almost exclusively for director Stanley Kramer. It was for Kramer that he made his last film, Guess Who's Coming to Dinner in 1967, completed just 17 days before his death.
During his career, Tracy appeared in 75 films and developed a reputation among his peers as one of the screen's greatest actors. In 1999 the American Film Institute ranked Tracy as the 9th greatest male star of Classic Hollywood Cinema.
James Maitland "Jimmy" Stewart was an American film and stage actor, known for his distinctive voice and his everyman persona. Over the course of his career, he starred in many films widely considered classics and was nominated for five Academy Awards, winning one in competition and receiving one Lifetime Achievement award. He was a major MGM contract star. He also had a noted military career and was a World War II and Vietnam War veteran, who rose to the rank of Brigadier General in the United States Air Force Reserve.
Throughout his seven decades in Hollywood, Stewart cultivated a versatile career and recognized screen image in such classics as Mr. Smith Goes to Washington, The Philadelphia Story, Harvey, It's a Wonderful Life, Shenandoah, Rear Window, Rope, The Man Who Knew Too Much, and Vertigo. He is the most represented leading actor on the AFI's 100 Years…100 Movies (10th Anniversary Edition) and AFI's 10 Top 10 lists. He is also the most represented leading actor on the 100 Greatest Movies of All Time list presented by Entertainment Weekly. As of 2007, ten of his films have been inducted into the United States National Film Registry.
Stewart left his mark on a wide range of film genres, including westerns, suspense thrillers, family films, biographies and screwball comedies. He worked for a number of renowned directors later in his career, most notably Alfred Hitchcock, John Ford, Billy Wilder, Frank Capra, George Cukor, and Anthony Mann. He won many of the industry's highest honors and earned Lifetime Achievement awards from every major film organization. He died at age 89, leaving behind a legacy of classic performances, and is considered one of the finest actors of the "Golden Age of Hollywood". He was named the third Greatest Male Star of All Time by the American Film Institute.
Barbara Stanwyck (July 16, 1907 – January 20, 1990) was an American actress. A film and television star, she was known during her 60-year career as a consummate and versatile professional with a strong screen presence and was a favorite of directors including Cecil B. DeMille, Fritz Lang and Frank Capra. After a short stint as a stage actress, she made 85 films in 38 years in Hollywood, before turning to television. Stanwyck was nominated for the Academy Award four times, and won three Emmy Awards and a Golden Globe. She was the recipient of honorary lifetime awards from the Motion Picture Academy, the Film Society of Lincoln Center, the Golden Globes, the Los Angeles Film Critics Association, and the Screen Actors Guild, has a star on the Hollywood Walk of Fame and is ranked as the eleventh greatest female star of all time by the American Film Institute.
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Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films.
Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards".
Simultaneously, Shearer's ten-year collaboration with portrait photographer George Hurrell and her lasting contribution to fashion through the designs of Adrian were also recognized.
Shearer is widely celebrated by some as one of cinema's feminist pioneers: "the first American film actress to make it chic and acceptable to be single and not a virgin on screen". In March 2008, two of her most famous pre-code films, The Divorcee and A Free Soul, were released on DVD.
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One of the great romantic swashbuckling stars of the mid-twentieth century, and the third Tyrone Power of four in a famed acting dynasty reaching back to the eighteenth century. His great-grandfather was the first Tyrone Power (1795-1841), a famed Irish comedian. His father, known to historians as Tyrone Power Sr., but to his contemporaries as either Tyrone Power or Tyrone Power the Younger, was a huge star in the theater (and later in films) in both classical and modern roles. His mother, Patia Riaume (Mrs. Tyrone Power), was also a Shakespearean actress as well as a respected dramatic coach.
Tyrone Edmund Power, Jr., (also called Tyrone Power III; May 5, 1914 - November 15, 1958) was born at his mother's home of Cincinnati, Ohio, in 1914. A frail, sickly child, he was taken by his parents to the warmer climate of southern California. After his parents' divorce, he and his sister Anne Power returned to Cincinnati with their mother. There he attended school while developing an obsession with acting. Although raised by his mother, he corresponded with his father, who encouraged his acting dreams. He was a supernumerary in his father's stage production of 'The Merchant of Venice' in Chicago and held him as he died suddenly of a heart attack later that year.
