Dr. Socrates gave up his brilliant career as surgeon in a prominent hospital because his betrothed died under his knife. He is now a struggling doctor in a small town that has a gangster's hideout.
10-19-1935
1h 10m
THIS
HELLA
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Main Cast
Movie Details
Production Info
Director:
William Dieterle
Production:
The Vitaphone Corporation, Warner Bros. Pictures
Key Crew
Screenplay:
Robert Lord
Story:
W.R. Burnett
Adaptation:
Mary C. McCall, Jr.
Director of Photography:
Tony Gaudio
Editor:
Ralph Dawson
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Paul Muni
From Wikipedia, the free encyclopedia.
Paul Muni (born Meshilem Meier Weisenfreund, September 22, 1895 – August 25, 1967) was an Austrian-Hungarian-born American stage and film actor. During the 1930s, he was considered the most prestigious actor at Warner Brothers studios, and one of the rare actors who was given the privilege of choosing which parts he wanted.
His acting quality, usually playing a powerful character, such as Scarface, was partly a result of his intense preparation for his parts, often immersing himself in study of the real character's traits and mannerisms. He was also highly skilled in using makeup techniques, a talent he learned from his parents, who were also actors, and from his early years on stage with the Yiddish Theater, in New York. At the age of 12, he played the stage role of an 80-year-old man; in one of his films, Seven Faces, he played seven different characters.
He was nominated six times for an Oscar, winning once as Best Actor in The Story of Louis Pasteur.
Description above from the Wikipedia article Paul Muni, licensed under CC-BY-SA, full list of contributors on Wikipedia
Ann Dvorak (born Anna McKim; August 2, 1911 – December 10, 1979) was an American stage and film actress. Asked how to pronounce her adopted surname, she told The Literary Digest: "My fake name is properly pronounced vor'shack. The D remains silent."
Dvorak was the daughter and only child of silent film actress Anna Lehr and director Edwin McKim. While in New York, she attended St. Catherine's Convent. After moving to California, she attended Page School for Girls in Hollywood.
She made her film debut when she was five years old in the silent film version of Ramona (1916), credited as "Baby Anna Lehr". She continued in children's roles in The Man Hater (1917) and Five Dollar Plate (1920), but then stopped acting in films. Her parents separated in 1916 and divorced in 1920; she did not see her father again until 13 years later, when she made a public plea to the press to help her find him.
In the late 1920s, Dvorak worked as a dance instructor and gradually began to appear on film as a chorus girl. Her friend, actress Karen Morley, introduced her to billionaire movie producer Howard Hughes, who groomed her as a dramatic actress. She was a success in such pre-Code films as Scarface (1932) as Paul Muni's sister; in Three on a Match (1932) with Bette Davis and Joan Blondell as the doomed, unstable Vivian; in The Crowd Roars (1932) with James Cagney; and in Sky Devils (1932) opposite Spencer Tracy. Known for her style and elegance, she was a popular leading lady for Warner Bros. during the 1930s, and appeared in numerous contemporary romances and melodramas. At age 19, Dvorak eloped with Leslie Fenton, her English co-star from The Strange Love of Molly Louvain (1932), and they married on March 17, 1932. They left for a year-long honeymoon in spite of her contractual obligations to the studio, which led to a period of litigation and pay disputes during which she discovered she was making the same amount of money as the boy who played her son in Three on a Match. She completed her contract on permanent suspension, then worked as a freelancer. Although she worked regularly, the quality of her scripts declined sharply. She appeared as secretary Della Street to Donald Woods' Perry Mason in The Case of the Stuttering Bishop (1937). With her then-husband, Leslie Fenton, Dvorak traveled to England where she supported the war effort by working as an ambulance driver and acted in several British films. She appeared as a saloon singer in Abilene Town with Randolph Scott and Edgar Buchanan, released in 1946. The following year she adeptly handled comedy by giving an assured performance in Out of the Blue (1947). In 1948, Dvorak gave her only performance on Broadway in The Respectful Prostitute.
