Just after a jury finds Ann Grey guilty of murder, the car carrying her to prison crashes into another car. Ann escapes and ends up in lawyer Tony Baxter's car. Tony realizes Ann is innocent, so he vows to help her prove it, risking his neck in the process. Tony and Ann are pursued by the police and by Smiley Gordon, a mob boss who engineered Ann's escape thinking that she can lead him to a $250,000 stash.
08-02-1935
1h 7m
THIS
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Main Cast
Movie Details
Production Info
Director:
George B. Seitz
Production:
Metro-Goldwyn-Mayer
Key Crew
Screenplay:
Leonard Fields
Story:
David Silverstein
Screenplay:
David Silverstein
Art Direction:
Cedric Gibbons
Producer:
Phil Goldstone
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Maureen O'Sullivan
Maureen Paula O'Sullivan was born in County Roscommon, Ireland, on May 17, 1911. The future mother of Mia Farrow was a schooldays classmate of Vivien Leigh at the Convent of the Sacred Heart at Roehampton in London. Even as a schoolgirl, Maureen desired an acting career; she studied hard and read widely. When the opportunity to be an actress came along, it almost dropped in her lap. The director Frank Borzage was in Dublin filming “Song o’ My Heart” (1930) when Maureen, then 18, met him. Borzage suggested a screen test, which she took. The results were more than favorable, as she won the part of Eileen O’Brien. The part was a substantial one, so much so that Maureen went on to Hollywood to complete the filming. Once in sunny California, Maureen wasted no time landing roles in other films such as “Just Imagine” (1930), “Princess and the Plumber” (1930), and “So This Is London” (1930). Maureen was on a roll that her contemporaries could only have wished for when they were coming up through the ranks. In 1932, Maureen was teamed up with Olympic medal winner Johnny Weissmuller for the first time in “Tarzan the Ape Man” (1932). Five other Tarzan films followed, the last being “Tarzan’s New York Adventure” (1942). The Tarzan epics rank as one of the most memorable series ever made. Most people agree that those movies would not have been successful had it not been for the fine acting talents, not to mention beauty, of Maureen O’Sullivan. But she was more than Jane Parker in the Tarzan films; she had great roles and played beautifully in films such as “The Flame Within” (1935), “David Copperfield” (1935), and “Anna Karenina” (1935). She turned in yet another fine performance in “Pride and Prejudice” (1940). After the 1940s, Maureen made far fewer films, not because she lost popularity but by choice. It isn’t always easy to walk away from a lucrative career, but she did because she wanted to devote more time to her husband, John Farrow, an Australian writer, and their seven children. The couple were married from 1936 until his death in 1963. She did not, however, retire completely; Maureen still found time to make an occasional appearance in films or TV or on the stage. Later movie-goers remember her as Elizabeth Alvorg in the hit film “Peggy Sue Got Married” (1986). Her final silver screen appearance was in “The River Pirates” (1988). Some TV movies followed, but only until 1996. She maintained homes in New Hampshire and Arizona, and it was in Scottsdale that Maureen died on June 23, 1998, of a heart attack. She was 87 years old.
Joel Albert McCrea (November 5, 1905 – October 20, 1990) was an American actor whose career spanned a wide variety of genres over almost five decades, including comedy, drama, romance, thrillers, adventures, and Westerns, for which he became best known.
He appeared in over one hundred films, starring in over eighty, among them Alfred Hitchcock's espionage thriller Foreign Correspondent (1940), Preston Sturges' comedy classics Sullivan's Travels (1941), and The Palm Beach Story (1942), the romance film Bird of Paradise (1932), the adventure classic The Most Dangerous Game (1932), Gregory La Cava's bawdy comedy Bed of Roses (1933), George Stevens' romantic comedy The More the Merrier (1943), William Wyler's These Three, Come and Get It (both 1936) and Dead End (1937), Howard Hawks' Barbary Coast (1935), and a number of western films, including Wichita (1955) as Wyatt Earp and Sam Peckinpah's Ride the High Country (1962), opposite Randolph Scott.
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Carl Henry Vogt (February 19, 1895 – May 12, 1956), known professionally as Louis Calhern, was an American stage and screen actor. For portraying Oliver Wendell Holmes in the film The Magnificent Yankee (1950), he was nominated for an Academy Award for Best Actor. Calhern began working in silent films for director Lois Weber in the early 1920s; the most notable being The Blot in 1921. A 1921 newspaper article commented, "The new arrival in stardom is Louis Calhern, who, until Miss Weber engaged him to enact the leading male role in What's Worth While?, had been playing leads in the Morosco Stock company of Los Angeles."
