An aspiring theater producer convinces his wealthy uncle to finance a play on the condition that he lives the play’s far-fetched plot: making a cross-country trip with no money.
03-06-1936
1h 17m
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Main Cast
Movie Details
Production Info
Director:
Leigh Jason
Production:
RKO Radio Pictures
Key Crew
Screenplay:
Philip G. Epstein
Screenplay:
P.J. Wolfson
Producer:
B.B. Kahane
Associate Producer:
Lee S. Marcus
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Gene Raymond
Gene Raymond, born Raymond Guion, was an American film, television, and stage actor of the 1930s and 1940s. In addition to acting, Raymond was also a composer, writer, director, producer, and decorated military pilot.
His screen debut was in Personal Maid (1931). Another early appearance was in the multi-director If I Had a Million with W. C. Fields and Charles Laughton. With his blond good looks, classic profile, and youthful exuberance — plus a name change to the more pronounceable "Gene Raymond" — he scored in films like the classic Zoo in Budapest with Loretta Young, and a series of light RKO musicals, mostly with Ann Sothern. He wrote a number of songs, including the popular "Will You?" which he sang to Sothern in Smartest Girl in Town. His wife, Jeanette MacDonald, sang several of his more classical pieces in her concerts and recorded one entitled "Let Me Always Sing".
His most notable films, mostly as a second lead actor, include Red Dust (1932) with Jean Harlow and Clark Gable, Zoo in Budapest with Loretta Young, Ex-Lady with Bette Davis, Flying Down to Rio with Dolores del Río, Fred Astaire and Ginger Rogers, I Am Suzanne with Lilian Harvey, Sadie McKee with Joan Crawford, Alfred Hitchcock's Mr. and Mrs. Smith with Carole Lombard and Robert Montgomery, and The Locket with Laraine Day, Brian Aherne, and Robert Mitchum. MacDonald and Raymond made one film together, Smilin' Through, which came out as the U.S. was on the verge of entering World War II.
After service in the United States Army Air Forces Raymond returned to Hollywood. He wrote, directed and starred in the 1949 film Million Dollar Weekend. In later years he appeared in only a few films. His last major film was The Best Man in 1964 with Henry Fonda and Cliff Robertson.
In the 1950s he mostly worked in television, appearing in Playhouse of Stars, Fireside Theatre, Hollywood Summer Theater and TV Reader's Digest. In the 1970s he appeared on ABC Television Network's Paris 7000 and had guest roles in The Outer Limits, Robert Montgomery Presents, Playhouse 90, The Man from U.N.C.L.E., Ironside, The Defenders, Mannix, The Name of the Game, Lux Video Theatre, Kraft Television Theatre and U.S. Steel Hour.
Description above from the Wikipedia article Gene Raymond, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia.
Wendy Barrie (18 April 1912 – 2 February 1978) was a British actress who worked in British and American films.
Barrie was born in London to English parents. Her father, Francis Charles John Graigoe Jenkin KC (1883 – 1936), was an employee of Great Western (according to the 1901 census), who then joined the Royal Fusiliers in 1902. Her mother was Ellen McDonagh. Hollywood gave her a more exotic parentage with her father being a King's Counsel and her mother a Russian-Jewish actress who had performed in the world's first professional Yiddish-language theater troupe. She received her education at a convent school in England and a finishing school in Switzerland.
In 1932, Barrie made her screen debut in the film Threads, which was based upon a play. She went on to make a number of motion pictures for London Films under the Korda brothers, Alexander and Zoltan, the best known of which is 1933's The Private Life of Henry VIII, in which she portrayed Jane Seymour.
In 1934, she appeared in Freedom of the Seas and was contracted by Fox Film Corporation for a film directed by Scott Darling that was made in Britain. The following year, she moved to the United States and made her first Hollywood film for Fox opposite Spencer Tracy in the romantic comedy It's a Small World, followed by Under Your Spell with Lawrence Tibbett. Loaned to MGM, Barrie starred opposite James Stewart in the 1936 film Speed. In 1939 she starred with Richard Greene and Basil Rathbone in the 20th Century Fox version of The Hound of the Baskervilles, and with Lucille Ball in RKO's Five Came Back. During 1939 and the early 1940s, Barrie made several of The Saint and The Falcon mystery films with George Sanders. She made her final motion picture in 1954.
