Clay Tallant comes to Silver City, Arizona in the 1880s and encounters wide-spread lawlessness and disorder, unscrupulous politicians, outlaws galore and brow-beaten citizens. He accepts the position of town marshal and, with his brother and a reformed outlaw , Tex Randolph, who comes over to his side, sets out to bring law-and-order where none exists. He also wins the hand of the singer appearing at the Opera House.
06-27-1935
1h 15m
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HELLA
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Preston Foster (August 24, 1900 – July 14, 1970) was an American stage and film actor, and singer. Foster entered films in 1929 after appearing as a Broadway stage actor. He was appearing in Broadway plays as late as October 1931 when he acted in a play titled Two Seconds starring Edward J. Pawley. Some of his notable films include: Doctor X (1932), I Am a Fugitive from a Chain Gang (1932), Annie Oakley (1935), The Last Days of Pompeii (also 1935), The Informer (1935) (as the head of the organization), and My Friend Flicka (1943).
He starred on the television drama, Waterfront (1954–1955), playing the role of Captain John Herrick. Foster has a star on the Hollywood Walk of Fame. He was sometimes credited in movies as Preston S. Foster. His first wife was stage actress Gertrude Warren (1926–1945; divorced). He had one daughter, Stephanie. He was married to his second wife, actress Sheila Darcy, from 1946 until his death.
During World War II while serving with the United States Coast Guard, he rose to the rank of Captain, Temporary Reserve. He eventually held the honorary rank of Commodore in the U.S. Coast Guard.
After the war and before his productive movie career, Foster became a singer of some note. In 1948 Foster created a trio with himself, Gene Leis and Foster’s wife, actress Sheila Darcy. Gene arranged the songs, and they played on radio and in clubs, appearing with Orrin Tucker, Peggy Ann Garner and Rita Hayworth.
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Carl Henry Vogt (February 19, 1895 – May 12, 1956), known professionally as Louis Calhern, was an American stage and screen actor. For portraying Oliver Wendell Holmes in the film The Magnificent Yankee (1950), he was nominated for an Academy Award for Best Actor. Calhern began working in silent films for director Lois Weber in the early 1920s; the most notable being The Blot in 1921. A 1921 newspaper article commented, "The new arrival in stardom is Louis Calhern, who, until Miss Weber engaged him to enact the leading male role in What's Worth While?, had been playing leads in the Morosco Stock company of Los Angeles."
In 1923 Calhern left the movies, but would return to the screen eight years later after the advent of sound pictures. He was primarily cast as a character actor in films while he continued to play leading roles on the stage. He reached his peak in the 1950s as a Metro-Goldwyn-Mayer contract player. Among his many memorable screen roles were Ambassador Trentino in the Marx Brothers classic Duck Soup (1933) and three that he appeared in at MGM in 1950: a singing role as Buffalo Bill in the film version of the musical Annie Get Your Gun, the double-crossing lawyer and sugar-daddy to Marilyn Monroe in John Huston's film noir The Asphalt Jungle, and his Oscar-nominated performance as Oliver Wendell Holmes in The Magnificent Yankee (re-creating his role from the Broadway stage). He was also praised for his portrayal of the title role in the John Houseman production of Julius Caesar (adapted from the Shakespeare play) in 1953, directed by Joseph L. Mankiewicz. Calhern also played the role of the devious George Caswell, the manipulative board member of Tredway Corporation in the 1954 production of Executive Suite.
Calhern's other film roles included the grandfather in The Red Pony (1949), adapted from the novel by John Steinbeck and starring Robert Mitchum, and the spy boss of Cary Grant in the Alfred Hitchcock suspense classic Notorious (1946). A performance as Uncle Willie in High Society (1956), a musical remake of The Philadelphia Story, turned out to be his final film.
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James Bush (October 4, 1907 – April 9, 1987) was an American actor from the 1930s until the early 1950s. He appeared in more than 100 television shows and films, more than 80 of them being feature films.
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John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917.
MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford.
Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct.
By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950.
With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935).
In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.
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Joe Sawyer (born Joseph Sauers, August 29, 1906 – April 21, 1982) was a Canadian film actor. He appeared in more than 200 films between 1927 and 1962, and was sometimes billed under his birth name. He was born in Guelph, Ontario, Canada.
Sawyer gained acting experience in the Pasadena Playhouse. Popular roles that he portrayed included Sergeant Biff O'Hara in the Rin Tin Tin television program, a film, and on radio. On Stories of the Century in 1954, he portrayed Butch Cassidy, a role which he repeated in the 1958 episode "The Outlaw Legion" of the syndicated western series Frontier Doctor starring Rex Allen, with Doris Singleton and Michael Ansara as fellow guest stars. Sawyer also appeared on ABC's, Maverick, Sugarfoot, Peter Gunn, and Surfside 6 as well as NBC's Bat Masterson.
Sawyer died April 21, 1982, in Ashland, Oregon from liver cancer. He was 75. His interment was in Oregon.
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Francis Ford (born Francis Feeney, August 14, 1881 – September 5, 1953) was a prolific film actor, writer, and director. He was the mentor and elder brother of film director John Ford. He also appeared in many of John Ford's movies, including Young Mr. Lincoln and The Quiet Man.
Francis Ford was born in Portland, Maine. He was the son of John A. Feeney, who was born in the village of Spiddal, County Galway, Ireland in 1854. By 1878, John had moved to Portland, Maine and opened a saloon, at 42 Center Street, that used a false front to pose as grocery store. John opened four others in following years.
