Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.
02-02-1934
1h 18m
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Main Cast
Movie Details
Production Info
Director:
Erle C. Kenton
Writers:
Frank Butler, Claude Binyon
Production:
Paramount Pictures
Key Crew
Executive Producer:
Emanuel Cohen
Dialogue:
Sam Hellman
Producer:
E. Lloyd Sheldon
Locations and Languages
Country:
US
Filming:
US
Languages:
en
Main Cast
Buster Crabbe
Clarence Linden "Buster" Crabbe was an American athlete and actor, who starred in a number of popular screen serials in the 1930s and 1940s.
Ida Lupino (4 February 1918 – 3 August 1995) was an English-American film actress and director, and a pioneer among women filmmakers. In her 48-year career, she appeared in 59 films and directed seven others. She also appeared in serial television programmes 58 times and directed 50 other episodes. In addition, she contributed as a writer to five films and four TV episodes.
Description above from the Wikipedia article Ida Lupino, licensed under CC-BY-SA, full list of contributors on Wikipedia.
From Wikipedia, the free encyclopedia.
Robert Armstrong (November 20, 1890 – April 20, 1973) was an American film actor best remembered for his role as Carl Denham in the 1933 version of King Kong by RKO Pictures. He uttered the famous exit quote, "'Twas beauty killed the beast," at the film's end. Months later, he starred as Carl Denham again in the sequel, Son of Kong, released the same year.
In the late 1950s, Armstrong appeared as Sheriff Andy Anderson on Rod Cameron's syndicated western-themed television series, State Trooper.
Description above from the Wikipedia article Robert Armstrong, licensed under CC-BY-SA, full list of contributors on Wikipedia.
James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).
Gaunt-looking American character actor Frank McGlynn Sr. is best remembered for his many portrayals in 1930s and 1940s historical films of US President Abraham Lincoln. McGlynn began performing on stage in 1896. Prior to that, he had been a practicing lawyer, a graduate of the University of California, Hastings College of the Law.
From Wikipedia, the free encyclopedia
Nora Cecil (September 20, 1878 – May 1, 1951) was a British-American character actress whose 30-year career spanned both the silent and sound film eras. Cecil's career began on the stage, where she appeared in a single Broadway production, The Sleeping Beauty and the Beast, which ran for more than 240 performances at the Broadway Theatre in 1901-02. (A 1930 newspaper article says that Cecil "made her debut, three decades ago, on the London stage.")
Cecil appeared in well over 100 feature films and film shorts.
In 1915, she moved from the stage into films, her first appearance being in a starring role in The Arrival of Perpetua, directed by Émile Chautard. She often played "thin-lipped, stern-visaged dowagers and forbidding mothers-in-law" and "welfare workers, landladies, schoolmistresses and maiden aunts".
One of the most significant roles was in the W.C. Fields vehicle, The Old Fashioned Way in 1934. Some of the other notable films in which Cecil appeared include: Ernst Lubitsch's historical romance, The Merry Widow, starring Maurice Chevalier and Jeanette MacDonald; the 1939 version of The Adventures of Huckleberry Finn, starring Mickey Rooney; the John Ford classic, Stagecoach, with John Wayne.
Her final acting performance was in a featured role in Mourning Becomes Electra in 1947, starring Rosalind Russell.
From Wikipedia
Maurice George Costello (February 22, 1877 – October 29, 1950) was an American prominent vaudeville actor of the late 1890s and early 1900s, who later played a principal role in early American films, as both a leading man, supporting player and a director.
Costello was born in Pittsburgh, Pennsylvania to Irish immigrants Ellen and Thomas Costello. He appeared in his first motion picture in 1905, in which he had the honour of appearing in the first serious film to feature the character of Sherlock Holmes in the movie Adventures of Sherlock Holmes, in which Costello played the title role. He continued to work for Vitagraph, being a member of the first motion picture stock company ever formed, playing opposite Florence Turner. Among some of his best known pictures are A Tale of Two Cities, The Man Who Couldn't Beat God and For the Honor of the Family. After an absence of some years he returned to the screen. He was married to actress Mae Costello (née Altschuk). His descendants include two daughters, actresses Dolores Costello and Helene Costello, a grandson John Drew Barrymore, and a great granddaughter Drew Barrymore. He was one of the world's first leading men in early American cinema, but like a lot of other silent screen stars, he found the transition to "talkies" extremely difficult, and his leading man status was over. However, Costello was a trouper, and continued to appear in movies, often in small roles and bit parts, right up until his death in 1950.
