Aspiring young Scottish politician John Shand enters into an unusual agreement with the wealthy Wylie family -- if they fund his education, he must marry their daughter, Maggie. Staying true to his word, John weds Maggie and begins a successful career, thanks largely to his savvy wife. The couple's relationship is placed in jeopardy when John faces temptation in the form of the lovely aristocrat Lady Sybil Tenterden.
10-18-1934
1h 29m
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Main Cast
Movie Details
Production Info
Director:
Gregory La Cava
Production:
Metro-Goldwyn-Mayer
Key Crew
Screenplay:
James Kevin McGuinness
Producer:
Gregory La Cava
Producer:
Albert Lewin
Executive Producer:
Irving Thalberg
Original Music Composer:
Herbert Stothart
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Helen Hayes
Helen Hayes was an American actress whose career spanned almost 70 years. She eventually garnered the nickname "First Lady of the American Theatre" and was one of twelve people who have won an Emmy, a Grammy, an Oscar and a Tony Award. Hayes also received the Presidential Medal of Freedom, America's highest civilian honor, from President Ronald Reagan in 1986. In 1988 she was awarded the National Medal of Arts. She is the namesake of the annual Helen Hayes Awards, which have recognized excellence in professional theatre in the greater Washington, D.C. area since 1984. Perhaps the ultimate respect to be paid to any actor by a producer - of having a theater christened in their name - became a reality for Ms. Hayes in 1955 when the former Fulton Theatre on 46th Street in New York City's Broadway theater district was renamed the Helen Hayes Theatre. When that venue was torn down in 1982 (along with five other neighboring theaters), the operators of the Little Theatre, another standing theater two blocks away on 44th Street, renamed that house in her name, which it has retained ever since.
Description above from the Wikipedia article Helen Hayes, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lovely Madge Evans was the perennial nice girl in films of the 1930s. By then, she had been in front of the camera for many years, starting with Fairy Soap commercials at the age of two (she sat on a bar of soap holding a bunch of violets with the tag line reading "have you a little fairy in your home?"). 'Baby Madge' also lent her name to a children's hat company. In 1914, aged five, she was picked out by talent scouts to appear in the William Farnum movie The Sign of the Cross (1914), followed by The Seven Sisters (1915) with Marguerite Clark.
By the end of the following year, she had amassed some twenty film credits, appearing with such noted contemporary stars as Pauline Frederick or Alice Brady. All of her early films were made on the East Coast, at studios in Ft.Lee, New Jersey. In 1917 (aged eight), Madge made her Broadway debut in 'Peter Ibbetson' with John Barrymore and Lionel Barrymore. She resumed her stage career in 1926 as an ingenue with 'Daisy Mayme' and the following year appeared with Billie Burke in Noel Coward's costume drama 'The Marquise' (1927).
Her pleasing looks and personality soon attracted the attention of Hollywood and she was eventually signed by MGM in 1931. During the next decade, she appeared in several A-grade productions, notably as Lionel Barrymore's daughter in MGM's Dinner at Eight (1933) and as the dependable Agnes Wickfield in one of the best-ever filmed versions of David Copperfield (1935). She co-starred opposite James Cagney in the gangster movie The Mayor of Hell (1933), Spencer Tracy in The Show-Off (1934) and listened to Bing Crosby crooning the title song in Pennies from Heaven (1936). Madge received praise for her performance as the star of Beauty for Sale (1933) and The New York Times review of January 13 1934 described her acting in Fugitive Lovers (1934) (opposite Robert Montgomery ) as 'spontaneous and captivating'. Many of her 'typical American girl' roles did not allow her to express aspects of the greater acting range she undoubtedly possessed. Too often she was cast as the 'nice girl' - and those rarely make much of a dramatic impact. On the few occasions she was assigned the role of 'other woman' , such as the Helen Hayes-starrer What Every Woman Knows (1934), audiences found her character difficult to believe and disassociate from her all-round wholesome image. When her contract with MGM expired in 1937, Madge wound down her film career and, following her 1939 marriage, concentrated on being the wife of celebrated playwright Sidney Kingsley. She last appeared on stage in one of his plays, "The Patriots", in 1943.