In 1923 Calhern left the movies, but would return to the screen eight years later after the advent of sound pictures. He was primarily cast as a character actor in films while he continued to play leading roles on the stage. He reached his peak in the 1950s as a Metro-Goldwyn-Mayer contract player. Among his many memorable screen roles were Ambassador Trentino in the Marx Brothers classic Duck Soup (1933) and three that he appeared in at MGM in 1950: a singing role as Buffalo Bill in the film version of the musical Annie Get Your Gun, the double-crossing lawyer and sugar-daddy to Marilyn Monroe in John Huston's film noir The Asphalt Jungle, and his Oscar-nominated performance as Oliver Wendell Holmes in The Magnificent Yankee (re-creating his role from the Broadway stage). He was also praised for his portrayal of the title role in the John Houseman production of Julius Caesar (adapted from the Shakespeare play) in 1953, directed by Joseph L. Mankiewicz. Calhern also played the role of the devious George Caswell, the manipulative board member of Tredway Corporation in the 1954 production of Executive Suite.
Calhern's other film roles included the grandfather in The Red Pony (1949), adapted from the novel by John Steinbeck and starring Robert Mitchum, and the spy boss of Cary Grant in the Alfred Hitchcock suspense classic Notorious (1946). A performance as Uncle Willie in High Society (1956), a musical remake of The Philadelphia Story, turned out to be his final film.
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Edgar Livingston Kennedy (April 26, 1890 – November 9, 1948) was an American comedic film character actor, known as "Slow Burn". A slow burn is an exasperated facial expression, performed very deliberately; Kennedy embellished this by rubbing his hand over his bald head and across his face, in an attempt to hold his temper. Kennedy is best known for a small role as a lemonade vendor in the Marx Brothers film Duck Soup, as well as the many Hal Roach films he appeared in.
Kennedy became so identified with frustration that practically every studio hired him to play hotheads. He often played dumb cops, detectives, and even a prison warden; sometimes he was a grouchy moving man, truck driver, or blue-collar workman. His character usually lost his temper at least once. In Diplomaniacs, Kennedy presides over an international tribunal, where Wheeler & Woolsey want to do something about world peace. "Well, ya can't do anything about it here", yells Kennedy, "this is a peace conference!" Kennedy, established as the poster boy for frustration, even starred in an instructional film titled The Other Fellow, in which loudmouthed roadhog Edgar always vents his anger on other drivers (each one played by Kennedy as well), little realizing that, to them, he is "the other fellow."
Perhaps his most unusual roles were as a puppeteer in the detective mystery The Falcon Strikes Back and as a philosophical bartender inspired to create exotic cocktails in Harold Lloyd's last film, The Sin of Harold Diddlebock (1947). He also played comical detectives opposite two titans of acting: John Barrymore in Twentieth Century (1934) and Rex Harrison in Unfaithfully Yours (1948); in the latter, he tells conductor Harrison that "Nobody handles Handel like you handle Handel."
Kennedy died of throat cancer at the Motion Picture Hospital, San Fernando Valley on 9 November 1948. His body was interred at the Holy Cross Cemetery, Culver City, Los Angeles County, California.
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Adrienne Ames (August 3, 1907 – May 31, 1947) was an American film actress.
Born Adrienne Ruth McClure in Fort Worth, Texas, Ames began her film career in 1927 as a stand-in for Pola Negri. Ames was soon cast in small film roles in silent films. With the advent of talking pictures, Ames' popularity grew and she was usually cast as society women, or in musicals. She made thirty films during the 1930s with her biggest success in George White's Scandals (1934), a film which was also notable as the debut of Alice Faye. Ames also appeared with the three leading men from the 1931 version of Dracula (Bela Lugosi, David Manners, and Edward Van Sloan) in The Death Kiss (1932). By the end of the decade Ames' popularity had diminished and, discouraged, she left Hollywood for New York.
In 1941 she became a radio personality, headlining a talk show on station WHN in New York City. Her program was successful, and was scheduled regularly until just before her death in 1947. Ames was married three times, including to actor Bruce Cabot from 1933 until 1937. Ames died of cancer on May 31, 1947 in New York City. She is interred in the Oakwood Cemetery in her hometown of Fort Worth, Texas. For her contributions to the motion picture industry, Adrienne Ames has a star on the Hollywood Walk of Fame at 1612 Vine Street.
