Elaine Bradford is a young singer and dancer, looking for her big break. Peter Carlton is a gossip columnist facing a deadline and a blank page. So, Peter invents "Mrs. Smythe-Smythe", a mysterious Englishwoman who spends her days hunting tigers in India, jumping out of airplanes, and generally driving men mad with her beauty. Since no one in London has ever seen Mrs. Smythe-Smythe, Elaine decides to impersonate the lady, in hopes that the publicity will land her the big break she's been looking for.
05-06-1936
1h 23m
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Main Cast
Movie Details
Production Info
Director:
Victor Saville
Production:
Gaumont-British Picture Corporation
Key Crew
Screenplay:
Marion Dix
Screenplay:
Lesser Samuels
Scenario Writer:
Marion Dix
Producer:
Michael Balcon
Songs:
Sam Coslow
Locations and Languages
Country:
US; GB
Filming:
GB
Languages:
en
Main Cast
Jessie Matthews
From Wikipedia, the free encyclopedia
Jessie Matthews, OBE (11 March 1907 – 19 August 1981) was an English actress, dancer and singer of the 1920s and 1930s, whose career continued into the post-war period.
After a string of hit stage musicals and films in the mid-1930s, Matthews developed a following in the USA, where she was dubbed "The Dancing Divinity". Her British studio was reluctant to let go of its biggest name, which resulted in offers for her to work in Hollywood being repeatedly rejected.
Matthews' first major film role was in Out of the Blue (1931). She was in two films directed by Albert de Courville, The Midshipmaid (1932) and There Goes the Bride (1932).
Matthews enjoyed great success with The Good Companions (1933) directed by Victor Saville, although it was more of an ensemble film and The Man from Toronto (1933). Waltzes from Vienna (1933) was an operetta directed by Alfred Hitchcock, followed by Friday the Thirteenth (1933).
She was in the film version of Evergreen (1934) which featured the newly composed song Over My Shoulder which was to go on to become Matthews' personal theme song, later giving its title to her autobiography and to a 21st-century musical stage show of her life.
She was in First a Girl (1935) as a cross dresser, then It's Love Again (1936), where she had an American co-star Robert Young. Exhibitors voted her the sixth biggest star in the country that year.
Matthews started to appear in films directed by husband Sonnie Hale: Gangway (1937), Head over Heels (1937) and Sailing Along (1938). She did Climbing High (1938) directed by Carol Reed. In 1938 she was the fourth biggest British star.
Her warbling voice and round cheeks made her a familiar and much-loved personality to British theatre and film audiences at the beginning of World War II. She was one of many stars in Forever and a Day (1943). Her popularity waned in the 1940s after several years' absence from the screen followed by an unsatisfactory thriller, Candles at Nine (1944).
Post-war audiences associated her with a world of hectic pre-war luxury that was now seen as obsolete in austerity-era Britain. In the late 1940s she ran an amateur theatre group at the Theatre Royal in Aldershot.
After a few false starts as a straight actress she played Tom Thumb's mother in the 1958 children's film, and during the 1960s found new fame when she took over the leading role of Mary Dale in the BBC's long-running daily radio soap, The Dales, formerly Mrs Dale's Diary.
Live theatre and variety shows remained the mainstay of Matthews' work through the 1950s and 1960s, with successful tours of Australia and South Africa interspersed with periods of less glamorous but welcome work in British provincial theatre and pantomimes.
Robert George Young (February 22, 1907 – July 21, 1998) was an American television, film, and radio actor, best known for his leading roles as Jim Anderson, the father of Father Knows Best (NBC and then CBS) and as physician Marcus Welby in Marcus Welby, M.D. (ABC).
Young appeared in over 100 films between 1931 and 1952. After appearing on stage, Young was signed with Metro-Goldwyn-Mayer and, in spite of having a "tier B" status, he co-starred with some of the studio's most illustrious actresses, such as Katharine Hepburn, Margaret Sullavan, Norma Shearer, Joan Crawford, Helen Hayes, Luise Rainer, Hedy Lamarr, and Helen Twelvetrees. Yet, most of his assignments consisted of B movies, also known as "programmers," which required two to three weeks of shooting (considered very brief shooting periods at the time). Actors who were relegated to such a hectic schedule appeared, as Young did, in some six to eight movies per year.
