A society girl tries to reform her playboy husband by making him jealous.
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Joan Crawford (born Lucille Fay LeSueur; March 23, 190? – May 10, 1977) was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison". After an absence of nearly two years from the screen, Crawford staged a comeback by starring in Mildred Pierce (1945), for which she won the Academy Award for Best Actress. In 1955, she became involved with the Pepsi-Cola Company, through her marriage to company president Alfred Steele. After his death in 1959, Crawford was elected to fill his vacancy on the board of directors but was forcibly retired in 1973. She continued acting in film and television regularly through the 1960s, when her performances became fewer; after the release of the horror film Trog in 1970, Crawford retired from the screen. Following a public appearance in 1974, after which unflattering photographs were published, Crawford withdrew from public life. She became more and more reclusive until her death in 1977.
From Wikipedia, the free encyclopedia Robert Montgomery (born Henry Montgomery Jr.; May 21, 1904 – September 27, 1981) was an American film and television actor, director, and producer. He was also the father of actress Elizabeth Montgomery. Montgomery settled in New York City to try his hand at writing and acting. He established a stage career, and became popular enough to turn down an offer to appear opposite Vilma Bánky in the film This Is Heaven (1929). Sharing a stage with George Cukor gave him an entry to Hollywood and a contract with Metro-Goldwyn-Mayer, where he debuted in So This Is College (also 1929). Montgomery initially played exclusively in comedy roles, but portrayed a character in his first drama film in The Big House (1930). MGM was initially reluctant to assign him in such a role, until "his earnestness, and his convincing arguments, with demonstrations of how he would play the character" won him the assignment. From The Big House on, he was in constant demand. Appearing as Greta Garbo's romantic interest in Inspiration (1930) started him toward stardom with a rush. Norma Shearer chose him to star opposite her in The Divorcee (1930), Strangers May Kiss (1931), and Private Lives (1931), which led him to stardom. In another challenging role, Montgomery played a psychopath in the chiller Night Must Fall (1937), for which he received an Academy Award for Best Actor nomination. After World War II broke out in Europe in September, 1939, and while the United States was still officially neutral, Montgomery enlisted in London for American field service and drove ambulances in France until the Dunkirk evacuation. He then returned to Hollywood and addressed a massive rally on the MGM lot for the American Red Cross in July 1940. Montgomery returned to playing light comedy roles, such as Alfred Hitchcock's Mr. & Mrs. Smith (1941) with Carole Lombard. He continued his search for dramatic roles. For his role as Joe Pendleton, a boxer and pilot in Here Comes Mr. Jordan (1941), Montgomery was nominated for an Oscar a second time. After the U.S. entered World War II in December 1941, he joined the United States Navy, rising to the rank of lieutenant commander, and served on the USS Barton (DD-722) which was part of the D-Day invasion on June 6, 1944. In 1945, Montgomery returned to Hollywood, making his uncredited directing debut with They Were Expendable, where he directed some of the PT boat scenes when director John Ford was unable to work for health reasons. Montgomery's first credited film as director and his final film for MGM was the film noir Lady in the Lake (1947), in which he also starred, which received mixed reviews. Adapted from Raymond Chandler's detective novel and sanitized for the censorship of the day, the film is unusual because it was filmed entirely from Marlowe's vantage point. Montgomery only appeared on camera a few times, three times in a mirror reflection. Active in Republican politics and concerned about communist influence in the entertainment industry, Montgomery was a friendly witness before the House Un-American Activities Committee in 1947. Montgomery has two stars on the Hollywood Walk of Fame, one for movies at 6440 Hollywood Boulevard, and another for television at 1631 Vine Street.
Charles Ruggles had one of the longest careers in Hollywood, lasting more than 60 years and encompassing more than 100 films. He made his film debut in 1914 in The Patchwork Girl of Oz (1914) and worked steadily after that. He was memorably paired with Mary Boland in a series of comedies in the early 1930s, and was one of the standouts in the all-star comedy If I Had a Million (1932), as a harried, much-put-upon man who finally goes berserk in a china shop. Ruggles' slight stature and distinctive mannerisms - his fluttery, jumpy manner of speaking, his often befuddled look whenever events seemed about to overwhelm him, which was often - endeared him to generations of moviegoers. Memorable as Maj. Applegate the big-game hunter in the classic screwball comedy Bringing Up Baby (1938). Many will remember him as the narrator of the "Aesop's Fables" segment of the animated cartoon The Bullwinkle Show (1961). He was the brother of director Wesley Ruggles.