Startlingly handsome, young Tyrone nevertheless struggled to find work in Hollywood. He appeared in a few small roles, then went east to do stage work. A screen test led to a contract at 20th Century Fox in 1936, and he quickly progressed to leading roles. Within a year or so, he was one of Fox's leading stars, playing in contemporary and period pieces with ease. Most of his roles were colorful without being deep, and his swordplay was more praised than his wordplay. He served in the Marine Corps in World War II as a transport pilot, and he saw action in the Pacific Theater of operations.
After the war, he got his best reviews for an atypical part as a downward-spiraling con-man in Nightmare Alley (1947). Although he remained a huge star, much of his postwar work was unremarkable. He continued to do notable stage work and also began producing films. Following a fine performance in Billy Wilder's Witness for the Prosecution (1957), Power began production on Solomon and Sheba (1959). Halfway through shooting, he collapsed during a dueling scene with George Sanders, and he died of a heart attack before reaching a hospital.
John Sidney Blyth Barrymore (February 15, 1882 – May 29, 1942) was an acclaimed American actor. He first gained fame as a handsome stage actor in light comedy, then high drama and culminating in groundbreaking portrayals in Shakespearean plays Hamlet and Richard III. His success continued with motion pictures in various genres in both the silent and sound eras. Barrymore's personal life has been the subject of much writing before and since his passing in 1942. Today John Barrymore is mostly known for his roles in movies like Dr. Jekyll & Mr. Hyde (1920), Grand Hotel (1932), Dinner at Eight (1933), Twentieth Century (1934), and Don Juan (1926), the first ever movie to use a Vitaphone soundtrack.
A member of a multi-generation theatrical dynasty, he was the brother of Lionel Barrymore and Ethel Barrymore, and was the paternal grandfather of Drew Barrymore.
Robert George Young (February 22, 1907 – July 21, 1998) was an American television, film, and radio actor, best known for his leading roles as Jim Anderson, the father of Father Knows Best (NBC and then CBS) and as physician Marcus Welby in Marcus Welby, M.D. (ABC).
Young appeared in over 100 films between 1931 and 1952. After appearing on stage, Young was signed with Metro-Goldwyn-Mayer and, in spite of having a "tier B" status, he co-starred with some of the studio's most illustrious actresses, such as Katharine Hepburn, Margaret Sullavan, Norma Shearer, Joan Crawford, Helen Hayes, Luise Rainer, Hedy Lamarr, and Helen Twelvetrees. Yet, most of his assignments consisted of B movies, also known as "programmers," which required two to three weeks of shooting (considered very brief shooting periods at the time). Actors who were relegated to such a hectic schedule appeared, as Young did, in some six to eight movies per year.
As an MGM contract player, Young was resigned to the fate of most of his colleagues—to accept any film assigned to him or risk being placed on suspension—and many actors on suspension were prohibited from earning a salary from any endeavor at all (even those unrelated to the film industry). In 1936, MGM summarily loaned Young to Gaumont British for two films; the first was directed by Alfred Hitchcock with the other co-starring Jessie Matthews. While there he surmised that his employers intended to terminate his contract, but he was mistaken.
He unexpectedly received one of his most rewarding roles late in his MGM career, in H.M. Pulham, Esq., featuring one of Hedy Lamarr's most effective performances. He once remarked that he was assigned only those roles which Robert Montgomery and other A-list actors had rejected.
After his contract ended at MGM, Young starred in light comedies as well as in trenchant dramas for studios such as 20th Century Fox, United Artists, and RKO Radio Pictures. From 1943, Young assayed more challenging roles in films like Claudia, The Enchanted Cottage, They Won't Believe Me, The Second Woman, and Crossfire. His portrayal of unsympathetic characters in several of these later films—which was seldom the case in his MGM pictures—was applauded by numerous reviewers.
Young's career began an incremental and imperceptible decline, despite a propitious beginning as a freelance actor without the nurturing of a major studio. He continued starring as a leading man in the late 1940s and early 1950s, but only in mediocre films, then he subsequently disappeared from the silver screen - only to reappear several years later on a much smaller one.