Dvorak's marriage to Fenton ended in divorce in 1946. In 1947, she married Igor Dega, a Russian dancer who danced with her briefly in The Bachelor's Daughters. The marriage ended two years later.
Dvorak retired from the screen in 1951, when she married her third and last husband, Nicholas Wade, to whom she remained married until his death in 1975. She had no children.
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian.
After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers.
Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965).
Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California.
For his work in television, Barton has a star on the Hollywood Walk of Fame.
Henry O'Neill (1891–1961) was an American film actor known for playing gray-haired fathers, lawyers, and similarly roles during the 1930s and 1940s.
O'Neill began his acting career on the stage, after dropping out of college to join a traveling theatre company. He served in the military in World War I, then returned to the stage.
In the early 1930s he began appearing in films, including The Big Shakedown, Santa Fe Trail, Anchors Aweigh, The Green Years, and The Reckless Moment. His last film was The Wings of Eagles.
Henry O'Neill died in 1961 at the age of 69.
From Wikipedia, the free encyclopedia
Samuel Southey Hinds (April 4, 1875 – October 13, 1948) was an American actor and former lawyer. He was often cast as kindly authoritarian figures and appeared in over 200 films until his death.
Hinds was born in Brooklyn, New York, the son of Joseph E. Hinds and Mary A. Beetham Hinds.
He was a graduate of Phillips Andover Academy and Harvard Law School and worked for over 32 years as a lawyer before becoming a professional actor. After he lost most of his money in the financial crisis of 1929, Hinds retired as a lawyer and joined the Pasadena Community Playhouse. He started acting in Broadway shows at age 54.
Hinds is perhaps best remembered for playing Peter Bailey, the father of James Stewart and founder of the Bailey Building and Loan, in It's a Wonderful Life (1946) and for his part as Paul Sycamore in You Can't Take It With You (1938), both films directed by Frank Capra. Hinds was also known for his roles in the Abbott & Costello films such as Buck Privates (1941), Ride 'Em Cowboy (1942) and Pardon My Sarong (1942). He also portrayed Lew Ayres' father in the Dr. Kildare film series during the early 1940s. Hinds mostly played supporting roles, often kind and dignified authority figures; often lawyers, doctors, mayors, judges or the father of the main figure.
Hinds' first film was If I Had a Million (1932); his second film was The Road Is Open Again (1933) where he portrayed President Woodrow Wilson. His earlier career was reflected in the role of Judge Thatcher, tortured by the mad Dr. Richard Vollin (Bela Lugosi) in The Raven (1935).
Hinds acted in a total of 214 films. His last film was The Bribe, released in 1949, after his death.
Hinds died of pneumonia in Pasadena, California, on October 13, 1948 at age 73. He was married to Dorothy Cruickshack, they had two children.
From Wikipedia, the free encyclopedia
Olin Ross Howland (February 10, 1886 – September 20, 1959) was an American film and theatre actor.
Howland was born in Denver, Colorado, to Joby A. Howland, one of the youngest enlisted participants in the Civil War, and Mary C. Bunting. His older sister was the famous stage actress Jobyna Howland.
From 1909 to 1927, Howland appeared on Broadway in musicals, occasionally performing in silent films. The musicals include Leave It to Jane (1917), Two Little Girls in Blue (1921) and Wildflower (1923). He was in the film Janice Meredith (1924) with Marion Davies. With the advent of sound films, his theatre background proved an asset, and he concentrated mostly on films thereafter, appearing in nearly two hundred movies between 1918 and 1958.
Howland often played eccentric and rural roles in Hollywood. His parts were often small and uncredited, and he never got a leading role. He was a personal favorite of David O. Selznick, who cast him in his movies Nothing Sacred (1937) as a strange luggage man, The Adventures of Tom Sawyer (1938, as the teacher Mr. Dobbins) and Gone with the Wind (1939) as a carpetbagger businessman. He also played in numerous westerns from Republic Pictures, including the John Wayne films In Old California (1942) and Angel and the Badman (1947). As a young man, Howland learned to fly at the Wright Flying School and soloed on a Wright Model B. This lent special sentiment in his scenes with James Stewart in the film The Spirit of St. Louis (1957), as Stewart was also a pilot in real life. The Spirit of St. Louis and Them (1954),where he played a drunken old man, and The Blob (1958) were his last films.
