Hank Medhill, artificial silk manufacturer, has returned to the U.S. from Japan to learn that his former girlfriend, Eleanor Breen is about to marry. Hank convinces Eleanor to leave the groom-to-be and marry him. Shortly after the marriage, they discover that they have nothing in common. They separate. Hank decides to pick any name from the phone book and date them. That date results in a wild and frightful night for Hank, thanks to Eleanor's clever plan.
01-22-1937
1h 11m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
Richard Thorpe
Production:
Metro-Goldwyn-Mayer
Key Crew
Screenplay:
Carey Wilson
Art Direction:
Cedric Gibbons
Producer:
Lou L. Ostrow
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Robert Young
Robert George Young (February 22, 1907 – July 21, 1998) was an American television, film, and radio actor, best known for his leading roles as Jim Anderson, the father of Father Knows Best (NBC and then CBS) and as physician Marcus Welby in Marcus Welby, M.D. (ABC).
Young appeared in over 100 films between 1931 and 1952. After appearing on stage, Young was signed with Metro-Goldwyn-Mayer and, in spite of having a "tier B" status, he co-starred with some of the studio's most illustrious actresses, such as Katharine Hepburn, Margaret Sullavan, Norma Shearer, Joan Crawford, Helen Hayes, Luise Rainer, Hedy Lamarr, and Helen Twelvetrees. Yet, most of his assignments consisted of B movies, also known as "programmers," which required two to three weeks of shooting (considered very brief shooting periods at the time). Actors who were relegated to such a hectic schedule appeared, as Young did, in some six to eight movies per year.
As an MGM contract player, Young was resigned to the fate of most of his colleagues—to accept any film assigned to him or risk being placed on suspension—and many actors on suspension were prohibited from earning a salary from any endeavor at all (even those unrelated to the film industry). In 1936, MGM summarily loaned Young to Gaumont British for two films; the first was directed by Alfred Hitchcock with the other co-starring Jessie Matthews. While there he surmised that his employers intended to terminate his contract, but he was mistaken.
He unexpectedly received one of his most rewarding roles late in his MGM career, in H.M. Pulham, Esq., featuring one of Hedy Lamarr's most effective performances. He once remarked that he was assigned only those roles which Robert Montgomery and other A-list actors had rejected.
After his contract ended at MGM, Young starred in light comedies as well as in trenchant dramas for studios such as 20th Century Fox, United Artists, and RKO Radio Pictures. From 1943, Young assayed more challenging roles in films like Claudia, The Enchanted Cottage, They Won't Believe Me, The Second Woman, and Crossfire. His portrayal of unsympathetic characters in several of these later films—which was seldom the case in his MGM pictures—was applauded by numerous reviewers.
Young's career began an incremental and imperceptible decline, despite a propitious beginning as a freelance actor without the nurturing of a major studio. He continued starring as a leading man in the late 1940s and early 1950s, but only in mediocre films, then he subsequently disappeared from the silver screen - only to reappear several years later on a much smaller one.
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Ann Sothern (born Harriette Arlene Lake; January 22, 1909 – March 15, 2001) was an American actress who worked on stage, radio, film, and television, in a career that spanned nearly six decades. Sothern began her career in the late 1920s in bit parts in films. In 1930, she made her Broadway stage debut and soon worked her way up to starring roles. In 1939, MGM cast her as Maisie Ravier, a brash yet lovable Brooklyn showgirl. The character, based on the Maisie short stories by Nell Martin, proved to be popular and spawned a successful film series (Congo Maisie, Gold Rush Maisie, Up Goes Maisie, etc.) and a network radio series (The Adventures of Maisie).
In 1953, Sothern moved into television as the star of her own sitcom Private Secretary. The series aired for five seasons on CBS and earned Sothern three Primetime Emmy Award nominations. In 1958, she starred in another sitcom for CBS, The Ann Sothern Show, which aired for three seasons. From 1965 to 1966, Sothern provided the voice of Gladys Crabtree, the title character in the sitcom My Mother the Car. She continued her career throughout the late 1960s with stage and film appearances and guest-starring roles on television. Due to health issues, she worked sporadically during the 1970s and 1980s.
In 1987, Sothern appeared in her final film The Whales of August, starring Bette Davis and Lillian Gish. Sothern earned her first and only Academy Award nomination for Best Supporting Actress for her role in the film. After filming concluded, she retired to Ketchum, Idaho, where she spent her remaining years before her death from heart failure in March 2001. Lucille Ball called Sothern "the best comedian in the business, bar none."