As an MGM contract player, Young was resigned to the fate of most of his colleagues—to accept any film assigned to him or risk being placed on suspension—and many actors on suspension were prohibited from earning a salary from any endeavor at all (even those unrelated to the film industry). In 1936, MGM summarily loaned Young to Gaumont British for two films; the first was directed by Alfred Hitchcock with the other co-starring Jessie Matthews. While there he surmised that his employers intended to terminate his contract, but he was mistaken.
He unexpectedly received one of his most rewarding roles late in his MGM career, in H.M. Pulham, Esq., featuring one of Hedy Lamarr's most effective performances. He once remarked that he was assigned only those roles which Robert Montgomery and other A-list actors had rejected.
After his contract ended at MGM, Young starred in light comedies as well as in trenchant dramas for studios such as 20th Century Fox, United Artists, and RKO Radio Pictures. From 1943, Young assayed more challenging roles in films like Claudia, The Enchanted Cottage, They Won't Believe Me, The Second Woman, and Crossfire. His portrayal of unsympathetic characters in several of these later films—which was seldom the case in his MGM pictures—was applauded by numerous reviewers.
Young's career began an incremental and imperceptible decline, despite a propitious beginning as a freelance actor without the nurturing of a major studio. He continued starring as a leading man in the late 1940s and early 1950s, but only in mediocre films, then he subsequently disappeared from the silver screen - only to reappear several years later on a much smaller one.
Description above from the Wikipedia article Robert Young (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia
Sara Ellen Allgood (29 November 1879 – 13 September 1950) was an Irish actress who held both Irish and American citizenship. She first studied drama with the Irish nationalist Daughters of Ireland and was in the opening of the Irish National Theatre Society.
In 1904, she had her first big role in Spreading the News and was a full-time actress the following year. In 1915, she toured Australia and New Zealand as the lead in Peg o' My Heart. Her acting career continued in Dublin, London, and the U.S. She appeared in a number of films, most notably being nominated for the Academy Award for Best Supporting Actress for her role as Beth Morgan in the 1941 film How Green Was My Valley. She became an American citizen in 1945 and died of a heart attack in 1950.
From Wikipedia, the free encyclopedia
Athene Seyler, CBE (31 May 1889 – 12 September 1990) was an English actress.
Although better known as a stage actress - she first appeared on the stage in 1909 - she made her film debut in 1921, and became known for playing slightly dotty old ladies in many British films from the 1930s to the 1960s.
Her most memorable stage credits included Mrs. Malaprop in The Rivals, Lady Bracknell in The Importance of Being Earnest, and a double-act, with her good friend Dame Sybil Thorndike, as the murderous spinster sisters in Arsenic and Old Lace.
Her film and television career lasted into the 1960s, and included roles in The Citadel (1938), Night of the Demon (1957), and The Avengers (1964, 1965). She was also a regular cast member in screen adaptations of Charles Dickens' novels.
She virtually retired from acting after 1970, but continued making public appearances until well into the 1980s. In 1990, at the age of 101, she appeared at the National Theatre, talking about her long life and career.
Athene Seyler was President of the Royal Academy of Dramatic Art (RADA) from 1950, and a member of the Theatrical Ladies' Guild. She also wrote The Craft of Comedy.
She was appointed a Commander of the Order of the British Empire (CBE) in 1959.
Glennis Lorimer (born Glennis Dorothy Browne; 27 April 1913 – 17 November 1968) was a British actress, who appeared in a number of films during the 1930s. She also appeared in the Gainsborough Pictures logo before the opening credits of films by that studio. She made her debut in the 1933 film Britannia of Billingsgate. Her last film appearance was in the 1939 comedy Ask a Policeman. She died of cancer of the esophagus at Guy’s Hospital, London.