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Don Wilson (September 1, 1900 – April 25, 1982) was an American announcer and actor in radio and television, with a Falstaffian vocal presence, remembered best as the rotund announcer and comic foil to the star of The Jack Benny Program.
His film roles included small appearances as announcers or commentators in several films, and an appearance as Mr. Kettering opposite Marilyn Monroe in Niagara.
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Southerner Una Merkel was a popular American stage, screen, and television actress. In movies, while often cast as the female lead, she more typically appeared in prominent supporting roles.
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Florence Rice (February 14, 1907 – February 23, 1974) was an American film actress.
Florence Davenport Rice was born in Cleveland, Ohio, the daughter of Grantland Rice and Katherine Hollis, who became an actress during the early 1930s and after several Broadway roles, eventually made her way to Hollywood. Blonde, pretty, and wholesome, Rice was cast as the reliable girlfriend in several MGM films, and during the 1930s, MGM gradually provided her with more substantial roles, occasionally in prestige productions.
Rice never became a major figure in films, but achieved popularity in a number of screen pairings with Robert Young. Her most widely seen performances were in Double Wedding (1937), in which she was billed third in the cast credits behind William Powell and Myrna Loy, Sweethearts (1938) with Jeanette MacDonald and Nelson Eddy, and The Marx Brothers film At The Circus (1939).
During the 1940s the quality of her roles steadily decreased and in 1947 she retired.
She married three times, with her third marriage lasting until her death in Honolulu, Hawaii from lung cancer.
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Jeanette MacDonald (June 18, 1903 – January 14, 1965) was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier (Love Me Tonight, The Merry Widow) and Nelson Eddy (Naughty Marietta, Rose-Marie, and Maytime). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Oscars (The Love Parade, One Hour with You, Naughty Marietta and San Francisco), and recorded extensively, earning three gold records. She later appeared in grand opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing grand opera to movie-going audiences and inspiring a generation of singers.
Helen Hayes was an American actress whose career spanned almost 70 years. She eventually garnered the nickname "First Lady of the American Theatre" and was one of twelve people who have won an Emmy, a Grammy, an Oscar and a Tony Award. Hayes also received the Presidential Medal of Freedom, America's highest civilian honor, from President Ronald Reagan in 1986. In 1988 she was awarded the National Medal of Arts. She is the namesake of the annual Helen Hayes Awards, which have recognized excellence in professional theatre in the greater Washington, D.C. area since 1984. Perhaps the ultimate respect to be paid to any actor by a producer - of having a theater christened in their name - became a reality for Ms. Hayes in 1955 when the former Fulton Theatre on 46th Street in New York City's Broadway theater district was renamed the Helen Hayes Theatre. When that venue was torn down in 1982 (along with five other neighboring theaters), the operators of the Little Theatre, another standing theater two blocks away on 44th Street, renamed that house in her name, which it has retained ever since.
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Hedy Lamarr (born Hedwig Eva Maria Kiesler; November 9, 1914 – January 19, 2000) was an Austrian-born actress and technology inventor. She was a film star during Hollywood's Golden Age.
After a brief early film career in Czechoslovakia, including the controversial Ecstasy (1933), she fled from her first husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938). Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942). Her greatest success was as Delilah in Cecil B. DeMille's Bible-inspired Samson and Delilah (1949). She also acted on television before the release of her final film, The Female Animal (1958). She was honored with a star on the Hollywood Walk of Fame in 1960.
At the beginning of World War II, she and avant-garde composer George Antheil developed a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. This system later became the basis for what is now known as Bluetooth.
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Reginald Gardiner (27 February 1903 - 7 July 1980) was an English-born actor in film and television and a graduate of the Royal Academy of Dramatic Arts in Britain. He made his film debut in 1926 in the silent film The Lodger, by Alfred Hitchcock. Moving to Hollywood, he was cast in numerous roles, often as a British butler. One of his most famous roles was that of Schultz in Charlie Chaplin's The Great Dictator. Toward the end of his career, Gardiner made increasing guest appearances on the leading television sitcoms of the 1960s, including Fess Parker's ABC series, Mr. Smith Goes to Washington as the lead guest in the episode "Citizen Bellows". His last major role was alongside Phyllis Diller in her short-lived ABC sitcom The Pruitts of Southampton (1966-67).