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William B. Davidson (June 16, 1888 – September 28, 1947) was an American film actor.
Davidson attended Columbia University where he played football. He became a popular football star. This fame eventually led to his foray into motion pictures after he had spent some time as a lawyer. He started in films in 1914 with Vitagraph and supported well known stage and film actresses such as Ethel Barrymore, Mabel Taliaferro, Charlotte Walker, Olga Petrova, Viola Dana, June Caprice, Edna Goodrich, and Mae West. He appeared in 318 films between 1915 and 1949.
He was born in Dobbs Ferry, New York, and died in Santa Monica, California. His first Hollywood film was For the Honor of the Crew. Afterward, he appeared in many films, his best-known role was perhaps the Ship's captain in The Most Dangerous Game. He remained in show business until his sudden death after surgery in 1947.
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Erville Alderson (September 11, 1882, Kansas City, Missouri – August 4, 1957, Glendale, California) was an American film actor. He appeared in nearly 200 films between 1918 and 1957.
Stanley Andrews was an American actor perhaps best known as the voice of Daddy Warbucks on the radio program Little Orphan Annie and later as "The Old Ranger", the first host of the syndicated western anthology television series, Death Valley Days.
Brooks Benedict (born Harold J. Mann, February 6, 1896 – January 1, 1968) was an American actor of the silent and sound film era, where he played supporting and utility roles in over 300 films, mostly uncredited.
American character actor whose career lasted nearly half a century. James Wilson Flavin Jr. was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Irish immigrant. (Thus Flavin, well-known in Hollywood as an "Irish" type, was only one-quarter Irish.) Flavin was born and raised in Portland, Maine (a fact that may have enrichened his later working relationship with director John Ford, also a Portland native). He attended the United States Military Academy at West Point, but (contrary to some sources) did not graduate. Instead he dropped out and returned to Portland where he drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 he was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to go with the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time (his Broadway debut would not occur for another thirty-nine years, in the 1971 revival of "The Front Page," in which Flavin played Murphy and briefly took over the lead role of Walter Burns from star Robert Ryan). He worked his way across the country in stock productions and tours, arriving in Los Angeles around 1932. He quickly made the transition to movies, landing the lead in his very first film, a Universal serial, The Airmail Mystery (1932). He also landed his leading lady, marrying the serial's female star Lucile Browne that same year. However, the serial marked virtually the last time that Flavin would play the lead in a film. Thereafter, he was restricted almost exclusively to supporting characters, many of them without so much as a name. He specialized in uniformed cops and hard-bitten detectives, but played chauffeurs, cabbies, and even a 16th-century palace guard with aplomb. Flavin appeared in nearly four hundred films between 1932 and 1971, and in almost a hundred television episodes before his final appearance, as President Dwight D. Eisenhower in Francis Gary Powers: The True Story of the U-2 Spy Incident (1976). Flavin died of a heart ailment at Cedars-Sinai Medical Center in Los Angeles on April 23, 1976. His widow Lucile died seventeen days later. They were survived by their son, William James Flavin, subsequently a professor at the United States Army War College. James and Lucile Brown Flavin were buried at Holy Cross Cemetery in Culver City, California.
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Howard Charles Hickman (February 9, 1880 – December 31, 1949) was an American actor, director and writer. He was an accomplished stage leading man, who entered films through the auspices of producer Thomas H. Ince. Hickman directed 19 films and co-starred with his wife, actress Bessie Barriscale, in several productions before returning to the theatre.
With the rise of the sound film, Hickman returned to the film business but received mostly small roles, often as an authoritarian figure. Hickman made a brief appearance as plantation owner John Wilkes, father of Ashley Wilkes, in Gone with the Wind (1939). He ended his film career in 1944, after more than 270 films.
Hickman died of myocardial infarction in San Anselmo, California, and is buried at the Mount Tamalpais Cemetery, San Rafael, California.
Al Hill (July 14, 1892 – July 14, 1954) was an American film character actor who appeared in over 320 films between 1927 and 1954, including the 1951 film The Girl on the Bridge. Hill died in 1954 on his 62nd birthday.
