Famous private detective Tip O'Neil is summoned by telegram to the estate of old friend Paul Harding, but finds the telegram was sent by Paul's attractive secretary, Amy Hutchins. Paul admits his dog was shot by extortionists to show they mean business, and shows Tip some threatening notes they sent. That night, Paul's ward, Corinne, is kidnapped by two gangsters and her driver is found dead the next morning. The kidnappers contact Tip demanding $200,000, which is delivered according to instructions. Awaiting the return of Corrine, Tip learns her fiancé, Gene Leland, is an ex-convict, and he also investigates why a thug, Maratti, was found prowling around the grounds, and why Paul's brother-in-law, Jim Glenray, was seen leaving the estate late the night before. And when the chauffeur is murdered with Amy's gun as he was about to confess some complicity, Tip has to piece together various clues to pinpoint the culprits.
02-13-1936
1h 10m
THIS
HELLA
Doesn't have an image right now... sorry!has no image... sorry!
Main Cast
Movie Details
Production Info
Director:
Charles Vidor
Production:
RKO Radio Pictures
Key Crew
Screenplay:
Erwin S. Gelsey
Novel:
James Edward Grant
Producer:
Pandro S. Berman
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Preston Foster
Preston Foster (August 24, 1900 – July 14, 1970) was an American stage and film actor, and singer. Foster entered films in 1929 after appearing as a Broadway stage actor. He was appearing in Broadway plays as late as October 1931 when he acted in a play titled Two Seconds starring Edward J. Pawley. Some of his notable films include: Doctor X (1932), I Am a Fugitive from a Chain Gang (1932), Annie Oakley (1935), The Last Days of Pompeii (also 1935), The Informer (1935) (as the head of the organization), and My Friend Flicka (1943).
He starred on the television drama, Waterfront (1954–1955), playing the role of Captain John Herrick. Foster has a star on the Hollywood Walk of Fame. He was sometimes credited in movies as Preston S. Foster. His first wife was stage actress Gertrude Warren (1926–1945; divorced). He had one daughter, Stephanie. He was married to his second wife, actress Sheila Darcy, from 1946 until his death.
During World War II while serving with the United States Coast Guard, he rose to the rank of Captain, Temporary Reserve. He eventually held the honorary rank of Commodore in the U.S. Coast Guard.
After the war and before his productive movie career, Foster became a singer of some note. In 1948 Foster created a trio with himself, Gene Leis and Foster’s wife, actress Sheila Darcy. Gene arranged the songs, and they played on radio and in clubs, appearing with Orrin Tucker, Peggy Ann Garner and Rita Hayworth.
Description above from the Wikipedia article Preston Foster, licensed under CC-BY-SA, full list of contributors on Wikipedia
Not to be mistaken for a stage actress of that name (1890-1947), this Margaret Callahan (August 12, 1910 - November 15, 1981) was a convent-educated beauty of Irish ancestry who found herself briefly thrust into the spotlight as one of those many ornamental 1930s Hollywood ingénues. First on stage with the Stuart Walker stock company in Cincinnati, then in summer stock on Long Island, she eventually made it to Broadway in 1934 and was near top-billed in a couple of short-lived plays. Having attracted the attention of talent scouts, Margaret was signed by RKO the following year to star in Hot Tip (1935) (an agreeable racing comedy with Zasu Pitts and James Gleason), His Family Tree (1935) (a trite farce which invoked every Irish cliche in the book and flopped at the box-office) and Seven Keys to Baldpate (1935) (another remake of the classic, featuring Margaret as Gene Raymond's love interest). Easily the best of her sextet of films (despite its title) was the detective mystery Muss 'em Up (1936), a cleverly scripted minor film noir of the Raymond Chandler/Dashiell Hammett hard-boiled school, directed with some flair by Charles Vidor. Margaret co-starred opposite Preston Foster as the gal who sends the telegram which effectively puts events into motion. Her penultimate outing was Special Investigator (1936), another crime drama based on a story by Perry Mason creator Erle Stanley Gardner. It starred Richard Dix as a criminal defense attorney, the ever-versatile character actor J. Carrol Naish as a vicious gangster boss and Margaret as the latter's sister. Since the picture made a healthy profit of $91,000 at the box office, one cannot help wondering why Margaret's film career ended so abruptly after her swansong in a forgotten second feature western. The year 1941 saw her back on Broadway as star of the Lillian Hellman play Cuckoos of the Hearth at the Morosco Theatre. In 1944, she appeared in Ramshackle Inn, by that time no longer a headliner. After that, she faded from the scene.
