A girl escapes marriage and hitchhikes with a young man in whose car a jewel thief has planted his loot.
02-10-1937
1h 12m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Malcolm St. Clair
Production:
20th Century Fox
Key Crew
Story:
Eleanore Griffin
Screenplay:
Lou Breslow
Screenplay:
John Patrick
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Claire Trevor
Claire Trevor (née Wemlinger; March 8, 1910 – April 8, 2000) was an American actress. She appeared in 65 feature films from 1933 to 1982, winning the Academy Award for Best Supporting Actress for her role in Key Largo (1948), and received nominations for her roles in The High and the Mighty (1954) and Dead End (1937). Trevor received top billing, ahead of John Wayne, for Stagecoach (1939).
Trevor's acting career spanned more than seven decades and included successes in stage, radio, television, and film. She often played the hard-boiled blonde, and every conceivable type of 'bad girl' role.
She made her stage debut in the summer of 1929 with a repertory company in Ann Arbor, Michigan. She subsequently returned to New York, where she appeared in a number of Brooklyn-filmed Vitaphone short films and performed in summer stock theatre. In 1932, she starred on Broadway as the female lead in Whistling in the Dark.
Trevor made her film debut in Jimmy and Sally (1933). From 1933 to 1938, Trevor starred in 29 films, often having either the lead role or the role of heroine. In 1937, she was the second lead actress (after top-billed Sylvia Sidney) in Dead End, with Humphrey Bogart, which led to her nomination for Best Supporting Actress. From 1937 to 1940, she appeared with Edward G. Robinson in the popular radio series Big Town, while continuing to make movies. In the early 1940s, she also was a regular on The Old Gold Don Ameche Show on the NBC Red Radio Network, starring with Ameche in presentations of plays by Mark Hellinger. In 1939, she was well established as a solid leading lady. One of her more memorable performances during this period includes the Western Stagecoach (1939).
Two of Trevor's most memorable roles were opposite Dick Powell in Murder, My Sweet (1944) and with Lawrence Tierney in Born to Kill (1947). In Key Largo (1948), Trevor played Gaye Dawn, a washed-up, alcoholic nightclub singer and gangster's moll. For that role, she won the Academy Award for Best Supporting Actress. Her third and final Oscar nomination was for her performance in The High and the Mighty (1954). In 1957, she won an Emmy for her role in the Producers' Showcase episode entitled "Dodsworth". Trevor moved into supporting roles in the 1950s, with her appearances becoming very rare after the mid-1960s. She played Charlotte, the mother of Kay (Sally Field) in Kiss Me Goodbye (1982). Her final television role was for the 1987 television film, Norman Rockwell's Breaking Home Ties. Trevor made a guest appearance at the 70th Academy Awards in 1998.
For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at 6933 Hollywood Boulevard.
[biography (excerpted) from Wikipedia]
From Wikipedia, the free encyclopedia
Douglas Fowley (born Daniel Vincent Fowley; May 30, 1911 – May 21, 1998) was an American movie and television actor in more than 240 films and dozens of television programs. Fowley is probably best remembered for his role as the frustrated movie director Roscoe Dexter in Singin' in the Rain (1952), and for his regular supporting role as Doc Holliday in The Life and Legend of Wyatt Earp.
From Wikipedia, the free encyclopedia. Carl William Demarest (February 27, 1892 – December 27, 1983) was an American character actor, known for playing Uncle Charley in My Three Sons. A veteran of World War I, Demarest became a prolific film and television actor, appearing in over 140 films, beginning in 1926 and ending in the 1970s. He frequently played crusty but good-hearted roles. Demarest started in show business working in vaudeville, appearing with his wife Estelle Collette (real name Esther Zychlin) as "Demarest and Colette", then moved on to Broadway. Demarest worked regularly with director Preston Sturges, becoming part of a "stock" troupe of actors that Sturges repeatedly cast in his films. He appeared in ten films written by Sturges, eight of which were under his direction, including The Lady Eve, Sullivan's Travels and The Miracle of Morgan's Creek. Demarest was such a familiar figure at the Paramount studio that just his name was used in the movie Sunset Boulevard as a potential star for William Holden's unsold baseball screenplay.