He also played in telelevision shows during the 1950s. In 1958 and 1959, he was cast as Charley Perkins in five episodes of ABC's sitcom The Real McCoys, starring Walter Brennan.
Howland never married and had no children. He worked until his death in Hollywood, California, at the age of 73.
From Wikipedia, the free encyclopedia
Glen Cavender (September 19, 1883 – February 9, 1962) was an American film actor. He appeared in 259 films between 1914 and 1949.
The Spanish–American War soldier was born in Tucson, Arizona, and died in Hollywood, California. He started his acting career in vaudeville shows. Cavender belonged to the original Keystone Cops and was a regular in numerous Mack Sennett comedies. He also worked as a director for three Mack Sennett films between 1914 and 1916. During the 1920s, Cavender worked for the film studios Educational and Christie and appeared in Buster Keaton's film classic The General (1926) as the antagonistic Union Captain Anderson. The advance of sound film in the late 1920s damaged his career and, formerly a well-known actor, Cavender only played minor roles until his retirement in 1949.
From Wikipedia, the free encyclopedia
Hal K. Dawson (October 17, 1896 – February 17, 1987) was an American actor. The films he performed in include: Dr. Socrates, My American Wife, Libeled Lady, Wells Fargo,, Broadway Melody of 1940, Star Dust, The Doctor Takes a Wife, Washington Melodrama, Week-End in Havana,, Guest Wife, Mr. Blandings Builds His Dream House, Chicken Every Sunday, Bonzo Goes to College and The Benny Goodman Story.
He died on February 17, 1987, in Loma Linda, California aged 90.
Jimmie Dundee was born on December 19, 1900 in Missouri, USA as James Reed Dundee. He is known for his work on At War with the Army (1950), Sullivan's Travels (1941) and Hail the Conquering Hero (1944). He died on November 20, 1953 in Woodland Hills, Los Angeles, California, USA.
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Wild Bill Elliott (October 16, 1904 – November 26, 1965) was an American film actor. He specialized in playing the rugged heroes of B Westerns, particularly the Red Ryder series of films. By 1925, he was getting occasional extra work in films. He took classes at the Pasadena Playhouse and appeared in a few stage roles there. By 1927, he had made his first Western, The Arizona Wildcat, playing his first featured role. Several co-starring roles followed, and he renamed himself Gordon Elliott. But as the studios made the transition to sound films, he slipped back into roles as an extra and bit parts, as in Broadway Scandals, in 1929. For the next eight years, he appeared in over a hundred films for various studios, but almost always in unbilled parts as an extra.
Elliott began to be noticed in some minor B Westerns, enough so that Columbia Pictures offered him the title role in a serial, The Great Adventures of Wild Bill Hickok (1938). The serial was so successful, and Elliott so personable, that Columbia promoted him to starring in his own series of Western features, replacing Columbia's number-two cowboy star Robert "Tex" Allen. Henceforth Gordon Elliott would be known as Bill Elliott. Within two years, he was among the Motion Picture Herald's Top Ten Western Stars, where he would remain for the next 15 years.
In 1943, Elliott signed with Republic Pictures, which cast him in a series of Westerns alongside George "Gabby" Hayes. The first of these, Calling Wild Bill Elliott, gave Elliott the name by which he would be best known and by which he would be billed almost exclusively for the rest of his career.
Following several films in which both actor and character shared the name Wild Bill Elliott, he took the role for which he would be best remembered, that of Red Ryder in a series of sixteen movies about the famous comic strip cowboy and his young Indian companion, Little Beaver (played in Elliott's films by Bobby Blake). Elliott played the role for only two years but would forever be associated with it. Elliott's trademark was a pair of six guns worn butt-forward in their holsters.
