'Ruritania. Incognito president falls in love with incognito queen he deposed.' (British Film Catalogue)
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Dame Florence Marjorie Wilcox (October 20, 1904 - June 3, 1986), DBE, known professionally as Anna Neagle, was an English stage and film actress, singer and dancer. Neagle was a successful box-office draw in the British cinema for 20 years and was voted the most popular star in Britain in 1949.
William Miles Malleson (25 May 1888 – 15 March 1969) was an English actor and dramatist, particularly remembered for his appearances in British comedy films of the 1930s to 1960s. Towards the end of his career he also appeared in cameo roles in several Hammer horror films, with a fairly large role in The Brides of Dracula as the hypochondriac and fee-hungry local doctor. Malleson was also a writer on many films, including some of those in which he had small parts, such as Nell Gwyn (1934) and The Thief of Bagdad (1940). He also translated and adapted several of Molière's plays (The Misanthrope, which he titled The Slave of Truth, Tartuffe and The Imaginary Invalid).
From Wikipedia, the free encyclopedia. Edward Chapman (13 October 1901 - 9 August 1977) was an English actor who starred in many films and television programmes, but is chiefly remembered as "Mr. Wilfred Grimsdale", the officious superior and comic foil to Norman Wisdom's character of Pitkin in many of his films from the late 1950s and 1960s. Chapman was born in Harrogate, Yorkshire, England. On leaving school he became a bank clerk but later began his stage career with Ben Greet's Company in June 1924 at the Repertory Theatre, Nottingham, playing Gecko in George du Maurier's Trilby. He made his first London stage appearance at the Court Theatre in August 1925 playing the Rev Septimus Tudor in The Farmer's Wife. Among dozens of stage roles that followed, he played Bonaparte to Margaret Rawlings's Josephine in Napoleon at the Embassy Theatre in September 1934. In 1928 he attracted the attention of Alfred Hitchcock, who gave him the role of "The Paycock" in the 1930 film, Juno and the Paycock. In the same year he also made an appearance in Caste (of which no prints are known to exist). He had a role in The Citadel in 1938 and appeared alongside George Formby in the Ealing Studios comedy Turned Out Nice Again in 1941. During the Second World War he took a break from acting and joined the Royal Air Force. After training he was posted to 129 (Mysore) Squadron as an intelligence officer. This Spitfire squadron was based at Westhampnett and Debden. The squadron was heavily engaged in combat during this period and many of Chapman's fellow squadron mates were killed in action. Chapman first starred alongside Wisdom in 1957's Just My Luck in the role of Mr. Stoneway, but the next year in The Square Peg he appeared as Mr. Grimsdale for the first time opposite Wisdom's character of Norman Pitkin. In 1960 he and Wisdom acted together again in The Bulldog Breed, playing the roles of Mr. Philpots and Norman Puckle - Mr. Grimsdale and Pitkin in all but name. Wisdom appeared alone as Norman Pitkin in On the Beat in 1962, while Chapman branched out, starring in the Danish folktale Venus fra Vestø, but Grimsdale and Pitkin were reunited for 1963's A Stitch in Time. Their final performance together was in The Early Bird in 1965, Wisdom's first film in colour. In all, he appeared alongside Norman Wisdom in five films. After Sir John Gielgud was arrested for "persistently importuning male persons for immoral purposes", Chapman started a petition to force him to resign from Equity. Sir Laurence Olivier reportedly threw Chapman out of his dressing room when he solicited his signature for the petition. From 1965 Chapman played mostly characters roles on television. His final role was as Mr. Callon for nine episodes of the BBC's seafaring melodrama The Onedin Line between 1971 and 1972. Chapman died of a heart attack in Brighton, East Sussex, England at the age of 75. Description above from the Wikipedia article Edward Chapman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia Reginald Purdell (4 November 1895 – 22 April 1953) was an English actor and screenwriter who appeared in over 40 films between 1930 and 1951. During the same period he also contributed to the screenplays of 15 feature films, and had a brief foray into directing with two films in 1937. Purdell was born in Clapham, London. As a young man he served in the British Army with the South Wales Borderers regiment for the duration of the First World War. On returning to civilian life after the war, he decided to try his luck as an actor and gained experience on the stage through the 1920s. His move into films in 1930 coincided with the advent of the talkie era in British cinema. Purdell's first screen appearance was in the 1930 comedy The Middle Watch, in a role he would later reprise in a 1940 remake. He next travelled to Germany to feature in historical drama Congress Dances, an ambitious and lavishly budgeted project by the UFA film company, involving the simultaneous filming of three versions of the same story in German, English and French in an attempt to prove that a European company could challenge the dominance of American studios in the new era of sound by delivering a continent-wide hit. Purdell soon began to accumulate screen credits in a wide variety of films ranging from cheaply made quota quickies to more sophisticated productions. He showed a knack for playing comedy, and his 1930s films fell mainly into this genre, with occasional ventures into straight drama and thrillers. Purdell's screenwriting career began in 1932 and he was most productive in this field during the late 1930s, with only occasional ventures later in his career. He tried his hand at film directing in 1937 with two comedies Don't Get Me Wrong, a Max Miller vehicle co-directed with Arthur B. Woods, and Patricia Gets Her Man. Both films were reasonably well-received, but Purdell appears to have decided that directing was not for him, as there would be no more ventures in this area. In the 1940s Purdell's acting career diversified, with fewer throwaway comedies and more appearances in high-quality dramatic vehicles. His credits included war dramas We Dive at Dawn and Two Thousand Women, Gainsborough melodrama Love Story, notorious box-office flop musical London Town and the classic Brighton Rock. Purdell's last screen appearance was in 1951 and he died on 22 April 1953, aged 57.
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