A promotional short to hype the production of A Midsummer Night's Dream (1935).
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From Wikipedia, the free encyclopedia Addison Whitaker Richards, Jr. (October 20, 1902 – March 22, 1964) was an American actor of film and television. He appeared in more than three hundred films and television series between 1933 and his death.
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From Wikipedia, the free encyclopedia George Brent (born George Patrick [or George Brendan] Nolan, 15 March 1904 – 26 May 1979) was an Irish-American stage, film, and television actor. Brent was born in Ballinasloe, County Galway in 1904 to John J. and Mary (née McGuinness) Nolan. His mother was a native of Clonfad, Moore, County Roscommon. Brent made his first film, Under Suspicion, in 1930. Over the next two years, he appeared in a number of minor films produced by Universal Studios and Fox, before being signed to contract by Warner Bros. in 1932. He remained at Warner Bros. for the next 20 years, carving out a successful career as a top-flight leading man during the late 1930s and 1940s. Highly regarded by Bette Davis, he became her most frequent male co-star, appearing with her in 13 films, including Front Page Woman (1935), Special Agent (1935), The Golden Arrow (1936), Jezebel (1938), The Old Maid (1939), Dark Victory (1939), and The Great Lie (1941). Brent also played opposite Ruby Keeler in 42nd Street (1933), Greta Garbo in The Painted Veil (1934), Ginger Rogers in In Person (1935), Madeleine Carroll in The Case Against Mrs. Ames (1936), Jean Arthur in More Than a Secretary (1936), Myrna Loy in Stamboul Quest (1934) and The Rains Came (1939), Merle Oberon in 'Til We Meet Again (1940), Ann Sheridan in Honeymoon for Three (1941), Joan Fontaine in The Affairs of Susan (1945), Barbara Stanwyck in So Big! (1932), The Purchase Price (1932), Baby Face (1933), The Gay Sisters (1942), and My Reputation (1946), Claudette Colbert in Tomorrow Is Forever (1946), Dorothy McGuire in The Spiral Staircase (1946), Lucille Ball in Lover Come Back (1946), and Yvonne De Carlo in Slave Girl (1947). Brent drifted into "B" pictures from the late 1940s and retired from film in 1953. He continued to appear on television until 1960, having appeared on the religion anthology series Crossroads. He was cast in the lead in the 1956 television series Wire Service. In 1978, he made one last film, the made-for-television production Born Again. In 1960, Brent was inducted into the Hollywood Walk of Fame with two stars. He received a motion-pictures star located at 1709 Vine Street, and a second star located at 1612 Vine Street for his work in television. Brent was married five times: Helen Louise Campbell (1925–1927), Ruth Chatterton (1932–1934), Constance Worth (1937), Ann Sheridan (1942–1943), and Janet Michaels (1947–1974). His final marriage to Janet Michaels, a former model and dress designer, lasted 27 years until her death in 1974. They had a son and a daughter. Brent also carried on a lengthy relationship with his frequent Warner Bros. co-star, actress Bette Davis, who described her last meeting with Brent after many years of estrangement. He was suffering from advanced emphysema, and she expressed great sadness at his ill health and deterioration. George Brent died in 1979 in Solana Beach, California.
Joseph Evans Brown (July 28, 1891 – July 6, 1973) was an American actor and comedian, remembered for his amiable screen persona, comic timing, and enormous smile. In 1902 at the age of nine, he joined a troupe of circus tumblers known as the Five Marvelous Ashtons which toured the country on both the circus and vaudeville circuits. Later he became a professional baseball player. After three seasons he returned to the circus, then went into Vaudeville and finally starred on Broadway. He gradually added comedy into his act and transformed himself into a comedian. He moved to Broadway in the 1920s first appearing in the musical comedy Jim Jam Jems. Description above from the Wikipedia article Joe E. Brown , licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Virginia Bruce (September 29, 1910 – February 24, 1982) was an American actress and singer. Born Helen Virginia Briggs in Minneapolis, Minnesota. In 1928, she moved with her family to Los Angeles intending to enroll in the University of California, Los Angeles when a friendly wager sent her seeking film work. She got it as an extra in Why Bring That Up?. In 1930 she appeared on Broadway in the musical Smiles, followed by America's Sweetheart in 1931. She returned to Hollywood in 1932, where on August 10, 1932, she married John Gilbert, her co-star in the film Downstairs. She retired briefly after the birth of their daughter Susan Ann Gilbert. The couple divorced in 1934, and Virginia returned to a hectic schedule of film appearances. Gilbert died two years later in 1936. Bruce introduced the Cole Porter standard "I've Got You Under My Skin" in the film Born to Dance and co-starred in the Metro-Goldwyn-Mayer musical The Great Ziegfeld. One of her final film appearances was in Strangers When We Meet. In 1949, Bruce starred in a daily 30-minute radio drama. Make Believe Town was an afternoon program on CBS. Bruce married her second husband, film director J. Walter Ruben, in 1937, making the Wallace Beery western The Bad Man of Brimstone with him that year. Together they had a son named Christopher (b. 1941), before Ruben's death in 1942. In 1946, Bruce married Ali Ipar. They divorced in 1951 in order for him to receive a commission in the Turkish Military (which forbade promotions of men married to foreigners), but remarried in 1952 before divorcing again in 1964. Bruce died of cancer on February 24, 1982, at the Motion Picture & Television Country House and Hospital in Woodland Hills, California. She was 71.