Douglas Elton Fairbanks Jr. (December 9, 1909 – May 7, 2000) was an American actor, producer, and decorated naval officer of World War II. He is best-known for starring in such films as The Prisoner of Zenda (1937), Gunga Din (1939), and The Corsican Brothers (1941). The son of Douglas Fairbanks and stepson of Mary Pickford, his first marriage was to actress Joan Crawford.
In 1969, he was inducted into the Hall of Fame of the International Best Dressed List.
The moving image collection of Douglas Fairbanks Jr., held at the Academy Film Archive, includes over 90 reels of home movies.
[biography (excerpted) from Wikipedia]
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Merle Oberon (18 February 1911 – 23 November 1979) was an Indian-born British actress.
She began her film career in British films, and a prominent role, as Anne Boleyn in The Private Life of Henry VIII (1933), brought her attention. Leading roles in such films as The Scarlet Pimpernel (1934) advanced her career, and she travelled to the United States to make films for Samuel Goldwyn. She was nominated for an Academy Award for Best Actress for her performance in The Dark Angel (1935).
A traffic collision in 1937 caused facial injuries that could have ended her career, but she soon followed this with her most renowned role, as Cathy in Wuthering Heights (1939).
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Paul Muni (born Meshilem Meier Weisenfreund, September 22, 1895 – August 25, 1967) was an Austrian-Hungarian-born American stage and film actor. During the 1930s, he was considered the most prestigious actor at Warner Brothers studios, and one of the rare actors who was given the privilege of choosing which parts he wanted.
His acting quality, usually playing a powerful character, such as Scarface, was partly a result of his intense preparation for his parts, often immersing himself in study of the real character's traits and mannerisms. He was also highly skilled in using makeup techniques, a talent he learned from his parents, who were also actors, and from his early years on stage with the Yiddish Theater, in New York. At the age of 12, he played the stage role of an 80-year-old man; in one of his films, Seven Faces, he played seven different characters.
He was nominated six times for an Oscar, winning once as Best Actor in The Story of Louis Pasteur.
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Charles Boyer (28 August 1899 – 26 August 1978) was a French actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found success in movies during the 1930s. His memorable performances were among the era's most highly praised romantic dramas, Algiers (1938) and Love Affair (1939). Another famous role was in the 1944 mystery-thriller Gaslight. He received four Academy Award nominations for Best Actor.
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Clarence Leon Brown (May 10, 1890 – August 17, 1987) was an American film director.
After serving as a fighter pilot and flight instructor in the United States Army Air Service during World War I, Brown was given his first co-directing credit (with Tourneur) for The Great Redeemer (1920). Later that year, he directed a major portion of The Last of the Mohicans after Tourneur was injured in a fall.
Brown moved to Universal in 1924, and then to Metro-Goldwyn-Mayer, where he remained until the mid-1950s. At MGM he was one of the main directors of their major female stars, he directed Joan Crawford six times and Greta Garbo seven.
Brown was nominated five times for six films (see below) for an Academy Award as a director, but he never received an Oscar. However, he won Best Foreign Film for Anna Karenina, starring Garbo at the 1935 Venice International Film Festival.
Brown's films gained a total of 38 Academy Award nominations and earned nine Oscars. Brown himself received five Academy Award nominations for six films and in 1949, he won the British Academy Award for the film version of William Faulkner's Intruder in the Dust.
In 1957, Brown was awarded The George Eastman Award, given by George Eastman House for distinguished contribution to the art of film. Brown retired a wealthy man due to his real estate investments, but refused to watch new movies, as he feared they might cause him to restart his career.
The Clarence Brown Theater, on the campus of the University of Tennessee, is named in his honor. He holds the record for most nominations for the Academy Award for Best Director without a win, with six.
Jack Benny (February 14, 1894 – December 26, 1974) was an American comedian, vaudevillian, and actor for radio, television, and film. Widely recognized as one of the leading American entertainers of the 20th century, Benny played the role of the comic penny-pinching miser, insisting on remaining 39 years old on stage despite his actual age, and often playing the violin badly.