With the dawn of television, in the late 1940s, Barrie turned to roles in that medium.
In 1956, she had a disc jockey program, the Wendy Barrie Show, on WMGM in New York City. She also hosted a widely syndicated radio interview show into the mid-1960s.
After appearances in more than 15 films in Britain and more than 30 in Hollywood, Barrie's contribution to the industry was recognized with a motion pictures star on the Hollywood Walk of Fame at 1708 Vine Street, near the corner of Hollywood and Vine. Her star was dedicated February 8, 1960.
Barrie became a naturalized American citizen in 1942. She was reportedly engaged to and had a daughter named Carolyn with the infamous gangster Benjamin "Bugsy" Siegel, and at one time was married to textile manufacturer David L. Meyer.
She died in Englewood, New Jersey, in 1978, aged 65, following a stroke that had left her debilitated for several years. She was buried in the Kensico Cemetery in Valhalla, New York.
Helen Broderick (August 11, 1891 - September 25, 1959) was a wonderfully funny character comedienne with vaudeville and stage experience, a close friend of Jeanne Eagels. The story goes, that at the age of 14 she ran away from home, because her mother, who appeared in operatic comedy, was totally obsessed by the theatre. Paradoxically, all the people she met turned out to be performers, and Helen (who needed to make a living, after all) ended up where she hadn't wanted to end up - on the stage.
She started out as a chorus girl in the first Ziegfeld Follies in 1907. Her talent for comedy was discovered quite by accident. In 1911, she was understudy to the actress Ina Claire in the Broadway play 'Jumping Jupiter'. One night, Claire was unable to perform and Helen Broderick stood in as the romantic lead. She soon had the audience in stitches, trampling about the stage like an elephant, rolling her big saucer eyes and attempting to croon 'Cuddle Near Me All Day Long' in her rather unique voice. The romance was no more and instead turned into a popular farce with Helen now permanently installed in the lead role. For a while, Helen partnered her husband, Lester Crawford, in vaudeville. In the 1920's, she enjoyed success on Broadway, most notably in 'Fifty Million Frenchmen' ( a role she took to Hollywood in 1931). Her best parts in the movies were as the perennial friend or chaperone of the heroine (an earlier Eve Arden), delivering acidic wisecracks in her inimitable dead-pan manner. She was particularly amusing in Top Hat (1935) and Swing Time (1936) with Fred Astaire and Ginger Rogers; and in The Rage of Paris (1938) with Danielle Darrieux.
From Wikipedia, the free encyclopedia
Spencer Charters (March 25, 1875 – January 25, 1943) was an American film actor. He appeared in more than 220 films between 1920 and 1943, mostly in small supporting roles. Spencer Charters first stage work soon after leaving school was a walk on part, but it wasn't long before he was being given fair-sized roles. He played on Broadway between 1910 and 1929 and was a busy character actor in films during the 1930s and early 1940s. He often portrayed somewhat befuddeled judges, doctors, clerks, managers, and jailers.
He died by suicide from a mix of sleeping pills and carbon monoxide poisoning.
From Wikipedia, the free encyclopedia
Irving Bacon (September 6, 1893 – February 5, 1965) was an American character actor who appeared in almost 500 films.
Bacon played on the stage for a number of years before getting into films in 1920. He was sometimes cast in films directed by Lloyd Bacon (incorrectly named as his brother in some sources) such as The Amazing Dr. Clitterhouse (1938). He often played comical "average guys".
In the late 1930s and early 1940s, he played the weary postman Mr. Crumb in Columbia Pictures' Blondie film series. One of his bigger roles was as a similarly flustered postman in the thriller Cause for Alarm! in 1952.
During the 1950s, Bacon worked steadily in a number of television sitcoms, most notably I Love Lucy, where he appeared in two episodes, one which cast him as Ethel Mertz's father.