From Wikipedia, the free encyclopedia. James Francis Cagney, Jr. (July 17, 1899 – March 30, 1986) was an American film actor. Although he won acclaim and major awards for a wide variety of roles, he is best remembered for playing "tough guys". In 1999, the American Film Institute ranked him eighth among the Greatest Male Stars of All Time. In his first performing role, Cagney danced dressed as a woman in the chorus line of the 1919 revue Every Sailor. He spent several years in vaudeville as a hoofer and comedian until his first major acting role in 1925. He secured several other roles, receiving good reviews before landing the lead in the 1929 play Penny Arcade. After rave reviews for his acting, Warners signed him for an initial $500 a week, three-week contract to reprise his role; this was quickly extended to a seven year contract. Cagney's seventh film, The Public Enemy, became one of the most influential gangster movies of the period. Notable for its famous grapefruit scene, the film thrust Cagney into the spotlight, making him one of Warners' and Hollywood's biggest stars. In 1938, he received his first Academy Award Best Actor nomination for Angels with Dirty Faces, before winning in 1942 for his portrayal of George M. Cohan in Yankee Doodle Dandy. He was nominated a third time in 1955 for Love Me or Leave Me. Cagney retired for 20 years in 1961, spending time on his farm before returning for a part in Ragtime mainly to aid his recovery from a stroke. Cagney walked out on Warners several times over his career, each time coming back on improved personal and artistic terms. In 1935, he sued Warners for breach of contract and won; this marked one of the first times an actor had beaten a studio over a contract issue. He worked for an independent film company for a year while the suit was settled, and also established his own production company, Cagney Productions, in 1942 before returning to Warners again four years later. Jack Warner called him "The Professional Againster", in reference to Cagney’s refusal to be pushed around. Cagney also made numerous morale-boosting troop tours before and during World War II, and was President of the Screen Actors Guild for two years. Description above from the Wikipedia article James Cagney, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Leo Carrillo (August 6, 1880 – September 10, 1961) was an American actor, vaudevillian, political cartoonist, and conservationist. He was best known for playing Pancho in the popular Western television series The Cisco Kid (1950–1956) and in several films.
Irvin Shrewsbury Cobb (June 23, 1876 – March 11, 1944) was an American author, humorist, editor and columnist from Paducah, Kentucky who relocated to New York in 1904, living there for the remainder of his life. He wrote for the New York World, Joseph Pulitzer's newspaper, as the highest paid staff reporter in the United States.
Lili Damita (born Liliane Marie-Madeleine Carré, 10 July 1904 – 21 March 1994) was a French-American actress and singer who appeared in 33 films between 1922 and 1937.
From Wikipedia Marion Davies (January 3, 1897 – September 22, 1961) was an American film actress, producer, screenwriter, and philanthropist. Davies was already building a solid reputation as a film comedienne when newspaper tycoon William Randolph Hearst, with whom she had begun a romantic relationship, took over management of her career. Hearst financed Davies' pictures, promoted her heavily through his newspapers and Hearst Newsreels, and pressured studios to cast her in historical dramas for which she was ill-suited. For this reason, Davies is better remembered today as Hearst's mistress and the hostess of many lavish events for the Hollywood elite. In particular, her name is linked with the 1924 scandal aboard Hearst's yacht where one of his guests, film producer Thomas Ince, became ill. Despite the legend surrounding Ince's death, likely from alcohol consumption, he did not die on the Hearst yacht. The producer died a few days later in the arms of his wife. In the film Citizen Kane (1941), the title character's wife—an untalented singer whom he tries to promote—was widely assumed to be based on Davies. But many commentators, including Citizen Kane writer/director Orson Welles himself, have defended Davies' record as a gifted actress, to whom Hearst's patronage did more harm than good. She retired from the screen in 1937, choosing to devote herself to Hearst and charitable work. In Hearst's declining years, Davies provided financial as well as emotional support until his death in 1951. She married for the first time eleven weeks after his death, a marriage which lasted until Davies died of stomach cancer in 1961 at the age of 64.
