Wealthy young socialite Diane Wyman squanders her fortune and becomes involved in a scandalous raid at a wild party. Her legal guardian, a lecherous old man who has the hots for her, hires a private detective to spy on her. He tails her to a train headed for New Orleans, but she catches on to him. She befriends a young woman aboard the train and they both give the private eye the slip. What Diane doesn't know, however, is that that her newfound friend is actually a notorious criminal known as The Moth, and she has her own reasons for helping Diane escape--she, too, is being tailed by a detective, who's after a cache of jewels she's stolen.
01-14-1934
1h 4m
THIS
HELLA
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From Wikipedia, the free encyclopedia
Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
Frederick Alvin Kelsey (August 20, 1884 – September 2, 1961) was an American actor, film director, and screenwriter. Kelsey directed one- and two-reel films for Universal Film Manufacturing Company. He appeared in more than 400 films between 1911 and 1958, often playing policemen or detectives. He also directed 37 films between 1914 and 1920. Kelsey was caricatured as the detective in the 1943 MGM cartoon Who Killed Who? directed by Tex Avery. He was born in Sandusky, Ohio and died at the Motion Picture Country Home in Hollywood, California, aged 77.
To most audiences, Duncan Renaldo will always be identified as film and TV's "The Cisco Kid." However, this role occurred late in his career, which consisted of much more than just this western character. Not much is known about Renaldo's early life. In fact, his date and place of birth is still questioned. The usual given birth date is April 23, 1904. His birthplace has been generally stated as Spain--he has said that his first memories as a child were in Spain--although Romania and even New Jersey have been mentioned as well. An orphan, he never knew his actual parents and was never able to ascertain the exact date and place of his birth. He was raised and educated in various European countries and arrived in the US in the early 1920s as a stoker on a Brazilian coal ship. Entering the country on a 90-day seaman's permit, he stayed when his ship caught fire at the dock and burned to the waterline. A paltry existence as a portrait painter forced him to seek other work, and he somehow found his way into films as a producer of short features, which in turn led to on-camera work as an actor with MGM in 1928. The studio capitalized on his dashing Hispanic looks and initially typed him as a "Latin lover", but it didn't last long. In the early 1930s his career was interrupted when he was arrested and faced deportation due to his illegal immigrant status. The actor was eventually pardoned by President Franklin D. Roosevelt--his wife, Eleanor Roosevelt, had bought one of Renaldo's paintings, looked into his case and persuaded her husband to pardon him. He returned to minor films for both Republic and Monogram, alternating as heroic sidekick and villain. He co-starred as one of the Three Mesquiteers in the revamped film series, and showed up regularly in 1930s and 1940s cliffhangers, including The Painted Stallion (1937), Jungle Menace (1937), Zorro Rides Again (1937), King of the Mounties (1942), Secret Service in Darkest Africa (1943) The Tiger Woman (1944). In 1945 he began the Cisco Kid film series and transferred the character successfully to TV in the early 1950s, with Leo Carrillo as faithful sidekick Pancho. Renaldo made the character clean-shaven and more of a do-gooder than the roguish bandit who actually was in the books. Renaldo retired soon after the series' demise and died years later at Goleta Valley Community Hospital in California of lung cancer in 1980.