From Wikipedia, the free encyclopedia
Dudley Digges (June 9, 1879 – October 24, 1947) was an Irish character actor on stage and in motion pictures.
He was born in Dublin. He went to America with a group of Irish players in 1904 and became successful both as an actor and producer. For a time he was stage manager to Charles Frohman and George Arliss. He went to Hollywood in 1930.
On stage, one of his famous roles was as Ficsur in the original 1921 Broadway production of Ferenc Molnár's Liliom, the play that Rodgers and Hammerstein later musicalized as Carousel. Ficsur was the criminal who talks Liliom into helping him commit a robbery; in Carousel, his name was changed to Jigger Craigin, but the character otherwise remained almost the same. He played the role of the Heavenly Examiner in both the original Broadway and the 1930 screen versions of Sutton Vane's hit play Outward Bound.
Digges appeared in forty films between 1929 and 1946, including the original, nearly forgotten 1931 version of The Maltese Falcon, as Caspar Gutman, the character later made famous by Sydney Greenstreet in the 1941 Humphrey Bogart film version of the story. He also worked as a director on Broadway.
In 1924, Digges founded the Maverick Theater, in Woodstock, New York, with the assistance of Hervey White, the founder of the Maverick Arts Colony. Digges was artistic director of a company that included Helen Hayes and Edward G. Robinson.
Description above from the Wikipedia article Dudley Digges (actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Donald Crisp was born George William Crisp at the family home in Bow, London. Donald's parents were James Crisp and Elizabeth Crisp, his birth was registered by his mother on 4th September 1882. Donald's sisters were Elizabeth, Ann, Alice (known as Louisa) and Eliza and his brothers were James, John and Mark. Family memories state that Donald's brother-in-law James Needham (Louisa's husband) lent/gave Donald the fare to USA. The family have a photo of Donald which he sent to 'Jimmy' and signed. On 16th February 1937 Donald applied for a US Social Security account number giving his address as N Vista Street Hollywood California, and his employers Warner Brothers Pictures, Burbank California. On his application Donald did not know his mother's maiden name.
David Torrence (born David Tayson; 17 January 1864 – 26 December 1951) was a Scottish film actor. He appeared in more than 100 films from 1913 to 1939. He has a star on the Hollywood Walk of Fame. He was the brother of actor Ernest Torrence. He was born in Edinburgh, Scotland and died in Los Angeles.
From Wikipedia
Henry Stephenson Garraway (16 April 1871 – 24 April 1956), sometimes credited as Harry Stephenson, was a British stage and film actor. He portrayed friendly and wise Gentleman in many films of the 1930s and 1940s. Among his roles was Sir Joseph Banks in Mutiny on the Bounty (1935) and Mr. Brownlow in Oliver Twist.
Stephenson was educated in Rugby in Warwickshire and started acting in his twenties. He appeared on British and American stages and made his Broadway debut in 1901, playing the messenger in A Message from Mars. In the following decades, he appeared in over 30 Broadway plays. Henry Stephenson made his film debut in 1917 and appeared in a few silent films, but made his mark mostly as an elder man in sound films. Between 1931 and 1932, he appeared in the successful Broadway play Cyanara with over 200 performances. He came to Hollywood for the film version of Cyanara, starring Ronald Colman and with Henry Stephenson in a supporting role.
In the same year year, he played the tycoon C.B. Gaerste in Red-Headed Woman and Doctor Alliott in A Bill of Divorcement. The following year, the English-born actor appeared as the intimidating yet warm-hearted Mr. Laurence in Little Women. The tall, white-haired actor specialized in portraying wise, dignified and friendly British gentlemans in supporting roles. He could be "both imposing and benevolent in his patrician portrayals, usually expounding words of wisdom or offering gentlemanly aid." He appeared overall in 90 films from 1917 to 1951, often as a doctor or professor, general, judge or aristocrat. He often played historical figures like Sir Joseph Banks in the oscar-winnig adventure film Mutiny on the Bounty (1935) and Florimond Claude, Comte de Mercy-Argenteau in Marie Antoinette (1938).