Dame Olivia Mary de Havilland DBE (July 1, 1916 - July 25, 2020) was a British-American actress, whose career spanned from 1935 to 1988. She appeared in 49 feature films, and was one of the leading movie stars during the golden age of Classical Hollywood. She is best known for her early screen performances in The Adventures of Robin Hood (1938) and Gone with the Wind (1939), and her later award-winning performances in To Each His Own (1946), The Snake Pit (1948), and The Heiress (1949). Born in Tokyo to British parents, de Havilland and her younger sister, actress Joan Fontaine, moved with their mother to California in 1919. They were brought up by their mother Lilian, a former stage actress who taught them drama, music, and elocution. Olivia de Havilland made her screen debut in Reinhardt's A Midsummer Night's Dream in 1935. During her career, she often played demure ingénues opposite popular leading men, including Errol Flynn, with whom she made nine films. They became one of Hollywood's most popular romantic on-screen pairings. She achieved her initial popularity in romantic comedy films, such as The Great Garrick (1937), and in Westerns, such as Dodge City (1939). Her natural beauty and refined acting style made her particularly effective in historical period dramas, such as Anthony Adverse (1936), and romantic dramas, such as Hold Back the Dawn (1941). In her later career, she was most successful in dramas, such as Light in the Piazza (1962), and unglamorous roles in psychological dramas including Hush… Hush, Sweet Charlotte (1964). In addition to her film career, de Havilland continued her work in the theatre, appearing three times on Broadway. She also worked in television, appearing in the successful miniseries, Roots: The Next Generations (1979), and television feature films, such as Anastasia: The Mystery of Anna, for which she received a Primetime Emmy Award nomination. During her film career, de Havilland won two Academy Awards, two Golden Globe Awards, two New York Film Critics Circle Awards, the National Board of Review Award for Best Actress, and the Venice Film Festival Volpi Cup. For her contributions to the motion picture industry, she received a star on the Hollywood Walk of Fame. For her lifetime contribution to the arts, she received the National Medal of Arts from President George W. Bush, and was appointed a Chevalier of the Légion d'honneur by French President Nicolas Sarkozy. De Havilland and Joan Fontaine are the only siblings to have won Academy Awards in a lead acting category. A lifelong rivalry between the two actresses resulted in an estrangement that lasted over three decades. De Havilland lived in Paris since 1956, and celebrated her 100th birthday on July 1, 2016. In June 2017, two weeks before her 101st birthday, de Havilland was appointed Dame Commander of the Order of the British Empire in the 2017 Birthday Honours for services to drama. She was the oldest woman ever to receive the honour. In a statement, she called it "the most gratifying of birthday presents".
Dolores del Río (3 August 1904 – 11 April 1983) was a Mexican film actress. She was a star of Hollywood films during the silent era and in the Golden Age of Hollywood. Later in life, she became an important actress in Mexican films. She was generally thought to be one of the most beautiful actresses of her era, and was the first Latin American movie star to have international appeal. In the Silent film era, Del Rio was considered a counterpart to Rudolph Valentino. With the arrival of the talkies, she became one of the principal Art Deco symbols of beauty. Del Río was one of the principal stars of Mexican films during the Golden Age of Mexican cinema in the 1940s and 1950s. She was frequently called the "Princess of México".
Louise Fazenda (June 17, 1895 – April 17, 1962) was an American film actress, appearing chiefly in silent comedy films.
