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Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'."
In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula.
In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.
Muriel Evans (born Muriel Adele Evanson; July 20, 1910 – October 26, 2000) was an American film actress. She is best known for her many appearances in popular westerns of the 1930s for which she won a Golden Boot Award.
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Franklin Pangborn (January 23, 1889 – July 20, 1958) was an American comedic character actor famous for playing small but memorable roles with comic flair. He appeared in scores of feature films playing essentially the same character: prissy, polite, elegant, highly energetic, often officious, fastidious, somewhat nervous, prone to becoming flustered but essentially upbeat, and with immediately recognizable high-speed, patter-type speech. He typically played an officious desk clerk in a hotel, a self-important musician, a fastidious headwaiter, an enthusiastic birdwatcher, and the like, and was usually put in a situation of frustration or flustered by the antics of others. Pangborn was an effective foil for many major comedians.
Wesley Barry was an American actor, director, and producer. Barry began his career as a child actor in silent motion pictures and later became a producer and director of both film and television. As a director, he was sometimes billed as Wesley E. Barry.
Gertrude Astor (Born Gertrude Eyster November 9, 1887 – November 9, 1977) was an American motion picture character actress, who began her career playing trombone on a riverboat.
Born in Lakewood, Ohio, Astor at the age of 12 ran off and joined a woman's band as a trombone player and toured the states. In New York she left the band to obtain film work and got a job as an extra before her career took off. Astor was a prolific performer, between 1915 and 1962 she appeared in over 250 movies. Her first known credit is in a Biograph short in 1915. She then became a contract player at Universal. A tall, angular and beautiful woman, Astor frequently towered over the leading men of the era; thus, she was most frequently utilized in comedy roles as aristocrats, golddiggers and "heroine's best pal".
Her best-known silent appearances were as the visiting stage star in Stage Struck (1925) with Gloria Swanson, as the vamp who plants stolen money on Harry Langdon in The Strong Man (1926), and as Laura LaPlante's wisecracking travelling companion in The Cat and the Canary (1927).
Astor worked prolifically at Hal Roach studios with such headliners as Laurel and Hardy, Our Gang, and especially Charley Chase. She was also kept busy at Columbia Pictures' short subjects unit.
She continued to play bits in feature films throughout the 1940s, 1950s, and 1960s. She was briefly glimpsed as the first murder victim in the Sherlock Holmes adventure The Scarlet Claw and was among the ranks of dress extras in 1956's Around the World in Eighty Days. Her last appearance was in John Ford's The Man Who Shot Liberty Valance.
In her later years, Astor was a welcome guest at several Sons of the Desert gatherings, and became an honorary member of the Way Out West tent.
She died in Woodland Hills, California from a stroke. She is interred in the Abbey of Psalms in the Hollywood Forever Cemetery in Hollywood, CA.
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Harry C. Myers (5 September 1882 – 25 December 1938), sometimes credited as Henry Myers, was an American film actor and director. He was born in New Haven, Connecticut, and died in Hollywood, California from pneumonia. He was married to the actress Rosemary Theby.
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