Fisherman Dutch marries cannery worker Hattie. After he is kicked out of his union and fired from his job he leaves Hattie who steals money for him and goes to jail. He gets a new job, foils a plot to dynamite the ship, and promises to wait for Hattie.
01-03-1936
1h 34m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
J. Walter Ruben
Production:
Metro-Goldwyn-Mayer
Key Crew
Assistant Art Director:
Edwin B. Willis
Screenplay:
Anita Loos
Screenplay:
Frances Marion
Screenplay:
H.W. Hanemann
Associate Producer:
David Lewis
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Jean Harlow
Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American actress. Known for her portrayal of "bad girl" characters, she was the leading sex symbol of the early 1930s and one of the defining figures of the pre-Code era of American cinema. Often nicknamed the "Blonde Bombshell" and the "Platinum Blonde", Harlow was popular for her "Laughing Vamp" screen persona. Though her screen persona changed dramatically during her career, one constant was her sense of humor. She was given superior movie roles to show off her looks and nascent comedic talent. Harlow was in the film industry for only nine years, but she became one of the biggest stars in the US, whose image in the public eye has endured. Harlow was consistently voted one of the strongest box office draws in the United States from 1933 onward, often surpassing that of MGM's top leading ladies, such as Greta Garbo, Joan Crawford and Norma Shearer. Her movies also continued to make huge profits at the box office even during the middle of the Depression. In 1999, the American Film Institute ranked Harlow No. 22 on its greatest female screen legends of classical Hollywood cinema list.
From Wikipedia, the free encyclopedia
Spencer Bonaventure Tracy (April 5, 1900 – June 10, 1967) was an American actor, noted for his natural style and versatility. One of the major stars of Hollywood's Golden Age, Tracy won two Academy Awards for Best Actor from nine nominations, sharing the record for nominations in that category with Laurence Olivier.
Tracy first discovered his talent for acting while attending Ripon College, and he later received a scholarship for the American Academy of Dramatic Arts. He spent seven years in the theatre, working in a succession of stock companies and intermittently on Broadway. Tracy's breakthrough came in 1930, when his lead performance in The Last Mile caught the attention of Hollywood. After a successful film debut in John Ford's Up the River starring Tracy and Humphrey Bogart, he was signed to a contract with Fox Film Corporation. His five years with Fox featured one acting tour de force after another that were usually ignored at the box office, and he remained largely unknown to audiences after 25 films, almost all of them starring Tracy as the leading man. None of them were hits although The Power and the Glory (1933) features arguably his most acclaimed performance in retrospect.
In 1935, Tracy joined Metro-Goldwyn-Mayer, at the time Hollywood's most prestigious studio. His career flourished with a series of hit films, and in 1937 and 1938 he won consecutive Oscars for Captains Courageous and Boys Town. He made three smash hit films supporting Clark Gable, the studio's principal leading man, firmly fixing the notion of Gable and Tracy as a team in the public imagination. By the 1940s, Tracy was one of the studio's top stars. In 1942, he appeared with Katharine Hepburn in Woman of the Year, beginning another popular partnership that produced nine movies over 25 years. Tracy left MGM in 1955, and continued to work regularly as a freelance star, despite an increasing weariness as he aged. His personal life was troubled, with a lifelong struggle against severe alcoholism and guilt over his son's deafness. Tracy became estranged from his wife in the 1930s, but never divorced, conducting a long-term relationship with Katharine Hepburn in private. Towards the end of his life, Tracy worked almost exclusively for director Stanley Kramer. It was for Kramer that he made his last film, Guess Who's Coming to Dinner in 1967, completed just 17 days before his death.
During his career, Tracy appeared in 75 films and developed a reputation among his peers as one of the screen's greatest actors. In 1999 the American Film Institute ranked Tracy as the 9th greatest male star of Classic Hollywood Cinema.
Southerner Una Merkel was a popular American stage, screen, and television actress. In movies, while often cast as the female lead, she more typically appeared in prominent supporting roles.
From Wikipedia, the free encyclopedia.
Joseph Calleia (August 4, 1897 – October 31, 1975), was a Maltese born American singer, composer, and actor, both on Broadway and in film. Calleia played opposite some Hollywood greats, including John Wayne, William Holden, Errol Flynn, Rita Hayworth, Mae West, Bette Davis, Jane Russell, Mario Lanza, Charlton Heston, Dean Martin and Jerry Lewis, Orson Welles, Tyrone Power, Alan Ladd and Anthony Quinn.
Description above from the Wikipedia article Joseph Calleia, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Mickey Rooney (born Joseph Yule Jr.; September 23, 1920 – April 6, 2014) was an American actor, vaudevillian, comedian, producer, and radio personality. In a career spanning nine decades and continuing until shortly before his death, he appeared in more than 300 films and was among the last surviving stars of the silent film era.
At the height of a career that was marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized American family values. A versatile performer, he became a celebrated character actor later in his career. Laurence Olivier once said he considered Rooney "the best there has ever been". Clarence Brown, who directed him in two of his earliest dramatic roles, National Velvet and The Human Comedy, said he was "the closest thing to a genius I ever worked with".
Rooney first performed in vaudeville as a child and made his film debut at the age of six. At 14, he played Puck in the play and later the 1935 film adaptation of A Midsummer Night's Dream. Critic David Thomson hailed his performance as "one of the cinema's most arresting pieces of magic". In 1938, he co-starred in Boys Town. At 19, he was the first teenager to be nominated for an Oscar for his leading role in Babes in Arms, and he was awarded a special Academy Juvenile Award in 1939. At the peak of his career between the ages of 15 and 25, he made 43 films, which made him one of Metro-Goldwyn-Mayer's most consistently successful actors and a favorite of MGM studio head Louis B. Mayer.
