The star of "Song of the Toreador" receives threatening messages that he will not survive the preview screening of the film. The studio publicist works with the Director, the Producer and the police, to discover who is behind the threats.
02-28-1936
1h 0m
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Main Cast
Movie Details
Production Info
Director:
Robert Florey
Production:
Paramount Pictures
Key Crew
Screenplay:
Brian Marlow
Story:
Garnett Weston
Producer:
Harold Hurley
Screenplay:
Robert Yost
Associate Producer:
Edward F. Cline
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Reginald Denny
Reginald Denny (born Reginald Leigh Dugmore) was an English stage, screen, and television actor, as well as an aviator and unmanned aerial vehicle (UAV) pioneer.
Frances Drake was born on October 22, 1912 in New York City, New York, USA as Frances Dean. She was an American actress, known for Mad Love (1935), The Invisible Ray (1936) and Les Misérables (1935). She was married to David Brown and Lt. Cecil John Arthur Howard. She died on January 18, 2000 in Irvine, California, USA.
Gail Patrick (born Margaret LaVelle Fitzpatrick, June 20, 1911 - July 6, 1980) was an American film actress.
She appeared in 62 movies between 1932 and 1948. Some of these roles are in My Favorite Wife, Dangerous to Know, and in My Man Godfrey. Patrick retired from acting in films in 1948 and later became a producer of Perry Mason.
Thomas E. Jackson (July 4, 1886 – September 7, 1967) was an American stage and screen actor. His 67-year career spanned eight decades and two centuries, during which time he appeared in over a dozen Broadway plays, produced two others, acted in over a 130 films, as well as numerous television shows. He was most frequently credited as Thomas Jackson and occasionally as Tom Jackson or Tommy Jackson.
Description above from the Wikipedia article Thomas Jackson (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Jack Mulhall, born John Joseph Francis Mulhall, (October 7, 1887 in Wappingers Falls, New York – June 1, 1979 in Woodland Hills, Los Angeles, California) was a movie actor since the silent film era and appeared in over 430 films. Reputedly, he was one of a number of male models(Fredric March & Reed Howes were two others) for the Arrow Collar Man in the Arrow collar ads illustrated by J. C. Leyendecker for the Cluett Peabody shirt company. Died from congestive heart failure.
Description above from the Wikipedia article Jack Mulhall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Leading man in silent films until mid to late 1920s when Farnum transitioned to a character actor. Then later in life he remained in the film business as a paid extra in many films and TV shows.
From Wikipedia, the free encyclopedia
Spencer Charters (March 25, 1875 – January 25, 1943) was an American film actor. He appeared in more than 220 films between 1920 and 1943, mostly in small supporting roles. Spencer Charters first stage work soon after leaving school was a walk on part, but it wasn't long before he was being given fair-sized roles. He played on Broadway between 1910 and 1929 and was a busy character actor in films during the 1930s and early 1940s. He often portrayed somewhat befuddeled judges, doctors, clerks, managers, and jailers.
He died by suicide from a mix of sleeping pills and carbon monoxide poisoning.
Chester Cooper Conklin (January 11, 1886 – October 11, 1971) was an early American film comedian who started at Keystone Studios as one of Mack Sennett’s Keystone Cops, often paired with Mack Swain. He appeared in a series of films with Mabel Normand and worked closely with Charlie Chaplin, both in silent and sound films.
William Bailey was born on September 26, 1886 in Omaha, Nebraska, USA as Gordon Reineck. He was an actor and director, known for On Dangerous Ground (1917), The Penitent (1912) and Hilda Wakes (1913). He was married to Alethia Hamilton Fadden, Mary Florence Cannon and Polly Vann. He died on November 8, 1962 in Hollywood, California, USA.
From Wikipedia, the free encyclopedia
Bobby Barber (December 18, 1894 – May 24, 1976) was an American actor who appeared in over 100 films. Barber is notable for his work as a foil for Abbott and Costello on and off screen.
