Vicki Wallace takes great pleasure in teasing her husband Tony who takes no pleasure at all in being teased and it isn't long before he ups and clips her on the chin. Vicki's friend and attorney Vernon Thorpe secures a divorce for her, and Vicki and Vernon are soon married. Vicki's yen for wearing revealing clothes and a penchant for inviting ex-husband to dinner soon provokes the easily-provoked Vernon into belting one on her himself. She goes to Tony's apartment, where Tony is entertaining Bonnie, who is not all that entertained by the presence of Vicki, especially after Vicki shows every intent of moving in and staying.
05-19-1934
1h 5m
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HELLA
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Main Cast
Movie Details
Production Info
Director:
Robert Florey
Production:
Warner Bros. Pictures
Key Crew
Editor:
Howard Bretherton
Costume Design:
Orry-Kelly
Assistant Director:
Robert Fellows
Screenplay:
F. Hugh Herbert
Story:
F. Hugh Herbert
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Joan Blondell
Rose Joan Blondell (August 30, 1906 – December 25, 1979) was an American actress.
After winning a beauty pageant, Blondell embarked upon a film career. Establishing herself as a sexy wisecracking blonde, she was a pre-Code staple of Warner Brothers and appeared in more than 100 movies and television productions. She was most active in films during the 1930s, and during this time she co-starred with Glenda Farrell in nine films, in which the duo portrayed gold-diggers. Blondell continued acting for the rest of her life, often in small character roles or supporting television roles. She was nominated for an Academy Award for Best Supporting Actress for her work in The Blue Veil (1951).
Blondell was seen in featured roles in two films, Grease (1978) and the remake of The Champ (1979), released shortly before her death from leukemia.
Description above from the Wikipedia article Joan Blondell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Warren William (born Warren William Krech; 2 December 1894 - 24 September 1948) was an American stage, screen, and radio actor, popular as a film leading man during the early 1930s, and later nicknamed the "King of Pre-Code". He is best remembered for portraying amoral businessmen, lawyers, and other heartless types.
From Wikipedia, the free encyclopedia
Edward Everett Horton Jr. (March 18, 1886 – September 29, 1970) was an American character actor. He had a long career in film, theater, radio, television, and voice work for animated cartoons. Horton began his stage career in 1906, singing and dancing and playing small parts in vaudeville and in Broadway productions. In 1919, he moved to Los Angeles, California, where he began acting in Hollywood films. His first starring role was in the comedy Too Much Business (1922), but he portrayed the lead role of an idealistic young classical composer in the drama Beggar on Horseback (1925). In the late 1920s, he starred in two-reel silent comedies for Educational Pictures, and made the transition to talking pictures with Educational in 1929. As a stage-trained performer, he found more film work easily, and appeared in some of Warner Bros.' early talkies, including The Terror (1928) and Sonny Boy (1929).
Horton initially used his given name, Edward Horton, professionally. His father persuaded him to adopt his full name professionally, reasoning that other actors might be named Edward Horton, but only one named Edward Everett Horton. Horton soon cultivated his own special variation of the time-honored double take (an actor's reaction to something, followed by a delayed, more extreme reaction). In Horton's version, he would smile ingratiatingly and nod in agreement with what just happened; then, when realization set in, his facial features collapsed entirely into a sober, troubled mask.
Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point, and then finally asserted himself for a happy ending. He is best known, however, for his work as a character actor in supporting roles. These include The Front Page (1931), Trouble in Paradise (1932), Alice in Wonderland (1933), The Gay Divorcee (1934, the first of several Astaire/Rogers films in which Horton appeared), Top Hat (1935), Danger - Love at Work (1937), Lost Horizon (1937), Holiday (1938), Here Comes Mr. Jordan (1941), Arsenic and Old Lace (1944), Pocketful of Miracles (1961), It's a Mad, Mad, Mad, Mad World (1963), and Sex and the Single Girl (1964). His last role was in the comedy film Cold Turkey (1971), in which his character communicated only through facial expressions.
From Wikipedia, the free encyclopedia
Virginia Sale (May 20, 1899 – August 23, 1992) was an American character actress whose career spanned six decades, during most of which she played older women, even when she was in her twenties. Over the 46 years she was active as an actress, she worked in films, stage, radio and television. She was famous for her one-woman stage show, Americana Sketches, which she did for more than 1,000 performances during a 15-year span.
Married to actor and studio executive Sam Wren, she co-starred with him in one of the first television family comedies, Wren's Nest, in the late 1940s and early 1950s. She gave birth to fraternal twins, Virginia and Christopher, in 1936. Later in her career she worked on television, and in commercials. She died from heart failure at the age of 93 at the Motion Picture and Television Hospital in 1992.
Leonard Carey (25 February 1887 – 11 September 1977) was an English character actor who very often played butlers in Hollywood films of the 1930s, 1940s and 1950s. He was also active in television during the 1950s. He is perhaps best known for his role as the beach hermit, Ben, in Alfred Hitchcock's Rebecca (1940).