Franchot Tone (February 27, 1905 – September 18, 1968) was an American stage, film, and television actor, star of Mutiny on the Bounty (1935) and many other films through the 1960s. In the early 1960s Tone appeared in character roles on TV dramas like Bonanza, Wagon Train, The Twilight Zone, and The Alfred Hitchcock Hour. Description above from the Wikipedia article Franchot Tone, licensed under CC-BY-SA, full list of contributors on Wikipedia
Edna May Oliver (November 9, 1883 – November 9, 1942) was an American stage and film actress. During the 1930s, she was one of the best-known character actresses in American films, often playing tart-tongued spinsters. She was born Edna May Nutter in Malden, Massachusetts. The daughter of Ida May and Charles Edward Nutter, Edna was a descendant of the 6th American president John Quincy Adams. Miss Oliver took an early interest in the stage, and she would quit school at the age of 14 to pursue her ambitions in the theater. Despite abandoning traditional schooling, Edna continued to study the performing arts, including speech and piano. One of her first jobs was as pianist with an all female orchestra which toured America around the turn of the century. By 1917 she had achieved success on Broadway in the hit play "Oh, Boy". By 1923 she had appeared in her first film. Edna May Oliver seems to have been born to play the classics of American and British literature. Some of her most memorable film roles were in adaptations of works of Charles Dickens. Although some have described her as plain or "horse faced", Edna May Oliver's comedic talents lent a beautiful droll warmth to her characters. She was usually called upon to play less glamorous roles such as a spinsters, but she played them with such soul, wit, and depth that to this day she remains one of the best loved of Hollywood's character actresses. A fine example of her comedic talent can be found in Laugh and Get Rich (1931). Here we find her playing a role almost autobiographical in nature, that of a proud woman with Boston roots who has married "down". As the plot unwinds, she is invited to a society gala despite her modest circumstances. At the gala she becomes tipsy. With a frolicsome air Edna May seems to use the role to gently mock her real self. Her slightly drunk character seizes upon a bit of flattery, and alluding to her old New England family, proudly proclaims to each who will listen, "I am a Cranston. That explains everything!". In real life, Edna May Oliver was a Nutter, and perhaps that explains everything. Edna May Oliver married stock broker David Pratt in 1928, but the marriage ended in divorce five years later. In 1939 she received an Oscar nomination for her supporting role as Widow McKlennar in the picture Drums Along the Mohawk (1939). That was to be one of her last films. Miss Oliver was struck ill in August of 1942. Although she seemed to recover briefly, she was re-admitted to Los Angeles's Cedars of Lebanon hospital in October Her dear friend actress Virginia Hammond flew out from New York to stay by her bedside. Edna May Oliver died on her 59th birthday, 9th November 1942. Virginia Hammond was with her and said, "She died without ever being aware of the gravity of her condition. She just went peacefully asleep."
Gail Patrick (born Margaret LaVelle Fitzpatrick, June 20, 1911 - July 6, 1980) was an American film actress. She appeared in 62 movies between 1932 and 1948. Some of these roles are in My Favorite Wife, Dangerous to Know, and in My Man Godfrey. Patrick retired from acting in films in 1948 and later became a producer of Perry Mason.
Reginald Denny (born Reginald Leigh Dugmore) was an English stage, screen, and television actor, as well as an aviator and unmanned aerial vehicle (UAV) pioneer.
Vera Vivienne Spragg (December 10, 1896 – June 10, 1961) was an American stage and film actress known for her work in Broadway theatre and in silent and sound films.
Joan de Beauvoir de Havilland (October 22, 1917 – December 15, 2013), known professionally as Joan Fontaine, was an English-American actress who is best known for her starring roles in Hollywood films during the "Golden Age". She was born in Tokyo, Japan, in what was known as the International Settlement. Her father was a British patent attorney with a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname. She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942). The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed. Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.