Errol Leslie Thomson Flynn (June 20, 1909 - October 14, 1959) was an Australian-American actor and writer. He is popularly remembered as a charismatic romantic hero in the eight films he starred in with Olivia de Havilland. Flynn’s most iconic role came as Robin Hood in "The Adventures of Robin Hood" (1938). After signing with Warner Bros. Pictures in January 1935, Flynn’s rise to stardom was swift. The studio decided to take a risk casting the unknown 26-year-old as the lead in "Captain Blood" (1935). The film established Flynn as a major Hollywood star and the natural successor to Douglas Fairbanks. The smash hit was followed up by "The Charge of the Light Brigade" (1936) and "The Adventures of Robin Hood" (1938), the most expensive film Warner Bros. had made up to that time. In spite of his Australian accent, Flynn starred in the enormously successful westerns "Dodge City" (1939), "Virginia City" (1940), "Santa Fe Trail" (1940), and "They Died with Their Boots On" (1941). The popularly of these westerns played a part in the genre’s revival. In late 1942, Flynn was charged with statutory rape of two 17-year-old girls. Despite his acquittal, press coverage of the trial led to the ubiquity of the expression, “In like Flynn.” With America’s involvement in WWII, Flynn had tried to enlist but was rated 4-F due to his enlarged heart, latent pulmonary tuberculosis and recurrent malaria (contracted in New Guinea). During the war, he made several films with the director Raoul Walsh. These include "Gentleman Jim" (1942) – one of Flynn’s favorite roles – and war films such as "Desperate Journey" (1942) and "Objective, Burma!" (1945). Embittered by his public image as a womanizer and his inability to serve in the war, Flynn further descended into a life of drug-addiction and alcoholism. His slow deflation became apparent in the waning success of his films and his aging physical appearance. By the late '50s, Flynn mounted a comeback with his turns in "The Sun Also Rises" (1957), "Too Much, Too Soon" (1958) and "The Roots of Heaven" (1958). In 1959, he died of a heart attack in Vancouver, Canada. Flynn’s notorious autobiography "My Wicked, Wicked Ways" (1959) was posthumously published. He also wrote two novels: "Beam Ends" (1937) and "Showdown" (1946).
Ian Hunter (13 June 1900 – 22 September 1975) was a British character actor. Among dozens of film roles, his best-remembered appearances include That Certain Woman (1937) with Bette Davis, The Adventures of Robin Hood (1938, as King Richard the Lionheart), The Little Princess (1939, as Captain Reginald Crewe) and Dr. Jekyll and Mr. Hyde (1941, as Dr. Lanyon). Hunter returned to the Robin Hood legend in the 1955 TV series The Adventures of Robin Hood in the recurring role of Sir Richard of the Lea. Description above from the Wikipedia article Ian Hunter, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Victor Jory was a Canadian stage, film and television actor, best known for his role as Jonas Wilkerson, the brutal and opportunistic overseer, in "Gone with the Wind", and as Lamont Cranston, aka 'The Shadow', in the 1942 serial film "The Shadow".
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From Wikipedia, the free encyclopedia Margaret Lindsay (born Margaret Kies; September 19, 1910 – May 9, 1981) was an American film actress. Her time as a Warner Bros. contract player during the 1930s was particularly productive. She was noted for her supporting work in successful films of the 1930s and 1940s such as Jezebel (1938) and Scarlet Street (1945) and her leading roles in lower-budgeted B movie films such as the Ellery Queen series at Columbia in the early 1940s. Critics regard her portrayal of Nathaniel Hawthorne's Hepzibah Pyncheon in the 1940 film adaptation of The House of the Seven Gables as Lindsay's standout career role.
Anita Louise (born January 9, 1915) was an American actress. She made her acting debut on Broadway at the age of six, and within a year was appearing regularly in Hollywood films. By her late teens she was being cast in leading and supporting roles in major productions. As her stature in Hollywood grew, she was named as a WAMPAS Baby Star. Among her film successes were Madame Du Barry, A Midsummer Night's Dream, The Story of Louis Pasteur, Anthony Adverse, Marie Antoinette, The Sisters, and The Little Princess. By the 1940s, Louise was reduced to minor roles and acted very infrequently until the advent of television in the 1950s provided her with further opportunities. In middle age she played one of her most widely seen roles as the gentle mother on My Friend Flicka.