From Wikipedia, the free encyclopedia
Alan Mowbray MM, (18 August 1896 - 25 March 1969), was an English stage and film actor who found success in Hollywood. Born Alfred Ernest Allen in London, England, he served with distinction the British Army in World War I, being awarded the Military Medal for bravery. He began as a stage actor, making his way to the United States where he appeared in Broadway plays and toured the country as part of a theater troupe. As Alan Mowbray, he made his motion picture debut in 1931, going on to a career primarily as a character actor in more than 140 films including the sterling butler role in the comedy Merrily We Live, and playing the title role in the TV series The Adventures of Colonel Flack. During World War II, he made a memorable appearance as the Devil in the Hal Roach propaganda comedy The Devil with Hitler. He appeared in some two dozen guest roles on various television series. Mowbray was a founding member of the Screen Actors Guild, with outside interests that led to membership in Britain's Royal Geographic Society. He played the title role in the television series Colonel Humphrey Flack, which first appeared in 1953-1954 and then was revived in 1958-1959. In the 1954-1955 television season Mowbray played Mr. Swift, the drama coach of the character Mickey Mulligan, in NBC's short-lived situation comedy The Mickey Rooney Show: Hey, Mulligan. Mowbray died of a heart attack in 1969 in Hollywood and was interred in the Holy Cross Cemetery in Culver City, California.
Description above from the Wikipedia article Alan Mowbray, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ralph Morgan (July 6, 1883 – June 11, 1956) was a Hollywood film, stage and character actor, and the older brother of Frank Morgan (who played the title role in The Wizard of Oz, 1939).
Description above from the Wikipedia article Ralph Morgan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia
Guinn Terrell Williams Jr. (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and had a muscular build from years of working on ranches and playing semi-pro and professional baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as You Only Live Once, and in Columbia's first Technicolour film The Desperadoes (1943).
Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.
From Wikipedia, the free encyclopedia
Max Everitt Rosenbloom (November 1, 1907 – March 6, 1976) was an American boxer, actor, and television personality. Born in Leonard Bridge, Connecticut, Rosenbloom was nicknamed "Slapsie Maxie" by a journalist due to his open-gloved style of boxing. In 1930, he won the New York light heavyweight title. In 1932, he won the World Light Heavyweight Championship. He held and defended the title until November 1934, when he lost it to Bob Olin. As a professional boxer, Rosenbloom relied on hitting and moving to score points. He was very difficult to hit cleanly with a power punch and his fights often went the full number of required rounds. In his boxing career, he received thousands of punches to the head, which eventually led to the deterioration of his motor functions.
In 1937, he accepted a role in a Hollywood film. He became a character actor, portraying comical "big guys" in movies that included Each Dawn I Die, and Maxie retired from boxing permanently in 1939. Slapsy Maxie's, the first comedy club, opened in San Francisco and Los Angeles. He continued acting on radio, television, and in a number of films, usually playing comedy roles as a big, clumsy, punch-drunk—but lovable—character. He appeared in a number of episodes (playing himself) of The Fred Allen Show—including a skit with Marlene Dietrich. Rosenbloom played an important part in television's first 90-minute drama, Requiem for a Heavyweight, written by Rod Serling, and starring Jack Palance as a boxer at the end of his career. Rosenbloom played an ex-boxer, whose life revolved around retelling old boxing stories night after night to other ex-boxers in a down-and-out bar. It is the fate that looms for Mountain McClintock, Palance's character, if he cannot adjust to a new life outside the ring.
Slapsy Maxie's, his nightclub, is prominently featured in a 2013 crime film, Gangster Squad, which is set in 1949. The club, which actually operated in 1939 at 7165 Beverly Blvd and from 1943 to 1947, was located at 5665 Wilshire Blvd. in Los Angeles.
John Carroll (July 17, 1906 – April 24, 1979) was an American actor and singer. He was born Julian Lafaye in New Orleans, Louisiana. Carroll performed in several small roles in films under his original name until 1935, when he first used the name John Carroll in Hi, Gaucho! He appeared in several Western films in the 1930s, including the role of Zorro in Zorro Rides Again in 1937. He was the male lead in the Marx Brothers' Western comedy Go West in 1940. Probably his best known role was as Woody Jason in the 1942 movie Flying Tigers with John Wayne. He was also notable as a Cajun soldier, aptly nicknamed "Wolf", in the 1945 comedy A Letter for Evie.
He interrupted his movie career during World War II and served as a U.S. Army Air Corps pilot in North Africa. He broke his back in a crash. He recovered and resumed his acting career.
