Newly arrived in the nineteenth century court of Emperor Francis 1st of Austria Countess Valerie happens to overhear a young pianist and advises him to play with more feeling, for he is playing a piece by Franz Schubert, her favorite composer. Unknown to Valerie, the man is Schubert, and he playfully keeps his identity a secret. Valerie visits Franz the next day, and he teaches her to play the violin part of a new song he has written, and she hopes for romance though he still longs for his lost love Caroline. But as a week passes, he forgets Caroline and returns Valerie's affections. When Franz is evicted, there is much tumult, but he is finally called to court where his music is celebrated, and Valerie and he are reunited.
11-03-1934
1h 12m
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Main Cast
Movie Details
Production Info
Director:
James Tinling
Writers:
Lynn Starling, Henry Johnson, William M. Conselman
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Nils Anton Alfhild Asther (17 January 1897 - 13 October 1981) was a Danish-born Swedish actor active in Hollywood from 1926 to the mid 1950s, known for his beautiful face and often called "the male Greta Garbo". Between 1916 and 1963 he appeared in over 70 feature films, 16 done in the silent era.
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Herbert Mundin (21 August 1898 – 5 March 1939) was an English-born Hollywood character actor. He was frequently typecast in films as an older cheeky eccentric, a type helped by his jowled features and cheerful disposition.
He was born Herbert Thomas Mundin in St Helens, then in Lancashire (now part of Merseyside). His father was a nomadic, Primitive Methodist home missionary. His family moved within a short time of his birth to St Albans in Hertfordshire (the 1901 census data reveal that the family lived at St Helens Villa, Paxton Road, St Albans; his parents William and Jane apparently naming their house after the town where they first met and where Herbert was born).
Mundin was educated at St Albans School, and joined the Royal Navy during World War I. He began his acting career on the London stage during the 1920s. Mundin first travelled to America on 18 December 1923 for a series of theatrical engagements in New York. He sailed from Southampton on the RMS Aquitania and described himself in ship’s passenger manifest as 5'7" tall with a fair complexion, brown hair, blue eyes and a scar over his left eye. His big break as an actor was arguably with Gertrude Lawrence and Beatrice Lillie in Charlot's Revue when it appeared on Broadway in 1925.
In 1931, after working in Australia and London, he permanently moved to the US, where he received a contract with Twentieth Century Fox Studios and enjoyed a successful career as a character actor in over 50 films.
Perhaps his most celebrated role was as Much in The Adventures of Robin Hood (1938), alongside Errol Flynn. Other film appearances included Mutiny on the Bounty (1935) with Charles Laughton and Clark Gable, and MGM's David Copperfield (1935).
He died in Van Nuys, California following a car crash. He was killed instantly when the car in which he was riding collided with another car at a street intersection. The force of the impact threw open the door and hurled Mundin to the street.He received a fractured skull and crushed chest.He was 40 years old. The other occupants of the car were not injured.
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Henry Brazeale Walthall (March 16, 1878 – June 17, 1936) was an American stage and film actor. He appeared as the Little Colonel in D. W. Griffith's The Birth of a Nation (1915). In New York in 1901, Walthall won a role in Under Southern Skies by Charlotte Blair Parker. He performed in the play for three years, in New York and on tour. With the company of Henry Miller he gained recognition on Broadway in plays including Pippa Passes, The Only Way and William Vaughn Moody's The Great Divide (1906–08). His fellow cast member James Kirkwood introduced Walthall to D. W. Griffith, and at the conclusion of that engagement, Walthall joined the Biograph Company.
His career in movies began in 1909 at Biograph Studios in New York with a leading role in the film A Convict's Sacrifice. This film also featured James Kirkwood, and was directed by D. W. Griffith, a director that played a huge part in Walthall's rise to stardom. As the industry grew in size and popularity, Griffith emerged as a director and Walthall found himself a mainstay of the Griffith company, frequently working alongside such Griffith regulars as Owen Moore, Kate Bruce, Lillian and Dorothy Gish, Mae Marsh, Bobby Harron and Jack and Mary Pickford. He followed Griffith's departure from New York's Biograph to California's Reliance-Majestic Studios in 1913. After a few months with Reliance, he joined Pathé for a short period.
He decided to go into the producing business and formed The Union Feature Film Company, the first to be devoted entirely to full-length films. The venture was not successful, however, and he again became associated with Griffith's company.
Given the relatively short length of films in the early years, Walthall frequently found himself cast in dozens of films each year. He gained national attention in 1915 for his role as Colonel Ben Cameron in Griffith's highly influential and controversial epic, The Birth of a Nation. Walthall's portrayal of a Confederate veteran rounding up the Ku Klux Klan won him large-scale fame, and Walthall was soon able to emerge as a leading actor in the years leading up to the 1920s, parting ways with Griffith.