Elliott's career thrived during and after the Red Ryder films, and he continued making B Westerns into the early 1950s. He also had his own radio show during the late 1940s. His final contract as a Western star was with Monogram Pictures, where budgets declined as the B Western lost its audience to television. When Monogram became Allied Artists Pictures Corporation in 1953, it phased out its Western productions, and Elliott finished out his contract playing a homicide detective in a series of five modern police dramas, his first non-Westerns since 1938.
Elliott retired from films (except for a couple of TV Western pilots which were not picked up). He worked for a time as a spokesman for Viceroy cigarettes and hosted a local TV program in Las Vegas, Nevada, which featured many of his Western films.
From Wikipedia, the free encyclopedia
Richard "Dick" Elliott (April 30, 1886 – December 22, 1961) was an American character actor who played in over 240 films from the 1930s until the time of his death.
He was born Richard Damon Elliott in Boston, Massachusetts.
Elliott played many different roles, typically as a somewhat blustery sort, such as a politician. A short, fat man, Elliott played Santa Claus on the Jimmy Durante, Red Skelton, and Jack Benny programs. Elliott had a couple of memorable lines in It's a Wonderful Life (1946), in which he scolded James Stewart, who was trying to say goodnight to Donna Reed, advising him to stop hemming and hawing and "just go ahead and kiss her".
He also had a few memorable appearances in episodes of the Adventures of Superman television series. He appeared three times as Stanley on the CBS sitcom December Bride, as well as on two of ABC/Warner Brothers' western series, Sugarfoot and Maverick. He was cast as the prospector Peter Cooper and then as Sheriff Tiny Morris in two segments of CBS's Tales of the Texas Rangers. He appeared twice as Doc Thornton on ABC's The Real McCoys. Elliott is perhaps best known as Mayberry's Mayor Pike in early episodes of CBS's The Andy Griffith Show, one of his last screen works. In two of the eleven episodes featuring Elliot as mayor, actress Josie Lloyd portrayed his daughter.
On December 22, 1961, Elliott died from heart illness.
Harry Harvey Sr. was an American actor of theatre, film, and television.
Harvey appeared in minstrel shows, in vaudeville, and on the Broadway stage but is best remembered as a character actor who appeared in more than three hundred films and episodes of television series.
He had roles in the films The Oregon Trail, Old Overland Trail, Wyoming Renegades, Ride Beyond Vengeance, and many other westerns.
In the 1950s, Harvey was cast in The Roy Rogers Show, Man Without a Gun and The Lone Ranger. In 1962, he appeared on It's a Man's World. In the 1950s, 1960s, and 1970s, he guest-starred on Branded, Lassie, Hazel, The Wild Wild West, Mannix, Alias Smith and Jones, Bonanza, and Columbo. His last appearance was in an episode of Adam-12-
Al Hill (July 14, 1892 – July 14, 1954) was an American film character actor who appeared in over 320 films between 1927 and 1954, including the 1951 film The Girl on the Bridge. Hill died in 1954 on his 62nd birthday.
Description above from the Wikipedia article Al Hill (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Milton Kibbee (born Milne Bryan Kibbee) was an American screen actor. He appeared in over 360 films from 1933 to 1953. His older brother was popular character actor Guy Kibbee.