Barton MacLane graduated from Wesleyan University, where he displayed a notable aptitude for sports, in particular football and basketball. Not surprisingly, his physical prowess led to an early role in The Quarterback (1926) with Richard Dix. MacLane once commented that, as an actor, he needed to have the physical strength to tear the bad guys "from limb to limb", if necessary. Ironically, it was usually Barton himself who was destined to be at the end of a hiding (when not getting shot, instead), typically as snarling henchmen, outlaws and other assorted dubious or abrasive types throughout most of his 40-year acting career. In fact, Barton became so typecast that his name was for a time used proverbially, to generally describe a shouting, hard-nosed ruffian. After training at the American Academy of Dramatic Arts, MacLane joined a stock company in Brooklyn. In 1927 he had his first part on Broadway, a brief moment as an assistant district attorney, in the melodrama "The Trial of Mary Dugan". He then played a small featured role as a police officer in "Subway Express" (1929-30), a drama enacted in the interior of a subway car. In mid-1932 MacLane tried his hand at writing his own starring vehicle for the stage, entitled "Rendezvous". While the play closed after just 21 performances, it led to a contract with Warner Brothers. Barton had already appeared in bit roles for Paramount at their Astoria Studios, including The Marx Brothers' debut film The Cocoanuts (1929). He portrayed mobster Brad Collins in 'G' Men (1935) (with James Cagney), which set the tone for most of his future assignments. Brawny, with squinty eyes and a rasping voice, MacLane was the ideal surly tough guy, particularly suitable for westerns and the type of films noir Warner Brothers excelled at. He was often cast as cops, be they bent or honest. Some of his most representative performances include gangster Al Kruger in Bullets or Ballots (1936), which won him some of the best critical notices of his career; outlaw Jack Slade in Western Union (1941); crooked construction boss Pat McCormick, who gets beaten up by Humphrey Bogart and Tim Holt over past-due wages in The Treasure of the Sierra Madre (1948); hard-nosed cops Detective Dundy in The Maltese Falcon (1941) and Lt. Reece in Kiss Tomorrow Goodbye (1950). MacLane, on loan to Universal, also had a starring role in Prison Break (1938) as an innocent tuna fisherman who is framed for murder. He was prominent as a tough but sympathetic cop, foil to sleuthing girl reporter Glenda Farrell in the "Torchy Blaine" series of the mid- to late 1930s. In the 1960s Barton began to cultivate a good-guy image as Marshal Frank Caine in the NBC western series Outlaws (1960) as well as showing up in a small recurring role as Air Force Gen. Martin Peterson in I Dream of Jeannie (1965). Barton was married to the actress Charlotte Wynters, who appeared with him in six of his films. When not on the set, the couple spent time on their 2000-acre cattle ranch in Madera County, California. For his work in television, Barton has a star on the Hollywood Walk of Fame.
Grant Mitchell (born John Grant Mitchell Jr.) was an American stage and screen actor. He is best remembered for his portrayals of fathers, husbands, bank clerks, businessmen, school principals and similar type characters, usually supporting, in films of the 1930s and 1940s. Mitchell, a Yale post graduate at Harvard Law, gave up his law practice to become an actor, making his stage debut at age 27. He appeared in lead roles on Broadway in such plays as "It Pays to Advertise", "The Champion", "The Whole Town's Talking", and "The Baby Cyclone", the last which was specially written for him by George M. Cohan. His screen career took off with the advent of sound (years earlier he had appeared in at least two silent films). He appeared primarily in B films, though from time to time enjoyed being a part of A-quality productions such as Dinner at Eight (1933), A Midsummer Night's Dream (1935), Mr. Smith Goes to Washington (1939), The Man Who Came to Dinner (1942), and Arsenic and Old Lace (1944). Grant Mitchell retired from show business in 1948. He died, age 82, in Los Angeles in 1957.
Mary Willie Grace Moore (December 5, 1898 – January 26, 1947) was an American operatic soprano and actress. She was nicknamed the "Tennessee Nightingale." Her films helped to popularize opera by bringing it to a larger audience. She was nominated for the Academy Award for Best Actress for her performance in One Night of Love. Description above from the Wikipedia article Grace Moore, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jean Muir (born Jean Muir Fullarton) was an American stage and film actress and educator. She was the first performer to be blacklisted after her name appeared in the infamous anti-Communist 1950 pamphlet 'Red Channels'.
From Wikipedia, the free encyclopedia. Paul Muni (born Meshilem Meier Weisenfreund, September 22, 1895 – August 25, 1967) was an Austrian-Hungarian-born American stage and film actor. During the 1930s, he was considered the most prestigious actor at Warner Brothers studios, and one of the rare actors who was given the privilege of choosing which parts he wanted. His acting quality, usually playing a powerful character, such as Scarface, was partly a result of his intense preparation for his parts, often immersing himself in study of the real character's traits and mannerisms. He was also highly skilled in using makeup techniques, a talent he learned from his parents, who were also actors, and from his early years on stage with the Yiddish Theater, in New York. At the age of 12, he played the stage role of an 80-year-old man; in one of his films, Seven Faces, he played seven different characters. He was nominated six times for an Oscar, winning once as Best Actor in The Story of Louis Pasteur. Description above from the Wikipedia article Paul Muni, licensed under CC-BY-SA, full list of contributors on Wikipedia
Pat O’Brien (born William Joseph Patrick O'Brien) was an American stage, screen, radio, and television actor. He was a star during the first several years of his film career, the height of his popularity being during the 1930s and 1940s.
Gail Patrick (born Margaret LaVelle Fitzpatrick, June 20, 1911 - July 6, 1980) was an American film actress. She appeared in 62 movies between 1932 and 1948. Some of these roles are in My Favorite Wife, Dangerous to Know, and in My Man Godfrey. Patrick retired from acting in films in 1948 and later became a producer of Perry Mason.
