Plot and counter-plot jostle each other in this romantic comedy about a music-hall star who finds himself much in demand when he inherits a title!
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1936
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1934
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1934
Max Baer is arguably best known today for siring Max Baer Jr., the actor who played Jethro Bodine on the classic TV series The Beverly Hillbillies (1962). However, old-timers, followers of the sweet science, and viewers of the film Cinderella Man (2005) all know that Max Sr. was boxing's heavyweight champion of the world for all of 364 days, from the time he knocked out Primo Carnera on June 14, 1934, to the day he lost his title to Jimmy Braddock on June 13, 1935. Cinephiles also will remember the colorful Max from his numerous bit roles in films, including Bud Abbott and Lou Costello's Africa Screams (1949) to his near-autobiographical turn in the Budd Schulberg boxing expose The Harder They Fall (1956) starring Humphrey Bogart. Ironically, it was his acting in the latter film that likely led to his misrepresentation in "Cinderella Man" as being something akin to a monster, when actually, according to his family and those who knew him, he was an amiable man. Some fight fans thought that it was his good nature, which they attributed to his clowning, that eventually did him in, as he would not bear down on his opponents in the latter part of his career. Max Jr. says that his father wanted to be an actor, an insight that explains the flashy persona he displayed in and outside the ring as he wisecracked and clowned his way through careers as a boxer and performer in movies and nightclubs. Blessed with what "The Boxing Register: International Boxing Hall of Fame Official Record Book" terms the most powerful right hand in heavyweight history, Baer used that right to gain a fearsome reputation as a California prizefighter before moving to New York and taking on the top ranks of the heavyweight division.
From Wikipedia, the free encyclopedia Constance Vera Browne, Baroness Oranmore and Browne (14 February 1916 – 24 September 2006), commonly known as Sally Gray, was an English movie actress of the 1930s and 1940s. Born Constance Vera Stevens in Holloway, London, Gray trained at Fay Compton’s School of Dramatic Art and became well established in the theatre before embarking on a series of light comedies, musicals and thrillers in the 1930s. Gray began in films in her teens with a bit part in School for Scandal (1930) and returned in 1935, making nearly twenty films, culminating in her sensitive role in Brian Desmond Hurst’s romantic melodrama Dangerous Moonlight (1941). She was off the screen for several years owing to an alleged nervous breakdown and then returned in 1946 to make her strongest bid for stardom. This latter involved a series of melodramas. They include the hospital thriller Green for Danger (1946), Carnival (1946), and The Mark of Cain (1948). She made two films that, in different ways, capture some of the essence of postwar Britain: Alberto Cavalcanti's They Made Me a Fugitive (1947) (as a gangster's moll) and the stagebound Silent Dust (1948). She also appeared in Edward Dmytryk's film noir piece Obsession (1949), in which she plays Robert Newton’s faithless wife. Her final film was the spy yarn Escape Route (1952). RKO Executives, impressed with Gray, authorized producer William Sistrom to offer her a long-term contract if she would move to the United States. John Paddy Carstairs, director of The Saint in London, also thought she could be a star. However, she declined the offer and instead retired in 1952 after secretly marrying Dominick Browne, 4th Baron Oranmore and Browne and lived in County Mayo, Ireland. In the early 1960s, they returned to England and settled in a flat in Eaton Place, Belgravia, in London. They had no children. Description above from the Wikipedia article Sally Gray, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Richard Bernard Murdoch was educated at Charterhouse School in Surrey, and Pembroke College, Cambridge University. Whilst at university he participated in the Footlights Dramatic Club's performances. Murdoch's first appearance in cinema was as an uncredited dancing extra in 1932 film Looking on the Bright Side. In 1937 he was listed among the cast of the "Television Follies", an early BBC Television programme. He received his big professional break in the British Broadcasting Corporation's comedy radio programme Band Waggon in 1938 as part of a double act with the then rising star Arthur Askey, acquiring the nickname "Stinker" in mocking reference to his superior formal education. As Askey moved from radio performing into cinema at the end of the 1930s Murdoch went with him and they appeared in a number of Askey star vehicle films together, Murdoch's tall athletic physique, good looks and upper middle class English Home Counties demeanor contrasting comedically with Askey's short stature, homely appearance, Lancashire provincial accent and working class performance persona. Their working partnership broke up during World War 2 when Murdoch joined the Armed Forces, but they briefly reprised it in the late 1950s for the television series Living It Up. Murdoch was conscripted into the Royal Air Force in 1941, serving as a junior intelligence officer with Bomber Command, before being posted to the Department of Allied Air Force and Foreign Liaison as a Flight Lieutenant. In 1943 he joined the Directorate of Administrative Plans at the Air Ministry, where he shared an office with Wing Commander Kenneth Horne, being responsible for the supply of aircraft and air equipment to Russia. He finished the war with the rank of Squadron Leader.
From Wikipedia Judy Kelly (1 November 1913 – 22 October 1991) was an Australian-born British actress. She arrived in Britain in 1932 after winning a competition organised by the Australian British Empire Films, which included 3 months tuition at the British International Studios at Elstree. She appeared in a number of films for British International Pictures during the 1930s. She was sometimes cast as a love interest for the comedian Leslie Fuller, and also appeared alongside the musical stars Gene Gerrard and Stanley Lupino. She appeared in the 1941 stage musical Lady Behave. Her final film was a supporting role in the comedy Warning to Wantons in 1949.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1945