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Lynton Brent (2 August 1897 – 2 July 1981) was an American film actor. He appeared in over 240 films between 1930 and 1950.
Brent is best known for his prolific work with Columbia Pictures in the Three Stooges short subjects such as A Ducking They Did Go and From Nurse to Worse.
In addition to his film career, Brent also wrote a number of literary works, notably Lesbian Gang. Though little recognized when first published in 1964, it has achieved notoriety among a niche queer audience in Peckham, England.
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William B. Davidson (June 16, 1888 – September 28, 1947) was an American film actor.
Davidson attended Columbia University where he played football. He became a popular football star. This fame eventually led to his foray into motion pictures after he had spent some time as a lawyer. He started in films in 1914 with Vitagraph and supported well known stage and film actresses such as Ethel Barrymore, Mabel Taliaferro, Charlotte Walker, Olga Petrova, Viola Dana, June Caprice, Edna Goodrich, and Mae West. He appeared in 318 films between 1915 and 1949.
He was born in Dobbs Ferry, New York, and died in Santa Monica, California. His first Hollywood film was For the Honor of the Crew. Afterward, he appeared in many films, his best-known role was perhaps the Ship's captain in The Most Dangerous Game. He remained in show business until his sudden death after surgery in 1947.
From Wikipedia, the free encyclopedia
Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
From Wikipedia, the free encyclopedia.
Billy Gilbert (September 12, 1894 – September 23, 1971) was an American comedian and actor known for his comic sneeze routines. He appeared in over 200 feature films, short subjects and television shows starting in 1929. He is not to be confused with silent film actor Billy Gilbert (a.k.a. Little Billy Gilbert, born William V. Campbell, 1891–1961).
From Wikipedia, the free encyclopedia
William Gould (May 2, 1886 – May 15, 1969) was a Canadian-American film actor. He appeared in more than 240 films during his career.
In films, Gould portrayed Jed Scott, a leader of homesteaders, in the serial The Lone Ranger Rides Again (1939) and Air Marshal Kragg in the serial Buck Rogers (1939).
Lloyd Ingraham was an American film actor and director. He appeared in over 280 films between 1912 and 1950, and directed more than 100 films between 1913 and 1930.
Marc Lawrence was an American character actor who specialized in underworld types. In 1930, Lawrence befriended another young actor, John Garfield. The two appeared in a number of plays before Lawrence was given a film contract with Columbia Pictures. Lawrence appeared in films beginning in 1931. Garfield followed, starting his film career in 1938. Lawrence's pock-marked complexion, brooding appearance and New York street-guy accent made him a natural for heavies, and he played scores of gangsters and mob bosses over the next six decades. Later, Lawrence found himself under scrutiny for his political leanings. When called before the House Un-American Activities Committee, he admitted he had once been a member of the Communist Party. He named Sterling Hayden, Lionel Stander, Anne Revere, Larry Parks, Karen Morley and Jeff Corey as Communists. He was blacklisted and departed for Europe, where he continued to make films. Following the demise of the blacklist, he returned to America and resumed his position as a familiar and talented purveyor of gangland types. He played gangsters in two James Bond movies: 1971's Diamonds Are Forever opposite Sean Connery, and 1974's The Man with the Golden Gun opposite Roger Moore. He also portrayed a henchman opposite Laurence Olivier in Marathon Man (1976) and a stereotypical Miami mob boss alongside Jerry Reed and Dom DeLuise in the comedy Hot Stuff (1979).
Description above from the Wikipedia article Marc Lawrence, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
A stage actress, Urecal made her screen debut in 1934. For the remainder of her career and two hundred plus movies, she played cleaning women, landladies, shopkeepers and the like. She was known as a Marjorie Main type actress and later went on to a career in television playing in such shows as "Tugboat Annie" and "Peter Gunn." Minerva claimed her name was an amalgam of her hometown, Eureka, California.
From Wikipedia, the free encyclopedia
Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 films in his career, most without receiving screen credit. Newspaper gossip columnists noted his rise from playing "Gangster #4", with no lines, and not carrying a gun, to "Gangster #2", with both lines and a gun.