Richard Ewing "Dick" Powell (November 14, 1904 – January 2, 1963) was an American singer, actor, producer, director and studio boss. Born in Mountain View, the seat of Stone County in northern Arkansas, Powell attended the former Little Rock College in the state capital, before he started his entertainment career as a singer with the Charlie Davis Orchestra, based in the midwest. He recorded a number of records with Davis and on his own, for the Vocalion label in the late 1920s. Powell moved to Pittsburgh, where he found great local success as the Master of Ceremonies at the Enright Theater and the Stanley Theater. In April 1930, Warner Bros. bought up Brunswick Records which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event. He went on to star as a boyish crooner in movie musicals such as 42nd Street, Footlight Parade, Gold Diggers of 1933, Dames, Flirtation Walk, and On the Avenue, often appearing opposite Ruby Keeler and Joan Blondell. Powell desperately wanted to expand his range but Warner Bros. wouldn't allow him to do so, although they did (mis)cast him in A Midsummer Night's Dream (1935) as Lysander. This was to be Powell's only Shakespearean role and one he did not want to play, feeling that he was completely wrong for the part. Finally, reaching his forties and knowing that his young romantic leading man days were behind him he lobbied to play the lead in Double Indemnity. He lost out to Fred MacMurray, another Hollywood nice guy. MacMurray’s success, however, fueled Powell’s resolve to pursue projects with greater range and in 1944, he was cast in the first of a series of films noir, as private detective Philip Marlowe in Murder, My Sweet, directed by Edward Dmytryk. The film was a big hit and Powell had successfully reinvented himself as a dramatic actor. The following year Dmytryk and Powell re-teamed to make Cornered, a gripping, post-WWII thriller that helped define the film noir style. He became a popular "tough guy" lead appearing in movies such as Johnny O'Clock and Cry Danger. But 1948 saw him step out of the brutish type when he starred in Pitfall, a film noir that sees a bored insurance company worker fall for an innocent but dangerous femme fatale, played by Lizabeth Scott. Even when he appeared in lighter fare such as The Reformer and the Redhead and Susan Slept Here (1954) he never sang in his later roles. The latter, his final onscreen appearance in a feature film, did include a dance number with costar Debbie Reynolds. From 1949-1953, Powell played the lead role in the National Broadcasting Company radio theater production Richard Diamond, Private Detective. His character in the 30-minute weekly was a likable private detective with a quick wit. When Richard Diamond came to television in 1957, the lead role was portrayed by David Janssen.
Cesar Julio Romero, Jr. (February 15, 1907 – January 1, 1994) was a Cuban-American film and television actor who was active in film, radio, and television for almost sixty years. His wide range of screen roles included Latin lovers, historical figures in costume dramas, characters in light domestic comedies, and as The Joker in television's Batman series.
From Wikipedia, the free encyclopedia Mickey Rooney (born Joseph Yule Jr.; September 23, 1920 – April 6, 2014) was an American actor, vaudevillian, comedian, producer, and radio personality. In a career spanning nine decades and continuing until shortly before his death, he appeared in more than 300 films and was among the last surviving stars of the silent film era. At the height of a career that was marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized American family values. A versatile performer, he became a celebrated character actor later in his career. Laurence Olivier once said he considered Rooney "the best there has ever been". Clarence Brown, who directed him in two of his earliest dramatic roles, National Velvet and The Human Comedy, said he was "the closest thing to a genius I ever worked with". Rooney first performed in vaudeville as a child and made his film debut at the age of six. At 14, he played Puck in the play and later the 1935 film adaptation of A Midsummer Night's Dream. Critic David Thomson hailed his performance as "one of the cinema's most arresting pieces of magic". In 1938, he co-starred in Boys Town. At 19, he was the first teenager to be nominated for an Oscar for his leading role in Babes in Arms, and he was awarded a special Academy Juvenile Award in 1939. At the peak of his career between the ages of 15 and 25, he made 43 films, which made him one of Metro-Goldwyn-Mayer's most consistently successful actors and a favorite of MGM studio head Louis B. Mayer. Rooney was the top box-office attraction from 1939 to 1941 and one of the best-paid actors of that era, but his career would never again rise to such heights. Drafted into the Army during World War II, he served nearly two years entertaining over two million troops on stage and radio and was awarded a Bronze Star for performing in combat zones. Returning from the war in 1945, he was too old for juvenile roles but too short to be an adult movie star, and was unable to get as many starring roles. Nevertheless, Rooney's popularity was renewed with well-received supporting roles in films such as Breakfast at Tiffany's (1961), Requiem for a Heavyweight (1962), It's a Mad, Mad, Mad, Mad World (1963), and The Black Stallion (1979). In the early 1980s, he returned to Broadway in Sugar Babies and again became a celebrated star. Rooney made hundreds of appearances on TV, including dramas, variety programs, and talk shows, and won an Emmy in 1982 plus a Golden Globe for his role in Bill (1981).