Walthall continued working in films through the 1920s, appearing in The Plastic Age with Gilbert Roland and Clara Bow. He portrayed Roger Chillingworth in Victor Seastrom's 1926 adaptation of The Scarlet Letter opposite Lillian Gish.
Walthall continued his career into the 1930s. After his performance in director John Ford's 1934 film Judge Priest starring Will Rogers he enjoyed a golden period of his career. He portrayed Dr. Manette in A Tale of Two Cities (1935), starring Ronald Colman. In 1936 he appeared as Marcel in The Devil-Doll. He was gravely ill during his final film, China Clipper.
Frank Capra wanted Walthall to portray the High Lama in his 1937 film, Lost Horizon. "Frail and failing, he died before we could test him," Capra wrote.
Walthall has a star on the Hollywood Walk of Fame located at 6201 Hollywood Boulevard.
Lucien Lovell Littlefield (August 16, 1895 – June 4, 1960) was an American actor from the silent film era. Brother of 'Ralph Littlefield. He later made numerous cameo appearances on television series. He died of natural causes in 4 June 1960 (Hollywood, California, USA), and was buried in Glendale's Forest Lawn Memorial Park Cemetery.
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Joseph Henry Kolker (November 13, 1874) [some sources 1870] Berlin, Prussia, Germany – July 15, 1947, Los Angeles, California) was an American stage and film actor and director.
Kolker came to America at the age of five and his family settled in Quincy, Illinois. Kolker, like fellow actors Richard Bennett and Robert Warwick, had a substantial stage career behind him before entering silent films.
On stage he appeared opposite such leading ladies as Edith Wynne Matthison, Bertha Kalich and Ruth Chatterton. Kolker is best remembered for his motion picture appearances and for appearing with Barbara Stanwyck in the ground-breaking Pre-Code film Baby Face (1933) as the elderly CEO of the company whom Stanwyck's character seduces. Another well remembered part is as Mr. Seton, father of Katharine Hepburn and Lew Ayres in the 1938 film Holiday directed by George Cukor.
Kolker entered films as an actor in 1915 and eventually ended up trying his hand at directing. Kolker's best known directorial effort is Disraeli (1921), starring George Arliss which is now a lost film with only one reel remaining. Prints however exist in Europe and Russia.
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Albert De Conti Cadassamare (29 January 1887 – 18 January 1967), professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor.
Born in the village Gorizia (now part of Italy), Conti achieved moderate fame as an actor in American films, but first he specialized in law (high school and law college in Graz) and natural science, and married Patricia Cross. When World War I began, he became an officer. His father was Albert, Ritter Conti v. Cedassamare and his mother was Marie Bernhardine Anna (Countess Caboga) a member of an old Ragusan/Dubrovnik noble family. After his discharge from the Austrian army at the close of World War I, he came to America like many other now-impoverished postwar Europeans from both sides of the conflict.
Conti emigrated to the United States via the Port of Philadelphia in 1919. After settling in the new country, Conti was obliged to take a series of manual labor jobs, his patrician background notwithstanding. While working in the California oil fields, he answered an open call placed by director Erich von Stroheim, who was in search of an Austrian military officer to act as technical advisor for his upcoming film Merry-Go-Round (1923).
A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's Morocco (1930) to the early Laurel and Hardy knockabout Slipping Wives (1927). He appeared in the 1928 silent film Dry Martini as a roué artist. Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.
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James Burke (September 24, 1886 – May 23, 1968) was an American film and television actor born in New York City. He made his stage debut in New York around 1912 and went to Hollywood in 1933. He made over 200 film appearances during his career, which ranged from 1932 to 1964; he was more often than not cast as a cop, usually a none-too-bright one, most notably as Sgt. Velie in Columbia's Ellery Queen mysteries in the early 1940s. He appeared in The Maltese Falcon, At the Circus, Lone Star, and many others. One of his best roles was as Charles Ruggles' rowdy rancher pal in Ruggles of Red Gap.
In the early 1950s, Burke appeared with Tom Conway in the ABC detective drama series then called Inspector Mark Saber -- Homicide Detective, later renamed, reformatted, and switched to NBC under the title Saber of London. From 1960-1961, Burke appeared in the role of Zeke Bonner in seven episodes of the ABC western television series Stagecoach West, starring Wayne Rogers, Robert Bray, and Richard Eyer.
Burke suffered from a heart condition, which took his life at the age of eighty-one.
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Georgia Caine (30 October 1876 – 4 April 1964) was an American actress who performed both on Broadway and in more than 80 films in her 51-year career.
Born in San Francisco, California in 1876, the daughter of two Shakespearean actors, George Caine and the former Jennie Darragh, she travelled with them when they toured the country. Caine left school at the age of 17 to join a Shakespearean repertory company. She made her Broadway debut in 1899 as the star of the musical A Reign of Error. Caine continued to perform continuously on Broadway as a star or featured performer, primarily in musicals, until the mid-1930s, including in George M. Cohan's Little Nellie Kelly, as well as his Mary, and The O'Brien Girls,. She appeared in Franz Lehár's The Merry Widow both on Broadway and in London.
