A young man looks for a thoroughbred horse that was got lost during a train wreck.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
From Wikipedia, the free encyclopedia. Noah Lindsey Beery (August 10, 1913 – November 1, 1994), known professionally as Noah Beery, Jr. or just Noah Beery, was an American actor specializing in warm, friendly character parts similar to the ones played by his uncle Wallace Beery, although Noah Beery, Jr., unlike his uncle, seldom broke away from playing supporting roles. His father, Noah Nicholas Beery (known professionally as Noah Beery or Noah Beery, Sr.), enjoyed a similarly lengthy film career as a supporting actor. Beery was best known as James Garner's father, Joseph "Rocky" Rockford, in the 1970s television series The Rockford Files. Description above from the Wikipedia article Noah Beery, Jr., licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jean Rogers, born Eleanor Dorothy Lovegren, was an American actress who starred in serial films in the 1930s and low–budget feature films in the 1940s as a leading lady. She is best remembered for playing Dale Arden in the science fiction serials Flash Gordon and Flash Gordon's Trip to Mars. She graduated from Belmont High School, and had hoped to study art, but in 1933, she won a beauty contest sponsored by Paramount Pictures that led to her career in Hollywood. Rogers starred in several serials for Universal between 1935 and 1938, including Ace Drummond and Flash Gordon. Rogers was one of seven women chosen out of 2,700 passengers on excursion boats and ferries who were interviewed for roles in Eight Girls in a Boat. The group began work in Hollywood on September 3, 1933. By 1937, Rogers was the only one of the seven featured as an actress. Rogers was assigned the role of Dale Arden in the first two Flash Gordon serials. Buster Crabbe and Rogers were cast as the hero and heroine in the first serial, Flash Gordon, and Rogers' beauty, long blonde hair, and revealing costumes endeared her to moviegoers. The evil ruler Ming the Merciless lusted after her, and Gordon was forced to rescue her from one situation after another. While filming the series in 1937, her costume caught fire and she suffered burns on her hands. Co-star Crabbe smothered the fire by wrapping a blanket on her. In the first serial, Arden competed with Princess Aura for Gordon's attention. Rogers' character was fragile, small-chested, diminutive, and totally dependent on Gordon for her survival; Lawson's Princess Aura was domineering, independent, voluptuous, conniving, sly, ambitious, and determined to make Gordon her own. The competition for Gordon's attention is one of the highlights of the film. In Flash Gordon's Trip to Mars, the second serial, Rogers sported a totally different look. She had dark hair and wore the same modest costume in each episode. Rogers matured after the first serial, and no sexual overtones are seen in Trip to Mars. Rogers told writer Richard Lamparski that she was not eager to do the second serial and asked her studio to excuse her from the third. Despite starring in serial films, Rogers felt she was not going to improve her career unless she could participate in feature films. She discovered that it was more tedious working in feature films. She played John Wayne's leading lady in the 1936 full-length motion picture Conflict and co-starred with Boris Karloff in the horror film Night Key the following year. During the 1940s, Rogers appeared solely in feature films, including The Man Who Wouldn't Talk with Lloyd Nolan, Viva Cisco Kid with Cesar Romero as the Cisco Kid, Design for Scandal with Rosalind Russell and Walter Pidgeon, Whistling in Brooklyn with Red Skelton, A Stranger in Town with Frank Morgan, Backlash, and Speed to Spare with Richard Arlen. Still, she was unhappy with the studios, possibly because she was relegated to B-movie productions on a lower salary. She decided to freelance with companies such as 20th Century Fox and MGM. Her last appearance was in a supporting role in the suspense film The Second Woman, made in 1950 by United Artists. She died in Sherman Oaks in 1991 at the age of 74 following surgery. She was later cremated and her ashes returned to her family.
