Womanizer and airline pilot Jack Gordon must fly the world's fastest airliner from New York to California while dealing with dangerous jewel thieves on the run from the law.
04-30-1936
1h 14m
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Main Cast
Movie Details
Production Info
Director:
Mitchell Leisen
Production:
Paramount Pictures
Key Crew
Producer:
E. Lloyd Sheldon
Screenplay:
Bogart Rogers
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Fred MacMurray
Born to Maleta Martin and Frederick MacMurray (concert violinist). Fred sang and played in orchestras to earn tuition. He was educated at Carroll College, Wis. Fred played with a Chicago orchestra for more than a year. Then he joined an orchestra in Hollywood where he played, did some recording and played extra roles. He then joined a comedy stage band, California Collegians, and went to New York. There he joined "Three's A Crowd" revue on Broadway and on the road. After this show closed, he returned to California and worked in vaudeville. He played the vaudeville circuits and night clubs until cast for major role in "Roberta". Signed by Paramount in 1935.
MacMurray was raised in Beaver Dam, Wisconsin from the age of 5, eventually graduating from Beaver Dam High School (currently the site of Beaver Dam Middle School), where he was a 3-sport star in football, baseball, and basketball. Fred retained a special place in his heart for his small-town Wisconsin upbringing, referring at any opportunity in magazine articles or interviews to the lifelong friends and cherished memories of Beaver Dam, even including mementos of his childhood in several of his films. In "Pardon my Past" (1945), Fred and fellow GI William Demarest are moving to Beaver Dam, WI to start a mink farm.
Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American stage, film and television actress. Besides acting on the stage, Bennett appeared in more than 70 motion pictures from the era of silent movies well into the sound era. She is possibly best-remembered for her film noir femme fatale roles in director Fritz Lang's movies such as The Woman in the Window (1944) and Scarlet Street (1945).
Bennett had three distinct phases to her long and successful career, first as a winsome blonde ingenue, then as a sensuous brunette femme fatale (with looks that movie magazines often compared to those of Hedy Lamarr), and finally as a warmhearted wife/mother figure. In 1951, Bennett's screen career was marred by scandal after her third husband, film producer Walter Wanger, shot and injured her agent Jennings Lang. Wanger suspected that Lang and Bennett were having an affair, a charge which she adamantly denied. In the 1960s, she achieved success for her portrayal of Elizabeth Collins Stoddard on TV's Dark Shadows, for which she received an Emmy nomination. For her final movie role, as Madame Blanc in Suspiria (1977), she received a Saturn Award nomination.
Description above from the Wikipedia article Joan Bennett, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Zasu Pitts was an American actress who starred in many silent dramas and comedies, transitioning successfully to mostly comedy films with the advent of sound films. She may be best known for her performance in Erich von Stroheim's epic silent film Greed.
Based on her performance, von Stroheim labeled Pitts "the greatest dramatic actress". He also featured her in his films The Honeymoon (1928), The Wedding March (1928), War Nurse (1930) and Walking Down Broadway, released as Hello, Sister! (1933). However, for the most part, with the advent of sound Pitts was mostly relegated to comedy parts. A bitter disappointment was when she was replaced in the classic war drama All Quiet on the Western Front (1930) by Beryl Mercer after her initial appearance in previews drew unintentional laughs, despite her intense performance. She had viewers rolling in the aisles in Finn and Hattie (1931), The Guardsman (1931), Blondie of the Follies (1932), Sing and Like It (1934) and Ruggles of Red Gap (1935). In 1936 and 1937 she portrayed Hildegarde Withers in two movies, succeeding Edna May Oliver as the spinster sleuth, but they were not well received.