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John Reginald Owen (5 August 1887 – 5 November 1972) was an English character actor. He was known for his many roles in British and American films and later in television programmes. The son of Joseph and Frances Owen, Reginald Owen studied at Sir Herbert Tree's Royal Academy of Dramatic Art and made his professional debut in 1905. In 1911, he starred in the original production of Where the Rainbow Ends as Saint George which opened to very good reviews on 21 December 1911. Reginald Owen had a few years earlier met the author Mrs. Clifford Mills as a young actor, and it was he who on hearing her idea of a Rainbow Story persuaded her to turn it into a play, and thus "Where the Rainbow Ends" was born.
He went to the United States in 1920 and worked originally on Broadway in New York, but later moved to Hollywood, where he began a lengthy film career. He was always a familiar face in many Metro-Goldwyn-Mayer productions.
Owen is perhaps best known today for his performance as Ebenezer Scrooge in the 1938 film version of Charles Dickens' A Christmas Carol, a role he inherited from Lionel Barrymore, who had played the part of Scrooge on the radio every Christmas for years until Barrymore broke his hip in an accident.
Owen was one of only five actors to play both Sherlock Holmes and his companion Dr Watson (Jeremy Brett played Watson on stage in the United States prior to adopting the mantle of Holmes on British television, Carleton Hobbs played both roles in British radio adaptations while Patrick Macnee played both roles in US television films). Howard Marion-Crawford played Holmes in a radio adaptation of "The Speckled Band" and later played Watson to Ronald Howard’s Holmes in the 1954-55 television series.
Owen first played Watson in the film Sherlock Holmes (1932), and then Holmes himself in A Study in Scarlet (1933). Having played Ebenezer Scrooge, Sherlock Holmes and Dr. Watson, Owen has the odd distinction of playing three classic characters of Victorian fiction only to live to see those characters be taken over and personified by other actors, namely Alastair Sim as Scrooge, Basil Rathbone as Holmes and Nigel Bruce as Watson.
Later in his career, Owen appeared opposite James Garner in the television series Maverick in the episodes "The Belcastle Brand" (1957) and "Gun-Shy" (1958) and also guest starred in episodes of the series One Step Beyond and Bewitched. He was featured in the Walt Disney films Mary Poppins (1964) and Bedknobs and Broomsticks (1971). He had a small role in the 1962 Irwin Allen production of the Jules Verne novel Five Weeks in a Balloon. In August 1964, his Bel-Air mansion was rented out to the Beatles, who were performing at the Hollywood Bowl, when no hotel would book them.
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Franklin Pangborn (January 23, 1889 – July 20, 1958) was an American comedic character actor famous for playing small but memorable roles with comic flair. He appeared in scores of feature films playing essentially the same character: prissy, polite, elegant, highly energetic, often officious, fastidious, somewhat nervous, prone to becoming flustered but essentially upbeat, and with immediately recognizable high-speed, patter-type speech. He typically played an officious desk clerk in a hotel, a self-important musician, a fastidious headwaiter, an enthusiastic birdwatcher, and the like, and was usually put in a situation of frustration or flustered by the antics of others. Pangborn was an effective foil for many major comedians.
Within the British colony of expatriate actors in Hollywood during the 1930's, Barnett Parker, born 11 September 1886, in Batley, Yorkshire, England, was among the most stereotypical. Harrowgate College-educated, straight-backed, balding and well-intoned, Parker caricatured a multitude of unctuous, stiff-upper-lip butlers, man-servants or waiters, though his performances could, at times, verge on the brink of being camp. When driven to frustration his characters commonly resorted to incoherent twitter or wild gesticulation.
Parker was trained under Marie Tempest and George Alexander in England. He first acted on Broadway at the Lyceum Theatre as Wilfred Tavish in Arthur Wing Pinero's "The "Mind the Paint" Girl" in 1912. He was well served with further roles in hit plays like "Hobson's Choice" (1915), "Artists and Models" (1924) and "The Red Robe" (1928). He was at first prone to reject film offers, professing to favor acting on stage. Nonetheless, the celluloid medium eventually beckoned, enticing him to sign with the East Coast-based studio Thanhouser in 1915. He worked in films during the daytime (while treading the boards at night) and quickly landed a plum role as a weak socialite, rescuing Gladys Hulette in Prudence, the Pirate (1916). He was seldom thereafter afforded the opportunity for heroic acts. During the 1930's, he was primarily in demand for small roles as dandified or 'silly ass' Britishers, giving value for money in films like Mr. Deeds Goes to Town (1936), Personal Property (1937), Live, Love and Learn (1937) and Broadway Melody of 1938 (1937). Looking rather older than his years, Barnett Parker died at the Cedars of Lebanon Hospital in Los Angeles after multiple heart attacks on August 5, 1941.