From Wikipedia, the free encyclopedia John Farrell MacDonald (June 6, 1875 – August 2, 1952) was an American character actor and director. He played supporting roles and occasional leads. He appeared in over 325 films over a 41-year career from 1911 to 1951, and directed forty-four silent films from 1912 to 1917. MacDonald was the principal director of L. Frank Baum's Oz Film Manufacturing Company, and he can frequently be seen in the films of Frank Capra, Preston Sturges and, especially, John Ford. Early in his career, MacDonald was a singer in minstrel shows, and he toured the United States extensively for two years with stage productions. He made his first silent film in 1911, a dramatic short entitled The Scarlett Letter made by Carl Laemmle's Independent Moving Pictures Company (IMP), the forerunner of Universal Pictures,. He continued to act in numerous films each year from that time on, and by 1912 he was directing them as well. The first film he directed was The Worth of a Man, another dramatic short, again for IMP, and he was to direct 43 more films until his last in 1917, Over the Fence, which he co-directed with Harold Lloyd. MacDonald had crossed paths with Lloyd several years earlier, when Lloyd was an extra and MacDonald had given him much-needed work – and he did the same with Hal Roach, both of whom appearing in small roles in The Patchwork Girl of Oz, which MacDonald directed in 1914. When Roach set up his own studio, with Lloyd as his principal attraction, he hired MacDonald to direct. By 1918, MacDonald, who was to become one of the most beloved character men in Hollywood, had given up directing and was acting full-time, predominantly in Westerns and Irish comedies. He first worked under director John Ford in 1919's A Fight for Love. In all, Ford would use MacDonald on twenty-five films between 1919 and 1950. With a voice that matched his personality, MacDonald made the transition to sound films easily, with no noticeable drop in his acting output – if anything, it went up. In 1931, for instance, MacDonald appeared in 14 films – among them the first version of The Maltese Falcon, in which he played "Detective Tom Polhaus" – and in 22 of them in 1932. Although he played laborers, policemen, military men and priests, among many other characters, his roles were usually a cut above a "bit part". His characters usually had names, and he was most often credited for his performances. A highlight of this period was his performance as the hobo "Mr. Tramp" in Our Little Girl with Shirley Temple (1935). In the 1940s, MacDonald was part of Preston Sturges' unofficial "stock company" of character actors, appearing in seven films written and directed by Sturges. MacDonald appeared in Sullivan's Travels, The Palm Beach Story, The Miracle of Morgan's Creek, The Great Moment, The Sin of Harold Diddlebock, Unfaithfully Yours and The Beautiful Blonde from Bashful Bend, Sturges' last American film. Earlier, MacDonald had also appeared in The Power and the Glory, which Sturges wrote. His work on Sturges' films was generally uncredited. He was notable in 1946 in John Ford's My Darling Clementine in which he played "Mac," the bartender in the town saloon. MacDonald also had uncredited roles in It's a Wonderful Life and Here Comes The Groom.
The son of a physician, Raymond Hatton entered films in 1909, eventually appearing in almost 500 other pictures. In early silents he formed a comedy team with big, burly Wallace Beery. He was best known as the tobacco-chewing, rip-snorting Rusty Joslin in the Three Mesquiteers series. He was also in the Rough Riders series and appeared as Johnny Mack Brown's sidekick as well. His last Western was, fittingly, Requiem for a Gunfighter (1965). Passed away only five days after the death of his wife, on October 21, 1971. They had been married for 62 years. Spouse Frances Hatton (17 April 1909 - 16 October 1971) (her death)
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1940
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1935
From Wikipedia Fred Kohler (April 20, 1888 – October 28, 1938) was an American actor known for his playing heavies. Fred Kohler was born in Kansas City, Missouri. As a teen, he began to pursue a career in vaudeville, but worked other jobs to support himself. He lost part of his right hand in a mining accident during this time. Eventually he was able to join a touring company, and worked steadily in show business for several years. America's budding film industry drew a 20-something Kohler to Hollywood, where he made his start in silent films. His first role was in the 1911 short The Code of Honor, and he had an uncredited role in Cecil B. DeMille's feature film Joan the Woman (1917), but a steady stream of parts did not begin until The Tiger's Trail (1919). Kohler's stern features earned him a niche playing villains. His role as Bauman in The Iron Horse (1924) is a notable example. With the advent of the talkies, Kohler reprised many of his silent roles in remakes with sound, particularly in Westerns based on novels by Zane Grey. At the beginning of the sound era, he appeared in the Allan Dwan film Tide of Empire (1929) alongside Renée Adorée and Tom Keene. Kohler died of a heart attack on October 28, 1938 at age 50. He was buried in an unmarked grave at Inglewood Park Cemetery in South Los Angeles community of Inglewood, California. His son Fred Kohler, Jr. (1911–1993) was also an actor in many western films.
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1935
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1934
THIS
HELLADoesn't have an image right now...
sorry!has no image...
sorry!
1934
Rudolph Bucko (real name Rudolph Bouckou, aka Buck Bucko) was a working cowhand from Yakima, Washington, who, with his brother Roy Bucko, drifted south and found themselves riding Hollywood's western ranges.