In the 1950s she started focusing on television. This culminated in her best known series role, playing second banana to Gale Storm on CBS's The Gale Storm Show (1956) (also known as Oh, Susannah) in the role of Elvira Nugent ("Nugie"), the shipboard beautician. In 1961, Pitts was cast opposite Earle Hodgins in the episode "Lonesome's Gal" on the ABC sitcom, Guestward, Ho!, set on a dude ranch in New Mexico. In 1962, Pitts appeared in an episode of CBS's Perry Mason, "The Case of the Absent Artist". Her final role was as Gertie, the switchboard operator in the Stanley Kramer comedy epic It's a Mad, Mad, Mad, Mad World (1963).
A petite and extremely lovely blonde "B" film actress who eventually deserted her career in favor of standing by her man (cowboy icon William Boyd, aka, "Hopalong Cassidy"), Grace Bradley spent the rest of her life in his shadow and devoting herself to her husband's career. Bill's Hoppy was the longest span of any fictional character played by the same actor. Following his death in 1972, she spent a good deal of her time keeping his good name and image in tact.
Grace initially studied to be a concert pianist, playing Carngie Hall at age 15. She also took advantage of her budding loveliness by modeling full time and taking singing/dancing lessons on the sly. She went on to act, sing, and dance on the Broadway stage in the musicals "Strike Me Pink" and "The Little Show". While performing at the Paradise nightclub in Manhattan in 1933, the dancer was "discovered" and signed by a Paramount Pictures director.
Heading west, she often came off as an assertive "bad girl" or femme-fatale at Paramount with such fun, party-girl names as Goldie, Trixie, Flossie, Lily and Sadie. Her first full-length movie was as a second lead in the Bing Crosby/Jack Oakie musical comedy Too Much Harmony (1933), in which she sang and danced to the feisty tune "Cradle Me With a Hotcha Lullaby". She subsequently appeared in the W.C. Fields classic Six of a Kind (1934); the Richard Arlen pictures Come On, Marines! (1934) and She Made Her Bed (1934); the Claudette Colbert/Fred MacMurray comedy The Gilded Lily (1935), and had the female lead opposite Bruce Cabot in Redhead (1934). Appearing secondary in the Bing Crosby/Ethel Merman version of Anything Goes (1936), her musical talents were tapped into with the films The Cat's-Paw (1934), Stolen Harmony (1935), Old Man Rhythm (1935), Sitting on the Moon (1936) and Wake Up and Live (1937). Elsewhere, various "B" male co-stars would include Wallace Ford, Lee Tracy, Jack Haley, John Boles, Robert Livingston, Jack Holt and Robert Armstrong.
In 1937, Grace happened to cross paths with Bill Boyd, who became her "Prince Charming on a big white horse". She had a long-time school-girl crush on Boyd and was instantly smitten upon their first meeting. He was 42 and she 23. He asked her to marry him within a few days and they were married three weeks later on June 5th. Boyd had already been married four times, none lasting longer than six years. Grace would become the fifth (and last) Mrs. William Boyd in a marriage that lasted 35 years. The couple had no children together; Bill had one child from his third marriage.
William Lawrence Boyd retired from show business in 1953 quite wealthy. Suffering from Parkinson's disease, he died of heart failure in Laguna Beach in 1972 at age 77. Grace went on to spend the last decades of her life devoting herself to volunteer work at the Laguna Beach hospital where her husband lived out his final days. She later withstood legal battles that stemmed from copyright infringements, but enjoyed appearing occasionally at Hopalong Cassidy tributes. The definitive biography Hopalong Cassidy - An American Legend was co-authored by Grace and Michael Cochran in 2008. Grace Bradley Boyd died, 21 September 2010, Dana Point, California. of complications from old age at age 97 on her birthday; and she was interred next to her husband at Forest Lawn Memorial Park in Clendale, California.
Brian Donlevy (February 9, 1901 – April 5, 1972) was an Ulster-born American film actor, noted for playing tough guys from the 1930s to the 1960s. He usually appeared in supporting roles. Among his best known films are Beau Geste (1939) and The Great McGinty (1940). For his role as Sergeant Markoff in Beau Geste he was nominated for the Academy Award for Best Supporting Actor. His obituary in The Times newspaper in the United Kingdom stated that "any consideration of the American 'film noir' of the 1940s would be incomplete without him".