Barber was often used by Bud Abbott and Lou Costello as a form of "court jester" on the set of their films. It was his job to keep the energy level up with pranks and practical jokes. Sometimes, he even suddenly appeared on camera during a take to break up the cast and crew. In Abbott and Costello Meet Frankenstein (1948), Costello answers a knock at the door expecting to see large actor Lon Chaney Jr. Instead, the very short Barber walks in wearing a funny hat with a feather. In another outtake from that film, Bela Lugosi, in full Dracula regalia, is solemnly descending a staircase to meet Abbott and Costello when all of a sudden the actors and crew burst out laughing. Lugosi, annoyed, turns around to see Barber following right behind him, mimicking his steps.
Barber also appeared in bit parts, such as a delivery boy, waiter, bellhop, or man on the street, often uncredited in movies, and in many of Abbott and Costello's films and about half their television shows. Sometimes his likeness was in a picture on a wall or a "wanted" poster in a post office. His final film appearance was in Lou Costello's last movie, The 30 Foot Bride of Candy Rock (1959). His film career included bit parts in over 100 (known) feature films.
From Wikipedia, the free encyclopedia
Sidney Bracey (18 December 1877 – 5 August 1942) was an Australian-born American actor. After a stage career in Australia, on Broadway and in Britain, he appeared in 321 films between 1909 and 1942.
Bracey was born in Melbourne, Victoria, with the name Sidney Bracy, later changing the spelling of his last name. He was the son of Welsh tenor Henry Bracy and English actress Clara T. Bracy. His aunt was actress and dancer Lydia Thompson.
He began his stage career in Australia in the 1890s, with J. C. Williamson's comic opera companies. On Broadway, in 1900, he appeared as the tenor lead, Yussuf, in the first American production of The Rose of Persia at Daly's Theatre in New York. He then moved to England, appearing as Moreno in the Edwardian musical comedy hit The Toreador at the Gaiety Theatre, London in June 1901. He next joined the D'Oyly Carte Opera Company on tour in Britain, playing Terence O'Brian in The Emerald Isle from September 1901 to May 1902. He then left the D'Oyly Carte, continuing his stage career in Britain. He appeared in Amorelle at London's Comedy Theatre in 1904, The Winter's Tale in 1904–05, and A Persian Princess at Queen's Theatre in 1909.
Back on Broadway, in 1912, he played as Sir Guy of Gisborne in a revival of Reginald de Koven's Robin Hood at the New Amsterdam Theatre, followed by Rob Roy at the Liberty Theatre in 1913. He then moved into film acting, making first silent films and then "talkies", until his death in 1942. Early in his film career, he wrote and directed a silent movie called Sid Nee's Finish, (Thanhouser Company (1914), in which he played the title character. In 1916, he changed the spelling of his last name to "Bracey". Silent film authority Diane MacIntyre gave this description of him: "Bracey, a stately looking character man, was in big demand for authority like roles; such as movie directors, bosses and, most of the time, the most respectable and poised butler in all of Hollywood. He was thin, dark haired and had an earnest, yet sober, face that could break into a look of wide-eyed exasperation."
Bracy died in Hollywood, California on 5 August 1942, aged 64.
From Wikipedia, the free encyclopedia
Henry Brandon (born Heinrich von Kleinbach; June 8, 1912 – February 15, 1990) was a German-American film and stage character actor with a career spanning almost 60 years, involving more than 100 films. He specialized in playing a wide diversity of ethnic roles.
From Wikipedia, the free encyclopedia
Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
From Wikipedia, the free encyclopedia
Edward Frank Dunn (March 31, 1896 – May 5, 1951) was an American actor best known for his roles in comedy films, supporting many comedians such as Charley Chase (with whom he co-directed several short films), Charlie Chaplin, W.C. Fields, and Laurel and Hardy. Dunn also appeared as Detective Grimes in several of The Falcon series of films in the 1940s which starred George Sanders and later on Sanders' brother Tom Conway, and in many small and uncredited parts in many feature films until his death in 1951 aged 55.