Rooney was the top box-office attraction from 1939 to 1941 and one of the best-paid actors of that era, but his career would never again rise to such heights. Drafted into the Army during World War II, he served nearly two years entertaining over two million troops on stage and radio and was awarded a Bronze Star for performing in combat zones. Returning from the war in 1945, he was too old for juvenile roles but too short to be an adult movie star, and was unable to get as many starring roles. Nevertheless, Rooney's popularity was renewed with well-received supporting roles in films such as Breakfast at Tiffany's (1961), Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963), and The Black Stallion (1979). In the early 1980s, he returned to Broadway in Sugar Babies and again became a celebrated star. Rooney made hundreds of appearances on TV, including dramas, variety programs, and talk shows, and won an Emmy in 1982 plus a Golden Globe for his role in Bill (1981).
From Wikipedia, the free encyclopedia
John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
From Wikipedia, the free encyclopedia
Vince Barnett (July 4, 1902 – August 10, 1977) was an American film and television actor. He appeared on stage originally.
Barnett's initial involvement with Hollywood was as a screenwriter, writing screenplays for the two-reeler movies of the late 1920s. He began appearing in films in 1930, playing hundreds of comedy bits and supporting parts. One of his more sizable screen roles was the moronic, illiterate gangster "secretary" in Scarface (1932). Among his best-regarded early roles, apart from Scarface, were The Big Cage (1933), Thirty Day Princess (1934) and Princess O'Hara (1935).
In later years, Barnett played straight character parts, often as careworn little men, undertakers, janitors, bartenders and drunks in pictures ranging from films noir (The Killers, 1946) to westerns (Springfield Rifle, 1952). He was a welcome presence in "B" comedies and mysteries: as Runyonesque gangsters in Petticoat Larceny (1943), Little Miss Broadway (1947), and Gas House Kids Go West (1947), and notably as Tom Conway's enthusiastic sidekick in The Falcon's Alibi (1946).
After World War II, with the Hollywood studios making fewer films, Barnett became a familiar face on television.
From Wikipedia, the free encyclopedia
Wade Boteler (October 3, 1888 – May 7, 1943) was an American film actor. He appeared in more than 430 films between 1919 and 1943. He was born in Santa Ana, California, and died in Hollywood, California from a heart attack.
On Broadway, Boteler appeared in the play The Silent Voice (1914).
Al Hill (July 14, 1892 – July 14, 1954) was an American film character actor who appeared in over 320 films between 1927 and 1954, including the 1951 film The Girl on the Bridge. Hill died in 1954 on his 62nd birthday.
Description above from the Wikipedia article Al Hill (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia
Rafaela Ottiano (4 March 1888 – 18 August 1942) was an Italian-born American stage and film actress.
Born in Venice, Italy, she emigrated with her parents to the United States, and was processed at Ellis Island, in 1910. Ottiano established herself as a stage actress in Europe before arriving in Hollywood in 1924 and appearing in American motion pictures. Ottiano's first film was in the John L. McCutcheon-directed drama The Law and the Lady (1924) opposite actors Len Leo, Alice Lake, and Tyrone Power, Sr.
Ottiano was part of the original 1928 Broadway cast of the Mae West hit play Diamond Lil and reprised her role as Rita when the play was made into a film as She Done Him Wrong (1933), directed by Lowell Sherman. Throughout the 1930s, Rafaela Ottiano would often specialize in roles as sinister, maleveolent, or spiteful women, such as her role in the Tod Browning-directed horror film The Devil-Doll (1936), opposite Lionel Barrymore and Maureen O'Sullivan.
Other notable film roles for Ottiano include Lena in As You Desire Me (1932) with Greta Garbo, Melvyn Douglas, Erich von Stroheim, Owen Moore, and Hedda Hopper; Mrs. Higgins in the Shirley Temple musical-comedy Curly Top (1935); as a matron in the crime-drama Riffraff (1936), starring Jean Harlow and Spencer Tracy; and as Suzette, Greta Garbo's devoted maid, in the Edmund Goulding-directed drama Grand Hotel (1932). When Grand Hotel was turned into a Broadway Musical in 1989, her character was renamed Rafaela Ottiano in honor of the actress.
Ottiano's last film was the musical comedy I Married an Angel (1942), starring Nelson Eddy and Jeanette MacDonald. During her career in film, she appeared in approximately 45 motion pictures, opposite such actors as Barbara Stanwyck, Conrad Nagel, Peter Lorre, Zasu Pitts, and Katharine Hepburn.
Ottiano lived in the Times Square area during the Prohibition Era and never married. She died in 1942 in East Boston, Massachusetts of intestinal cancer at the age of 54.
Description above from the Wikipedia article Rafaela Ottiano, licensed under CC-BY-SA,full list of contributors on Wikipedia.
John George was a Syrian actor who came to the United States in 1912 via France. He appeared in numerous films beginning in 1916. Much later in his career he appeared in several television series. The vast majority of his roles throughout the years were uncredited bit parts.
Mr. George's original name was Tufei Filhela; on his 1925 United States citizenship naturalization Declaration of Intention document, he signed his name "Tufei Filhela known as John George". His surname was neither Filthela nor Fatella, as today sometimes is claimed.