From Wikipedia, the free encyclopedia Lyle Talbot (born Lisle Henderson, February 8, 1902 – March 2, 1996) was an American actor on stage and screen, known for his career in film from 1931 to 1960 and for his appearances on television in the 1950s and 1960s. He played Ozzie Nelson's friend and neighbor, Joe Randolph, for ten years in the ABC situation comedy The Adventures of Ozzie and Harriet. He began his movie career under contract with Warner Brothers in the early days of sound film. He appeared in more than 150 films, first as a young matinee idol and later as a character actor and star of many B movies. He was a founding member of the Screen Actors Guild and later served on its board. Talbot's long career as an actor is recounted in a book by his youngest daughter, The New Yorker writer Margaret Talbot, entitled The Entertainer: Movies, Magic and My Father's Twentieth Century (Riverhead Books 2012). Most notable among Talbot's film work were his appearances in Three on a Match and 20,000 Years in Sing Sing (both 1932). He played a star running back in College Coach (1933) with Pat O'Brien and Dick Powell, romanced opera singer Grace Moore in One Night of Love in 1934, and pursued Mae West in Go West, Young Man (1936). He was a gangster in Ladies They Talk About and Heat Lightning and a doctor kicking a drinking habit in Mandalay. He co-starred with Pat O'Brien in Oil for the Lamps of China (1935). He appeared opposite Ann Dvorak, Carole Lombard, Barbara Stanwyck, Mary Astor, Ginger Rogers, Loretta Young and Shirley Temple, as well as sharing the screen with Humphrey Bogart, Spencer Tracy and Tyrone Power. Overall, Talbot appeared in some 150 movies.
Harold Brent Wallis (born Aaron Blum Wolowicz; October 19, 1898 – October 5, 1986) was an American film producer. He is best remembered for producing Casablanca (1942), The Adventures of Robin Hood (1938), and True Grit (1969), along with many other major films for Warner Bros. featuring such film stars as Humphrey Bogart, Bette Davis, and Errol Flynn. For his consistently high quality of motion picture production, he was twice honored with the Academy Awards' Irving G. Thalberg Memorial Award. He was also nominated for seven Golden Globe awards, twice winning awards for Best Picture. In 1975, he received the Golden Globe Cecil B. DeMille Award for lifetime achievement in motion pictures.
From Wikipedia, the free encyclopedia Jack Leonard "J. L." Warner (August 2, 1892 – September 9, 1978), born Jacob Warner in London, Ontario, was a Canadian-American film executive who was the president and driving force behind the Warner Bros. Studios in Burbank, California. Warner's career spanned some 45 years, its duration surpassing that of any other of the seminal Hollywood studio moguls. As co-head of production at Warner Bros. Studios, he worked with his brother, Sam Warner, to procure the technology for the film industry's first talking picture. After Sam's death, Jack clashed with his surviving older brothers, Harry and Albert Warner. He assumed exclusive control of the film production company in the 1950s, when he secretly purchased his brothers' shares in the business after convincing them to participate in a joint sale of stocks. Although Warner was feared by many of his employees and inspired ridicule with his uneven attempts at humor, he earned respect for his shrewd instincts and tough-mindedness. He recruited many of Warner Bros.' top stars and promoted the hard-edged social dramas for which the studio became known. Given to decisiveness, Warner once commented, "If I'm right fifty-one percent of the time, I'm ahead of the game." Throughout his career, he was viewed as a contradictory and enigmatic figure. Although he was a staunch Republican, Warner encouraged film projects that promoted the agenda of Democratic President Franklin D. Roosevelt's New Deal. He opposed European fascism and criticized Nazi Germany well before America's involvement in World War II. An opponent of Communism, after the war Warner appeared as a friendly witness before the House Un-American Activities Committee, voluntarily naming screenwriters who had been fired as suspected Communists or sympathizers. Despite his controversial public image, Warner remained a force in the motion picture industry until his retirement in the early 1970s.
Warren William (born Warren William Krech; 2 December 1894 - 24 September 1948) was an American stage, screen, and radio actor, popular as a film leading man during the early 1930s, and later nicknamed the "King of Pre-Code". He is best remembered for portraying amoral businessmen, lawyers, and other heartless types.