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Charles Silas Richard Trowbridge (January 10, 1882 – October 30, 1967) was an American film actor. He appeared in 233 films between 1915 and 1958.
Trowbridge was born in Veracruz, Mexico, where his father served in the diplomatic corps of the United States. He ran a coffee plantation in Hawaii before venturing into acting.
Trowbridge's Broadway credits include Dinner at Eight (1932), Ladies of Creation (1931), Congai (1928), The Behavior of Mrs. Crane (1927), We Never Learn (1927), Craig's Wife (1925), It All Depends (1925), The Backslapper (1924), The Locked Door (1924), Sweet Seventeen (1923), The Lullaby (1923), The Last Warning (1922), The Night Call (1921), Just Because (1921), The Broken Wing (1920), Why Worry? (1918), This Way Out (1917), Come Out of the Kitchen (1916) and Daddy Long Legs (1914).
Trowbridge died in Los Angeles, California.
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Irving Bacon (September 6, 1893 – February 5, 1965) was an American character actor who appeared in almost 500 films.
Bacon played on the stage for a number of years before getting into films in 1920. He was sometimes cast in films directed by Lloyd Bacon (incorrectly named as his brother in some sources) such as The Amazing Dr. Clitterhouse (1938). He often played comical "average guys".
In the late 1930s and early 1940s, he played the weary postman Mr. Crumb in Columbia Pictures' Blondie film series. One of his bigger roles was as a similarly flustered postman in the thriller Cause for Alarm! in 1952.
During the 1950s, Bacon worked steadily in a number of television sitcoms, most notably I Love Lucy, where he appeared in two episodes, one which cast him as Ethel Mertz's father.
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Clem Bevans (October 16, 1879 – August 11, 1963) was an American character actor best remembered for playing eccentric, grumpy old men.
Bevans had a very long career, starting in vaudeville in 1900 in an act with Grace Emmett. He progressed to burlesque, Broadway, and even light opera, before making his film debut at the age of 55 in Way Down East (1935). His portrayal was so good, he became stereotyped and played mostly likable old codgers for the rest of his life. Bevans played the neighbour of Gregory Peck in The Yearling and the gatekeeper in Harvey (1950). However, he did occasionally play against type, for example as a Nazi spy in Alfred Hitchcock's Saboteur (1942). He also made some television appearances, including the role of murderer Captain Hugo in the 1958 Perry Mason episode "The Case of the Demure Defendant" and as Pete in The Twilight Zone episode "Hocus-Pocus and Frisby" (1962). He played Captain Cobb in Disney's TV miniseries Davy Crockett.
His first cousin was actress Merie Earle, best known as Maude Gormley on The Waltons.
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Spencer Charters (March 25, 1875 – January 25, 1943) was an American film actor. He appeared in more than 220 films between 1920 and 1943, mostly in small supporting roles. Spencer Charters first stage work soon after leaving school was a walk on part, but it wasn't long before he was being given fair-sized roles. He played on Broadway between 1910 and 1929 and was a busy character actor in films during the 1930s and early 1940s. He often portrayed somewhat befuddeled judges, doctors, clerks, managers, and jailers.
He died by suicide from a mix of sleeping pills and carbon monoxide poisoning.
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Edgar Dearing (May 4, 1893 – August 17, 1974) was an American actor who became heavily type cast as a motorcycle cop in Hollywood films. Born in 1893, Dearing started in silent comedy shorts for Hal Roach, including several with Laurel and Hardy, notably in their classic Two Tars, probably his best ever screen role. He later had supporting roles in several of their features for 20th Century Fox in the 1940s.
Dearing continued in his familiar persona until the early 1950s, when he appeared in many film and television westerns, usually as a sheriff. One of his guest roles was on the syndicated television series, The Range Rider, starring Jock Mahoney and Dick Jones.
He was still active in films and television until he retired in the early 1960s; he died from lung cancer.
