A timid, overworked and underpaid bookkeeper needs a $10 raise to marry his sweetheart...
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From Wikipedia, the free encyclopedia Edward Everett Horton Jr. (March 18, 1886 – September 29, 1970) was an American character actor. He had a long career in film, theater, radio, television, and voice work for animated cartoons. Horton began his stage career in 1906, singing and dancing and playing small parts in vaudeville and in Broadway productions. In 1919, he moved to Los Angeles, California, where he began acting in Hollywood films. His first starring role was in the comedy Too Much Business (1922), but he portrayed the lead role of an idealistic young classical composer in the drama Beggar on Horseback (1925). In the late 1920s, he starred in two-reel silent comedies for Educational Pictures, and made the transition to talking pictures with Educational in 1929. As a stage-trained performer, he found more film work easily, and appeared in some of Warner Bros.' early talkies, including The Terror (1928) and Sonny Boy (1929). Horton initially used his given name, Edward Horton, professionally. His father persuaded him to adopt his full name professionally, reasoning that other actors might be named Edward Horton, but only one named Edward Everett Horton. Horton soon cultivated his own special variation of the time-honored double take (an actor's reaction to something, followed by a delayed, more extreme reaction). In Horton's version, he would smile ingratiatingly and nod in agreement with what just happened; then, when realization set in, his facial features collapsed entirely into a sober, troubled mask. Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point, and then finally asserted himself for a happy ending. He is best known, however, for his work as a character actor in supporting roles. These include The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934, the first of several Astaire/Rogers films in which Horton appeared), Top Hat (1935), Danger - Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961), It's a Mad, Mad, Mad, Mad World (1963), and Sex and the Single Girl (1964). His last role was in the comedy film Cold Turkey (1971), in which his character communicated only through facial expressions.
From Wikipedia, the free encyclopedia. Karen Morley (December 12, 1909 – March 8, 2003) was an American film actress.After working at the Pasadena Playhouse, she came to the attention of the director Clarence Brown when he was looking for an actress to stand-in for Greta Garbo in screen tests. This led to a contract with MGM and roles in such films as Mata Hari (1931), Scarface (1932), The Phantom of Crestwood (1932), The Mask of Fu Manchu (1932), Arsene Lupin (1933) and Dinner at Eight (1933). In 1934, Morley left MGM after arguments about her roles and her private life. Her first film after leaving MGM was Our Daily Bread (1934) directed by King Vidor. She continued to work as a freelance performer, and appeared in Michael Curtiz's Black Fury, and The Littlest Rebel with Shirley Temple. Without the support of a studio, her roles became less frequent, however she played a supporting role in Pride and Prejudice (1940). Description above from the Wikipedia article Karen Morley licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mason Alan Dinehart Sr. (born Harold Alan Dinehart; October 3, 1889 – July 18, 1944) was an American actor, director, writer, and stage manager.
Ray Walker was born on August 10, 1904 in Newark, New Jersey, USA as Warren Reyholds Walker. He was an actor, known for It's a Wonderful Life (1946), The Dark Hour (1936) and Baby Take a Bow (1934). He died on October 6, 1980 in Los Angeles, California, USA
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From Wikipedia, the free encyclopedia. William Benedict (April 16, 1917 – November 25, 1999) was an American actor, perhaps best known for playing "Whitey" in Monogram Pictures' The Bowery Boys series. Born in Haskell, Oklahoma, he took part in school theatricals, and on leaving school he made his way to Hollywood. His first film was $10 Raise (1935) starring Edward Everett Horton, which launched Benedict on a busy career. The blond-haired Benedict almost always played juvenile roles, such as newsboys, messengers, office boys, and farmhands. In 1939, when Universal Pictures began its Little Tough Guys series to compete with the popular Dead End Kids features, Billy Benedict was recruited into the cast. These films led him into the similar East Side Kids movies (usually playing a member of the East Side gang, but occasionally in villainous roles). The East Side Kids became The Bowery Boys in 1946, and Benedict stayed with the series (as "Whitey") through the end of 1951. Other films included My Little Chickadee (1940) starring W. C. Fields and Mae West, The Ox-Bow Incident (1943), Ed Wood's Bride of the Monster (1955), The Sting (1973) and Farewell, My Lovely (1975). Benedict never shook his juvenile image completely, and continued to play messengers and news vendors well into his sixties. He also worked often in television commercials.