John George was a Syrian actor who came to the United States in 1912 via France. He appeared in numerous films beginning in 1916. Much later in his career he appeared in several television series. The vast majority of his roles throughout the years were uncredited bit parts.
Mr. George's original name was Tufei Filhela; on his 1925 United States citizenship naturalization Declaration of Intention document, he signed his name "Tufei Filhela known as John George". His surname was neither Filthela nor Fatella, as today sometimes is claimed.
From Wikipedia, the free encyclopedia
Guy Edward Hearn (September 6, 1888 – April 15, 1963) was an American actor who, in a forty-year film career, starting in 1915, played hundreds of roles, starting with juvenile leads, then, briefly, as leading man, all during the silent era.
With the arrival of sound, he became a character actor, appearing in scores of productions for virtually every studio, in which he was mostly unbilled, while those credits in which he was listed reflected at least nine stage names, most frequently Edward Hearn, but also Guy E. Hearn, Ed Hearn, Eddie Hearn, Eddie Hearne, and Edward Hearne.
From Wikipedia, the free encyclopedia
Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
From Wikipedia, the free encyclopedia
Jack Norton (September 2, 1882 – October 15, 1958) was an American stage and film character actor who appeared in 184 films between 1934 and 1948, often playing drunks, although in real life he was a teetotaler.
Career
Jack Norton was born in Brooklyn, New York on September 2, 1882.
In his early career he had a vaudeville comedy act with his wife Lillian Healy. Norton made his Broadway debut in 1925 in that year's edition of Earl Carroll's Vanities, and also appeared in Florida Girl, which was produced and staged by Carroll.
Norton's first film work was for a musical short, School for Romance, in 1934, in which a young Betty Grable appeared, but his scenes were deleted. His work survived to reach the screen in his next assignment, The Super Snooper, a comedy short, and in his third film, his first full-length movie, Finishing School, which featured Frances Dee, Billie Burke, Ginger Rogers and Bruce Cabot, Norton played a drunk, setting the pattern for many of his future performances. Although he also played stone sober characters as well, he was best known for his inebriated characterizations, and he improved his work by following genuine drunks around, picking up behavioral tips.
Norton worked continuously and consistently, sometimes appearing in as many as 20 films in one year, although many of his performances went uncredited. One of the few times he was credited as part of the main cast was in 1945 for the film A Guy, a Gal and a Pal In the 1940s, Norton was part of Preston Sturges' unofficial "stock company" of character actors, appearing in five films written and directed by Sturges. He is perhaps best known to modern audiences as A. Pismo Clam, the drunken film director whom W.C. Fields is hired to replace in The Bank Dick (1940).
In 1947, Norton retired from films due to illness, his last appearance being in Alias a Gentlemen, which was released in 1948, although he did make some live television appearances in the early 1950s.
Jack Norton's final appearance would have been in the 1956 episode of The Honeymooners entitled "Unconventional Behavior", but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed, though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give.
Norton died on October 15, 1958 in Saranac Lake, New York at the age of 76. He is buried in Sacred Hearts Cemetery in Southampton, New York on Long Island.
Charles Ruggles had one of the longest careers in Hollywood, lasting more than 60 years and encompassing more than 100 films. He made his film debut in 1914 in The Patchwork Girl of Oz (1914) and worked steadily after that. He was memorably paired with Mary Boland in a series of comedies in the early 1930s, and was one of the standouts in the all-star comedy If I Had a Million (1932), as a harried, much-put-upon man who finally goes berserk in a china shop. Ruggles' slight stature and distinctive mannerisms - his fluttery, jumpy manner of speaking, his often befuddled look whenever events seemed about to overwhelm him, which was often - endeared him to generations of moviegoers. Memorable as Maj. Applegate the big-game hunter in the classic screwball comedy Bringing Up Baby (1938). Many will remember him as the narrator of the "Aesop's Fables" segment of the animated cartoon The Bullwinkle Show (1961). He was the brother of director Wesley Ruggles.
