Max Miller plays a boxer's manager who fails to get fights for his simple-minded boxer. The manager sets up a scene in an American nightclub whereby his fighter gets the chance to knock down the reigning champion. The ruse fails to get the fighter a job but a female acquaintance of the champion takes a fancy to his opponent. The plot develops aboard a ship back to England.
01-01-1937
1h 18m
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From Wikipedia, the free encyclopedia.
Jacob Henry Baer (June 11, 1915 – July 18, 1986) was an American boxer, and the brother of heavyweight champion Max Baer. In 2003, Baer was chosen for the Ring Magazine's list of 100 greatest punchers of all time.
Description above from the Wikipedia article Buddy Baer, licensed under CC-BY-SA, full list of contributors on Wikipedia
British stage actor James Stephenson made his film debut quite late in life, at the age of 49, in 1937, making four pictures that year. Warner Bros. got a glimpse of this distinguished gent and signed him to a contract where he indulged himself in urbane villainy. Proving a reliable support in such films as Boy Meets Girl (1938), You Can't Get Away with Murder (1939), The Private Lives of Elizabeth and Essex (1939), and the classic adventure The Sea Hawk (1940), he was entrusted by director William Wyler and mega-star Bette Davis to play the sympathetic role of the family attorney Howard Joyce in The Letter (1940). It was the role of a lifetime and he didn't let them down for he earned an Oscar nomination in the process. Stephenson was soon on a roll, playing the titular sleuth in Calling Philo Vance (1940) and was first-billed in the above-average "B" movie Shining Victory (1941) when he died suddenly in 1941 of a heart attack at the rather young age of 53.
Date of Death: 29 July 1941, Pacific Palisades, California (heart attack)
Joan Miller was a Canadian actress who moved to London in 1931.
In 1937, she appeared on the newly created BBC television network's first entertainment show, 'Picture Page Girl'. She made frequent appearances on radio, television, and in a few films in the decades after the war, in addition to extensive stage work in the United Kingdom.
