An ex-gambler hooks up with an old flame after his old habit resurfaces and drives off his wife.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian. After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers. Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965). Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.
Ann Sheridan, or Clara Lou Sheridan, (February 21, 1915 - January 21, 1967) was an American actress. She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1940
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1936
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1938
Eugene Jackson gained fame as Farina's older brother, Pineapple, in six of Hal Roach's "Our Gang" serials - "The Mysterious Mystery", "The Big Town", "Circus Fever", "Dog Days", "The Love Bug" and "Shootin Injuns". Besides films he sang and danced on the vaudeville circuit - billed as "Hollywood's most famous colored kid star". Most of his film roles were bit parts, most uncredited. He did appear as Diahann Carroll's Uncle Lou on TV's "Julia" and Redd Foxx's friend on "Sanford and Son". In later years he taught dance at studios he started in Compton and Pasadena. He trained several performers in the 1959 film Porgy and Bess. His work was featured in a dance retrospective for the 1993 Los Angeles Festival.
Lottie Williams was an American character actress whose career spanned the years 1920 to 1949. Williams appeared mostly in small uncredited roles.
Kenneth Harlan was an American screen and stage actor, his film career spanning the years 1917 to 1943. During the Silent era he was a romantic leading man.
Arthur Preston Aylsworth, professionally known as Arthur Aylesworth (occasionally also using the regular no-e surname spelling), was an American stage and screen actor. Aylesworth's Broadway career spanned the years 1911-1942; he appeared in many productions. In the 1930s he became a contract player at Warner Bros. working in character roles, often uncredited.
Frank Faylen (born Francis Charles Ruf) was an American stage, screen, and television actor. He is best remembered for his movie performances as the cynical male nurse in The Lost Weekend (1945) and Ernie the taxi driver in It's a Wonderful Life (1946), as well as for his portrayal of long-suffering grocer Herbert T. Gillis on the 1950s television sitcom The Many Loves of Dobie Gillis.
Frank Darien was an American actor. He appeared in 225 films and between 1915 and 1951.
From Wikipedia, the free encyclopedia Glen Cavender (September 19, 1883 – February 9, 1962) was an American film actor. He appeared in 259 films between 1914 and 1949. The Spanish–American War soldier was born in Tucson, Arizona, and died in Hollywood, California. He started his acting career in vaudeville shows. Cavender belonged to the original Keystone Cops and was a regular in numerous Mack Sennett comedies. He also worked as a director for three Mack Sennett films between 1914 and 1916. During the 1920s, Cavender worked for the film studios Educational and Christie and appeared in Buster Keaton's film classic The General (1926) as the antagonistic Union Captain Anderson. The advance of sound film in the late 1920s damaged his career and, formerly a well-known actor, Cavender only played minor roles until his retirement in 1949.
Stuart Holmes (born Joseph Liebchen; March 10, 1884 – December 29, 1971) was an American actor and sculptor whose career spanned seven decades. He appeared in almost 450 films between 1909 and 1964, sometimes credited as Stewart Holmes. Holmes's film career began in 1911 and ended with The Man Who Shot Liberty Valance (1962). As a sculptor, Holmes created work for at least three California United States post offices — in Oceanside (1936), Claremont (1937), and Bell (1937). For 20 years, Holmes performed in vaudeville and on stage, with the latter often being in Shakespeare's plays. His work in the theater included a stint in Germany.
Jack Mower (born Benjamin Allen Mower) was an American screen and television actor. He appeared in hundreds of films between 1914 and 1964. Mower also, during the mid 1920s, produced seven silent films.
From Wikipedia, the free encyclopedia Addison Whitaker Richards, Jr. (October 20, 1902 – March 22, 1964) was an American actor of film and television. He appeared in more than three hundred films and television series between 1933 and his death.
Cliff Saum was born on December 18, 1882 in Columbus, Ohio, USA. He was an actor and assistant director, known for A Bum Mistake (1914), The Volunteer Fireman (1915) and The $5,000,000 Counterfeiting Plot (1914). He died on March 5, 1943 in Glendale, California, USA.