Bert Moorhouse was born on November 20, 1894 in Chicago, Illinois, USA as Herbert Green Moorhouse. He was an actor, known for Rough Ridin' Red (1928), Hey Rube! (1928) and The Woman I Love (1929). He was married to Mary. He died on January 26, 1954 in Hollywood, California, USA.
Dennis O'Keefe (March 29, 1908 – August 31, 1968) was an American actor. He was the son of Irish vaudevillians working in the United States. As a small child he joined his parents' act and later wrote skits for the stage.
O'Keefe started in films as an extra in the early 1930s. After a small but impressive role in Saratoga, Clark Gable recommended O'Keefe to Metro-Goldwyn-Mayer, which signed him to a contract in 1937. His film roles were bigger after that, starting with The Bad Man of Brimstone and Burn 'Em Up O'Connor.
O'Keefe left MGM around 1940 but continued to work in mostly lower budget productions. In the 1950s he did some directing, wrote mystery stories and by the mid-1950s found work on television shows such as Justice, The Martha Raye Show, The Ford Show as well as his own series The Dennis O'Keefe Show.
From Wikipedia, the free encyclopedia
Lester Dorr (born Harry Lester Dorr; May 8, 1893 - August 25, 1980) was an American actor who between 1917 and 1975 appeared in well over 500 productions on stage, in feature films and shorts, and in televised plays and weekly series. His extensive filmography attests to his versatility as a supporting actor and reliability as a bit player. Although Dorr's screen roles are at times credited, the great majority of his work is uncredited. Dorr was cast in more than 250 films in just the 1930s alone.
Dorr continued to appear regularly in studio productions throughout the 1940s, but with reduced frequency when compared to the preceding decade; nevertheless, he still added more than 140 Hollywood films to his résumé in that decade. His work on the big screen decreased even further in the 1950s as acting opportunities increased on television. He was, though, cast in at least 45 feature films and shorts during the 1950s. By the late 1940s and early 1950s, programming in the rapidly expanding medium of television attracted the talents of many experienced personnel in the film industry, including Dorr.
As with his film career, Dorr’s 15 years of being cast in television series consisted predominantly of brief appearances on screen and portraying characters who had relatively few lines. Yet, his characterizations on television, like in films, were highly diverse and can be seen in at least 84 episodes of Westerns, crime and detective series, courtroom and hospital dramas, adventure programs, and sitcoms of the period.
From Wikipedia, the free encyclopedia
Wild Bill Elliott (October 16, 1904 – November 26, 1965) was an American film actor. He specialized in playing the rugged heroes of B Westerns, particularly the Red Ryder series of films. By 1925, he was getting occasional extra work in films. He took classes at the Pasadena Playhouse and appeared in a few stage roles there. By 1927, he had made his first Western, The Arizona Wildcat, playing his first featured role. Several co-starring roles followed, and he renamed himself Gordon Elliott. But as the studios made the transition to sound films, he slipped back into roles as an extra and bit parts, as in Broadway Scandals, in 1929. For the next eight years, he appeared in over a hundred films for various studios, but almost always in unbilled parts as an extra.
Elliott began to be noticed in some minor B Westerns, enough so that Columbia Pictures offered him the title role in a serial, The Great Adventures of Wild Bill Hickok (1938). The serial was so successful, and Elliott so personable, that Columbia promoted him to starring in his own series of Western features, replacing Columbia's number-two cowboy star Robert "Tex" Allen. Henceforth Gordon Elliott would be known as Bill Elliott. Within two years, he was among the Motion Picture Herald's Top Ten Western Stars, where he would remain for the next 15 years.
In 1943, Elliott signed with Republic Pictures, which cast him in a series of Westerns alongside George "Gabby" Hayes. The first of these, Calling Wild Bill Elliott, gave Elliott the name by which he would be best known and by which he would be billed almost exclusively for the rest of his career.
Following several films in which both actor and character shared the name Wild Bill Elliott, he took the role for which he would be best remembered, that of Red Ryder in a series of sixteen movies about the famous comic strip cowboy and his young Indian companion, Little Beaver (played in Elliott's films by Bobby Blake). Elliott played the role for only two years but would forever be associated with it. Elliott's trademark was a pair of six guns worn butt-forward in their holsters.
Elliott's career thrived during and after the Red Ryder films, and he continued making B Westerns into the early 1950s. He also had his own radio show during the late 1940s. His final contract as a Western star was with Monogram Pictures, where budgets declined as the B Western lost its audience to television. When Monogram became Allied Artists Pictures Corporation in 1953, it phased out its Western productions, and Elliott finished out his contract playing a homicide detective in a series of five modern police dramas, his first non-Westerns since 1938.
Elliott retired from films (except for a couple of TV Western pilots which were not picked up). He worked for a time as a spokesman for Viceroy cigarettes and hosted a local TV program in Las Vegas, Nevada, which featured many of his Western films.