John Carroll was a well-established actor and his wife Lucille was a casting director at Metro-Goldwyn-Mayer (MGM). In 1948, the famous movie actress Marilyn Monroe moved into their house. They helped support her emotionally and financially during her difficult transition period. Their support was essential in her success as an actress.
Carroll worked steadily through the mid-1950s, but his career began to fade in the latter half of the decade. He did play a memorable role in the 1957 Budd Boetticher western Decision at Sundown as Tate Kimbrough, the evil nemesis of Randolph Scott's character. His last role was in Ride in a Pink Car in 1974.
From Wikipedia, the free encyclopedia
Robert Middlemass (3 September 1883, New Britain, Connecticut – 10 September 1949, Los Angeles, California) was an American playwright and stage actor, and later character actor with over 100 film appearances. usually playing detectives or policemen.
Middlemass graduated from Harvard University in 1909 and initially went into the insurance business, but soon went on the stage, joining the Castle Square Theatre stock company in Boston. He debuted on Broadway in September 1914 in The Bludgeon at the Maxine Elliott Theatre.
His best known play was a one-act melodrama written with Holworthy Hall (real name H. E. Porter, a college roommate) titled The Valiant, which was also made into a film of the same name in 1929, and as The Man Who Wouldn't Talk in 1940. The play became a favorite for amateur and local theater groups, and is still performed today.
Middlemass moved to Los Angeles around 1935, and began appearing in films. He died there in 1949.
From Wikipedia, the free encyclopedia
Clarence Muse (October 14, 1889 – October 13, 1979) was an American actor, screenwriter, director, composer, and lawyer. He was inducted in the Black Filmmakers Hall of Fame in 1973. Muse was the first Negro to "star" in a film. He acted for more than sixty years appearing in more than 150 movies.
Born in Baltimore, Maryland, the son of Alexander and Mary Muse, he studied at Dickinson College, Carlisle, Pennsylvania, and received an international law degree in 1911. He was acting in New York by the 1920s, during the Harlem Renaissance with two Harlem theatres, Lincoln Players and Lafayette Players.
Muse moved to Chicago for a while, and then moved to Hollywood and performed in Hearts in Dixie (1929), the first all-black movie. For the next fifty years, he worked regularly in minor and major roles. While with the Lafayette Players, Muse worked under the management of producer Robert Levy on productions that helped black actors to gain prominence and respect. In regards to the Lafayette Theatre's staging of Dr. Jekyll and Mr. Hyde, Muse said the play was relevant to black actors and audiences "because, in a way, it was every black man's story. Black men too have been split creatures inhabiting one body.". Muse appeared as an opera singer, minstrel show performer, vaudeville and Broadway actor; he also wrote songs, plays, and sketches. In 1943, he became the first African American Broadway director with Run Little Chillun.
Muse was also the co-writer of several notable songs. In 1931, with Leon René and Otis René, Muse wrote "When It's Sleepy Time Down South", also known as "Sleepy Time Down South". The song was sung by Nina Mae McKinney in the movie Safe in Hell (1931), and later became a signature song of Louis Armstrong.
He was the major star in Broken Earth (1936), which related the story of a black sharecropper whose son miraculously recovers from fever through the father's fervent prayer. Shot on a farm in the South with nonprofessional actors (except for Muse), the film's early scenes focused in a highly realistic manner on the incredible hardship of black farmers, with plowing scenes. In 1938, Muse co-starred with boxer Joe Louis in Spirit of Youth, the fictional story of a champion boxer which featured an all black cast. Muse and Langston Hughes wrote the script for Way Down South (1939).
Muse performed in Broken Strings (1940), as a concert violinist who opposes the desire of his son to play "swing". From 1955-56, Muse was a regular on the weekly TV version of Casablanca, playing Sam the pianist (a part he was under consideration for in the original Warner Brothers film), and in 1959, he played Peter, the Honey Man, in Porgy and Bess.
He appeared on Disney's TV miniseries The Swamp Fox. Other film credits include Buck and the Preacher (1972), The World's Greatest Athlete (1973) and as Gazenga's Assistant, "Snapper" in Car Wash (1976). His last acting role was in The Black Stallion (1979).
From Wikipedia.
Paul Porcasi (1 January 1879 – 8 August 1946) was an Italian film actor. He appeared in 142 films between 1917 and 1945. He was born in Palermo, Sicily. Porcasi was memorable as "Nick the Greek" in Universal's Broadway (1929). Porcasi performed infrequently on Broadway from 1916 to 1928. He ended his theatrical career in the smash hit "Broadway" as Nick Verdis that ran from 16 September 1926 to 11 February 1928 (603 performances) at the Broadhurst Theatre. French actress Yola d'Avril portrayed his daughter, Madame Feronde in MGM's adventure film Tarzan and His Mate.