Demarest appeared with veteran western film star Roscoe Ates in the 1958 episode "And the Desert Shall Blossom" of CBS's Alfred Hitchcock Presents. In the story line, Ates and Demarest appear as old timers living in the Nevada desert. The local sheriff, played by Ben Johnson, appears with an eviction notice, but he agrees to let the pair stay on their property if they can make a dead rosebush bloom within the next month.
In 1959 Demarest was named the lead actor of the 18-week sitcom Love and Marriage on NBC in the 1959–1960 season. Demarest played William Harris, the owner of a failing music company who refuses to handle popular rock and roll music, which presumably might save the firm from bankruptcy. Joining Demarest on the series were Jeanne Bal, Murray Hamilton and Stubby Kaye.
Demarest appeared as Police Chief Aloysius of the Santa Rosita Police Department in the film It's a Mad, Mad, Mad, Mad World (1963), as well as on a memorable episode ("What's in the Box") of Rod Serling's The Twilight Zone as a hen-pecked husband driven to the murder of his wife.
His most famous television role was in the ABC and then CBS sitcom My Three Sons from 1965 to 1972, playing Uncle Charley O'Casey. He replaced William Frawley, whose failing health had made procuring insurance impossible. Demarest had worked with Fred MacMurray previously in the films Hands Across the Table (1935), Pardon My Past (1945), On Our Merry Way (1948), and The Far Horizons (1955) and was a personal friend of MacMurray. Also, he worked with Irene Dunne in Never a Dull Moment (1950).
From Wikipedia, the free encyclopedia
Georgia Caine (30 October 1876 – 4 April 1964) was an American actress who performed both on Broadway and in more than 80 films in her 51-year career.
Born in San Francisco, California in 1876, the daughter of two Shakespearean actors, George Caine and the former Jennie Darragh, she travelled with them when they toured the country. Caine left school at the age of 17 to join a Shakespearean repertory company. She made her Broadway debut in 1899 as the star of the musical A Reign of Error. Caine continued to perform continuously on Broadway as a star or featured performer, primarily in musicals, until the mid-1930s, including in George M. Cohan's Little Nellie Kelly, as well as his Mary, and The O'Brien Girls,. She appeared in Franz Lehár's The Merry Widow both on Broadway and in London.
Caine was often written about by theater columnists until the 1930s, when her star had started to fade. She made her last Broadway appearance in 1935, in Damon Runyon and Howard Lindsay's A Slight Case of Murder.
With her stage career fading, Caine took advantage of the advent of talking pictures to change her focus and moved to California to work in Hollywood. In 1930, Caine made her first film, Good Intentions, and in the next twenty years appeared in 83 films, mostly playing character roles – mothers, aunts, and older neighbors – although she occasionally played against type, such as when she was a streetwalker in Camille (1936). Many of her parts were small and she did not receive screen credit for them.
In 1940, Caine appeared as Barbara Stanwyck's mother in the film Remember the Night, which was written by Preston Sturges, and she would go on to become part of Sturges' unofficial "stock company" of character actresses, appearing in seven other films written by Sturges.
Caine made her final film appearance in 1950, at the age of 73, in Kiss Tomorrow Goodbye.
Caine in the musical Adele (1913)
According to Marie Dressler The Unlikeliest Star by Betty Lee, about Caine's friend Marie Dressler, Caine was married to a prominent man from San Francisco by the 1920s, but the book gives no information on what his name was or when or for how long they were married.
Georgia Caine died in Hollywood, California on 4 April 1964, at the age of 87, and is buried in Valhalla Memorial Park Cemetery in North Hollywood, California.
From Wikipedia, the free encyclopedia
Inez Courtney (March 12, 1908 – April 5, 1975) was an American actress on the Broadway stage and in films.
Born in New York City, New York, she came from a large Irish-American family. Her father died when she was fifteen so she decided to go onto the stage. A year later she was doing a specialty dance which earned her the nicknames of St Vitis, Mosquito and Lightning.
