Prizefighter Bob Neal (Ray Walker) is in debt to gangster Vic Santell (Hooper Atchley) for training expenses. Santell orders Bob to take a dive in the fourth round so Santell can recoup prior gambling losses. Taunted by his ring opponent, Bob wins the fight. Realizing that his profession and underworld characters connected to it are causing him problems, Bob decides to join the police force. After taking nurse Mary Prentiss (Geneva Mitchell) to a drive-in restaurant where the total bill is a depression-era cheap eighty-two cents, Bob and his fellow officers round-up a gang of fur thieves in a warehouse shoot-out.
05-12-1936
59 min
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Main Cast
Movie Details
Production Info
Director:
Eugene Cummings
Writer:
Betty Burbridge
Production:
Mayfair Pictures Corporation
Key Crew
Producer:
Harry Knight
Assistant Director:
Jesse Duffy
Story:
Arthur T. Horman
Continuity:
Betty Burbridge
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Ray Walker
Ray Walker was born on August 10, 1904 in Newark, New Jersey, USA as Warren Reyholds Walker. He was an actor, known for It's a Wonderful Life (1946), The Dark Hour (1936) and Baby Take a Bow (1934). He died on October 6, 1980 in Los Angeles, California, USA
From Wikipedia, the free encyclopedia
Herbert Corthell (born Joseph Bertram Corthell, January 20, 1878 – January 23, 1947) was an American stage and film actor. He was born in Boston, Massachusetts, and died in Hollywood, California.
Hooper Atchley (1887–1943) was an American film actor.
He appeared in 214 films between 1929 and 1944 and is known for his appearance as the inconsiderate father in the Our Gang film Birthday Blues.
Wilbur Mack (born George Frear Runyon, 29 July 1873 – 13 March 1964) was an American film actor and early vaudeville performer from the 1920s through the 1960s. His film acting career began during the silent film era.
From Wikipedia, the free encyclopedia
Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 films in his career, most without receiving screen credit. Newspaper gossip columnists noted his rise from playing "Gangster #4", with no lines, and not carrying a gun, to "Gangster #2", with both lines and a gun.
Wagner was one of five children, all boys, of William Wallace Wagner, a railroad conductor, and Edith Wagner, a writer who provided dispatches for the Christian Science Monitor during the Mexican Revolution. When he was 10 years old, his father was killed by rebels and the family moved to Salinas, California, where he met John Steinbeck, who became a lifelong friend. Steinback based the character of the boy in his novel The Red Pony on Wagner.
Under the name "Max Baron", Wagner acted in many Spanish-language versions of English-language films, which studios made as a matter of course in the early days of sound films, He also served as a Spanish language coach for other actors, and appeared in many of the "Mexican Spitfire" films starring Lupe Vélez, where he also served to monitor Velez's Spanish ad-libs for profanity.
Other series that Wagner appeared in include the Charlie Chan films, and Tom Mix serials, as well as others made by Mascot Pictures Corporation. In the 1940s, Wagner was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges, beginning with The Palm Beach Story
In 1940 during the filming of "The Mad Doctor", Wagner was credited for driving 50,000 miles as an on-screen taxi driver on the studio back lots of Hollywood. Since his appearance as a cab driver in Charlie Chan in Shanghai (1935), producers often cast him as a wise-cracking or henchman taxi driver. "I was cast as a taxi driver about five years ago", Wagner told a reporter. "And I was typed."
In 1952, Wagner began to appear on television, in episodes of such shows as The Cisco Kid, Zane Grey Theater and Perry Mason, playing much the same kind of parts he played in the movies.
He was a regular cast member on the western television series Gunsmoke, making nearly 80 appearances between 1959 and 1973. He also appeared in many episodes of The Rifleman, Bonanza, Cimarron Strip, The Wild Wild West and Maverick, including a guest-starring role in the 1959 Rifleman episode "Blood Brother." He also had roles in the original Star Trek and The Twilight Zone series. He appeared in more than 200 television episodes between 1952 and 1974.
Notable film roles for Wagner include a supporting role in the cult science fiction classic Invaders from Mars (1953), an actor playing a gangster in the film-within-a-film segment of Bullets or Ballots (1936), and the bull farm attendant in the Laurel and Hardy comedy The Bullfighters (1945).
Late in his career, he appeared in To Kill a Mockingbird (1962) and The Man Who Shot Liberty Valance (1962). He also occasionally composed music, such as the Mexican folk ballad "Pedro, Rudarte y Simon" in the Western film The Last Trail (1933).
Wagner died of a heart attack in Hollywood in 1975.
Snub Pollard (9 November 1889 – 19 January 1962) was an Australian-born vaudevillian, who became a silent film comedian in Hollywood, popular in the 1920s.
Born Harold Fraser, in Melbourne, Australia on 9 November 1889, he began performing with Pollard's Lilliputian Opera Company at a young age. Like many of the actors in the popular juvenile company, he adopted Pollard as his stage name. The company ran several highly successful professional children's troupes that traveled Australia and New Zealand in the late nineteenth and early twentieth century.
In 1908, Harry Pollard joined the company tour to North America. After the completion of the tour, he returned to the US. By 1915 he was regularly appearing in uncredited roles in movies, for example Charles Epting notes that Pollard can clearly be seen in Chaplin's 1915 short By the Sea. In later years, Pollard claimed Hal Roach had discovered him while he was performing on stage in Los Angeles.
Pollard played supporting roles in the early films of Harold Lloyd and Bebe Daniels. The long-faced Pollard sported a Kaiser Wilhelm mustache turned upside-down; this became his trademark. Lloyd's producer, Hal Roach, gave Pollard his own starring series of one- and two-reel shorts. The most famous is 1923's It's a Gift, in which he plays an inventor of many Rube Goldberg-like contraptions, including a car that runs by magnet power.
In early 1923, shortly after his second marriage, Pollard returned with his wife Elizabeth to see his relations in Australia. His visit attracted considerable attention, and he appeared again in several theatres to speak about the motion picture business. On his return to the US, he left Roach and joined the low-budget Weiss Brothers studio in 1926. There he co-starred with Marvin Loback as a poor man's version of Laurel and Hardy, copying that team's plots and gags.
In later years, Pollard claimed the Great Depression wiped out his investments, and he had been unable to "adjust to the talkies." However, in the 1930s, he played small parts in talking comedies, and was featured as comic relief in "B" westerns. Pollard's silent-comedy credentials guaranteed him work in slapstick revivals. He appeared with other film veterans in Hollywood Cavalcade (1939), The Perils of Pauline (1947), and Man of a Thousand Faces (1957). He also appeared regularly as a supporting player in Columbia Pictures' two-reel comedies of the mid-1940s.
Forsaking his familiar mustache in his later years, he landed much steadier work in films as a mostly uncredited bit player. He played incidental roles in scores of Hollywood features and shorts, almost always as a mousy, nondescript fellow, usually with no dialogue.
Snub Pollard died of cancer on 19 January 1962, aged 72, after nearly 50 years in the movie business. His interment was at Forest Lawn Memorial Park (Hollywood Hills).
For his contributions to motion pictures, Pollard has a star on the Hollywood Walk of Fame at 6415½ Hollywood Boulevard.
From Wikipedia, the free encyclopedia
Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