From Wikipedia, the free encyclopedia Donald Woods (born Ralph Lewis Zink, December 2, 1906 – March 5, 1998) was a Canadian-American film and television actor whose career in Hollywood spanned six decades. Born in Brandon, Manitoba, Woods moved with his family to California and was raised in Burbank. A son of William and Margaret Zink, Presbyterians of German descent. His younger brother, Clarence Russell Zink, also became an actor (Russ Conway). Woods graduated from the University of California, Berkeley, and made his film debut in 1928. His screen career was spent mostly in B movies, for example as lawyer Perry Mason in the 1937 film The Case of the Stuttering Bishop. He also occasionally played major roles in bigger feature films like A Tale of Two Cities (1935), Anthony Adverse (1936), Watch on the Rhine (1943), The Bridge of San Luis Rey (1944), and Roughly Speaking (1945). Of considerable importance to his acting career were several seasons as leading man with the Elitch Gardens Theatre Company in Denver, Colorado, where he performed in 1932, 1933, 1939, 1941, 1947, and 1948. In the early days of television, Woods starred as the title character in the 1951 syndicated TV series Craig Kennedy, Criminologist, and he was the host of Damon Runyon Theater on CBS-TV. He played himself on the dramatic series Hotel Cosmopolitan, also on CBS, and he was one of three hosts of The Orchid Award on ABC-TV. He portrayed Walter Manning on Portia Faces Life on CBS. He also appeared in such anthology series as The Philco Television Playhouse, Armstrong Circle Theatre, Robert Montgomery Presents, The United States Steel Hour, Crossroads, and General Electric Theater. On April 11, 1961, Woods appeared as "Profesor Landfield" in the episode "Two for the Gallows" on NBC's Laramie western series. Series character Slim Sherman (John Smith) is hired under false pretenses to take Landfield into the Badlands to seek gold. Landfield, however, is really Morgan Bennett, a member of the former Henry Plummer gang who has escaped from prison. Slim has no idea that Lanfield is seeking the loot that his gang had hidden away. Series character Jess Harper (Robert Fuller), Pete Dixon, played by Warren Oates, and Pete's younger brother soon come to Slim's aid. The title stems from the talk that the undisciplined Dixon brothers might eventually wind up on a hangman's noose. Woods later was a regular in the role of John Brent on the short-lived series Tammy and made guest appearances on Bat Masterson, Wagon Train, Ben Casey, 77 Sunset Strip, Hawaiian Eye, Stoney Burke, Bourbon Street Beat, Bonanza, Coronet Blue, Ironside, Alias Smith and Jones, The Wild Wild West and Owen Marshall: Counselor at Law, among many others before retiring from acting in 1976. Besides his film career, he also worked as a successful real estate broker in Palm Springs where he lived with his wife, childhood sweetheart Josephine Van der Horck. They were married from 1933 until his death and had two children, Linda and Conrad. He was interred at the Forest Lawn Cemetery in Cathedral City, California.
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Ruth Elizabeth "Bette" Davis (April 5, 1908 – October 6, 1989) was an American actress of film, television and theater. Noted for her willingness to play unsympathetic characters, she was highly regarded for her performances in a range of film genres; from contemporary crime melodramas to historical and period films and occasional comedies, though her greatest successes were her roles in romantic dramas. After appearing in Broadway plays, Davis moved to Hollywood in 1930, but her early films for Universal Studios were unsuccessful. She joined Warner Bros. in 1932 and established her career with several critically acclaimed performances. In 1937, she attempted to free herself from her contract and although she lost a well-publicized legal case, it marked the beginning of the most successful period of her career. Until the late 1940s, she was one of American cinema's most celebrated leading ladies, known for her forceful and intense style. Davis gained a reputation as a perfectionist who could be highly combative, and confrontations with studio executives, film directors and costars were often reported. Her forthright manner, clipped vocal style and ubiquitous cigarette contributed to a public persona which has often been imitated and satirized. Davis was the co-founder of the Hollywood Canteen, and was the first female president of the Academy of Motion Picture Arts and Sciences. She won the Academy Award for Best Actress twice, was the first person to accrue 10 Academy Award nominations for acting, and was the first woman to receive a Lifetime Achievement Award from the American Film Institute. Her career went through several periods of eclipse, and she admitted that her success had often been at the expense of her personal relationships. Married four times, she was once widowed and thrice divorced, and raised her children as a single parent. Her final years were marred by a long period of ill health, but she continued acting until shortly before her death from breast cancer, with more than 100 films, television and theater roles to her credit. In 1999, Davis was placed second, after Katharine Hepburn, on the American Film Institute's list of the greatest female stars of all time.
