Raised and Called

From Wikipedia, the free encyclopedia Tom Kennedy (July 15, 1885 – October 6, 1965) was an American actor known for his roles in Hollywood comedies from the silent days, with such producers as Mack Sennett and Hal Roach, mainly supporting lead comedians such as the Marx Brothers, W. C. Fields, Mabel Normand, Shemp Howard, Laurel and Hardy, and the Three Stooges. Kennedy also played dramatic roles as a supporting actor. For over 50 years, from 1915 to 1965, he appeared in over 320 films and television series, often uncredited. His first film was a short black and white comedy, His Luckless Love. Kennedy was in all nine Torchy Blane films as Gahagan, the poetry-spouting cop whose running line was, "What a day! What a day!" He is often erroneously listed in film sources as the brother of slow-burning comedian Edgar Kennedy. Though the two men were not related, they were apparently good friends, with Tom appearing in many of Edgar's domestic two-reel comedy shorts. Tom Kennedy was also paired with Stooge Shemp Howard for several shorts for Columbia Pictures such as Society Mugs, as well as appearing with the Three Stooges in the films Loose Loot and Spooks!. He was also paired with El Brendel for four shorts, such as Phoney Cronies in 1942. His television appearances included episodes of Perry Mason, Maverick, My Favorite Martian, and Gunsmoke. Tom Kennedy continued making films right up until his death, his last film being the western The Bounty Killer.

William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.