Homer Bigelow has an ideal marriage, with a wife who loves him very much as does he in return. Hilarity ensues when, his wife and him take "marital advice" from an old school friend, who thinks marriage is a farce.
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Charles Ruggles had one of the longest careers in Hollywood, lasting more than 60 years and encompassing more than 100 films. He made his film debut in 1914 in The Patchwork Girl of Oz (1914) and worked steadily after that. He was memorably paired with Mary Boland in a series of comedies in the early 1930s, and was one of the standouts in the all-star comedy If I Had a Million (1932), as a harried, much-put-upon man who finally goes berserk in a china shop. Ruggles' slight stature and distinctive mannerisms - his fluttery, jumpy manner of speaking, his often befuddled look whenever events seemed about to overwhelm him, which was often - endeared him to generations of moviegoers. Memorable as Maj. Applegate the big-game hunter in the classic screwball comedy Bringing Up Baby (1938). Many will remember him as the narrator of the "Aesop's Fables" segment of the animated cartoon The Bullwinkle Show (1961). He was the brother of director Wesley Ruggles.
From Wikipedia, the free encyclopedia. Mary Boland (January 28, 1882 – June 23, 1965) was an American stage and film actress. Description above from the Wikipedia article Mary Boland, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931. [biography (excerpted) from Wikipedia]
Vera Vivienne Spragg (December 10, 1896 – June 10, 1961) was an American stage and film actress known for her work in Broadway theatre and in silent and sound films.
Tall, balding character actor in US films from 1921 until the year he died, usually portraying obstinate or irascible types. A man so disagreeable on celluloid, Claude Gillingwater's characters seemed to subsist on a steady diet of persimmons. Fondly recalled as the cranky old skinflint whose seemingly cold heart could only be warmed by the actions of a cute little tyke, the tall and rangy Gillingwater invariably played much older than he was. He, with the omnipresent bushy brows, crop of silver hair and perpetually sour puss, had a much more versatile career than perhaps realized -- on both stage and in film. Most assuredly, this caustic screen image he perfected belied a softer, gentler off-screen demeanor for he was a kind and sympathetic gent and devoted husband to wife Carlyn Stiletz (or Stellith). Their only child, Claude Gillingwater Jr., briefly became an actor himself. Sadly, Gillingwater Sr.'s thriving character career ended on a grim and tragic note in 1939. A serious accident on the movie set of the picture Florida Special (1936) (he fell from a platform and injured his back) damaged his health and threatened his career, and the death of his long-time wife Carlyn left him irrevocably depressed. Fearing the possibility of becoming an invalid and wishing not to become a serious burden to anyone, the 69-year-old actor committed suicide at his Beverly Hills home with a self-inflicted gunshot to the head. Gillingwater left a fine Hollywood legacy and the fun of some of his old films is watching his vinegar turn to sugar. Date of Birth 2 August 1870, Louisiana, Missouri Date of Death 2 November 1939, Beverly Hills, Los Angeles, California (suicide)
From Wikipedia, the free encyclopedia Louise Beavers (March 8, 1902 – October 26, 1962) was an American film and television actress. Beavers appeared in dozens of films and two hit television shows from the 1920s until 1960, most often cast in the role of a maid, servant, or slave. She was a native of Cincinnati, Ohio, and a member of Sigma Gamma Rho sorority, one of the four African-American sororities. Beavers was a breakthrough actress for black women and became known as a symbol of a "mammy" on the screen. A mammy archetype "is the portrayal within a narrative framework or other imagery of a black domestic servant, generally good-natured, often overweight, and loud". Louise Beavers started her career in the 1920s. At the time, black people in films were limited to acting in only very few roles, usually as slaves or domestic help. She played the "mammy" in many of the movies she acted in. She started to gain more attention in the acting world after she played the role of Julia in Coquette, which starred Mary Pickford. In this film she played the black maid and mother figure to a young white woman. She once received a review which stated: "Personally, Miss Beavers is just splendid, just as fine as she appears on screen, but she also has a charm all her own, which needs no screen role for recognition. She has a very pleasing personality, one that draws people to her instantly and makes them feel that they are meeting a friend instead of a Hollywood Star." Beavers had an attractive personality, and often played roles in which she helps a white protagonist mature in the course of the movie. In 1934, Beavers played Delilah in Imitation of Life in a dramatic role. Her character again plays a black maid, but instead of the usual stereotypical comedic or purely functional role, Delilah's story line is a secondary parallel plot. The public reacted positively to Beavers' performance. It was not only a breakthrough for Beavers, but was also "the first time in American cinema history that a black woman's problems were given major emotional weight in a major Hollywood motion picture". Some in the media recognized the unfairness of Hollywood's double standard regarding race. For example, California Graphic Magazine wrote, "the Academy could not recognize Miss Beavers. She is black!" As Beavers' career grew, some criticized her for the roles she accepted, alleging that such roles institutionalized the view that blacks were subservient to whites. Beavers dismissed the criticism. She acknowledged the limited opportunities available, but said: "I am only playing the parts. I don't live them." As she became more famous, Beavers began to speak against Hollywood's portrayal and treatment of black Americans, both during production and after promoting the films. Beavers became active in public life, seeking to help support African Americans. In later life, Beavers was plagued by health issues, including diabetes. She died on October 26, 1962, at the age of 60, following a heart attack. Beavers was inducted into the Black Filmmakers Hall of Fame in 1976.
From Wikipedia, the free encyclopedia Purnell Pratt (October 20, 1885 – July 25, 1941) was an American film actor. He appeared in 114 films between 1914 and 1941. He was born in Bethel, Illinois and died in Hollywood, California.