After service in the infantry in the Spanish-American War, Francis left home. He drifted into the film business in New York City, working for David Horsley, Al Christie, and the Star Film Company's San Antonio operation under Gaston Méliès. He adopted the name Ford from the automobile.
From San Antonio Francis began his Hollywood career working for Thomas H. Ince at Ince's Bison studio, directing and appearing in westerns.
Francis Ford's younger brother, John M. Feeney, was a successful fullback and defensive tackle on a Portland High state championship football team, nicknamed "Bull". In 1914 Bull followed Francis to Hollywood, changed his name to John Ford and would eventually surpass his elder brother's considerable reputation.
Francis Ford's son, Philip Ford, was also a film actor/director.
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Ed Brady (December 6, 1889 – March 31, 1942) was an American film actor. He appeared in more than 350 films between 1911 and 1942.
Robert F. Kortman (December 24, 1887 – March 13, 1967) was an American film actor mostly associated with westerns, though he also appeared in a number of Laurel and Hardy comedies. He appeared in more than 260 films between 1914 and 1952.
Marc Lawrence was an American character actor who specialized in underworld types. In 1930, Lawrence befriended another young actor, John Garfield. The two appeared in a number of plays before Lawrence was given a film contract with Columbia Pictures. Lawrence appeared in films beginning in 1931. Garfield followed, starting his film career in 1938. Lawrence's pock-marked complexion, brooding appearance and New York street-guy accent made him a natural for heavies, and he played scores of gangsters and mob bosses over the next six decades. Later, Lawrence found himself under scrutiny for his political leanings. When called before the House Un-American Activities Committee, he admitted he had once been a member of the Communist Party. He named Sterling Hayden, Lionel Stander, Anne Revere, Larry Parks, Karen Morley and Jeff Corey as Communists. He was blacklisted and departed for Europe, where he continued to make films. Following the demise of the blacklist, he returned to America and resumed his position as a familiar and talented purveyor of gangland types. He played gangsters in two James Bond movies: 1971's Diamonds Are Forever opposite Sean Connery, and 1974's The Man with the Golden Gun opposite Roger Moore. He also portrayed a henchman opposite Laurence Olivier in Marathon Man (1976) and a stereotypical Miami mob boss alongside Jerry Reed and Dom DeLuise in the comedy Hot Stuff (1979).
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Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Etta McDaniel was born on December 1, 1890 in Wichita, Kansas, USA. She was an actress, known for Son of Dracula (1943), The Great Man's Lady (1942) and Johnny Doughboy (1942). She died on January 13, 1946 in Los Angeles, California, USA.
Sister of players Hattie McDaniel and Sam McDaniel.
Australian born William H. O'Brien began his screen acting career in Australia in 1918, then resumed in Hollywood in 1921. He continued acting in films and television series to 1971.
Ted Oliver was born on February 2, 1892 in Henderson, Kentucky, USA. He was an actor, known for Modern Times (1936), The Buccaneer (1938) and She Loved a Fireman (1937). He was married to Ilean Hume. He died on June 30, 1957 in Los Angeles, California, USA.
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Russ Powell (September 16, 1875 – November 28, 1950) was an American film actor. He appeared in 186 films between 1915 and 1943.
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James Francis Thorpe (Sac and Fox (Sauk): Wa-Tho-Huk, translated as "Bright Path"; May 22 or 28, 1887 – March 28, 1953) was an American athlete and Olympic gold medalist. A member of the Sac and Fox Nation, Thorpe became the first Native American to win a gold medal for the United States. Considered one of the most versatile athletes of modern sports, he won Olympic gold medals in the 1912 pentathlon and decathlon, and played American football (collegiate and professional), professional baseball, and basketball. He lost his Olympic titles after it was found he had been paid for playing two seasons of semi-professional baseball before competing in the Olympics, thus violating the amateurism rules that were then in place. In 1983, 30 years after his death, the International Olympic Committee (IOC) restored his Olympic medals.
Thorpe grew up in the Sac and Fox Nation in Oklahoma, and attended Carlisle Indian Industrial School in Carlisle, Pennsylvania, where he was a two-time All-American for the school's football team. After his Olympic success in 1912, which included a record score in the decathlon, he added a victory in the All-Around Championship of the Amateur Athletic Union. In 1913, Thorpe signed with the New York Giants, and he played six seasons in Major League Baseball between 1913 and 1919. Thorpe joined the Canton Bulldogs American football team in 1915, helping them win three professional championships; he later played for six teams in the National Football League (NFL). He played as part of several all-American Indian teams throughout his career, and barnstormed as a professional basketball player with a team composed entirely of American Indians.
From 1920 to 1921, Thorpe was nominally the first president of the American Professional Football Association (APFA), which became the NFL in 1922. He played professional sports until age 41, the end of his sports career coinciding with the start of the Great Depression. He struggled to earn a living after that, working several odd jobs. He suffered from alcoholism, and lived his last years in failing health and poverty. He was married three times and had eight children, before suffering from heart failure and dying in 1953.
Thorpe has received various accolades for his athletic accomplishments. The Associated Press named him the "greatest athlete" from the first 50 years of the 20th century, and the Pro Football Hall of Fame inducted him as part of its inaugural class in 1963. A Pennsylvania town was named in his honor and a monument site there is the site of his remains, which were the subject of legal action. Thorpe appeared in several films and was portrayed by Burt Lancaster in the 1951 film Jim Thorpe – All-American.
Edward Van Sloan (born Edward Paul Van Sloun) was an American screen and stage character actor best remembered for his roles in Universal Studios horror films.