Wagner was one of five children, all boys, of William Wallace Wagner, a railroad conductor, and Edith Wagner, a writer who provided dispatches for the Christian Science Monitor during the Mexican Revolution. When he was 10 years old, his father was killed by rebels and the family moved to Salinas, California, where he met John Steinbeck, who became a lifelong friend. Steinback based the character of the boy in his novel The Red Pony on Wagner.
Under the name "Max Baron", Wagner acted in many Spanish-language versions of English-language films, which studios made as a matter of course in the early days of sound films, He also served as a Spanish language coach for other actors, and appeared in many of the "Mexican Spitfire" films starring Lupe Vélez, where he also served to monitor Velez's Spanish ad-libs for profanity.
Other series that Wagner appeared in include the Charlie Chan films, and Tom Mix serials, as well as others made by Mascot Pictures Corporation. In the 1940s, Wagner was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges, beginning with The Palm Beach Story
In 1940 during the filming of "The Mad Doctor", Wagner was credited for driving 50,000 miles as an on-screen taxi driver on the studio back lots of Hollywood. Since his appearance as a cab driver in Charlie Chan in Shanghai (1935), producers often cast him as a wise-cracking or henchman taxi driver. "I was cast as a taxi driver about five years ago", Wagner told a reporter. "And I was typed."
In 1952, Wagner began to appear on television, in episodes of such shows as The Cisco Kid, Zane Grey Theater and Perry Mason, playing much the same kind of parts he played in the movies.
He was a regular cast member on the western television series Gunsmoke, making nearly 80 appearances between 1959 and 1973. He also appeared in many episodes of The Rifleman, Bonanza, Cimarron Strip, The Wild Wild West and Maverick, including a guest-starring role in the 1959 Rifleman episode "Blood Brother." He also had roles in the original Star Trek and The Twilight Zone series. He appeared in more than 200 television episodes between 1952 and 1974.
Notable film roles for Wagner include a supporting role in the cult science fiction classic Invaders from Mars (1953), an actor playing a gangster in the film-within-a-film segment of Bullets or Ballots (1936), and the bull farm attendant in the Laurel and Hardy comedy The Bullfighters (1945).
Late in his career, he appeared in To Kill a Mockingbird (1962) and The Man Who Shot Liberty Valance (1962). He also occasionally composed music, such as the Mexican folk ballad "Pedro, Rudarte y Simon" in the Western film The Last Trail (1933).
Wagner died of a heart attack in Hollywood in 1975.
From Wikipedia
Guinn Terrell Williams Jr. (April 26, 1899 – June 6, 1962) was an American actor who appeared in memorable westerns such as Dodge City (1939), Santa Fe Trail (1940), and The Comancheros (1961). He was nicknamed "Big Boy" as he was 6' 2" and had a muscular build from years of working on ranches and playing semi-pro and professional baseball.
Williams made his screen debut in the 1919 comedy, Almost A Husband, with Will Rogers and Cullen Landis, and was featured in a large supporting role ten years later in Frank Borzage's Lucky Star with Janet Gaynor and Charles Farrell. Throughout the 1920s Williams would have a string of successful films, mostly westerns.
He then appeared in The Great Meadow alongside Johnny Mack Brown, which was Brown's breakout film. Throughout the 1930s, Williams acted in supporting roles, mostly in westerns, sports, or outdoor dramas. Although not the lead actor in any of them, he was always employed, and was successful as a supporting actor. He often played alongside Hoot Gibson and Harry Carey during that period. In 1941, he became one of many actors cast by Universal Pictures in their large film series, Riders of Death Valley. From the late 1930s to the mid-1940s, Williams appeared in supporting roles in a number of A-pictures, sometimes with high billing, such as You Only Live Once, and in Columbia's first Technicolour film The Desperadoes (1943).
Williams was frequently teamed with Alan Hale, Sr. as sidekicks to Errol Flynn in several of his pictures. In 1960, he was cast in the epic film The Alamo and in Home from the Hill with Robert Mitchum. His last role was opposite his close friend John Wayne and Stuart Whitman in The Comancheros.