Benny was known for his comic timing and his ability to get laughs with either a pregnant pause or a single expression, such as his signature exasperated "Well!" His radio and television programs, tremendously popular from the 1930s to the 1960s, were a foundational influence on the situation comedy genre. Dean Martin, on the celebrity roast for Johnny Carson in November 1973, introduced Benny as "the Satchel Paige of the world of comedy."
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Claudette Colbert was born in Saint-Mandé, Val-de-Marne, France on September 13, 1903 and was brought to the United States as a child three years later. Born Emilie 'Lily' Claudette Chauchoin, she went to high school in New York. She was studying at the Art Students League when, in 1923, she took the name Claudette Colbert for her first Broadway role in "The Wild Westcotts". Her most noteworthy stage vehicle was the "The Barker" in 1927. Her first film was a silent For the Love of Mike (1927), directed by Frank Capra. Made on a shoestring, the movie was a flop, and she vowed that it would be her last film role: "I only left Broadway when the crash came. The Depression killed the theater, and the pictures were manna from heaven". She had her first film success the next year, however, in The Lady Lies (1929).
Her early notable films were all box-office hits and included Cleopatra (1934), in which she played the title role enticingly. She had her greatest triumph playing a runaway heiress, with enormous charm, opposite Clark Gable in Capra's comedy It Happened One Night (1934), for which she won the Academy Award as Best Actress. By 1938 her keen ability in business made her the highest paid star in Hollywood. By 1950, though, her star had begun to wane. She returned to the stage in 1956 when she replaced Margaret Sullavan during the spring and summer in the comedy "Janus". Appearances in other Broadway productions followed, including "The Marriage-Go-Round". Besides the stage, she did TV specials and had a supporting role in a notable TV movie, The Two Mrs. Grenvilles (1987), for which she received a Golden Globe award. In 1989 she was presented with a Life Achievement award from the Kennedy Center for the Performing Arts.
She married actor Norman Foster in 1928, although they never lived together and were divorced after seven years. She married surgeon Dr. Joel Pressman soon after and remained married until his death in 1968. In latter years she divided her time between an apartment in New York and a 200-year-old plantation house in Speightstown, Barbados, where she entertained such guests as Frank Sinatra and Ronald Reagan. She remained on Barbados Island after her stroke. On July 30, 1996, Claudette died in Speightstown, Barbados. She was 92.
French screen actress Simone Simon's film career spanned the years 1931-1973. She is best remembered, regarding her English language roles, for the Hollywood films The Devil and Daniel Webster [originally titled All That Money Can Buy] (1941), Cat People (1942), and The Curse of the Cat People (1944). Simon died in Paris in 2005.
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Virginia Bruce (September 29, 1910 – February 24, 1982) was an American actress and singer.
Born Helen Virginia Briggs in Minneapolis, Minnesota. In 1928, she moved with her family to Los Angeles intending to enroll in the University of California, Los Angeles when a friendly wager sent her seeking film work. She got it as an extra in Why Bring That Up?. In 1930 she appeared on Broadway in the musical Smiles, followed by America's Sweetheart in 1931.
She returned to Hollywood in 1932, where on August 10, 1932, she married John Gilbert, her co-star in the film Downstairs. She retired briefly after the birth of their daughter Susan Ann Gilbert. The couple divorced in 1934, and Virginia returned to a hectic schedule of film appearances. Gilbert died two years later in 1936.
Bruce introduced the Cole Porter standard "I've Got You Under My Skin" in the film Born to Dance and co-starred in the Metro-Goldwyn-Mayer musical The Great Ziegfeld. One of her final film appearances was in Strangers When We Meet.
In 1949, Bruce starred in a daily 30-minute radio drama. Make Believe Town was an afternoon program on CBS.
Bruce married her second husband, film director J. Walter Ruben, in 1937, making the Wallace Beery western The Bad Man of Brimstone with him that year. Together they had a son named Christopher (b. 1941), before Ruben's death in 1942. In 1946, Bruce married Ali Ipar. They divorced in 1951 in order for him to receive a commission in the Turkish Military (which forbade promotions of men married to foreigners), but remarried in 1952 before divorcing again in 1964.
Bruce died of cancer on February 24, 1982, at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. She was 71.
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Robert Montgomery (born Henry Montgomery Jr.; May 21, 1904 – September 27, 1981) was an American film and television actor, director, and producer. He was also the father of actress Elizabeth Montgomery.