American character actor whose career lasted nearly half a century. James Wilson Flavin Jr. was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Irish immigrant. (Thus Flavin, well-known in Hollywood as an "Irish" type, was only one-quarter Irish.) Flavin was born and raised in Portland, Maine (a fact that may have enrichened his later working relationship with director John Ford, also a Portland native). He attended the United States Military Academy at West Point, but (contrary to some sources) did not graduate. Instead he dropped out and returned to Portland where he drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 he was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to go with the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time (his Broadway debut would not occur for another thirty-nine years, in the 1971 revival of "The Front Page," in which Flavin played Murphy and briefly took over the lead role of Walter Burns from star Robert Ryan). He worked his way across the country in stock productions and tours, arriving in Los Angeles around 1932. He quickly made the transition to movies, landing the lead in his very first film, a Universal serial, The Airmail Mystery (1932). He also landed his leading lady, marrying the serial's female star Lucile Browne that same year. However, the serial marked virtually the last time that Flavin would play the lead in a film. Thereafter, he was restricted almost exclusively to supporting characters, many of them without so much as a name. He specialized in uniformed cops and hard-bitten detectives, but played chauffeurs, cabbies, and even a 16th-century palace guard with aplomb. Flavin appeared in nearly four hundred films between 1932 and 1971, and in almost a hundred television episodes before his final appearance, as President Dwight D. Eisenhower in Francis Gary Powers: The True Story of the U-2 Spy Incident (1976). Flavin died of a heart ailment at Cedars-Sinai Medical Center in Los Angeles on April 23, 1976. His widow Lucile died seventeen days later. They were survived by their son, William James Flavin, subsequently a professor at the United States Army War College. James and Lucile Brown Flavin were buried at Holy Cross Cemetery in Culver City, California.
Frank O'Connor was an American screen and television actor, as well as a director, screenwriter, and producer. His lengthy film acting career began in 1915.
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Paul Stanton (1884-1955) was an American character actor and bit-part player in American films.
Originally from Illinois, he appeared in about 130 films between 1918 and 1952, mostly in supporting roles. He often portrayed authoritarian figures like judges, attorneys, managers, officials and doctors.
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Pierre Frank Watkin (December 29, 1889 – February 3, 1960) was an American character actor in many films, serials, and television series from the 1930s through the 1950s, especially westerns. He is perhaps best remembered for being the father of Eleanor Twitchell, the lady who captures Lou Gehrig's heart in Pride of the Yankees (1942)
Watkin was born in Sioux City, Iowa. In the 1920s, he had his own theatrical troupe, the Pierre Watkin Players. In 1927, the group moved its headquarters from Sioux Falls to Lincoln, Nebraska.
Watkin portrayed Perry White in both of the Superman serials of the late 1940s, which starred Kirk Alyn as the title character and Noel Neill as Lois Lane.
Watkin played a few different characters in the television series Adventures of Superman, in which John Hamilton played Perry White. He was set to reprise his role as the editor of The Daily Planet in a revival of the series in 1959, as Hamilton had died in the interim since the cancellation of the original series. However, series star George Reeves also died in the summer of 1959, and those plans ended. Watkin himself died six months later.
He also cast in 1955 in the episode "Joey and the Gypsies" of the NBC children's western series Fury. Watkin guest starred in the CBS western series Brave Eagle. He was cast twice each on the ABC/Warner Brothers series, Cheyenne (as Harvey Sinclair in "The Law Man") and Annie Oakley (as the Reverend Mills in the 1956 episode "The Reckless Press"). In 1958, Watkin portrayed Dr. Breen of Samaritan Hospital in the episode "San Francisco Story" of Rex Allen's syndicated western series, Frontier Doctor.
During the first season of CBS's Perry Mason from 1957 to 1958, Watkin appeared in three episodes as Judge Keetley. He was also cast during the 1950s on The Range Rider, Tales of the Texas Rangers, in three episodes of the western aviation adventure series Sky King, and five times on The Jack Benny Program.
Watkin played the part of Colonel Duncan in the 1958 episode "Decoy" of the ABC/Warner Brothers western series Colt .45.
Bobby Watson (born Robert Watson Knucher; November 28, 1888 – May 22, 1965) was an American theater and film actor, playing a variety of character roles, including, after 1942, Adolf Hitler.
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Carey Wilson (May 19, 1889 – February 1, 1962) was an American screenwriter, voice actor and producer. Wilson's screenplays include Ben-Hur: A Tale of the Christ (1925), Mutiny on the Bounty (1935), and The Great Heart (1938). His credits as producer include Green Dolphin Street (1947). He also narrated many nuclear test films, produced by the Atomic Energy Commission (now Department of Energy) and by the Department of Defence, including Operation Sandstone of 1948 and Operation Greenhouse of 1951.
He was one of the thirty-six Hollywood pioneers who founded the Academy of Motion Picture Arts and Sciences in 1927. He collaborated with Jean Harlow on her novel Today is Tonight.
For his contribution in films, Wilson has a star on the Hollywood Walk of Fame at 6301 Hollywood Blvd.
Duke York Jr. has a long resume as one of Hollywood's best stunt men. He is still often seen on TV today although audiences may not recognize him. He is most often seen today as the various "monsters" that confronted The Three Stooges during the 1940s, and as King Kala (wearing a bald cap) in the first Flash Gordon serial.