Courtney's first role as a singer and dancer came in the musical The Wild Rose in 1926. She became well-known among New York theatrical audiences for her work in Good News (1927), a musical comedy about college life. Her other credits include Spring Is Here in 1929 and America's Sweetheart in 1931. In the early 1930s, Miss Courtney left Broadway and went to Hollywood.
Courtney acted in 58 films between 1930 and 1940. She secured her first movie work by asking Harry Cohn of Columbia Pictures for his assistance. The red-headed comedian made her screen debut as Cousin Betty in Loose Ankles (1930). The film co-starred Douglas Fairbanks, Jr. and Loretta Young. Her many movie credits include The Raven (1935), Suzy (1936), The Shop Around the Corner (1940), and Turnabout (1940), her last film.
Courtney was married to an Italian nobleman, whereby she acquired the title Marchesa, but did not use it. She died at the Jersey Shore Medical Center in Neptune, New Jersey in 1975 of undisclosed causes at the age of 67.
From Wikipedia, the free encyclopedia
George Chandler (June 30, 1898 – June 10, 1985), born in Waukegan, Illinois, was an American actor. He made his screen debut in 1928, ultimately appearing, throughout his career, in over 140 films, usually in smaller supporting roles. Chandler is perhaps best known for playing the character of Uncle Petrie Martin on the television series Lassie.
Early in his performing career he had a vaudeville act, billed as "George Chandler, the Musical Nut", which featured comedy and his violin. He served in the United States Army during World War I.
In addition to many film roles throughout the years 1928-1979, Chandler appeared, from 1951 onward, in numerous television series.
He was elected president of the Screen Actors Guild in 1960.
George Chandler died in Panorama City, California, the result of cancer, on June 10, 1985. He was 86.
Frederick Alvin Kelsey (August 20, 1884 – September 2, 1961) was an American actor, film director, and screenwriter. Kelsey directed one- and two-reel films for Universal Film Manufacturing Company. He appeared in more than 400 films between 1911 and 1958, often playing policemen or detectives. He also directed 37 films between 1914 and 1920. Kelsey was caricatured as the detective in the 1943 MGM cartoon Who Killed Who? directed by Tex Avery. He was born in Sandusky, Ohio and died at the Motion Picture Country Home in Hollywood, California, aged 77.
From Wikipedia, the free encyclopedia
Lynn Bari (born Margaret Schuyler Fisher, December 18, 1913 – November 20, 1989) was a film actress who specialized in playing sultry, statuesque man-killers in roughly 150 20th Century Fox films from the early 1930s through the 1940s.
Bari was one of 14 young women "launched on the trail of film stardom" August 6, 1935, when they each received a six-month contract with 20th Century Fox after spending 18 months in the company's training school. The contracts included a studio option for renewal for as long as seven years.
In most of her early films, Bari had uncredited parts usually playing receptionists or chorus girls. She struggled to find starring roles in films, but accepted any work she could get. Rare leading roles included China Girl (1942), Hello, Frisco, Hello (1943), and The Spiritualist (1948). In B movies, Lynn was usually cast as a villainess, notably Shock and Nocturne (both 1946). An exception was The Bridge of San Luis Rey (1944). During WWII, according to a survey taken of GIs, Bari was the second-most popular pinup girl after the much better-known Betty Grable.
Bari's film career fizzled out in the early 1950s as she was approaching her 40th birthday, although she continued to work at a more limited pace over the next two decades, now playing matronly characters rather than temptresses. She portrayed the mother of a suicidal teenager in a 1951 drama, On the Loose, plus a number of supporting parts.
Bari's last film appearance was as the mother of rebellious teenager Patty McCormack in The Young Runaways (1968) and her final TV appearances were in episodes of The Girl From U.N.C.L.E. and The FBI.
She quickly took up the rising medium of television during the '50s, which began when she starred in the live television sitcom Detective's Wife, which ran during the summer of 1950, and in Boss Lady
In 1955, Bari appeared in the episode "The Beautiful Miss X" of Rod Cameron's syndicated crime drama City Detective. In 1960, she played female bandit Belle Starr in the debut episode "Perilous Passage" of the NBC western series Overland Trail starring William Bendix and Doug McClure and with fellow guest star Robert J. Wilke as Cole Younger.