From Wikipedia, the free encyclopedia Lynn Bari (born Margaret Schuyler Fisher, December 18, 1913 – November 20, 1989) was a film actress who specialized in playing sultry, statuesque man-killers in roughly 150 20th Century Fox films from the early 1930s through the 1940s. Bari was one of 14 young women "launched on the trail of film stardom" August 6, 1935, when they each received a six-month contract with 20th Century Fox after spending 18 months in the company's training school. The contracts included a studio option for renewal for as long as seven years. In most of her early films, Bari had uncredited parts usually playing receptionists or chorus girls. She struggled to find starring roles in films, but accepted any work she could get. Rare leading roles included China Girl (1942), Hello, Frisco, Hello (1943), and The Spiritualist (1948). In B movies, Lynn was usually cast as a villainess, notably Shock and Nocturne (both 1946). An exception was The Bridge of San Luis Rey (1944). During WWII, according to a survey taken of GIs, Bari was the second-most popular pinup girl after the much better-known Betty Grable. Bari's film career fizzled out in the early 1950s as she was approaching her 40th birthday, although she continued to work at a more limited pace over the next two decades, now playing matronly characters rather than temptresses. She portrayed the mother of a suicidal teenager in a 1951 drama, On the Loose, plus a number of supporting parts. Bari's last film appearance was as the mother of rebellious teenager Patty McCormack in The Young Runaways (1968) and her final TV appearances were in episodes of The Girl From U.N.C.L.E. and The FBI. She quickly took up the rising medium of television during the '50s, which began when she starred in the live television sitcom Detective's Wife, which ran during the summer of 1950, and in Boss Lady In 1955, Bari appeared in the episode "The Beautiful Miss X" of Rod Cameron's syndicated crime drama City Detective. In 1960, she played female bandit Belle Starr in the debut episode "Perilous Passage" of the NBC western series Overland Trail starring William Bendix and Doug McClure and with fellow guest star Robert J. Wilke as Cole Younger. From July–September 1952, Bari starred in her own situation comedy, Boss Lady, a summer replacement for NBC's Fireside Theater. She portrayed Gwen F. Allen, the beautiful top executive of a construction firm. Not the least of her troubles in the role was being able to hire a general manager who did not fall in love with her. Commenting on her "other woman" roles, Bari once said, "I seem to be a woman always with a gun in her purse. I'm terrified of guns. I go from one set to the other shooting people and stealing husbands!"
From Wikipedia, the free encyclopedia Mary Gordon (born Mary Gilmour, 16 May 1882 – 23 August 1963) was a Scottish actress, long in the United States, who mainly played housekeepers and mothers, most notably the landlady Mrs. Hudson in the Sherlock Holmes series of movies of the 1940s starring Basil Rathbone and Nigel Bruce. Her body of work included nearly 300 films between 1925 and 1950. With her mother and daughter (both also named Mary), she arrived in Los Angeles in the mid-1920s and began playing variations on the roles she would spend her career on. She became friends with John Ford while making Hangman's House in 1928 and made seven more films with him. In 1939, she took on her best-remembered role as Sherlock Holmes' landlady and played the role in ten films and numerous radio plays. She was a charter member of the Hollywood Canteen, entertaining servicemen throughout the Second World War. On the radio show Those We Love, she played the regular role of Mrs. Emmett. She entered retirement just as television reshaped the entertainment industry, making only a single appearance in that medium. She was active in the Daughters of Scotia auxiliary of the Order of Scottish Clans. She lived out her final years in Pasadena, California with her daughter and grandson. She died at age 81 on 23 August 1963 in Pasadena, California after a long illness.
Selmer Jackson (May 7, 1888 - March 30, 1971) was an American stage, film and television actor who appeared in nearly 400 films between 1921 and 1963.