Caine was often written about by theater columnists until the 1930s, when her star had started to fade. She made her last Broadway appearance in 1935, in Damon Runyon and Howard Lindsay's A Slight Case of Murder.
With her stage career fading, Caine took advantage of the advent of talking pictures to change her focus and moved to California to work in Hollywood. In 1930, Caine made her first film, Good Intentions, and in the next twenty years appeared in 83 films, mostly playing character roles – mothers, aunts, and older neighbors – although she occasionally played against type, such as when she was a streetwalker in Camille (1936). Many of her parts were small and she did not receive screen credit for them.
In 1940, Caine appeared as Barbara Stanwyck's mother in the film Remember the Night, which was written by Preston Sturges, and she would go on to become part of Sturges' unofficial "stock company" of character actresses, appearing in seven other films written by Sturges.
Caine made her final film appearance in 1950, at the age of 73, in Kiss Tomorrow Goodbye.
Caine in the musical Adele (1913)
According to Marie Dressler The Unlikeliest Star by Betty Lee, about Caine's friend Marie Dressler, Caine was married to a prominent man from San Francisco by the 1920s, but the book gives no information on what his name was or when or for how long they were married.
Georgia Caine died in Hollywood, California on 4 April 1964, at the age of 87, and is buried in Valhalla Memorial Park Cemetery in North Hollywood, California.
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June Lang (born Winifred June Vlasek, May 5, 1917 – May 16, 2005) was an American film actress. Born in Minneapolis, Minnesota, the daughter of Edith and Clarence Vlasek, Lang originally trained as a dancer in "kiddie revues" and went to Hollywood at the urging of her mother. She made her film debut in 1931 and caught the eye of Darryl F. Zanuck at 20th Century Fox, gradually securing second lead roles in mostly B movies. Noted for her fragile and demure appearance, she was usually cast as the little sister or the heroine's best friend in light comedies and adventure films. She soon graduated to leading roles, most notably in Bonnie Scotland (with Laurel and Hardy, 1935), in The Road to Glory (with Fredric March, Warner Baxter and Lionel Barrymore—written in part by William Faulkner—1936), and in Wee Willie Winkie (directed by John Ford, with Shirley Temple, Cesar Romero, and Victor McLaglen, 1937).
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Wilfred Lucas (January 30, 1871 – December 13, 1940) was a Canadian-born American stage actor who found success in film as an actor, director, and screenwriter.
Wilfred Lucas made his Broadway debut in 1904, playing in both the The Blue Grass Handicap and The Superstition of Sue. Following his 1906 role in the highly successful play The Chorus Lady, he was recruited to the fledgling Biograph Studios by D. W. Griffith.
At the time, the film business was still looked down upon by many members of the theatrical community. In her 1925 book titled When the Movies Were Young, Griffith's wife, actress Linda Arvidson, told the story of the early days at Biograph Studios. In it, she referred to Lucas as the "first real grand actor, democratic enough to work in Biograph movies." In 1908 Lucas made his motion picture debut in Griffith's The Greaser's Gauntlet, appearing in more than 50 of these short (usually 17 minutes) films over the next two years.
In 1910 while still acting, he wrote the script for Griffith's film Sunshine Sue, which was followed by many more scripts by 1924. Lucas also began directing in 1912 with Griffith on An Outcast Among Outcasts, and directed another 44 films over the next 20 years.
In early 1916 he starred as John Carter in Acquitted, about which Photoplay wrote, "No single performance in the records of active photography has surpassed his visualization of the humble book-keeper in Acquitted." Later in 1916 he appeared in D.W. Griffith's film Intolerance.
Part of the group of Canadian pioneers in early Hollywood, Lucas became friends and sometimes starred with Mary Pickford, Sam De Grasse, and Marie Dressler. Canadian-born director Mack Sennett hired him to both direct and act in a large number of films at his Keystone Studios.
Lucas made the successful transition from silent film to sound. While working in Hollywood, in 1926 he returned to the stage, performing in several Broadway plays. He later appeared as a foil for Laurel and Hardy in their feature films Pardon Us and A Chump at Oxford.
During his long career, Wilfred Lucas appeared in more than 375 films. Although for a time he was cast in leading roles, he became very successful as secondary and minor characters, making a good living in the film industry for more than three decades.
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Jed Prouty (April 6, 1879 – May 10, 1956) was an American film actor. Originally from Boston, Massachusetts, Prouty was a vaudeville performer before becoming a film actor. Mostly appearing in comedies, he occasionally performed a serious character role, for instance a small part as an oily publicist in A Star is Born (1937).