Jean Acker (born Harriet Ackers; October 23, 1893 - August 16, 1978) was an American actress.
Gertrude Astor (Born Gertrude Eyster November 9, 1887 – November 9, 1977) was an American motion picture character actress, who began her career playing trombone on a riverboat. Born in Lakewood, Ohio, Astor at the age of 12 ran off and joined a woman's band as a trombone player and toured the states. In New York she left the band to obtain film work and got a job as an extra before her career took off. Astor was a prolific performer, between 1915 and 1962 she appeared in over 250 movies. Her first known credit is in a Biograph short in 1915. She then became a contract player at Universal. A tall, angular and beautiful woman, Astor frequently towered over the leading men of the era; thus, she was most frequently utilized in comedy roles as aristocrats, golddiggers and "heroine's best pal". Her best-known silent appearances were as the visiting stage star in Stage Struck (1925) with Gloria Swanson, as the vamp who plants stolen money on Harry Langdon in The Strong Man (1926), and as Laura LaPlante's wisecracking travelling companion in The Cat and the Canary (1927). Astor worked prolifically at Hal Roach studios with such headliners as Laurel and Hardy, Our Gang, and especially Charley Chase. She was also kept busy at Columbia Pictures' short subjects unit. She continued to play bits in feature films throughout the 1940s, 1950s, and 1960s. She was briefly glimpsed as the first murder victim in the Sherlock Holmes adventure The Scarlet Claw and was among the ranks of dress extras in 1956's Around the World in Eighty Days. Her last appearance was in John Ford's The Man Who Shot Liberty Valance. In her later years, Astor was a welcome guest at several Sons of the Desert gatherings, and became an honorary member of the Way Out West tent. She died in Woodland Hills, California from a stroke. She is interred in the Abbey of Psalms in the Hollywood Forever Cemetery in Hollywood, CA.
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Brooks Benedict (born Harold J. Mann, February 6, 1896 – January 1, 1968) was an American actor of the silent and sound film era, where he played supporting and utility roles in over 300 films, mostly uncredited.
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Mabel Colcord was an American actress who was born in San Francisco on August 13, 1873. She acted in over 30 films throughout her career, and is best known for her roles in Little Women (1933), David Copperfield (1935), and The Great O'Malley (1937). Active mostly in the 1930s, she mostly played minor or uncredited roles as older women such as aunts, cooks, maids and neighbors. Colcord died on June 6, 1952, in Los Angeles at the age of 78.
From Wikipedia Juliette Compton (May 3, 1899 – March 19, 1989) was an American actress whose career began in the silent film era and concluded with That Hamilton Woman in 1941. She had started her career with a season in the Ziegfeld Follies and then stage appearances in London where she also acted in British films. Compton married James Bartram in 1931. They separated in 1936 and finally divorced in 1942.
Australia native Charles Coleman was a stage, screen, and television actor who most frequently portrayed butlers or manservants.
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From Wikipedia, the free encyclopedia Dave O'Brien (born David Poole Fronabarger, May 31, 1912 – November 8, 1969) was an American film actor, director, and writer. O'Brien was best known to movie audiences in the 1940s as the hero of the Metro-Goldwyn-Mayer comedy short film series Pete Smith Specialties narrated by Pete Smith. O'Brien wrote and directed many of these subjects under the name David Barclay. He also appeared in many low-budget Westerns, often billed as Tex O'Brien. In 1942, O'Brien starred in the movie serial Captain Midnight. Modern audiences perhaps best remember O'Brien as a frantic dope addict in the 1936 low-budget exploitation film Tell Your Children (better known under its reissue title, Reefer Madness). As a writer for The Red Skelton Show, O'Brien shared an Emmy Award for Outstanding Writing for a Comedy Series in 1961 and shared a nomination for the same award in 1963. O'Brien died, aged 57, of a heart attack while competing in a yachting race.
Frank O'Connor was an American screen and television actor, as well as a director, screenwriter, and producer. His lengthy film acting career began in 1915.