Roy Bucko was born on August 22, 1893 in Colusa, California, USA. He was an actor, known for Young Blood (1932). He was married to Rheba. He died on August 6, 1954 in North Hollywood, California, USA.
Robert Edward Homans (November 8, 1877 – July 28, 1947) was an American actor who entered films in 1923 after a lengthy stage career.
From Wikipedia, the free encyclopedia Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter. Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith. At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years. In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years. In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance. Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios. Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford. During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Cliff Lyons was an American actor, stuntman and second-unit director, primarily of Westerns, particularly the films of John Ford and John Wayne. Lyons, the son of Garrett Thomas Lyons and Wilhamena Johnson Lyons, was raised on a South Dakota farm, though his family lived for a time in Memphis, TN, where he attended business school. An expert horseman, he gave up the notion of a business career and opted for the rodeo arena instead, touring the country;y and eventually reaching Los Angeles at the age of 21. With accomplished cowboys in great demand, Lyons quickly became involved in movies, working both as a stuntman and an actor. After only a couple of bit parts, he was signed by producer Bud Barsky to do seven inexpensive Westerns directed by Paul Hurst, with Lyons and Al Hoxie alternating as the hero and the heavy. Lyons and Hoxie alternated in another Western series produced by Morris R. Schlank, and, as Cliff 'Tex' Lyons, he seemed headed for minor stardom as a B-Western lead. However, Lyons' voice was not well-suited for sound and the talkie revolution confined him to small roles. As his small shot at stardom faded, however, his career as a stunt double for stars big and small was on the rise. He doubled such cowboy stars as Tom Mix, Ken Maynard, Buck Jones and Johnny Mack Brown. In 1936 he worked with John Wayne for the first and struck up a personal and business relationship that would remain strong for three decades. Wayne was influential in getting Lyons his first work as a second-unit director and in introducing Lyons to John Ford, for whom Lyons would do some of his finest work. Lyons' reputation as a stunt coordinator is comparable to that of acknowledged master Yakima Canutt, with whom Lyons partnered on numerous occasions. Perhaps Lyons' most impressive work was the massive and dynamic battle sequences of Wayne's The Alamo (1960). He was married from 1938 to 1955 to actress Beth Marion, with whom he had two sons. Cliff Lyons died in 1974 at 72, not long after coordinating stunts for Wayne's The Train Robbers (1973). Date of Birth 4 July 1901, near Clarno Township, Lake County, South Dakota Date of Death 6 January 1974, Los Angeles, California
Sam McDaniel was an American screen and television actor, as well as a jazz musician. He was the brother of actresses Hattie and Etta McDaniel.
From Wikipedia Bud Osborne (July 20, 1884 – February 2, 1964) was an American film actor. He appeared in more than 600 films and television programs between 1912 and 1963. Osborne was born in Knox County, Texas, and died in Hollywood, California from a heart attack. Osborne specialized in westerns, and was also noted for his skill as a stage driver, and was thus much in demand from his first film in 1912, right through the early 1950s. He was working as a stunt man as late as 1948, in Ray Enright's Return of the Bad Men. As he grew older, Osborne played small character parts in television westerns such series as Have Gun – Will Travel, Bonanza, Bat Masterson, Rawhide and The Lone Ranger. His last role, was in an episode of Gunsmoke in 1963. His career spanned 51 years, with a total of 607 films and television episodes to his credit.
Harry Woods was born on May 5, 1889 in Cleveland, Ohio, as Harry Lewis Woods. He was an actor, known for Monkey Business (1931), Road to Rio (1947) and Days of Jesse James (1939). He was married to Helen P. He died on December 28, 1968 in Los Angeles, California. One of Hollywood's all-time meanest villains - Although his imposing size, perpetual scowl, snarling voice and all-around evil demeanor made him one of the meanest of screen villains, before he became an actor Woods made a living selling ladies' hats.
At various times in his life a rancher, deputy sheriff and rodeo performer, this huge, towering (6' 5") beast of a man was born George Glenn Strange in Weed, New Mexico, on August 16, 1899, but grew up a real-life cowboy in Cross Cut, Texas. Of Irish and Cherokee Indian descent, he taught himself (by ear) the fiddle and guitar at a young age and started performing at local functions as a teen. In the late 1920s, Glenn and his cousin, Taylor McPeters, better known later as the western character actor Cactus Mack, joined a radio singing group known as the "Arizona Wranglers" that toured throughout the country.