Marc Lawrence was an American character actor who specialized in underworld types. In 1930, Lawrence befriended another young actor, John Garfield. The two appeared in a number of plays before Lawrence was given a film contract with Columbia Pictures. Lawrence appeared in films beginning in 1931. Garfield followed, starting his film career in 1938. Lawrence's pock-marked complexion, brooding appearance and New York street-guy accent made him a natural for heavies, and he played scores of gangsters and mob bosses over the next six decades. Later, Lawrence found himself under scrutiny for his political leanings. When called before the House Un-American Activities Committee, he admitted he had once been a member of the Communist Party. He named Sterling Hayden, Lionel Stander, Anne Revere, Larry Parks, Karen Morley and Jeff Corey as Communists. He was blacklisted and departed for Europe, where he continued to make films. Following the demise of the blacklist, he returned to America and resumed his position as a familiar and talented purveyor of gangland types. He played gangsters in two James Bond movies: 1971's Diamonds Are Forever opposite Sean Connery, and 1974's The Man with the Golden Gun opposite Roger Moore. He also portrayed a henchman opposite Laurence Olivier in Marathon Man (1976) and a stereotypical Miami mob boss alongside Jerry Reed and Dom DeLuise in the comedy Hot Stuff (1979).
Description above from the Wikipedia article Marc Lawrence, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Adrian Michael Morris (January 12, 1907 – November 30, 1941) was an American actor of stage and film, and a younger brother of Chester Morris.
As a child, Morris performed with his family in a vaudeville act. In his short 10-year career as a Hollywood character actor, he appeared in over 70 films, including Dirigible (1931), Me and My Gal (1932), Bureau of Missing Persons (1933), The Big Shakedown (1934), The Fighting Marines (1935), The Petrified Forest (1936), There Goes the Groom (1937), Angels with Dirty Faces (1938), Gone With the Wind (1939), The Grapes of Wrath (1940), and Blood and Sand (1941).
From Wikipedia, the free encyclopedia
Jack Norton (September 2, 1882 – October 15, 1958) was an American stage and film character actor who appeared in 184 films between 1934 and 1948, often playing drunks, although in real life he was a teetotaler.
Career
Jack Norton was born in Brooklyn, New York on September 2, 1882.
In his early career he had a vaudeville comedy act with his wife Lillian Healy. Norton made his Broadway debut in 1925 in that year's edition of Earl Carroll's Vanities, and also appeared in Florida Girl, which was produced and staged by Carroll.
Norton's first film work was for a musical short, School for Romance, in 1934, in which a young Betty Grable appeared, but his scenes were deleted. His work survived to reach the screen in his next assignment, The Super Snooper, a comedy short, and in his third film, his first full-length movie, Finishing School, which featured Frances Dee, Billie Burke, Ginger Rogers and Bruce Cabot, Norton played a drunk, setting the pattern for many of his future performances. Although he also played stone sober characters as well, he was best known for his inebriated characterizations, and he improved his work by following genuine drunks around, picking up behavioral tips.
Norton worked continuously and consistently, sometimes appearing in as many as 20 films in one year, although many of his performances went uncredited. One of the few times he was credited as part of the main cast was in 1945 for the film A Guy, a Gal and a Pal In the 1940s, Norton was part of Preston Sturges' unofficial "stock company" of character actors, appearing in five films written and directed by Sturges. He is perhaps best known to modern audiences as A. Pismo Clam, the drunken film director whom W.C. Fields is hired to replace in The Bank Dick (1940).
In 1947, Norton retired from films due to illness, his last appearance being in Alias a Gentlemen, which was released in 1948, although he did make some live television appearances in the early 1950s.
Jack Norton's final appearance would have been in the 1956 episode of The Honeymooners entitled "Unconventional Behavior", but age and infirmity had so overwhelmed him that he was literally written out of the show as it was being filmed, though Jackie Gleason saw to it that Norton was paid fully for the performance he was ready, willing, but unable to give.
Norton died on October 15, 1958 in Saranac Lake, New York at the age of 76. He is buried in Sacred Hearts Cemetery in Southampton, New York on Long Island.
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Paul Wolfgang Panzerbeiter (3 November 1872 – 16 August 1958), known professionally as Paul Panzer, was a German-American silent film actor. He appeared in 333 films between 1905 and 1952. Panzer was best known for playing Koerner / Raymond Owen in The Perils of Pauline. From 1934 through the 1950s he was under contract to Warner Bros. as an extra.
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Emerson Treacy (September 17, 1900 – January 10, 1967) was a film, Broadway, and radio actor.