From July–September 1952, Bari starred in her own situation comedy, Boss Lady, a summer replacement for NBC's Fireside Theater. She portrayed Gwen F. Allen, the beautiful top executive of a construction firm. Not the least of her troubles in the role was being able to hire a general manager who did not fall in love with her.
Commenting on her "other woman" roles, Bari once said, "I seem to be a woman always with a gun in her purse. I'm terrified of guns. I go from one set to the other shooting people and stealing husbands!"
From Wikipedia, the free encyclopedia
Edward Keane (May 28, 1884 – October 12, 1959) was an American film actor. He appeared in more than 300 films between 1921 and 1955.
From Wikipedia, the free encyclopedia
Jack Norton (September 2, 1882 – October 15, 1958) was an American stage and film character actor who appeared in 184 films between 1934 and 1948, often playing drunks, although in real life he was a teetotaler.
Career
Jack Norton was born in Brooklyn, New York on September 2, 1882.
In his early career he had a vaudeville comedy act with his wife Lillian Healy. Norton made his Broadway debut in 1925 in that year's edition of Earl Carroll's Vanities, and also appeared in Florida Girl, which was produced and staged by Carroll.
Norton's first film work was for a musical short, School for Romance, in 1934, in which a young Betty Grable appeared, but his scenes were deleted. His work survived to reach the screen in his next assignment, The Super Snooper, a comedy short, and in his third film, his first full-length movie, Finishing School, which featured Frances Dee, Billie Burke, Ginger Rogers and Bruce Cabot, Norton played a drunk, setting the pattern for many of his future performances. Although he also played stone sober characters as well, he was best known for his inebriated characterizations, and he improved his work by following genuine drunks around, picking up behavioral tips.
Norton worked continuously and consistently, sometimes appearing in as many as 20 films in one year, although many of his performances went uncredited. One of the few times he was credited as part of the main cast was in 1945 for the film A Guy, a Gal and a Pal In the 1940s, Norton was part of Preston Sturges' unofficial "stock company" of character actors, appearing in five films written and directed by Sturges. He is perhaps best known to modern audiences as A. Pismo Clam, the drunken film director whom W.C. Fields is hired to replace in The Bank Dick (1940).
In 1947, Norton retired from films due to illness, his last appearance being in Alias a Gentlemen, which was released in 1948, although he did make some live television appearances in the early 1950s.
Jack Norton's final appearance would have been in the 1956 episode of The Honeymooners entitled "Unconventional Behavior", but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed, though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give.
Norton died on October 15, 1958 in Saranac Lake, New York at the age of 76. He is buried in Sacred Hearts Cemetery in Southampton, New York on Long Island.
From Wikipedia, the free encyclopedia
Lee Phelps (May 15, 1893 – March 19, 1953) was an American film actor. He appeared in over 600 films between 1917 and 1953, mainly in uncredited roles. He also appeared in three films - Grand Hotel, You Can't Take It with You, and Gone with the Wind - that won the Academy Award for Best Picture.
Phelps appeared in the 1952 episode "Outlaw's Paradise" as a judge in the syndicated western television series The Adventures of Kit Carson, starring Bill Williams in the title role. He also appeared in a 1952 TV episode (#90) of The Lone Ranger.
From Wikipedia, the free encyclopedia
Cyril Ring (December 5, 1892 – July 17, 1967) was an American film actor. He began his career in silent films in 1921. By the time of his final performance in 1951, he had appeared in over 350 films, almost all in small and/or uncredited parts.
He is probably best remembered today for his role as Harvey Yates, a con artist captured and hand-cuffed to fellow con artist Penelope, played by Kay Francis at the very end of the Marx Brothers first film The Cocoanuts (1929).
From Wikipedia, the free encyclopedia
Paul Stanton (1884-1955) was an American character actor and bit-part player in American films.
Originally from Illinois, he appeared in about 130 films between 1918 and 1952, mostly in supporting roles. He often portrayed authoritarian figures like judges, attorneys, managers, officials and doctors.
From Wikipedia, the free encyclopedia
Guy Usher (May 9, 1883 – June 16, 1944) was an American film actor. He appeared in more than 190 films between 1932 and 1943.