A weak, cowardly barber gets fit to win over a beautiful woman. However, she prefers his muscle-bound rival until George challenges him to a boxing match.
07-31-1937
1h 22m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Anthony Kimmins
Production:
Associated Talking Pictures (ATP)
Key Crew
Dialogue:
Anthony Kimmins
Scenario Writer:
Anthony Kimmins
Producer:
Basil Dean
Locations and Languages
Country:
GB; US
Filming:
GB
Languages:
en
Main Cast
George Formby
George Formby (born George Hoy Booth) was the archetype "cheeky chappie" northern English comedian. Trained originally as a jockey, he often appeared on horseback in his films. Best known for his buck-toothed grin and his ukulele.
From Wikipedia, the free encyclopedia.
Kay Walsh (born Kathleen Walsh, 15 November 1911,Chelsea, London, England; died 16 April 2005, Chelsea, London) was an English actress and dancer. She grew up in Pimlico, brought up by her grandmother. She began her career as a dancer in West End music halls. Walsh made her film debut in How's Chances? (1934) in a small part, and had a larger role in another 1934 film, Get Your Man. She continued to act in "quota quickies" films for several years. Walsh first met David Lean, then a film editor, in 1936, during the filming of Secret Of Stamboul. They began a relationship and Walsh broke off her engagement to Pownell Pellew. Walsh and Lean married on 23 November 1940. She moved on to higher-prestige films with appearances in two Noel Coward-scripted films, In Which We Serve (1942) and This Happy Breed (1944), both directed by Lean. Walsh had campaigned for Lean to receive co-director credit on In Which We Serve. Walsh contributed dialogue to the 1938 film of Pygmalion, and also devised the scenario for the closing sequence of Lean's film adaptation of Great Expectations (1946), for which she received a writing credit on the latter film. She also devised the opening sequence of Lean's adaptation of Oliver Twist (1948), as well as performing the role of Nancy. Walsh and Lean divorced in 1949, on grounds of infidelity based on Lean's relationship with Ann Todd. Walsh continued to work as a character actress in films through the 1950s, including films with Alfred Hitchcock and Ronald Neame. Her own favourite film role was that of the barmaid Miss D. Coker in Neame's 1958 film of The Horse's Mouth, with Alec Guinness. Between films, she appeared regularly in plays and farces at the Strand and Aldwych Theatres, directed by Basil Dean. She was a semi-regular on the 1979 Anglo-Polish TV series Sherlock Holmes and Dr. Watson. She remained active in films until her retirement in 1981, after the film Night Crossing. Walsh later lived in retirement in London. She died at the Chelsea and Westminster Hospital from multiple burns, following an accident, aged 93. Her second marriage was to the Canadian psychologist Elliott Jaques, and they adopted a daughter, Gemma, in 1956. This marriage also ended in divorce.
Description above from the Wikipedia article Kay Walsh, licensed under CC-BY-SA, full list of contributors on Wikipedia
Edmund Breon (12 December 1882 – 24 June 1953) was a Scottish film and stage actor. He appeared in 131 films between 1907 and 1952.
Born Iver Edmund de Breon MacLaverty in Hamilton, South Lanarkshire, he began in John Hare's touring company and later played on the West End stage and in Glasgow, gaining prominence. According to his grandson, Breon "started out at the turn of the century doing silent pictures in France. Vampire movies", so it is reasonably certain that MacLaverty is indeed the actor who appeared under the name Edmond Bréon in many Gaumont films 1907-1922 including, most famously, playing the part of Inspector Juve for Louis Feuillade in the ground-breaking Fantômas series. He did also appear in a small part in the 1915-1916 Feuillade series Les vampires, although this is not, as his grandson supposes, a horror film.
He returned to Britain where he made the film A Little Bit of Fluff (1928), then went to Canada in 1929 and worked on the land.
A year later he emigrated to the United States and gained his first big American film part in The Dawn Patrol (1930). Breon appeared in a mixture of British and American films over the following two decades. He also appeared on stage in the West End production of the comedy Spring Meeting in 1938.
A 1949 newspaper article noted that Breon's "career has been interrupted by serious illness and an accident which kept him idle for two years."
Breon died in his native Scotland on June 24, 1953.