Stephenson worked with film star Errol Flynn in the films Captain Blood, The Charge of the Light Brigade, The Prince and the Pauper, and The Private Lives of Elizabeth and Essex; often as Flynn's paternal friend and superior.
He portrayed Sir Thomas Lancing in Tarzan Finds a Son! in 1939 and playing an entirely different role as Sir Guy Henderson in Tarzan and the Amazons in 1945. He seldom played dark figures, among the exceptions was the snobbish Mr. Bryant in Mr. Lucky in 1943. Stephenson also appeared in literature adaptions, for example as the friendly lawyer Havisham in Little Lord Fauntleroy (1936) and as Mr. Brownlow in David Lean's literature adaption Oliver Twist (1948). He made his last film in 1949, but appeared in two TV-series in 1951 before the end of his career. In 1950, after finishing his role of Cardinal Gaspar de Quiroga in the drama play, That Lady, Stephenson retired from the stage.
He married actress Ann Shoemaker. They had one daughter.
Henry Stephenson died in 1956 at the age of 85 years. He was survived by Ann and his daughter.
Thomas Donald Meek (14 July 1878 – 18 November 1946) was a Scottish-American actor. He first performed publicly at the age of eight and began appearing on Broadway in 1903. Meek is perhaps best known for his roles in the films You Can't Take It with You (1938) and Stagecoach (1939). He posthumously received a star on the Hollywood Walk of Fame in 1960.
Meek was born in Glasgow to Matthew and Annie Meek. In the 1890s, the Meek family emigrated to Canada and then to the United States. By 1900, they were living in Philadelphia where Meek was employed as a dry goods salesman, according to the United States census of that year with Meek later working on stage.
After years on the stage, Meek became a film actor, appearing memorably in several movies including The Adventures of Tom Sawyer, Little Miss Broadway, and State Fair. Before becoming an actor, he fought in the Spanish–American War in the United States Army and contracted yellow fever which caused him to lose his hair. He was cast as timid, worried characters in many of his films, and is perhaps best known for his roles as Mr. Poppins in Frank Capra's You Can't Take It With You and as whiskey salesman Samuel Peacock in John Ford's Stagecoach.
From 1931 through 1932, Meek was featured as criminologist Dr. Crabtree in a series of 12 Warner Brothers two-reel short subjects written by S.S. Van Dine. Meek and Isabella "Belle" Walken married in Boston in a Methodist church on January 3, 1909. By this marriage, the American-born Belle Meek lost her United States citizenship by taking her husband's British nationality. Donald Meek died of leukaemia on 18 November 1946 in Los Angeles, while filming the role of Mr. Twiddle in Magic Town. A prolific film actor in over 100 Hollywood movies during its Golden Age, he received a posthumous star on the Hollywood Walk of Fame. He was entombed in the Fairmount Mausoleum at Fairmount Cemetery in Denver, Colorado.
From Wikipedia, the free encyclopedia
Sidney Bracey (18 December 1877 – 5 August 1942) was an Australian-born American actor. After a stage career in Australia, on Broadway and in Britain, he appeared in 321 films between 1909 and 1942.
Bracey was born in Melbourne, Victoria, with the name Sidney Bracy, later changing the spelling of his last name. He was the son of Welsh tenor Henry Bracy and English actress Clara T. Bracy. His aunt was actress and dancer Lydia Thompson.
He began his stage career in Australia in the 1890s, with J. C. Williamson's comic opera companies. On Broadway, in 1900, he appeared as the tenor lead, Yussuf, in the first American production of The Rose of Persia at Daly's Theatre in New York. He then moved to England, appearing as Moreno in the Edwardian musical comedy hit The Toreador at the Gaiety Theatre, London in June 1901. He next joined the D'Oyly Carte Opera Company on tour in Britain, playing Terence O'Brian in The Emerald Isle from September 1901 to May 1902. He then left the D'Oyly Carte, continuing his stage career in Britain. He appeared in Amorelle at London's Comedy Theatre in 1904, The Winter's Tale in 1904–05, and A Persian Princess at Queen's Theatre in 1909.