Treacy was teamed with comedienne Gay Seabrook to form the double-act Treacy and Seabrook. The team was very successful on radio and in theater during the early 1930s, with routines similar to those of real husband-and-wife team Burns and Allen.
Modern audiences will remember Treacy as the flustered father of Spanky McFarland in the Our Gang short films Bedtime Worries and Wild Poses.
Treacy played in dozens of other feature films, including small roles in Adam's Rib and The Wrong Man, as well as television programs such as The Lone Ranger, Alfred Hitchcock Presents, and Perry Mason.
Treacy died after undergoing surgery on January 10, 1967.
From Wikipedia, the free encyclopedia
Max Wagner (November 28, 1901 – November 16, 1975) was a Mexican-born American film actor who specialized in playing small parts such as thugs, gangsters, sailors, henchmen, bodyguards, cab drivers and moving men, appearing more than 400 films in his career, most without receiving screen credit. Newspaper gossip columnists noted his rise from playing "Gangster #4", with no lines, and not carrying a gun, to "Gangster #2", with both lines and a gun.
Wagner was one of five children, all boys, of William Wallace Wagner, a railroad conductor, and Edith Wagner, a writer who provided dispatches for the Christian Science Monitor during the Mexican Revolution. When he was 10 years old, his father was killed by rebels and the family moved to Salinas, California, where he met John Steinbeck, who became a lifelong friend. Steinback based the character of the boy in his novel The Red Pony on Wagner.
Under the name "Max Baron", Wagner acted in many Spanish-language versions of English-language films, which studios made as a matter of course in the early days of sound films, He also served as a Spanish language coach for other actors, and appeared in many of the "Mexican Spitfire" films starring Lupe Vélez, where he also served to monitor Velez's Spanish ad-libs for profanity.
Other series that Wagner appeared in include the Charlie Chan films, and Tom Mix serials, as well as others made by Mascot Pictures Corporation. In the 1940s, Wagner was part of Preston Sturges' unofficial "stock company" of character actors, appearing in six films written and directed by Sturges, beginning with The Palm Beach Story
In 1940 during the filming of "The Mad Doctor", Wagner was credited for driving 50,000 miles as an on-screen taxi driver on the studio back lots of Hollywood. Since his appearance as a cab driver in Charlie Chan in Shanghai (1935), producers often cast him as a wise-cracking or henchman taxi driver. "I was cast as a taxi driver about five years ago", Wagner told a reporter. "And I was typed."
In 1952, Wagner began to appear on television, in episodes of such shows as The Cisco Kid, Zane Grey Theater and Perry Mason, playing much the same kind of parts he played in the movies.
He was a regular cast member on the western television series Gunsmoke, making nearly 80 appearances between 1959 and 1973. He also appeared in many episodes of The Rifleman, Bonanza, Cimarron Strip, The Wild Wild West and Maverick, including a guest-starring role in the 1959 Rifleman episode "Blood Brother." He also had roles in the original Star Trek and The Twilight Zone series. He appeared in more than 200 television episodes between 1952 and 1974.
Notable film roles for Wagner include a supporting role in the cult science fiction classic Invaders from Mars (1953), an actor playing a gangster in the film-within-a-film segment of Bullets or Ballots (1936), and the bull farm attendant in the Laurel and Hardy comedy The Bullfighters (1945).
Late in his career, he appeared in To Kill a Mockingbird (1962) and The Man Who Shot Liberty Valance (1962). He also occasionally composed music, such as the Mexican folk ballad "Pedro, Rudarte y Simon" in the Western film The Last Trail (1933).
Wagner died of a heart attack in Hollywood in 1975.
Leo White (born Leo Weiss) grew up in England and began his stage career there. In 1910 he came to the United States and the following year started working in Silent films. Typically cast as a dapper continental villain or a nobleman, White frequently played uncredited bit parts and as a character actor in many Charlie Chaplin productions. Multiple online sites indicate that he was born in 1882. However his grave marker clearly presents birth year as having been 1873.