Porcasi died on 8 August 1946 in Hollywood, California.
From Wikipedia, the free encyclopedia
Wardell Edwin Bond (April 9, 1903 – November 5, 1960) was an American film character actor whose rugged appearance and easygoing charm were featured in more than 200 films, as well as in the NBC television series Wagon Train from 1957 to 1961. Among his best-remembered roles are Bert the cop in Frank Capra's It's a Wonderful Life (1946) and Captain Clayton in John Ford's The Searchers (1956).
From Wikipedia
Florence Lake (born Florence Silverlake, November 27, 1904 – April 11, 1980) was an American actress best known as the leading lady in most of the Edgar Kennedy comedy shorts.
Florence was petite, with a high-pitched speaking voice. She perfected a comical singsong delivery that established her in "dumb" roles. She personified flightiness in the Kennedy shorts, as the scatterbrained Mrs. Kennedy. After the series ended upon Kennedy's death in 1948, she continued to play character roles in films and television. Her best-known TV role was Jenny, the Claverton telephone operator in Lassie. Lake played the role for the entire ten year "farm seasons" of the show (1954–1964), thus becoming the Lassie player with the longest tour of duty on the series.
She played the role of Mama Angel in a 1957 episode of the The Lone Ranger TV series entitled "The Angel and the Outlaw". She also appeared in the first color episode of the TV series Superman in 1957 as a cave woman.
In her later years, Lake appeared as Elvira Norton on an episode of Dragnet entitled "Frauds". She also played a blind date for the character Lou Grant on The Mary Tyler Moore Show episode, "Lou's First Date". Her last roles were in the TV series Emergency! and Baretta in 1976.
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American comedian, film, television, stage and radio actress, model, film and television executive, and star of the sitcoms I Love Lucy, The Lucy–Desi Comedy Hour, The Lucy Show, Here's Lucy and Life With Lucy. One of the most popular and influential stars in America during her lifetime, with one of Hollywood's longest careers, especially on television, Ball began acting in the 1930s, becoming both a radio actress and B-movie star in the 1940s, and then a television star during the 1950s. She was still making films in the 1960s and 1970s.
Ball received thirteen Emmy Award nominations and four wins. In 1977 Ball was among the first recipients of the Women in Film Crystal Award. She was the recipient of the Golden Globe Cecil B. DeMille Award in 1979, the Lifetime Achievement Award from the Kennedy Center Honors in 1986 and the Governors Award from the Academy of Television Arts & Sciences in 1989.
In 1929, Ball landed work as a model and later began her performing career on Broadway using the stage name Dianne Belmont. She appeared in many small movie roles in the 1930s as a contract player for RKO Radio Pictures. Ball was labeled as the "Queen of the Bs" (referring to her many roles in B-films). In 1951, Ball was pivotal in the creation of the television series I Love Lucy. The show co-starred her then husband, Desi Arnaz as Ricky Ricardo and Vivian Vance and William Frawley as Ethel and Fred Mertz, the Ricardos' landlords and friends. The show ended in 1957 after 180 episodes. They then changed the format a little - lengthening the time of the show from 30 minutes to 60 minutes (the first one went 75 mins), adding some characters, altering the storyline somewhat, and renaming the show from "I Love Lucy" to "The Lucy-Desi Comedy Hour", which ran for three seasons (1957–1960) and 13 episodes. Ball went on to star in two more successful television series: The Lucy Show, which ran on CBS from 1962 to 1968 (156 Episodes), and Here's Lucy from 1968 to 1974 (144 episodes). Her last attempt at a television series was a 1986 show called Life with Lucy - which failed miserably after 8 episodes aired although 13 were produced.
Ball met and eloped with Cuban bandleader Desi Arnaz in 1940. On July 17, 1951, almost 40 years old, Ball gave birth to their first child, Lucie Désirée Arnaz. A year and a half later, Ball gave birth to their second child, Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr. Ball and Arnaz divorced on May 4, 1960.
On April 26, 1989, Ball died of a dissecting aortic aneurysm at age 77. At the time of her death she had been married to her second husband, standup comedian and business partner Gary Morton, for twenty-eight years.
Description above from the Wikipedia article Lucille Ball, licensed under CC-BY-SA, full list of contributors on Wikipedia
William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.