Back on Broadway, in 1912, he played as Sir Guy of Gisborne in a revival of Reginald de Koven's Robin Hood at the New Amsterdam Theatre, followed by Rob Roy at the Liberty Theatre in 1913. He then moved into film acting, making first silent films and then "talkies", until his death in 1942. Early in his film career, he wrote and directed a silent movie called Sid Nee's Finish, (Thanhouser Company (1914), in which he played the title character. In 1916, he changed the spelling of his last name to "Bracey". Silent film authority Diane MacIntyre gave this description of him: "Bracey, a stately looking character man, was in big demand for authority like roles; such as movie directors, bosses and, most of the time, the most respectable and poised butler in all of Hollywood. He was thin, dark haired and had an earnest, yet sober, face that could break into a look of wide-eyed exasperation."
Bracy died in Hollywood, California on 5 August 1942, aged 64.
William Stack has been often mistaken as British in the scant bio information available on him - he could imitate many a British accent. He was actually born in Oregon. But like many Americans who wished to become serious stage actors and seeing New York as overly competitive, he went to London as a young man. Not much is known about his career there, but with many theaters (almost fifty) and companies around, the opportunities for a talented young man were there. From the craze for post cards with the subject of photos - and especially those of actors that ensued between about 1890 and 1914, there exist pictures of Stack as Hamlet. So Stack did find initial success, and by 1918 he tried his hand in the budding British silent film industry with not much initial interest - just one film that year and another in 1922, then back to the stage.
But by 1930 Stack was back in America - and not to Broadway (perhaps in a touring company, but at least not on record as a principal), as was a stage actor's usual course. He did end up in early Hollywood sound pictures - those with marginal sound quality - first with Fredric March as the star in Sarah and Son (1930). With a rich stage actor's voice and accents to apply where needed - and appreciated as audio technology improved - he appeared in from four to ramping up to as many as ten pictures per year through the 1930s. Moving into his 50s, bald and dignified, his roles were focused as featured character pieces - assured doctors, lawyers, judges, nobles, and several butlers. He was one of the Crawley clan in Becky Sharp (1935), the first feature-length three-color film. He perhaps gained press from being in one movie of some scandalous notoriety - Tarzan and His Mate (1934) in which Maureen O'Sullivan appeared to swim nude (somebody else in a body stocking). Although he had a few lines as a white hunter, in this and other films (of note, MGM's first and most famous version of Mutiny on the Bounty, 1935), Stack was not credited for his always believable characterizations.
The year 1936 provided Stack with some his most memorable historical roles. He played the French general Montcalm of the French and Indian War in the popular The Last of the Mohicans (1936) with Randolph Scott. The same year he played a much richer character in the film adaptation of the play Mary of Scotland (1936) directed by John Ford. Along with an assemblage of some of the best character actors of Hollywood, Stack played one among a rogues' gallery of self-seeking Scottish lords who included: Robert Barrat, Gavin Muir (another American who spent time in England and was often thought to be British), and Ian Keith. Stack is able to be most Shakespearean, vying in Scottish brogue with his fellow conspirators as the sly Lord Ruthven. Although Stack appeared in many of the best A pictures of the later 1930s, many did not give credit for his great acting skills. There were only a few movies into the 1940s, before he retired - leaving film history all the richer for his screen presence.
Lawrence Wells Steers (February 14, 1888 – February 15, 1951) was an American film actor. He appeared in more than 550 films between 1917 and 1951. He was born in Indiana, and died in Woodland Hills, Los Angeles.
Description above from the Wikipedia article Larry Steers, licensed under CC-BY-SA, full list of contributors on Wikipedia.