Montgomery settled in New York City to try his hand at writing and acting. He established a stage career, and became popular enough to turn down an offer to appear opposite Vilma Bánky in the film This Is Heaven (1929). Sharing a stage with George Cukor gave him an entry to Hollywood and a contract with Metro-Goldwyn-Mayer, where he debuted in So This Is College (also 1929).
Montgomery initially played exclusively in comedy roles, but portrayed a character in his first drama film in The Big House (1930). MGM was initially reluctant to assign him in such a role, until "his earnestness, and his convincing arguments, with demonstrations of how he would play the character" won him the assignment. From The Big House on, he was in constant demand. Appearing as Greta Garbo's romantic interest in Inspiration (1930) started him toward stardom with a rush. Norma Shearer chose him to star opposite her in The Divorcee (1930), Strangers May Kiss (1931), and Private Lives (1931), which led him to stardom.
In another challenging role, Montgomery played a psychopath in the chiller Night Must Fall (1937), for which he received an Academy Award for Best Actor nomination.
After World War II broke out in Europe in September, 1939, and while the United States was still officially neutral, Montgomery enlisted in London for American field service and drove ambulances in France until the Dunkirk evacuation. He then returned to Hollywood and addressed a massive rally on the MGM lot for the American Red Cross in July 1940. Montgomery returned to playing light comedy roles, such as Alfred Hitchcock's Mr. & Mrs. Smith (1941) with Carole Lombard. He continued his search for dramatic roles. For his role as Joe Pendleton, a boxer and pilot in Here Comes Mr. Jordan (1941), Montgomery was nominated for an Oscar a second time. After the U.S. entered World War II in December 1941, he joined the United States Navy, rising to the rank of lieutenant commander, and served on the USS Barton (DD-722) which was part of the D-Day invasion on June 6, 1944.
In 1945, Montgomery returned to Hollywood, making his uncredited directing debut with They Were Expendable, where he directed some of the PT boat scenes when director John Ford was unable to work for health reasons. Montgomery's first credited film as director and his final film for MGM was the film noir Lady in the Lake (1947), in which he also starred, which received mixed reviews. Adapted from Raymond Chandler's detective novel and sanitized for the censorship of the day, the film is unusual because it was filmed entirely from Marlowe's vantage point. Montgomery only appeared on camera a few times, three times in a mirror reflection.
Active in Republican politics and concerned about communist influence in the entertainment industry, Montgomery was a friendly witness before the House Un-American Activities Committee in 1947.
Montgomery has two stars on the Hollywood Walk of Fame, one for movies at 6440 Hollywood Boulevard, and another for television at 1631 Vine Street.
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Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role.
Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
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Robert Taylor (born Spangler Arlington Brugh; August 5, 1911 – June 8, 1969) was an American film and television actor who was one of the most popular leading men of his time.
Taylor began his career in films in 1934 when he signed with Metro-Goldwyn-Mayer. He won his first leading role the following year in Magnificent Obsession. His popularity increased during the late 1930s and 1940s with appearances in A Yank at Oxford (1938), Waterloo Bridge (1940), and Bataan (1943). During World War II, he served in the United States Naval Air Corps, where he worked as a flight instructor and appeared in instructional films. From 1959 to 1962, he starred in the ABC series The Detectives Starring Robert Taylor. In 1966, he took over hosting duties from his friend Ronald Reagan on the series Death Valley Days.
Taylor was married to actress Barbara Stanwyck from 1939 to 1951. He married actress Ursula Thiess in 1954, and they had two children. A chain smoker, Taylor was diagnosed with lung cancer in October 1968. He died of the disease on June 8, 1969 at the age of 57.
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Billy Gilbert (September 12, 1894 – September 23, 1971) was an American comedian and actor known for his comic sneeze routines. He appeared in over 200 feature films, short subjects and television shows starting in 1929. He is not to be confused with silent film actor Billy Gilbert (a.k.a. Little Billy Gilbert, born William V. Campbell, 1891–1961).
Edward Vincent Sullivan was an American television personality, impresario, sports and entertainment reporter, and syndicated columnist for the New York Daily News and the Chicago Tribune New York News Syndicate.