Description above from the Wikipedia article Brian Donlevy, licensed under CC-BY-SA, full list of contributors on Wikipedia
From Wikipedia, the free encyclopedia.
Ruth Donnelly (May 17, 1896 – November 17, 1982) was an American stage and film actress. Her father was the mayor of Trenton, New Jersey.
She began her stage career at the age of 17 in 1913, in The Quaker Girl. Her Broadway debut brought her to the attention of George M. Cohan, who proceeded to cast her in numerous comic-relief roles in such musicals as Going Up (1917). Though she made her first film appearance in 1913, her Hollywood career began in earnest in 1931 and lasted until 1957. In her films she often played the wife of Guy Kibbee (Footlight Parade, Wonder Bar, Mr. Smith Goes to Washington). Among her roles was the part of Sister Michael in The Bells of St. Mary's, starring Bing Crosby and Ingrid Bergman.
From Wikipedia, the free encyclopedia
Jack Mulhall, born John Joseph Francis Mulhall, (October 7, 1887 in Wappingers Falls, New York – June 1, 1979 in Woodland Hills, Los Angeles, California) was a movie actor since the silent film era and appeared in over 430 films. Reputedly, he was one of a number of male models(Fredric March & Reed Howes were two others) for the Arrow Collar Man in the Arrow collar ads illustrated by J. C. Leyendecker for the Cluett Peabody shirt company. Died from congestive heart failure.
Description above from the Wikipedia article Jack Mulhall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Dennis O'Keefe (March 29, 1908 – August 31, 1968) was an American actor. He was the son of Irish vaudevillians working in the United States. As a small child he joined his parents' act and later wrote skits for the stage.
O'Keefe started in films as an extra in the early 1930s. After a small but impressive role in Saratoga, Clark Gable recommended O'Keefe to Metro-Goldwyn-Mayer, which signed him to a contract in 1937. His film roles were bigger after that, starting with The Bad Man of Brimstone and Burn 'Em Up O'Connor.
O'Keefe left MGM around 1940 but continued to work in mostly lower budget productions. In the 1950s he did some directing, wrote mystery stories and by the mid-1950s found work on television shows such as Justice, The Martha Raye Show, The Ford Show as well as his own series The Dennis O'Keefe Show.
From Wikipedia, the free encyclopedia
Marie Prevost (born Marie Bickford Dunn; November 8, 1896 - January 21, 1937) was a Canadian-born film actress. During her twenty-year career, she made 121 silent and talking pictures.
Prevost began her career during the silent film era. She was discovered by Mack Sennett who signed her to contract and made her one of his "Bathing Beauties" in the late 1910s. Prevost appeared in dozens of Sennett's short comedy films before moving on to feature length films for Universal. In 1922, she signed with Warner Bros. where her career flourished as a leading lady. She was a favorite of director Ernst Lubitsch who cast her in three of his comedy films; The Marriage Circle (1924), Three Women (1924) and Kiss Me Again (1925).
After being let go by Warner Bros in early 1926, Prevost's career began to decline and she was relegated to secondary roles. She was also beset with personal problems, including the death of her mother in 1926 and the breakdown of her marriage to actor Kenneth Harlan in 1927, which fueled her depression. She began to abuse alcohol and binge eat, resulting in a weight gain that made it difficult for her to secure acting jobs. By 1935, Prevost was only able to secure bit parts in films. She made her last onscreen appearance in 1936.
After years of drinking, Prevost died of acute alcoholism at the age of 38 in January 1937. Prevost's estate was valued at $300 since she had squandered most of her earnings. Her death prompted the Hollywood community to create the Motion Picture & Television Country House and Hospital.