From Wikipedia, the free encyclopedia
Dave O'Brien (born David Poole Fronabarger, May 31, 1912 – November 8, 1969) was an American film actor, director, and writer.
O'Brien was best known to movie audiences in the 1940s as the hero of the Metro-Goldwyn-Mayer comedy short film series Pete Smith Specialties narrated by Pete Smith. O'Brien wrote and directed many of these subjects under the name David Barclay. He also appeared in many low-budget Westerns, often billed as Tex O'Brien. In 1942, O'Brien starred in the movie serial Captain Midnight.
Modern audiences perhaps best remember O'Brien as a frantic dope addict in the 1936 low-budget exploitation film Tell Your Children (better known under its reissue title, Reefer Madness).
As a writer for The Red Skelton Show, O'Brien shared an Emmy Award for Outstanding Writing for a Comedy Series in 1961 and shared a nomination for the same award in 1963.
O'Brien died, aged 57, of a heart attack while competing in a yachting race.
Ann Sheridan, or Clara Lou Sheridan, (February 21, 1915 - January 21, 1967) was an American actress.
She is best known for her roles in the films San Quentin (1937) with Humphrey Bogart, Angels with Dirty Faces (1938) with James Cagney and Bogart, They Drive by Night (1940) with George Raft and Bogart, City for Conquest (1940) with Cagney and Elia Kazan, The Man Who Came to Dinner (1942) with Bette Davis, Kings Row (1942) with Ronald Reagan, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.
From Wikipedia, the free encyclopedia
Lynn Bari (born Margaret Schuyler Fisher, December 18, 1913 – November 20, 1989) was a film actress who specialized in playing sultry, statuesque man-killers in roughly 150 20th Century Fox films from the early 1930s through the 1940s.
Bari was one of 14 young women "launched on the trail of film stardom" August 6, 1935, when they each received a six-month contract with 20th Century Fox after spending 18 months in the company's training school. The contracts included a studio option for renewal for as long as seven years.
In most of her early films, Bari had uncredited parts usually playing receptionists or chorus girls. She struggled to find starring roles in films, but accepted any work she could get. Rare leading roles included China Girl (1942), Hello, Frisco, Hello (1943), and The Spiritualist (1948). In B movies, Lynn was usually cast as a villainess, notably Shock and Nocturne (both 1946). An exception was The Bridge of San Luis Rey (1944). During WWII, according to a survey taken of GIs, Bari was the second-most popular pinup girl after the much better-known Betty Grable.
Bari's film career fizzled out in the early 1950s as she was approaching her 40th birthday, although she continued to work at a more limited pace over the next two decades, now playing matronly characters rather than temptresses. She portrayed the mother of a suicidal teenager in a 1951 drama, On the Loose, plus a number of supporting parts.
Bari's last film appearance was as the mother of rebellious teenager Patty McCormack in The Young Runaways (1968) and her final TV appearances were in episodes of The Girl From U.N.C.L.E. and The FBI.
She quickly took up the rising medium of television during the '50s, which began when she starred in the live television sitcom Detective's Wife, which ran during the summer of 1950, and in Boss Lady
In 1955, Bari appeared in the episode "The Beautiful Miss X" of Rod Cameron's syndicated crime drama City Detective. In 1960, she played female bandit Belle Starr in the debut episode "Perilous Passage" of the NBC western series Overland Trail starring William Bendix and Doug McClure and with fellow guest star Robert J. Wilke as Cole Younger.
From July–September 1952, Bari starred in her own situation comedy, Boss Lady, a summer replacement for NBC's Fireside Theater. She portrayed Gwen F. Allen, the beautiful top executive of a construction firm. Not the least of her troubles in the role was being able to hire a general manager who did not fall in love with her.
Commenting on her "other woman" roles, Bari once said, "I seem to be a woman always with a gun in her purse. I'm terrified of guns. I go from one set to the other shooting people and stealing husbands!"
