War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this he changes flights with Texas.
01-16-1936
1h 35m
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Main Cast
Movie Details
Production Info
Director:
Howard Hawks
Production:
Cosmopolitan Productions, Warner Bros. Pictures
Key Crew
Screenplay:
Frank Wead
Theatre Play:
Frank Wead
Makeup Artist:
Perc Westmore
Costume Design:
Orry-Kelly
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
James Cagney
From Wikipedia, the free encyclopedia.
James Francis Cagney, Jr. (July 17, 1899 – March 30, 1986) was an American film actor. Although he won acclaim and major awards for a wide variety of roles, he is best remembered for playing "tough guys". In 1999, the American Film Institute ranked him eighth among the Greatest Male Stars of All Time.
In his first performing role, Cagney danced dressed as a woman in the chorus line of the 1919 revue Every Sailor. He spent several years in vaudeville as a hoofer and comedian until his first major acting role in 1925. He secured several other roles, receiving good reviews before landing the lead in the 1929 play Penny Arcade. After rave reviews for his acting, Warners signed him for an initial $500 a week, three-week contract to reprise his role; this was quickly extended to a seven year contract. Cagney's seventh film, The Public Enemy, became one of the most influential gangster movies of the period. Notable for its famous grapefruit scene, the film thrust Cagney into the spotlight, making him one of Warners' and Hollywood's biggest stars.
In 1938, he received his first Academy Award Best Actor nomination for Angels with Dirty Faces, before winning in 1942 for his portrayal of George M. Cohan in Yankee Doodle Dandy. He was nominated a third time in 1955 for Love Me or Leave Me. Cagney retired for 20 years in 1961, spending time on his farm before returning for a part in Ragtime mainly to aid his recovery from a stroke.
Cagney walked out on Warners several times over his career, each time coming back on improved personal and artistic terms. In 1935, he sued Warners for breach of contract and won; this marked one of the first times an actor had beaten a studio over a contract issue. He worked for an independent film company for a year while the suit was settled, and also established his own production company, Cagney Productions, in 1942 before returning to Warners again four years later. Jack Warner called him "The Professional Againster", in reference to Cagney’s refusal to be pushed around. Cagney also made numerous morale-boosting troop tours before and during World War II, and was President of the Screen Actors Guild for two years.
Description above from the Wikipedia article James Cagney, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Pat O’Brien (born William Joseph Patrick O'Brien) was an American stage, screen, radio, and television actor. He was a star during the first several years of his film career, the height of his popularity being during the 1930s and 1940s.
From Wikipedia, the free encyclopedia
Stuart Erwin (14 February 1903, Squaw Valley, California — 21 December 1967, Beverly Hills, California) was an American actor. Erwin began acting in college in the 1920s, first appearing on the stage, then breaking into films in 1928 in Mother Knows Best. He was cast as amiable oafs in several films such as The Sophomore, The Big Broadcast, Hollywood Cavalcade, Our Town, International House and Viva Villa!. In 1934 he was cast as Joe Palooka in the film Palooka, and in 1935 he had a supporting role in After Office Hours (starring Clark Gable). He co-starred in the Paramount Pictures all-star revue Paramount on Parade (1930).
In 1936, he was cast in Pigskin Parade, for which he was nominated for the Academy Award for Best Supporting Actor.
In Walt Disney's Bambi, he did the voice of a tree squirrel.
In 1950, Erwin made the transition to television, where he starred in Trouble with Father, which was eventually retitled The Stu Erwin Show. He co-starred with his wife, actress June Collyer. He later appeared in the Disney films Son of Flubber and The Misadventures of Merlin Jones. He also appeared with Jack Palance in the ABC series The Greatest Show on Earth during the 1963-1964 television season.
Erwin has a star on the Hollywood Walk of Fame at 6240 Hollywood Blvd. He is buried in Chapel of the Pines Crematory.
Description above from the Wikipedia article Stuart Erwin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California.
For his work in television, Barton has a star on the Hollywood Walk of Fame.
From Wikipedia, the free encyclopedia.
Isabel Jewell (July 19, 1907 – April 5, 1972) was an American actress most active in the 1930s and early 1940s. Some of her most famous films were Ceiling Zero, Marked Woman, A Tale of Two Cities, and Gone With the Wind. After years in theater stock companies, including an 87-week stint in Lincoln, Nebraska, she hit the big time after getting a part on Broadway in Up Pops the Devil (1930). She received glowing critical reviews for Blessed Event (1932) as well.
Jewell's film debut came in Blessed Event (1932). She had been brought to Hollywood by Warner Brothers for the film version of Up Pops the Devil. Jewell gained other supporting roles, appearing in a variety of films in the early 1930s. She played stereotypical gangsters' women in such films as Manhattan Melodrama (1934) and Marked Woman (1937). She was well received playing against type, as the seamstress sentenced to death on the guillotine along with Sydney Carton (Ronald Colman in A Tale of Two Cities (1935). Her most significant role was as the prostitute Gloria Stone in Lost Horizon (1937). Jewell's films included Gone with the Wind (1939) (in the role of "that white trash, Emmy Slattery"), Northwest Passage (1940), High Sierra (1941), and the low-budget The Leopard Man (1943).
By the end of the 1940s, her roles had reduced in significance to the degree that her performances were often uncredited, e.g. The Snake Pit. She performed in radio dramas in the 1950s, including This is Your FBI.
In 1972, Jewell appeared opposite Edie Sedgwick in the film Ciao! Manhattan. Her final film was the B movie Sweet Kill (1973), the directorial debut of Curtis Hanson, a future Academy Award winner. Description above from the Wikipedia article Isabel Jewell, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia
Addison Whitaker Richards, Jr. (October 20, 1902 – March 22, 1964) was an American actor of film and television. He appeared in more than three hundred films and television series between 1933 and his death.
Edward Gargan was born of Irish parents in Brooklyn, New York in 1902. He was the elder brother of actor William Gargan whose July 17 birthday he shared.
Edward Gargan started as a musical comedy actor on Broadway. He sang in "Good News", "Rose-Marie", and other hit musicals of the 1920s, and also in opera. One of his early shows was "Polly of Hollywood" in 1927. He portrayed Patrolman Mulligan, one of the principals of "Strictly Dishonorable", in 1930.
He went to Hollywood in 1932 and the next year was in the cast of the film "David Harum". For the next 19 years he appeared in a variety of movies. Gargan was one of the most prolific bit players in the history of the movies, specializing in dumb policemen and dense sidekicks. He appeared in nearly 300 feature films over a three-decade span between 1921 and 1952, and television work from 1951 to 1953.
Gargan died in New York City in 1964.