Description above from the Wikipedia article Al Hill (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Charles Lane (born Charles Gerstle Levison; January 26, 1905 – July 9, 2007) was an American character actor and centenarian whose career spanned 77 years. Lane gave his last performance at the age of 101 as a narrator in 2006. Lane appeared in many Frank Capra films, including You Can't Take It With You (1938), Mr. Smith Goes to Washington (1939), Arsenic and Old Lace (1944), It's a Wonderful Life (1946) and Riding High (1950). He was a favored supporting actor of Lucille Ball, who often used him as a no-nonsense authority figure and comedic foe of her scatterbrained TV character on her TV series I Love Lucy, The Lucy–Desi Comedy Hour and The Lucy Show. His first film of more than 250 was as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney.
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Michael Mark (born Morris Schulman; 15 March 1886 – 3 February 1975) was a Russian-born American film actor. He appeared in more than 120 films between 1928 and 1969.
Bert Moorhouse was born on November 20, 1894 in Chicago, Illinois, USA as Herbert Green Moorhouse. He was an actor, known for Rough Ridin' Red (1928), Hey Rube! (1928) and The Woman I Love (1929). He was married to Mary. He died on January 26, 1954 in Hollywood, California, USA.
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Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'."
In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula.
In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.
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Dave O'Brien (born David Poole Fronabarger, May 31, 1912 – November 8, 1969) was an American film actor, director, and writer.
O'Brien was best known to movie audiences in the 1940s as the hero of the Metro-Goldwyn-Mayer comedy short film series Pete Smith Specialties narrated by Pete Smith. O'Brien wrote and directed many of these subjects under the name David Barclay. He also appeared in many low-budget Westerns, often billed as Tex O'Brien. In 1942, O'Brien starred in the movie serial Captain Midnight.
Modern audiences perhaps best remember O'Brien as a frantic dope addict in the 1936 low-budget exploitation film Tell Your Children (better known under its reissue title, Reefer Madness).
As a writer for The Red Skelton Show, O'Brien shared an Emmy Award for Outstanding Writing for a Comedy Series in 1961 and shared a nomination for the same award in 1963.
O'Brien died, aged 57, of a heart attack while competing in a yachting race.
Frank O'Connor was an American screen and television actor, as well as a director, screenwriter, and producer. His lengthy film acting career began in 1915.
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Lee Phelps (May 15, 1893 – March 19, 1953) was an American film actor. He appeared in over 600 films between 1917 and 1953, mainly in uncredited roles. He also appeared in three films - Grand Hotel, You Can't Take It with You, and Gone with the Wind - that won the Academy Award for Best Picture.
Phelps appeared in the 1952 episode "Outlaw's Paradise" as a judge in the syndicated western television series The Adventures of Kit Carson, starring Bill Williams in the title role. He also appeared in a 1952 TV episode (#90) of The Lone Ranger.
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Charles Silas Richard Trowbridge (January 10, 1882 – October 30, 1967) was an American film actor. He appeared in 233 films between 1915 and 1958.
Trowbridge was born in Veracruz, Mexico, where his father served in the diplomatic corps of the United States. He ran a coffee plantation in Hawaii before venturing into acting.
Trowbridge's Broadway credits include Dinner at Eight (1932), Ladies of Creation (1931), Congai (1928), The Behavior of Mrs. Crane (1927), We Never Learn (1927), Craig's Wife (1925), It All Depends (1925), The Backslapper (1924), The Locked Door (1924), Sweet Seventeen (1923), The Lullaby (1923), The Last Warning (1922), The Night Call (1921), Just Because (1921), The Broken Wing (1920), Why Worry? (1918), This Way Out (1917), Come Out of the Kitchen (1916) and Daddy Long Legs (1914).
Trowbridge died in Los Angeles, California.
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Gayne Whitman (born Alfred D. Vosburgh; March 19, 1890 – August 31, 1958) was an American radio and film actor. He appeared in 213 films between 1904 and 1957. In some early films he was credited under his birth name. He was born in Chicago, Illinois.
As Alfred Vosburgh, he was the leading man in the film Princess of the Dark (1917). Soon after that, he changed his screen name to Alfred Whitman because "1917 was not a good time to have a German sounding name."
Beginning in 1921, Whitman acted at the Morosco Theater in Los Angeles. He returned to films in 1925 when he received a contract with Warner Bros.
On radio, Whitman played the title role in Chandu the Magician, was the narrator on Lassie and Strange as It Seems, and was an announcer on Paducah Plantation and other programs.
